After 20 years of outlier success in the music industry, The Birthday Massacre continues to grow their art and their fan base. Millions of streams attest to the legions of fans who are added to the Imaginary Monsters Army daily. From their earliest work, Nothing and Nowhere through their iconic Walking With Strangers,( which has been called the Sgt. Pepper’s of Dark Wave), and 10 other mysteriously fascinating albums, the band defies all attempts to label them. But that is because they came at their music from an Art College perspective and not as a band thing. The band was one way to express their art and it remains that way today. There is both a continuity and an exploration to the music they release. Easily recognizable as The Birthday Massacre but stretching the boundaries within their own mindset, each new release is eagerly anticipated by tens of thousands of very loyal fans. Fans as loyal to the band as the band is to them.

Amir Derakh and Ryan Shuck have been musical partners for 15+ years. During their time together they have weaved in and out of mainstream music like a constantly evolving musical fashion house. In the late 90’s they were responsible for massive radio and sales hits such as “Blind” (Korn), “Blue Monday”,” Stitches”, and “Fiction” (Orgy), and recently “Crawl Back In” and “Let Down” (Dead By Sunrise with their pal Chester Bennington). After enjoying years of traditional music business success, they have spent the last 10 years methodically moving away from the mainstream approach that put them on the map, opting to carefully steer their fans in a new direction, towards their new independent alternative electro rock project Julien-K – which sounds more at home with the likes of modern acts such as M83, The Kills, LCD Soundsystem, The Naked and Famous, Empire of the Sun, and even the Black Keys (see Derakh’s sleazy electro-blues guitar playing on “We’re Here With You”).

Post-punk male-female duo band. Two basses and a drum machine. No Guitar, No BS. MADE IN CHICAGO