THE BOOM BANG

COLLECTORS

Collectors are a four piece from Chicago, consisting of Michael Mazza (lead vox, rhythm guitar), Kurt Neuswanger (bass, vox), Big Red Prester (drums) and Scott Tuccori (lead guitar, vox). With influences such as Blur, The Replacements and Cheap Trick, their sound is the optimum intersection of indie rock and power pop, delivered with the energy of punk.

Hellbound Glory

HELLBOUND GLORY

As their name alludes, Hellbound Glory is well on their way to proving they are a force to be reckoned with in the country music. Fusing superior song writing and hard living characters with a hard-edged country honky tonk sound. The group is known for its instrumental dexterity, while vivacious frontman Leroy and his compadres are also notorious for their down-home, good-old-boy attitude. This type of attitude and song writing chops, to back it up, have won over fans far and wide. Whether they are playing in front of two hundred or two thousand, Hellbound Glory delivers on their performance and leaves audiences begging for more as they envelop the crowd with Leroy’s powerful story telling and showmanship.

Throughout the mid 2000’s, Hellbound Glory began defining their indie Americana sound, before that was even a genre. They were moderately successful, but they never had a breakthrough hit on the country charts. But the new album “Damaged Goods” is set to change all that. Hellbound Glory knew there was an audience for Real Country and they stuck to their guns writing and recording songs full of grit, character and about problems facing rural America.

CHEATIN HEART

HENCHMEN

Henchmen are doing the dirty work of bringing real rock and roll back to the forefront of todays stale, cookie cutter, music scene. Their sound is as hard hitting and ruthless as their name implies. Drawing from a never ending list of musical influences, Henchmen have created a sound that exudes nothing but pure rock, with no rules or boundaries. …Isn’t that the way rock n roll should be?

The Limit Club

THE LIMIT CLUB

Dark, rocking, gloomy, energetic, frantic, good-looking, humble, and certainly worthy of your hard-earned money. 

Truckfighters

TRUCKFIGHTERS

If you are interested in groovy, stoner-influenced, progressive and melodic hard rock you probably know about Truckfighters already. “The best band that ever existed” as Josh Homme said in the 2011 “fuzzomentary” Truckfighters. You might also know the story about how Niklas ‘Dango‘ Källgren teamed up with bassist and vocalist Oskar ‘Ozo’ Cedermalm in a worn down rehearsal space in Örebro, Sweden in 2001 and how the first song they ever recorded, Desert Cruiser, since then has gone on to become a desert rock anthem. You probably also know that the band itself has gone on to release five full length albums and played sold out shows on four continents. Truckfighters have become a fundament in the ‘stoner rock/metal’ sub-genre with fans all over the world enjoying the crazy live shows and the fuzzy sounds… After more than 20 years as a band it is safe to say the touring is less frequent than the most intense years of the band. Just as safe as is it to say that the shows will be better than ever and as always with a hell of a fuzzy sound! If you can’t get enough check out Mr.Dango’s other project ENIGMA EXPERIENCE 🤘

Valley of the Sun

VALLEY OF THE SUN

Ryan Ferrier-Guitar/Vocals
Aaron Boyer-Drums
Chris Sweeney-Bass and Keys
Josh Pilot-Guitar

WAR BRIDES

ABBI RAJASEKHAR

Abbi Rajasekhar has been performing music for as long as she can remember. When she first began singing for audiences she was barely strong enough to hold the microphone by herself. Abbi really began writing her own music while she was in highschool and self released her first full length album, Anywhere, when she was 18 years old. Since then she moved to Chicago and has never stopped performing. In 2007 she put out her sophomore full length release, Make Sure. With this album she has toured all over the Midwest and East Coast charming audiences with her unique, soulful voice and relevant, poignant lyrics. The buzzing of crowds across in bars across the country have faded to silence as audiences become wrapped up in the passion of her heartfelt story telling ballads and the intimacy of her performance. In March of 2011, Abbi released a 7 song EP, The Living Room which has been one of the most rewarding projects Abbi has ever worked on. Over the years many of Abbi’s favorite and most memorable performances have been house shows. When fans have become friends and opened up their homes and their living rooms for intimate, truthful nights of music. The Living Room was recorded and produced with these house shows in mind in an attempt to replicate those small wonderful shows. One undeniable quality of any of Abbi’s performances is the joy and gratitude bursting out of her as she sings. She is so thankful for every opportunity to sing and for every new person she gets to meet at her shows that as you watch her performance you are watching her slowly fall in love with everyone in the room. In August of 2011 Abbi is incredibly excited finally be releasing her 3rd full length album, The Young Adult. This album is a huge step for Abbi and she can’t wait for everyone to fill their ears with it.

