SIGNAL

SIGNALBOX

SCREECHING WEASEL

Formed in 1986 by acerbic front man Ben Weasel, Screeching Weasel immediately set out to provoke. In their early days the band was known as much for Weasel’s on-stage diatribes and battles with audience members as their music, but with the release of 1991’s My Brain Hurts they helped to usher in the pop-punk explosion, and have remained at the forefront of the genre ever since. In a career punctuated by internal friction and break-ups, to say nothing of their run-ins with promoters, label owners, other musicians and the press, Screeching Weasel has inspired countless bands with their infectious, hook-laden songs; Blink-182 and the All-American Rejects cite Screeching Weasel as an influence and Green Day’s Mike Dirnt (who played on the band’s 1994 How To Make Enemies And Irritate People) sports a Weasel head tattoo on his arm.

Ben Weasel, the only remaining original member and the only constant amidst dozens of lineup changes, sums up the band’s notoriety by noting “You can’t worry about making friends or alienating people. You’ve got to be your own man no matter who it upsets. That’s the only way to make music of any lasting value.” More than a quarter of a century on, the band continues to court controversy while seemingly effortlessly cranking out new pop-punk gems. “My goal,” says Weasel, “was always to put the crowd in a position where they didn’t know whether to boo us or start dancing.” Screeching Weasel continues to win over fans both old and new with each new release; none of their 11 studio albums have ever been out of print and their latest release, the 7-song EP Carnival Of Schadenfreude, finds the band as cantankerous and tuneful as ever. The newest lineup of Screeching Weasel is on the road and working on new songs, and will be for years to come if Weasel has his way. “Screeching Weasel is never breaking up again,” he says. “The band dies when I do.”

New songs out now on iTunes and Spotify

SCROUGE

SCUBA NINJAS

SEA GREEN AND THE MULTICOLOURED MIRRORS

SEAN HAEFELI

SEAN McARDLE

SEAN PRICE

SECONDHAND DESTRUCTION

SECRET AGENT BILL

SECRET LIVES OF THE FREEMASONS

SECTION 4

SEED LOVE

SEEKING

SEMI PRECIOUS WEAPONS

SENECA

SEPPUKU SURVIVOR

SEPTEMBER MOURNING

September Mourning is a dark culture fantasy based on a graphic novel (Top Cow/Image Comics) created by singer, Emily Lazar (September) and comic legend, Marc Silvestri. Over the past year, the band has released three singles (Wake The Dead, Kill This Love, Falling Awake) through standard media platforms and a new single (Dirty) exclusively through a generative project collaboration with NFT Media Box (September’s Monsters). This generative drop is the follow-up to NFTs that Lazar minted and released in early 2021.
Lazar and September Mourning hold the prestigious accomplishment of being the first female-fronted hard rock/metal band to successfully mint and sell NFTS, reaching #17 on the Opensea.io music charts. In 2022, September Mourning will partner with Crypto.com to release Soul Collection NFT Cards and Async.art to release a generative/programmable project.
September and her band of Reapers is comprised of: Emily Lazar Rich Juzwick (former Gemini Syndrome) Kyle Mayer (former 10 Years) Aaron Hoover (former Sea of Treachery)

SEQUOIA

SERATONIN TELEGRAM

SERENDIPITY PROJECT

SERENGETI

SETOFF

SETTING SUN

SETTLE

SEVEN DAY SONNET

SEX BUNKER

SEX SLAVES

SEXUAL FREEDOM

SF REVOLTS

SHADES OF SOUND

SHADOW GOVERNMENT

SHADOWS ON A RIVER

SHAI HULUD

Shai Hulud is an American hardcore punk band. Originally formed in Pompano Beach, Florida, the band later moved to Poughkeepsie, New York. The band is named after the giant sandworms in Frank Herbert’s novel Dune.

The two mainstay members of Shai Hulud are considered to be Matt Fox (guitar), who writes most of the band’s musical and lyrical output, and Matt Fletcher (originally guitar, now bass), who assists in writing.

SHALA.

SHAME THAT TUNE

SHANGHAI THRILLS

SAMUEL LOCKE WARD

SAMUEL LOCKE WARD -VS- MANHORSE THE MEATBAG

SAMUEL LOCKE WARD & THE BOO HOOS

SANAWON

SANDERS.

SANGRE DE ABAJO

SARAH DONNER

SARAH VONDERHAAR

SASKROTCH

SASQUATCH & THE SICK-A-BILLYS

SATELLITES OVER STALINGRAD

SAVIOURS

Saviours are a heavy metal band from Oakland, California in the United States. We formed in September 2004 and have released four albums and seven EPs and we have played some shows in 21 countries on Earth.

