MAY QUEEN

MAYOR FOR LIFE

MC FRONTALOT

Mdc

MDC

MDC (Millions of Dead Cops) is an American punk rock band formed in Austin, Texas in 1981. The band was subsequently based in San Francisco, California, and are currently based in Portland, Oregon. Originally formed as The Stains before changing their name, the band also changed their name to a different initialism of MDC with every new record released. They play fast hardcore punk music espousing far-left sociopolitical ideals, with singer Dave Dictor expressing his animal rights, gay rights, transgender rights, pro-racial equality and anti-capitalist convictions.

MDC eventually released material through ex-Dead Kennedys singer Jello Biafra’s independent Alternative Tentacleslabel. In the 1990s, Dictor published editorials for the internationally distributed fanzine Maximumrocknroll. MDC’s initial run ended in 1995, and the band spent five years on hiatus before Dictor returned in 2000 with new band members.

ME AND THE DEVIL

Formed in the spring of 2009 Me and the Devil quickly became known for putting on a great live show. Mixing traditional country and blues with there own original material they’ll either make you get up and dance or cry in your beer

ME AND TIM

ME MYSELF AND RHYME

MEA CULPA

MAKERS OF SENSE

MAKESHIFT PRODIGY

.::makeshiftprodigy
A manifestation of pure expression.

“This is something different. This is the music people live to.” …With heart-wrenching emotion, and epic-anthemic choruses their sound can captivate a listener from the first note to the last. Makeshift Prodigy takes a live show to the next level and thrives on making the listening/viewing experience to be simply one of the best evenings of their fan’s lives and yet an unforgettable & incomparable experience. With energy and emotion Makeshift Prodigy takes the listener to another state of mind by creating music that is not just what everyone else is doing, but what comes from the soul of the musicians to the soul of the listener. Their explosive choruses and laid back, smooth flowing, melodic vocal style make for an intensely beautiful, energetic, and memorable live experience that the listener can take home with them to embrace the powerful message this band has to give…

 

Making Movies

MAKING MOVIES

Making Movies is a psychedelic Panamanian band that makes American music with an asterisk: because Making Movies’ sound encompasses the entirety of the Americas. It’s through this broader perspective that Making Movies crunches classic rock into Latin American rhythms — African-derived percussion and styles like rumba, merengue, mambo and cumbia — in a way that feels oddly familiar, yet delivers the invigorating chills of hearing something singularly special.

Over the course of their career, the quartet has turned heads as a Tiny Desk newcomer (with “A La Deriva”), a voice for immigrant rights (with “I Am Another You” which reached #3 on Billboard’s Latin Pop Album chart), and as a co-writer alongside salsa icon Rubén Blades (with Latin GRAMMY nominated song “No Te Calles”).

Making Movies has toured extensively, appearing with the likes of Arcade Fire, Rubén Blades, Los Lobos, Hurray For the Riff Raff, Bomba Estereo, Galactic, Flor De Toloache, and Thievery Corporation. The band’s fourth album XOPA was just released on L.A.-based label Cósmica Artists.

MALADICTO

Malas

MALAS

Forged in 2000, MALAS have been conjuring their brand of skull thrashing METAL. Members from the 1990’s bands MALDICION & LORD BLASPHEMER have maintained the bone crushing Chicago sound influenced by CELTIC FROST, SLAYER, SODOM, etc. “Their live show is an assault to the senses. Blasting & thrashing a fierce attack of death metal”. In 2004, they released a three song sampler which was the catalyst to the full length cd titled “Conquest.” The 2005 release was done with three Indie labels, Sempiternal Productions, Utterly Somber Creations and MALAS’ own Maldito Records. The second demo titled “King of Thieves” was released in 2010. Our second full length release, “Path to Holocaust”, blisters its way through Hell and back. This record was made possible by the efforts of Utterly Somber Creations and Maldito Records. “Path to Holocaust” is available now! We invite you to check out our live shows, music and website. If you would like to book the band for a show or purchase a cd or shirts, please contact us. email: maldicion@msn.com

MALDROID

MALIKON

MAMA’S LOVE

MAMBA NEGRA

MAN/DROID

MANBIRDBELLY

manbirdbelly is comprised of five friends, living too far away from each other, making music on a regular schedule.