THE CONSONANCE

The Consonance formed in the winter of 2008 in Edmonton, Alberta. There they embraced their disparate influences, recognized their common creative instincts, and agreed to explore music on their own terms.

The strength of The Consonance’s sound is their synergy: their music seems to be denser than only six voices. What results is an inspired blend of impressionist harmonies and sublime grooves: a truly unique sound that defies classification.

After three independent releases, radio appearances across Western Canada, and countless performances spanning the breadth of North America, they’ve defined their creative voice, and they’re putting it to good use. Together, they are Consonance incarnate, and they are much greater than the sum of their parts.

3 IN COUNTING

Glen Ellyn’s 3 In Counting stands out in that its star is already on the rise. 3 In Counting is an acoustic rock/pop/jam band from the Chicago suburbs, and since their formation in 2005 has worked hard to gain fans by crafting songs with interesting lyrics, seamless vocals, and well thought out instrumentation.

SHADY GRADY & THE NOBODIES

Hailing from Chicago, IL, Shady Grady & The Nobodies (SGN) play a uniquely diverse brand of funk, blues, and rock. Beginning in a high school band room, guitarist Bill Grady, keyboardist Jack Weisenberger, and drummer Jimmy Walsh would jam late into the night after their high school jazz band rehearsals. After years of improvising in the blues and jazz styles, the three enlisted funk bassist Mike Palma to join them. Their newfound blue-funk sound gave birth to Shady Grady & The Nobodies, the newest and funkiest member of the Chicago music scene.

LED ZEPPELIN “LED ZEPPELIN II”

PINK FLOYD “ANIMALS”

THE BUNNIES

TINY MAGNETS

DAVE Z MARSALEK EXPERIENCE

CONVOY

Convoy is a Chicago based band that plays music described as “Swamp Rock”. The guys are notorious for hang out with the crowd before and after shows.

The band was formed in the fall of 2009. Convoy plays straight ahead rock and roll originals. Some of their influences are: Clutch, Corrosion of Conformity, Pantera, and Black Label Society.

The band is comprised of versatile seasoned musicians. Brian Corbin is the singer, rhythm guitarist, and song writer of Convoy’s original music. Brian grew up in Kentucky and then moved to Chicago when he was a teen. His passion for southern rock is evident when he sings Convoy’s originals. He’s vocals are filled with raw emotion.

Mike Getz is the drummer. Mike is from the Chicago southside area. Mike has been playing drums for over 20 years. Mike is an energetic player and thrives on motivating the crowd. You’ll hear is screams echoing off of the crowd.

Dan Thompson (Big D) is the bassist and backup singer. Big D is also from the Chicago southside area. He has been a playing professional for over 25 years. Big D is a versatile bass player that can run the gamut from Blues to Metal, and industrial music. Big D holds down the bottom end of the group.

Johnny Daniel is the lead guitarist and backup vocals. Johnny grew up on the northside of Chicago. Johnny is a multi-talented musician who plays guitar, bass, keyboard, and sings. He is a walking jukebox. He has an impressive musical history. He is also the producer of Convoy’s albums. He’s leads are memorizing.

MEAN TANGERINE

HUNTERS

MANHOOD

SAMUEL WYATT

THE JUKEBOX ROMANTICS

MELLOW BLUES DUO

DAVID HAYES & THE PROJECT

David Hayes & the Project is a unique and original rock band based in Chicago. The band is comprised of Midwest musicians who have worked together in multiple projects throughout the years. David Hayes (guitar, keys, & vocals) is a native of Rockford, Illinois and has lived in Chicago for nearly a decade. He is a graduate from Columbia College Chicago who teaches private music lessons, and composes original music in multiple genres. He released his first album “In With the Old” in 2010, and is releasing a twin album “Out With the New” in 2011. The Project includes Graham Burris (bass, vocals), Mike Lim (keys), and Christian Chamberlain (drums). Graham Burris is another Rockford native who performs with multiple bands in Chicago, and has collaborated with Grammy award winner Lupe Fiasco. Michael Lim hails from Detroit, Michigan and is also a graduate of Columbia College Chicago. He also composes original music for his project known as The Lims. Christian Chamberlain is from Morton, Illinois and also keeps a tight beat in multiple bands. He is beginning to start his own drum and bass project as well. Together David Hayes and the Project create a unified progressive sound that keeps the listeners interested.

