GUILTY FACES
GUN
Gun. From Munster, Indiana. Gun plays Garage/Punk/Blues tinged songs. Gun sort of sounds like The Sonics, and The Black Keys, and The Cramps, but then again, not really. Gun mixes rum and whiskey together (“along with some other shit”) and drinks it. Gun calls it “Riskey”. Gun has had 11 drummers over the years. Gun has an affinity for “shitty speed”. That might be something they use to describe their music. Or they’re talking about drugs. Maybe both. Gun plays their music live. Gun shows are unforgettable. Gun.
GUN HAT
GUNBOX
Gunner’s Daughter began playing music that made sense to them, that had substance and would break down scene stereotypes. They began writing songs wanting to be that current band delivering heartfelt, honest rock. They also wanted to give younger generation the chance to become familiar with the bands that they are immediately influenced by like Hot Water Music, Samiam, Ann Berretta, Avail. Gunner’s Daughter are not breaking new ground or inventing a new sound, they are simply tipping their hats to the forefathers that paved the road before them.
GUNNER’S DAUGHTER
Gunner’s Daughter has been spreading their message of melodic punk rock to the Chicagoland area, having the honor of performing at Chicago area venues as Reggie’s Rock Club, House of Blues, Double Door, Bottom Lounge, and been able to share the stage with National touring acts, Silverstein, Fireworks, The Swellers, Polar Bear Club, Punchline. Gunner’s Daughter has also been out on two regional tours.
Friendships have been forged and unspeakable bonds have been created by these journeymen Bassist Chris Ramos, Guitar/Vocals Chris Behm, and drummer Blake “Bam” Miller. The shared passion of honest, fresh, melodic punk rock amongst Gunner’s Daughter have brought them together and given them the opportunity to add to that legacy. With a full pallet of songs accompanying these troubadours, Gunner’s Daughter eagerly awaits to see where the future will take them. The next chapter in the Gunner’s Daughter story is being written as we speak and the future is looking pretty damn good. See you on tour!!! SFP!!
GIRTH
Groovy goregrind from Ypsilanti, Michigan. Fight riffs, intense blasting, and pitch shifted insanity.
GIT SOME
GK DUO
GLASKO
GLASS TREES
It is fitting that Chicago’s GLC made his first indent on the music world through his guest appearance on “Spaceship”, perhaps the most endearing song on Kanye West’s Grammy-winning debut album, The College Dropout.
GLC
GLC (Gangsta L. Crisis) captured the attention of listeners looking for honesty and integrity in Hip Hop music with one heart-felt guest appearance. Just as much as it was his flow, it was the power in the words he rapped on “Spaceship” that gained GLC an audience and fan base. Now a few years removed from his entrance to Hip Hop’s mainstream, GLC is the epitome of the ism, honor, mackin’ & integrity.
One must wonder how a rapper without any full-length album, and little radio play can manage to pick up two Grammies as well as the respect and admiration of Hip Hoppers across the board? GLC’s formula for doing so is a combination of Life, Love, and Loyalty. GLC is able to connect to listeners both in the streets, as well as professional walks of life by possessing an uncanny display of ism. He says, “When I go into the booth, I don’t have a rap voice, or a rap character that I become. I’m the same G at all times. I’m that man with an interesting life off 87th street who loves woman & spits the rawest of life changing game. I speak to the Cathedral! Come & join the congregation, hustlers, players entrepreneurs, people trying to better themselves are all welcomed.”
GLC has continually bettered himself and his music through hard work and dedication. He found poetry and Hip Hop at an early age, and used both to cope with the passing of his parents. While dealing with the pain, a growing talent presented itself. For years GLC seemed to be caught between two worlds. He worked in clothing stores, while continually hustling in the streets. Throughout this time he also harbored dreams of being a Hip Hop artist, and infused his songs with lyrics that spoke to his people grinding in the streets of Chicago, as well as those working a 9-5. Eventually he decided that music was the best way to accomplish his dreams and he would not let any roadblocks stop his journey towards success.
“As long as you’re talking about the negativity, you’re only attracting more negativity into your life. Stay positive. I was dead broke. I was living in my sister’s basement. All I had was a VS-880 (8-track recorder) but I did 2-3 songs a day,” GLC recalls.