MANIC SEWING CIRCLE

MANSIONS

MANTIK RITUAL

MANUFRAQTURE

MANYOURHORSE

MAPS AND ATLASES

MAR CARIBE

MARA

We are a metal/post-hardcore/experimental band from the southside of Chicago. Formed in the summer of 08, with Fern, Walter, Stevematt and Jimmy. Recently Stevematt left the band so we then added Guerro to take over. Then we decided to add Paco to do keys/synths. With a new line up we are pretty much branching off into other genres. Expect something way different but still brutal!!

Marbin

MARBIN

MARBIN is a progressive jazz-rock band based in Chicago, IL, with a unique story that stands out in today’s music world. With a do-it-yourself approach, Marbin started touring extensively in 2011, bringing their original instrumental music to every part of the United States. Through word of mouth, Marbin has gained hundreds of thousands of devoted fans all over the world and has sold tens of thousands of albums. Marbin has released eight albums: Marbin (2009), Breaking the Cycle (2011), Last Chapter of Dreaming (2013), The Third Set (2014), Aggressive Hippies (2015), Goatman and the House of the Dead(2016), Israeli Jazz (2018), and Strong Thing (2019). Marbin regularly plays in clubs all over the US and in jam and jazz festivals around the world.

MARDUK

An unswerving commitment to blasphemy and extremity combined with a relentless touring schedule and a steady stream of recordings has helped establish Sweden’s Marduk as one of the better-known bands on the Scandinavian black metal scene. They began as more of a standard death metal band with a black metal influence, but have come to be known for their style of extreme black metal, which tends to focus on themes of warfare and anti-Christian sentiment and is characterized by relentlessly fast drumming and blurred walls of guitar.

MARGARET MURPHY

Currently a senior at Chicago State University majoring in Jazz Piano and Classical Voice, Margaret, affectionately known as “M & M” to her musical family, has been singing professionally throughout the United States and Europe for over twenty-five years. She developed her unique vocal style and showmanship under the tutelage of world renown tenor saxophonist Von Freeman with whom she shared the stage at the Taste of Chicago, The Chicago Jazz Festival, Andy’s, Pete Miller’s, Pops, The Jazz Showcase, and many other venues.

 

MARIBELLE

MARK HUFF

MARK LAVENGOOD

MARK MALLMAN

MARK MINELLI

MARK SHIPPY

MARK THE KNIFE

MARKY AND HIS AQUAHOLICS

MARS

MARSEILLES

MARTHA BASSETT

MARTIN ATKINS

I’ve been in a bunch of bands: Pigface, The Damage Manual, Killing Joke, and PiL. I performed with Ministry and Nine Inch Nails. I’ve had my label, Invisible Records for the last 20 years and I wrote a book on the business of Touring called Tour:Smart. I have four kids and a lovely wife.

MARUTA

MARY MAGDALAN

MAS TRUENO

Mad Caddies

MAD CADDIES

Formed in Santa Barbara, California, in 1995, the Mad Caddies quickly emerged as a unique force in the music scene with their original name “The Ivy League”. Known for their energetic blend of ska and punk rock, they add unique touches of reggae and jazz to create a distinctive and catchy sound. The band’s debut album, “Quality Soft Core,” released in 1997, marked the beginning of a series of successful albums, including fan favorites like “Duck and Cover” and “Keep It Going.” Over the years, the Mad Caddies have evolved, but their music always remains lively and engaging. Famous for their dynamic and party-like live performances, they have garnered a loyal fan base worldwide. The Mad Caddies continue to be celebrated in the ska and punk music circles, known for their unique sound and exhilarating shows.

MAD HAPPY

MAD MINUTE

MADBALL

MADBALL – For the Cause 2018

Maintaining urgency, authenticity and integrity has never been an issue for New York City’s hardest, and hardest working band, Madball. Twenty-five years along as a recording and touring entity, MB brings forth its ninth aural chapter, For the Cause; a signature collection of lionhearted, groove-laden, street-level New York Hardcore as only Madball can bring it.