RYAN DOYLE

SLEEPY KITTY

Sleepy Kitty is more than a band: it’s an all-in multi-media artistic collaboration. After spending the ’90s drumming in Harvey Danger (London/Polygram), and the ’00s in Chicago’s Bound Stems(Flameshovel), Sult heard Brubeck’s voice in her band, Stiletto Attack, and couldn’t shake it. Strictly for fun, they started mashing weird sound experiments into their natural pop instincts, and quickly had a batch of art-cracked, catchy songs. At the same time, they were designing and printing t-shirts and rock posters together. They called it all Sleepy Kitty—and they now run both their band and their print shop out of a formerly abandoned brewery on St. Louis’s Cherokee Street, which has since become the city’s unofficial printers’ row (you can check out their print work at sleepykittyarts.com). After two self-released EPs—Hustlin’ Kets (2007) and What I Learned This Summer (2009)—and some great opening slots for the Dresden Dolls, Chuck Berry, and Margot & the Nuclear So and So’s, Sleepy Kitty caught the ear of Euclid Records’ Joe Schwab. The band’s live show is a whirlwind: Brubeck loops her vocals live, crafting walls of girl-group harmonies above the tube-driven blast of her vintage Super Reverb. Sult plays at the edge of the stage with her—when he can contain himself to his drum throne. Infinity City transmits the power of their live show but reveals their canny control of pop architecture: “Gimme a Chantz!” opens with a theatrical flourish before bounding into a crowd of surging ’90s-era harmonies; garage-cranked “Speaking Politely” makes way for the delicately observed details of city-breakup ode “NYC Really Has It All,” and the Velvets/Fab Four mash note “Seventeen” revels in their influences.

COWBOY INDIAN BEAR

OLD WORLDS

Rocket Miner

ROCKET MINER

Rocket Miner, formed in February 2011, is original members Larry Hryn and Chip Wortel and Chris Ruffolo tackling the expansive guitar work. Joining them to hold down the rock solid rhythm section is Danny Garcia on drums and TJ Fulfer on bass and Ken Pendola on vocals and samples.

Their first record “Songs for an October Sky” was self released as a demo, before being picked up and re-released by Oxide Tones Records in October 4, 2011. Following that release they embarked on a Midwest/East Coast tour, with performances at some of Chicago’s top venues. The band released their record “Elegy” via Shunu Records in 2014. Rocket Miner has shared the stage with other great bands such as Laberinto, The End of the Ocean, Junius, Trioscapes, the Life and Times, You.may.die.in.the.desert, and many more.

Currently Rocket Miner’s newest release, ‘The Long Goodbye’ is due on on May 4 2018 on Shunu Records. It’s a follow up to their 2014 critically acclaimed ‘Elegy’ LP. The band is looking forward to promoting ‘The Long Goodbye’ with their memorable and bombastic live shows.

TEN FOOT POLECATS

Their sound, though hard to define, has been referred to as “punk-blues”, “gutbucket soul”and “explosive stomp and groove”. This high-octane trio from Boston, MA has been touring the country for the past five years, taking their unique form of roots music (influenced by the sounds of the northern Mississippi hill country) to cafes, restaurants, record stores, rock clubs, theatres, festivals and back yard parties, and playing for anyone who will listen. In 2010, they released their first full-length CD, “I Get Blamed For Everything I Do” (Hillgrass Bluebilly Records). Their new album, “Undertow” (also on Hillgrass), will be officially released in March/April 2013.

SHA-BOOM!

