TEENAGE BOTTLEROCKET – SICK SESH!

Ray Carlisle – vocals/guitar // Kody Templeman – vocals/guitar

Miguel Chen – bass/vocals // Darren Chewka – drums/vocals

 They’ve toured the world countless times. They kept the leather jacket-and-Converse look alive through an increasingly neon landscape. They’ve written songs about KISS, Top Gun and Minecraft. Hell, they’ve even been on CNN a few times! Please welcome back to the spotlight Wyoming’s own Teenage Bottlerocket, whose ninth album, the 12-track Sick Sesh! — traffic-cone-orange cover art and all — will be released 08/27/2021 on Fat Wreck Chords.

            “This record is 12 songs because 14 was too long,” cracks vocalist/guitarist Ray Carlisle. “We wanna keep the energy up.”

            Recorded in November 2020 at the Blasting Room (the band’s eighth straight full-length with producer Andrew Berlin), Sick Sesh! is a little bit rougher around the edges than the last few TBR albums, from the haunting “Statistic” to the panic-inducing “Strung Out On Stress” to the buzzsaw lead of “Semi Truck.” According to Carlisle, that was on purpose.

            “We spent a lot of time on guitar tones this time around — that was important for us,” he says. ““We made sure to bring the noisy, loud, irritate your fuckin’ mom guitar back. There’s a ton of intentional guitar noise and feedback. We dug up the amps we used for Freak Out! and They Came From The Shadows. This is punk rock, after all. Stay Rad! Is a great record, but it’s very radio friendly. I wanted to do the opposite of that: Let’s get fuckin’ noisy.”

While the bulk of Sick Sesh! was written in January 2020 (with “Statistic” actually co-written between Carlisle and his son Milo), the COVID pandemic allowed for the band to take a little extra time for fine tuning, and the resulting tracks are some of the most stylistically diverse on the record. First up, there’s the Templeman-penned “Strung Out On Stress,” the fastest, angriest track on Sick Sesh!, all about losing your mind during the pandemic. On the flipside, there’s the mid-tempo, melodic track “The Squirrel,” written by bassist Miguel Chen and sung by Templeman, that’s literally about a cute little rodent.

“He had too much time on his hands during the pandemic,” Carlisle jokes. “How did it become a Teenage Bottlerocket song? I’m not sure. But it has the best guitar lead we’ve ever written!”

Chen also wrote the infectious sing-along “Ghost Story” as well as the album-closing “Moving On,” which marks the first time Carlisle has ever sung Chen’s lyrics on a Teenage Bottlerocket album. The song, about the bassist’s decision to move from his hometown of Laramie, Wyoming, to Texas to be with his ailing father, demonstrates a new side of Teenage Bottlerocket that’s reflective, wistful and dare we say a little mature. (“It felt good to sing that one,” says Carlisle.)

With more than 100 original songs already in their catalog, how does the band stay motivated when they’re eight records deep?

“We’re always in competition with ourselves,” Carlisle explains. “The real competition is between me and Kody. It’s like, ‘You wrote a song that destroys everything else on this record. Let me try to do that to you real quick. How’s that feel?” And then he comes back and one ups me.

“It’s all about the songs,” he continues. “The songs carry this record all the way. That’s not to say there are bad songs on our other records — we have a hard time releasing a shitty song. But these songs are especially great. You know ALL’s best-of record where Allroy is dissecting a musical note? I felt we kind of tapped into that record in a great way, not in a ‘Oh no, they’re experimental now!’ way. This is a Teenage Bottlerocket record through and through, but there’s a lot of hidden elements.”

Carlisle’s pride about Sick Sesh! is obvious, but he’s not the only one who loves the album.

“Fat Mike called me and said, ‘Hey, this is your best record,” Carlisle recalls. “I said, ‘Cool, thanks for noticing.’”

With Sick Sesh! ready to drop, Teenage Bottlerocket will return to the road once more throughout 2021 and beyond, and you can expect to hear plenty of new tracks peppered into their already high-energy sets. Given that the band is already two decades old, however, is there any chance of the band slowing down? Carlisle shoots that idea down right away.

“I want to have the best next 10 years,” the singer says. “We’ve grinded the grind. Now we get to actually enjoy being a band, and not think too much about different ways to try and ‘make it.’ We’re riding this wave we built ourselves. I wanna surf it for another 10 years.”

Well there you have it: The three things in life can always count on are death, taxes and Teenage Bottlerocket. But before Carlisle signs off, he has a question for all the fans out there,

“What’s your favorite Teenage Bottlerocket song?” he asks. “Bzzt! Wrong answer. It’s on this record, you just haven’t heard it yet.”

The Raging Nathans are back with a brand new LP less than a year after their last full length album. Their new LP “Waste My Heart” steps it up in every way. “Waste My Heart” is their 4th studio album and it sees a major development in the bands songwriting. The ability to write 1 minute and 30 second punk rock rippers with anthemic choruses is now highlighted by their penchant for writing slightly more complex songs that blend intricate guitar work with the honest and introspective lyrics New themes collide with familiar ones including poverty, politics, love and hate. The drumming is tight, the bass is always in your face, the music is relatable, and clearly having a solid line up for several years has done the band good. The evolution of The Raging Nathans is on full display and their collaborative efforts really shine on “Waste My Heart”. This album proves their importance as a band to their peers and to themselves every step of the way. They are prolific, unapologetic and “Waste My Heart” cements their legacy in stone as the worlds last great punk band. Every record they have released topped the one before it and “Waste My Heart” is no exception. The record was recorded by Luke McNeil (The Copyrights, Hospital Job) and was mastered by Stephen Egerton (ALL, Descendents). FFO: early Propagandhi, Bad Religion, The Ramones