The aptly titled album doesn’t so much revisit where the group has been since 1994 – although Madball released its first EP, Ball of Destruction as a virtual Agnostic Front side-project back in 1989 – but forges forward and represents where the fellas find themselves collectively and personally a quarter-decade down the road. 

Throughout the band’s storied history, Madball has asserted its mission; carrying forth a simple yet righteous cause, and this time around, they’ve chosen to define that cause more succinctly than ever before. Tornadic vocalist/front man Freddy Cricien explains, “If you’re not fighting for a cause, you’re not participating in life. Simple as that. Speak up, fight, educate yourself, make a difference and make sacrifices for what’s important to you.” Words to live by.

For the Cause sees the return to the fold of guitarist Matt Henderson, who hasn’t appeared on a Madball album since 2000’s Hold it Down, for which Henderson also served as producer. “To have him record with us again was really special” offers Freddy. He adds, “Matt’s been playing ‘commemorative’ shows and tours with us on-and-off over the years, so, obviously, the love and friendship is there. He’ll always be an honorary member… A Madball lifer.”

Unique to this album is the stellar production work by Rancid’s Tim Armstrong, who clearly helped express Madball’s distinctive voice powerfully and dynamically without stepping on the trademark formula the band has forever carried, yet constantly seeks to improve upon. “It’s a tricky thing, producing. You can truly enhance something, but you could also ruin a record if a band lets you” says Cricien. Freddy continues, “Tim has always respected our band and how we do what we do. He knew we had a vision for how this album should sound, so he let us do our thing, but was there every step supporting and cheering us on. Whenever he did chime in, it was well thought out and he made strong suggestions. He even helped write the hook on ‘For You.’  He was there for us in a non-meddlesome role, which for this particular record, was the best-case scenario.” Danish studio veteran Tue Madsen (Meshuggah, Dark Tranquility, Sick of it All) skillfully handled mixing duties on For the Cause.

Also, noteworthy on For the Cause are the various cameo appearances by some of Madball’s friends, as well as several artists with whom the group shares a mutual respect; namely Psycho Realm’s Sick Jacken on the track “Rev Up,” The Business’ Steve Whale and producer Armstrong on “The Fog,” plus legendary emcee Ice-T on the hardcore banger “Evil Ways.” Freddy discloses, “Jacken is our homie. He just came through to say what’s up and check out the spot and I happened to be recording ‘Rev up.’ He was really digging the song and just freestyled. It really drove the message of the song home. As for Ice-T, he added a good flavor to ‘Evil Ways.’ It was a real honor to work with someone I’ve been following and have respected since I was a kid. He genuinely supports our band and the scene we come from. Tim and Steve jumping on The Fog’ happened organically like everything else with this record.” The UK Oi! legend provided the spoken intro and a guitar lead to the street punk tinged anthem.

What’s maybe most notable on For the Cause is its various twists and turns both musically and vocally to keep Madball’s brand of NYHC fresher than it has ever been. Freddy presents, “How do you grow as a band or as a person if you don’t take chances? We feel obligated to ourselves and everyone else to evolve, at least somewhat. We took more ‘chances’ on this record than on any previous one, and we’re happy about that! We’re proud that it’s still very much us; it’s real and honest. There is plenty on there to satisfy the people that support us from every era of this band.”

As for Madball’s astounding longevity in the hardcore game: “We don’t know how to do anything else at this point. We raise our families to the best of our ability; we do Madball to the best of our ability… So far so good, and we don’t feel that we’ve reached our full potential in either of those areas just yet.” 

MADELINE

MADRHYMES

MAE

MAGGOT TWAT

Two idiots and a puppet drummer named dickpancakes. This is the most awesomely stupid metal band in the universe. Formed in 1998 by brothers Pete and Dan Manzella, (Piz ‘n’ Spam Manwhat). Maggot Twat returns to make you piss yourself.