BACK ALLEY RIOT

After toiling away for years on the Northwest side of Chicago, Back Alley Riot busted down the doors of the punk rock scene, when original members, Mike Nakis (vocals/guitar), Matt Jankiewizc (drums), and Danny Starks (guitar/vocals), hooked up with bassist Russell Katzenmaier. Their sound unites blue-collar story telling with stage-shaking power chords, creating punk rock songs with a down-home twist. Back Alley Riot blends punk, rock, and southern boogie with an explosive live show that will leave you breathless and begging for more. With standout tracks like “Gasoline On The Fire” and “Gunfight”, fueled by Russell Katzenmaiers
jaw-dropping bass lines, Danny Starks’ raunchy chord attacks, and Matt Jankiewicz’s relentless drumming, look for Back Alley Riot to cause a ruckus in the rock landscape for years to come.

EVERLENE

ANDY COOK & THE WANDERLOONS

JOHNNY SKETCH & THE DIRTY NOTES

Well, Carnival is behind us and it’s ’bout time to get crawfish season into full swing, and that means it’s the perfect time to get to dancing with Johnny Sketch and the Dirty Notes!!! Coming up are some great opportunities to get that done, starting March 2nd with Sketch’s first appearance at Irvin Mayfield’s new I Club in the JW Marriott on Canal Street in the French Quarter. Looking for a party on St. Paddy’s Day? How ’bout JSDN rocking all night long at the Maple Leaf? ‘Nuff said. And make sure you come out to the Tulane Quad for a rockin’ FREE show on March 23rd at 4:30, then it’s off to Key West at the end of the month to rock the Green Parrot one more time before Festival season gets under way…

JOHNNY UNICORN

HATE ETERNAL

Started in 1997 by one of Decibel Magazine’s Top 20 Death Metal Guitarists of All Time, Erik Rutan (of Morbid Angel & Ripping Corpse), HATE ETERNAL has easily become one of the most prominent names in the extreme metal scene with Terrorizer Magazine recognizing the group as one of the Top 8 Bands of the last Decade! Erik Rutan, J.J. Hrubovcak and Chason Westmoreland weave complex riffs, devastating drums, and truly ferocious vocals into a new masterpiece – INFERUS. The new album is already listed as one of the most anticipated albums of 2015. It’s heavy, it’s catchy, it’s innovative!

Though the band has experienced great success since its beginning in 1997, HATE ETERNAL are no strangers to turmoil and strife. In 2002, Erik chipped vertebrae in his neck in a van accident on tour and spent the next couple of months out of commission. During this period, band members withdrew from tours mere weeks from start date. This included a tour on which a London show was filmed for the band’s first-ever live DVD. Replacements were found and the tours continued on as planned. One of the most unfortunate events was the untimely passing of bassist and dear friend, Jared Anderson, who passed in October 2006 while in talks to rejoin the band. None of the issues ever kept HATE ETERNAL from its trajectory. Almost three years after the metal masterpiece, “I, Monarch”, HATE ETERNAL returned to the death metal scene with a new record. Fury and Flames, the band’s fourth studio album, marked the start of a new chapter in HATE ETERNAL’s already illustrious career. Fury and Flames was hailed as a diverse, heavy, chaotic and emotionally fueled record and saw the band on the road in the U.S. and Europe including the large European summer festival circuit (Party San, Summer Breeze and Brutal Assault).

For the writing and recording of Phoenix Amongst the Ashes, HATE ETERNAL recruited J.J. Hrubovcak on bass to join the devastating trio. In terms of the writing on Phoenix Amongst the Ashes, Rutan stated “it was my goal to expand upon what the band has done in the past, and add new dynamics and twists to the traditional, dissonant HATE ETERNAL style, yet keep it in the same vein. It took the three of us really pushing ourselves, and digging deep into the essence of who we are as musicians and writers and players to create something very unique and special.” The touring cycle for this record took the band to Southeast Asia, the Middle East, Central and South America as well as the standard U.S. and European tours.

Following Jade Simonetto’s departure, the band recruited Chason Westmoreland on drums and signed with Season of Mist for release of their sixth full-length masterpiece titled Infernus. It was recorded at frontman Erik Rutan’s own Mana Recording Studios in St. Petersburg, FL with mastering handled by Alan Douches of West West Side. This time, artist Eliran Kantor (Hatebreed, Testament, Soulfly) was recruited to create the lavish cover art.