“The way the music was back then, the skill level I’ve acquired over the years, it wasn’t that back then. But it took that to get to where I am now. It took that hard work. It took that perseverance, it took the dedication, discipline, and determination. I wasn’t sitting around complaining about what I didn’t have. I focused on getting what I didn’t have. So, as long as you focus on bettering yourself, that’s what’s going to happen. If you sit around letting your problems get the best of you, you’re not going to make it in nothing. That’s negative. Negativity is not the way. You got to eliminate negative people out of your life.”
That positive attitude is what has led him to become one of the most respected and sought after artists in a city known for its cold temperatures and colder shoulders. A full believer in Karma, GLC chooses to collaborate with artists even if the short-term benefit is small. He reasons, “God has really blessed me to make it this far, and to almost be done with my album. As long as God has blessed me, it’s only right for me to spread those blessings. So that’s why I get in the studio with somebody and they can put ‘featuring GLC’ on the cover of their thing. This might help push what they’re doing, and I don’t see nothing in return. My blessing’s going to come.”
It is only natural for GLC to have that mindset. After all, his blessings started when childhood friend, Hip Hop icon Kanye West, offered GLC a guest appearance on his debut album, The College Dropout. GLC took advantage and delivered a verse that will resonate with listeners for years to come. He followed it up with another stellar performance on “Drive Slow,” from Kanye’s sophomore LP, Late Registration. Since then, GLC has released mixtapes with DJ A-Trak (Drive Slow), DJ Geno (I Ain’t Even On Yet), as well as Sean Mac (Honor Me). All the projects show that he is more than a one-verse wonder. In fact, he welcomes the doubters as they only propel him. “I thank God for the haters. I look at it like this, if everybody doens’t like you, then you’re doing something wrong. If everybody says they love you, you got to question that because someone might be being phony.”
Beyond the haters, GLC is fueled by his own motivations for greatness, and his honor as a man. He says, “I could have been like, ‘yeah. I made it on a Grammy award-winning album,’ and quit. Or, ‘now I’m on two Grammy award-winning albums,’ and quit. I performed all over the world, Staples Center, United Center, Madison Square Garden, I did all that. Abbey Road where the Beatles recorded, I did that. I did so much that I can tell these stories to my grand kids and be like, ‘this was my life and I’m cool.’ But there’s so much more. I want to leave a legacy. I don’t just want to leave memories when I’m gone. I want to live forever. You live through your legacy. I want people to say, ‘you see that building right there? That’s the GLC Foundation.’ When people see my grandkids they say, ‘that’s GLC’s grandkids.’ That means something. That means that I’m still alive because I’m still in your head when I’m dead and gone.”
GLC presents a refreshing alternative in an industry that is quick to stab someone in the back, as well as forget a name. After introducing himself to the world via Kanye West, GLC is ready to take flight on his own accord. And he’s got plenty of room to take his audience with him.
“My album is going to take you to a place, It’s not going to be a listening experience-it’s going to take you to my world. So, whenever you feel like you’re in a certain mood and you want to escape all your problems, although you’re still going to have to face that reality at the end of the day, whenever you need a simple escape, that’s when you put my CD in. My album will make you laugh, it will make you cry and it make you feel unstoppable! You will be inspired to get it, being what ever you desire! “
GLEN KAISER BAND
GLITTER BONES
GLITTERMOUSE
GLOCCA MORRA
GMG
GO CRASH AUDIO
GO LONG MULE
GOAT RODEO
THE GODDAMN GALLOWS
The Goddamn Gallows formed in 2004 by founding members and Lansing/Detroit natives Mikey Classic on guitar and vocals, Fishgutzzz on upright bass, and Amanda Kill on drums -replaced by current drummer Uriah Baker (aka; “Baby Genius”) in 2006. The trio started out migrating around the West for a time, holing up in Hollywood squats and squalid apartments, before releasing several albums: The Gallows EP (2004), Life of Sin (2005), and Gutterbilly Blues (2007), and finally hitting the road nearly full-time to establish their presence in the psychobilly-country scene while honing their self-described “twanged-out punk rock gutterbilly”. In 2009 the addition of Avery, a fire-breathing, accordion and washboard player, as well as Jayke Orvis (formerly of the .357 String Band) on mandolin and banjo, prompted The Goddamn Gallows to explore many new directions with their songwriting and in their live performances. As evidenced on their most recent 2009 album, Ghost of The Rails, and as witnessed by their spectacular and tireless live shows, The Goddamn Gallows began to forge a path founded on their very own brand of contagious primeval abandon: an unpretentious and from-the-gut carnivalesque smorgasbord of parts old time revival, circus sideshow, and good old-fashioned rock and roll. The result falls dead center into a head on collision between something like a Western honky-tonk impromptu parking lot rodeo, and Suburbia (the 1983 Penelope Spheeris cult classic film, not the location).