KIM SIMMONDS & SAVOY BROWN

Legendary…a blues/rock institution…true innovators. These are just a few of the ways Savoy Brown has been described over the past forty years by music critics and fans.

One of the earliest of British blues bands, Savoy Brown, with founder guitarist Kim Simmonds at the helm, helped launch the 1967 UK blues boom movement that brought blues music back to the USA invigorating the style forever. In the process, the band became part of the framework that launched the rock and roll music of the 1970’s. Their influence now stretches into modern rock as we know it today.

The band recorded their first singles for Mike Vernon’s Purdah label in 1966 and quickly followed up with the landmark album “Shakedown”. Singer Chris Youlden joined the band in 1968 and many classic records appeared with songs such as “I’m Tired” and “Louisiana Blues” becoming radio staples. Blues-rock and boogie music always was the band’s calling card and they captured, forever, the spirit of the music on the live side of “A Step Further” (1969) with a twenty-minute boogie “The Savoy Brown Boogie” dedicated to fans in Detroit.

By 1971, Youlden had departed on a solo career and band members Dave Peverett, Roger Earle, and Tony Stevens had left to form their own group Foghat.

Kim Simmonds rebuilt the band using former members of the blues band Chicken Shack and vocalist Dave Walker. That year, “Street Corner Talking” brought the band its best chart success up to that date. “Tell Mama”, “Street Corner Talking”, “All I Can Do Is Cry” and the band’s funky re-make of the Motown classic, “I Can’t Get Next To You”, took the band to platinum status and placed them in front of wildly enthusiastic rock audiences in arenas all over the world.

After the successful run of the early to mid 70’s, Kim moved operations to the USA and continued making the kind of records he wanted to make with a succession of line-ups. Records as diverse as the acoustic blues “Slow Train” to the hard-hitting “Rock And Roll Warriors” appeared. All were eagerly accepted by the fans.

A three record deal with Crescendo in 1987 took the band into more of a rock direction, with records such as “Live ‘n’ Kicking” placing the group in a live setting, one in which they have always excelled.
In the ’90’s, “Let It Ride” was released and then turning things around in 1994, Kim enlisted Pete McMahon for vocal and harmonica duties and ex-Robert Cray drummer Dave Olsen to record “Bring It Home” for Viceroy. This set the tone for the next five years.

Following on, Nathaniel Peterson was brought in to handle the bass playing and singing. After touring the world extensively for three years, in 1999, “The Blues Keep me Holding On” was released on Mystic Music. This modern blues record brought the band’s epic music journey full circle.

With new goals in mind, Kim Simmonds took over the front singing duties in 2001and the 2003 Blind Pig release “Strange Dreams” was a hit with critics and fans alike and Kim, as front man vocalist, fitted the times perfectly. Changing into a three piece classic blues/rock outfit in 2006 and still doing double duty as guitarist and vocalist, Kim released the bands 30th album “Steel.”

In 2009, after nearly a decade of singing lead vocals and wanting to concentrate once again on his guitar playing, Simmonds brought in Joe Whiting as lead singer. The band thus became a four piece aggregation with Garnet Grimm on drums and Pat DeSalvo playing bass. The new changes coincided with the release of a retrospective album “Too Much of a Good Thing” that covered the years1992-2007.

From London’s Soho night clubs in 1966 to headlining the world’s most famous venues (Carnegie Hall, Fillmore’s East and West, Cobo Hall, etc) Savoy Brown has done it all and as the band continues to tour worldwide they give a glimpse into the past and also inspire new listeners with their personal brand of rocking boogie, blues and rock.

SAWBUCK

In 2008, Sawbuck began as the vehicle for Chicago singer/songwriter Kevin Sullivan to document some of the many song ideas which he had backlogged over time. Very quickly, the band began to build momentum and for two years Sawbuck played many of the familiar Chicago Rock Clubs (Martyrs, Double Door, Bottom Lounge, FitzGerald’s, etc.) With musical influences ranging from Rock and Country, to Punk and Roots Music, the end product is a hybrid of many styles. Roots Rock Country Folk Punk anyone? After playing the Chicago Country Music Festival (Millennium Park), in August of 2010, three of the founding members of Sawbuck left to from the Soul band, the Congregation. Approximately one year later, Sawbuck is getting ready to re-emerge with a fresh coat of paint, new songs, new members, and a slightly different, more electric, sound.

SB

SCAR SYMMETRY

SCARLET OAKS

SCARLETT

SCARY KIDS SCARING KIDS

SCENIC ROUTE