Regarding the recording and the signing, Rutan comments: “We are ecstatic about how the recording for our new album has been coming out so far, and our new label and home Season of Mist. We’ve worked very hard on crafting these songs to reflect our path, from our past to the present, and the journey of HATE ETERNAL and its members. Writing this album was a long and arduous process. It took a tremendous amount of determination, blood, and sweat to bring this all to fruition. We’re super proud of what we’ve accomplished creatively, and excited at the prospect of releasing what we feel is our most powerful HATE ETERNAL material to date. Now it is time to bring this all to life! The recording process so far has been fantastic. I’ve never felt so focused and determined on a HATE ETERNAL record, and I know that this will be an album our listeners and supporters will truly appreciate. It represents an important milestone for me personally since 15 years ago both HATE ETERNAL began recording its first album and Mana Recording Studios was born. We have so much more news to share with you over the coming months. We cannot wait for you to hear this album!”

HATE ETERNAL have been one of the leading death metal acts worldwide for over eighteen years. The band’s full-length albums are considered crucial genre touchstones, and HATE ETERNAL are a proven headliner on major stages across five continents.

ORIGIN

United States-based tech-death masters Origin strike again with their new album, Chaosmos. The long-standing outfit celebrate not only a return to Nuclear Blast but also ring in their 25th year on Chaosmos. The same fury, brutality, and musical savvy that brought Origin critical acclaim and a devout fanbase on Unparalleled Universe (2017), Antithesis (2008), and Origin (2000) returns with reinvigorated intensity, passion, and skill. In 2022, the group—Paul Ryan (guitars/backing vocals), Mike Flores (bass/backing vocals), John Longstreth (drums), and Jason Keyser (lead vocals)—are undeterred by unprecedented roadblocks and global uncertainty as they push forward. Indeed, Origin’s new-era shock and awe mission is complete on Chaosmos.

“The music of Origin is a fusion of order and disorder. Our music is viewed as a meaningless assemblage of infinite perspectives,” posits guitarist/vocalist Paul Ryan with cosmic import.

Formed in Topeka, Kansas, in 1997, Origin have eight full-length albums to their name. The group buzzed early with their 1998 EP, A Coming into Existence (Original Records). Fans of high-caliber death metal and record label representatives had noticed. It was after Origin joined luminaries Nile, Cryptopsy, and Gorguts on the 1998 Death Across America Tour that a monster was unleashed. In 2000, Origin signed to Relapse Records, issuing four full-length albums in Origin, Informis Infinitas Inhumanitas (2002), Echoes of Decimation (2005), and the Billboard-charting Antithesis. While on the label, the group gigged incessantly, appearing on such notable tours as Death Across America 2000, Relapse Contamination Tour 2008, The Summer Slaughter Tour North America 2009, and several successful European runs. Additionally, guitarist/vocalist Paul Ryan was listed on Decibel’s Top 20 Death Metal Guitarists list in 2007. Origin’s subsequent albums Entity (2011), Omnipresent (2014), and Unparalleled Universe garnered praise in Metal Hammer, Allmusic, and Exclaim!, while occupying prime slots on the Occupation Domination 2012, the Devastation on the Nation, and The Hell Over Europe tours. Chaosmos yet again sees Origin’s technically apt death metal in scarily superlative form.

“It’s our third album with the same lineup,” Ryan says. “And I personally feel it’s a continuation of who the band is currently. At the start of 2021, people started talking about a new Origin album, and I wasn’t sure if the world was literally ready for it due to lockdowns/restrictions. In March, I told myself, ‘I will write one song per month until I finish the album.’ When it was completed, I sent over what I had written to the rest of the band. From that point forward, our collective alchemy resulted in what you hear on Chaosmos.”

POLYFUSE

POLYFUSE is the creative outlet of musician and sound designer Justin McGrath. The spread of music genres under this alias are quite wide and range from the evocative long-form dark ambient piece “One Quiet Moment” to modern Industrial Dance to the jagged, broken-glass-to-your-throat analog Acid of the No One Will Come To Save Us and Output albums, and even a large catalogue of film-score style pieces. Together with Surachai he runs Trash_Audio

The Dead Room

THE DEAD ROOM

The Dead Room: this where I’m supposed to be all clever & smart like, isn’t it? Hmmm… let’s see. We’re from Chicago. Founded by S@int and now joined on stage by Napalm Bettie and Turner Xie (Negutyv Xeiro.) What more could you possibly want written here? Let’s go, Start a Riot. Start a Revolution.