GODS GUNS
GOES CUBE
GOLD
GOLD FRONTS
GOLD SOUNDS
GOLIATHON
“In an age of quantized, compressed, volume-leveled, digitized, music, it’s great to see a band fall back on the spirit of pushing the envelope, throwing out the click track, playing by feel, and creating something truly organic and heartfelt.”
-Darrin Snyder, IndyInTune
GONDO
GONZO VIOLENCE
Noise/Blur Core from Deklab, Illinois
GOOD OLD WAR
GOODBYE SATELLITE
GOODNIGHT LA
GOODY BISHOP
GABRIEL LYON
GAGGIE
GALAPAGOS NOW
GALAXY DOWN
GALLOWS
GAMA BOMB
GAMA BOMB are Ireland’s premier speed thrash band.
GAMA BOMB’s fourth album The Terror Tapes will be released in April – May 2013 on AFM Records.
Their last album, 2009’s Tales from the Grave in Space, was the first ever album released for free by a signed band.
They like movies and drinking.
GAND’S PRO BLUES JAM WITH THE BLUE TRUTH
GANON
GARAJ MAHAL
GARBAGEWATER
GARRET SANTORA
GARY GAND’S PRO BLUES JAM
GARY YERKINS
GAZELLES
GBH
formed late 1979 GBH have been described as one of the forerunners of the UK82 sound and an influence on bands as diverse as metallica,queens of the stone age,rancid,slayer,anthrax,nirvana,and a host of younger punk bands. they have continually recorded albums and toured worldwide since they started. currently writing songs for the follow up to 2010`s Perfume and Piss cd on Hellcat records. dates are being added to their touring schedule regularly
GEHENNA
GEMINI CLUB
GEMINI MARS
GENERAL BASTARD
Hailed by many as the guitar hero of our era General Bastard and his band mates have wowed audiences and built a loyal fan base all across the United States with their blend of Surf Thrash. General Bastard also starred in and wrote/performed music for the now cult classic horror film Thankskilling which has been available on every major cable system in the U.S, not to mention a top rated film on Netflix and Hulu and has built up a huge cult fan base. General Bastard also plays guitar with legendary shock rock band The Mentors as Licks Alotopus.
Decked out in camouflage and Luchador mask the General amazes audiences with his guitar acrobats playing songs and solos over the neck of his guitar and displaying an ability to play one handed solos using only his pickhand tapping on the fretboard with his fingers.
General Bastard also shows a diverse range of influences with songs ranging from Punk & metal to straight up surf music that would make Dick Dale himself proud and a knack for covering television theme songs such as The Jefferson’s, Laverne & Shirley, King of the Hill and many others.
General Bastard songs are also filled with humour that hasn’t been seen since the likes of Frank Zappa. Metal Maniacs magazine said this about General Bastard “Combining hilarious thought provoking original material alongside your
favorite TV themes songs like Laverne & Shirley & Gilligans Island among others. The General will have you laughing and singing along all night long!
He’s not politically correct, he hates sissy rockers Like Scott Stapp & Creed, He sings about how “Emo Must Die” and “Simon Cowell is Fucking With Me” and other tender nuggets like “I Hope You Have a Heart Attack & Fucking Die”.
Part Big Time Wrestler, Part Bastardized General, Part Professional Pervert The General says the things we’re all thinking, but are too afraid to talk about just in case big brother is scantering about.”