In our human minds, according to the Law of Contagious Magic as described in The Golden
Bough by anthropologist James Frazer, contact between two objects creates an inseparable
thread between them. A gift from a dead friend forever holds this magic like a scar reflecting a wound. Similarly, a piece of food that touches the floor is suddenly abject and rotten. Pairing this notion with the Law of Similarity Magic, as described by Frazer, where an object resembling another can share its power, a musical notion can be understood to serve as an unbodied conduit of such magics; an emotional contact between the music and audience wherein such sorcery threads an inseparable seam that, for a time, resemble each other.
Aptly named in reference to the aforementioned book, on Stygian Bough Volume II, the
collaboration between Bell Witch (Dylan Desmond, Jesse Shreibman) and Aerial Ruin (Erik
Moggridge) enlivens its unbodied presence resembling both collaborating projects as a conduit
in its own separate entity. In the course of an hour, four musical pieces set themselves apart from the catalogs of both individual bands and branch into new territory all the while threaded to the original encounter.
Over the album a cyclical world unfolds in which different perspectives of how various forms of worship empower, eclipse, destroy and feed on each other is explored. “All four songs explore different aspects of worship or awe—transcendent experiences in different contexts,
” vocalist & guitarist Erik Moggridge says.