FLYING CARS

Chicago’s finest rock meets indie rock meets that NY vibe of early 2000’s

ALAN BROOKS

DAN YOUNG

DAN YOUNG (THIS PROVIDENCE)

JON WALKER

SATELLITES

VERSUS THE NOTHING

VERSUS THE NOTHING, a hard rock band from Vancouver BC features heavy guitars, powerful melodic vocals, and an infamous energetic live show. The group is carving out a name for themselves through extensive touring, and have built a loyal and growing fan base across Canada and the United States with their blend of post-punk infused grunge rock.

ROCKWELL KNUCKLES

THE GTW

The Gtw (Greater Than Wealth) is a kid with a fiery passion for hip hop, afro breaks and alluring synths. He was born in Chicago to two Nigerian Immigrants. He quickly got immersed in the culture of his native ibibio tribe. The sound of up tempo nigerian music flooded his household on a daily basis. “I guess all those years of listening to my parent’s favorite jams influenced the type of  music to do,” says the Chicago born musician.

This 20 year old producer/writer has worked with many in the indie music scene.  His music fuses house with hip-hop and other worldly elements which helps propels his music to an innovative standard. His buzz is steadily rising and he is getting looks as the next rap artist to push the envelope of creative music not only in Chicago, but everywhere in the world. His ability to perform with incredibly high energy is one of the reasons why he is gathering loads of people on his supporter bandwagon.

He created his first solo project “Dont Smoke The Cigarette” as celebration music for the world cup. The Gtw’s debut release has  gotten allot of good reviews from notable magazines and websites such as MTV Iggy and Art Nouveu. Sgt Tibs from Chicago Now says, “Don’t Smoke The Cigarette is one of the more impressive mixtapes I’ve heard.” URB MAG calls the mixtape, “A project with an eclectic mix of beats and rhymes.” The project features collaborative efforts from such artists and producers as Sunny Norway, Zip Justin Warren and  Braxton Holmes. With singles such as “Running all my life” and “Blow Me Away,” he is definitley giving the listener a quality hearing.

DEVIN MILES

BENG FANG

AWDAZCATE

CRUSADER

Hailing from Chicago and the UK, CRUSADER is relatively new to the metal scene in Chicago, although they are all veterans of playing live music, having only been officially a band since spring of 2010. Tired of hearing run-of-the-mill corporate produced ‘metal’, CRUSADER decided to raise the flag and rally the troops to their banner.
Raised on classic rock, speed metal and thrash through to doom, and everything in between and beyond, CRUSADER proudly and unashamedly wear their influences on their sleeves.
Early 2011 saw the release of CRUSADER’s self released EP ‘Rise of the Templars’ which has received rave reviews:
‘If you close your eyes, you can picture hundreds of spiked gauntlets, punching the sky, lock step, united in war against poseurs. When the song takes off, it’s a groove thrasher with crooning vocals that reminds me a lot Death Angel’ – American Aftermath Webzine
‘Rise of the Templars’ is one great epic metal release, I do love the bass sound, this is indeed everything I want from a metal release in all fairness right down to the Grave Digger inspired EP cover artwork. The gauntlet is laid down and the challenge is accepted. Setting their stall out to emulate the metal giants (credit vidovic at dhead tech), Crusader makes a good account of themselves and I for one simply love this EP’ – Brutalism Webzine
‘This is prime NWOBHM inspired heavy metal taking you back to the days of Black Axe and Angel Witch…’ – Powerplay UK Magazine
‘Their NWOBHM sound, the epic-driven song titles and the cool performance are enough to guarantee you that you are gonna have great time when these guys are onstage. During their 30 minutes’ performance, I enjoyed “Templar” and “Asgard’s Fire” and the sure thing is that I’m going to dig their EP asap. Just a perfect way to warm up for ANVIL’s invasion, don’t ya think? – Metal Kaoz review – show with ANVIL
2012 will see the band recording their full length album and taking their sound all over the country. Think of a Crusader tank driving over a minefield littered with the skulls of the enemy dead…they’re taking it back to the roots: Drinking beers, throwing the horns and playing metal…