THE JEFF GIBBS QUARTET
Jeff Gibbs is a chameleon to all types of music. Playing everything from jazz, gospel, pop, hip-hop ,funk, and r&b. A fresh unbiased approach to music has allowed Jeff to create a new experience for the listener. “Music is the 6th sense without it we wouldn’t have any other feelings… Without sound we would be numb… We would be emotionless.” The Jeff Gibbs Quartet consists of Jeff Gibbs, Cleo Bryrd – keyboard, Dj Abernathy – drums, and James Carter – bass
DOWN NORTH
Down North masterfully mixes underground rock and party-fueling soul,
regularly lifting up audiences that have been craving new soul sounds
from the city that gave the world Wheedle’s Groove and Jimi Hendrix.
Down North’s upcoming new line-up debut will still feature the bold
and sensual talents of lead vocalist/dancer Anthony “RenaGade”
Briscoe, whose North Carolina-bred approach to making fans swoon has
no equal in the Pacific NW. Raised on Michael Jackson and Sam
Cooke, Anthony is as stylish and emotional as Prince in his vocal
expressions. Co-leader Brandon Storms is an extremely versatile
bassist-guitarist who writes much of the music and taps into his love
for everything from Hendrix to James Jamerson in making tunes both
infectious and substantial.
The recent additions of Drum Off! award-winning and crowd-amping
player Conrad Real (drummer for Ayron Jones and The Way and Society’s
Child as well) and the psychedelic-jazz trills of guitarist Nick Quiller make the
band an unusual and extremely welcome addition to the regional music
scene. Depending on whim (and the size of the stage!), Down North
expands to a seven piece, integrating horns and other players to help
deliver their dazzling grooves.
They’ll probably also transcend to higher level of acclaim very soon;
early single “Danger” was played on MTV’s The Real World even before
this killer line-up was settled on. Newer meatier cuts like “So What,”
“Your World,” “Running,” and “Heartbreaker/Revolution” (which features
the Black Rock psyche-outs of guest legendary axeman Jabrille) reveal
the band moving in even edgier, sweatier musical realms.
“We want to be an opening beacon for this scene that’s happening now
and not getting enough notice,” Anthony says. He loves to hang out all
over Seattle, but the other night was blown away when he met two gals
on Cap Hill “who had lived all their lives here and never heard of
Marmalade.” He wants to open up the party to rock fans “who want to
dance again!” and to those who have been craving fresh, warm, loving
soul in the midst of a chilly indie scene. “The people that play in
this band are excellent at what they do and we’re all here to play
music for people who want to move and connect.”
Down North is part of the zeitgeist not only of bands mining a deeper,
better played history, but also one that taps into the 90s music scene
when anything was possible. “I grew up pretty sheltered,” Brandon
admits, growing up in a small Washington town near the Canadian
border, “and had my life turned around by feasting on albums like
‘Check Your Head’ — the fusion of all those beautiful sounds going on
at that time.” Serious about his playing (like Anthony, they were
raised in the church and really learned how to practice and perform
music), he moved to Seattle, and enrolled in the Shoreline recording
program. He joined some musicians which became the formative version
Down North, and their first gig was opening for Alien Crime Syndicate
before a crowd of 500 people. “I was playing in a soul band before I
even listened to soul!” he says (and has truly grown into the role).
Like many bands these days, the two met on Craigslist — Anthony
finally finding collaborators who wanted to make the good time, high
quality sounds he loves to listen to and make, and Brandon eager to
add him to Down North’s line-up. “I want to have a body of work,”
Brandon says about their recent playing in the studio, “We’re going to
focus on short releases (EPs) of great songs; I want to release as
much as I can but it has to be high quality material.”
–Chris Estey