Straightforward, earnest rock music seems to be a contradiction from the direction popular music has strayed as of late. The need for genuine lyrics, purposeful direction and accessible melodies has been long overdue. The Dangerous Summer have crafted a throwback to the days when music was charged with hope and contained a much-needed brand of sincerity.

As Payne recalls, The Dangerous Summer’s first NYC show was held in a bar basement, and included an audience of five. But for this collection of friends who’d been toiling away in the band since high school, these were simply the dues of an ambitious group of musicians. And that low attendance record soon became a thing of the past once Hopeless Records came calling, finding the band’s quintessential rock pleasers just as inviting and impressive as those hometown patrons.

Since then, the band has made amazing strides and gained thousands of fans. They have just released their 2nd full length studio follow up album to ” Reach For The Sun” entitled “War Paint”. The album has been receiving amazing reviews from fans and critics which solidified the band as one to watch for.

In Southern California, all is not as it seems. And this band, which hails from Santa Barbara, isn’t making the breezy music expected to come out of a seaside town.

Tommy and the High Pilots is a group of friends who have known each other for years and finally formed a band. Tommy Cantillon and his brother Michael (keys) have been playing and singing together their whole lives. Steve Libby (bass) has been a friend for over a decade. And Tommy met Matt Palermo (drums) when their previous bands crossed paths on the road years ago.

When singer/songwriter Tommy started writing the songs he decided to use your life instead of his own. “I’m influenced by and very interested in people and their stories,” Tommy said. “I feel badly, in a way, because every time I talk to people I start getting song ideas. Not that there’s some ulterior motive there. It’s just the way my brain works.”

It is born partly of necessity. The band spends so much time on the road that writing and traveling have to go hand-in-hand. It’s no easy place to find inspiration but among the tour stops with Allen Stone, the Hush Sound and Ludo the guys have been able to create their sound. “The stories come from other people’s lives, but there’s plenty of us in there too. Being a way from home, the sacrifices that come with this life. Lyrically and musically, I think that stuff shows up a lot on this record.”

“I could give you a list that never ended,” Tommy says about his influences. And then he does, running across decades to mention artists including Tom Petty, Radiohead and R.E.M. To create Only Human, the band worked with producers Matt Wallace (The Replacements, Maroon 5), Marc McClusky (Weezer) and Jason McEntire (Son Volt). Recorded in multiple studios all across the country, the songs reflect a feeling central to Tommy and the High Pilots: that restless dissatisfaction that comes before you settle into life. The songs strike a chord as power pop, with clear influences from the jangle pop of the ‘80s and anthemic sounds suited for an arena. The experiences other people bring to your life can run the gamut, like the songs on Only Human do: uplifting, exciting, dark, and hungry.

Rare Monk is a 5-Piece band from Portland Oregon, being described as, “A special brand of violin smoked rock that floats through galaxies of psychedelic guitars and 90s alternative influences.”

For Breaking Laces, the prospect of recording an album in Nashville at first seemed preposterous; after all, as singer Willem Hartong says, “we’re talking about Countryville USA.” But this past spring, when the Brooklyn-based raucous-rock trio ventured down South, a far different Music City greeted them upon arrival: the band discovered an evolving Tennessee town where torching riffs and gunshot drums were steadily replacing time-battered twang. Acclaimed Nashvillian studio rats, like producer Paul Moak, were also eager to get down to business producing rock-steady riots – exactly the sort the Laces had already begun cooking up back home. “It was one of those moments where we were all like ‘Is there even a question?’” drummer Seth Masarsky recalls of the Laces’ instant connection with Moak at his Smoakstack Studios, after which they signed on and began recording Come Get Some, the band’s most unencumbered, free-spirited album to date.

Since forming in 2003, Breaking Laces have played practically every variety of venue imaginable – from coffeehouses to summer camps, and festivals to amphitheaters. All throughout however, while traversing the peaks and valleys of the oft-unpredictable music industry, the Laces pressed onward. “We’ve never shied away from rolling up our sleeves, getting in the van and working,” the drummer explains. “It was a slow and steady climb,” Masarsky adds, describing the band’s journey to Come Get Some. “A lot of bands break up; we’ve kept at it.”

Breaking Laces’ fourth full-length release, Come Get Some is a statement piece: the centerpiece of a band having spent years cultivating its craft both onstage and in the studio. It’s also the sound of three musicians musically undeterred – free to amalgamate their harmonic delicacy, ripping rock sensibilities, and off-the-cuff charm into an album they can proudly stand behind. “The goal was always this record,” explains Hartong, citing the trio’s critically-praised 2011 effort, When You Find Out, as a “stepping stone” work.

When The Graduate disbanded we decided that we still wanted to keep writing music together. These seven songs are all instrumental demos that were recorded by us over the course of the past several months. Any money that is donated will go back into us producing more music. Currently, we have a few other projects in the works as well, but the four of us plan to keep making music together.