STICK MEN
STICK MEN – Tony Levin and Pat Mastelotto, the powerhouse bass and drums of the group King Crimson for a few decades, bring that tradition to all their playing. Levin plays the Chapman Stick, from which the band takes it’s name. Having bass and guitar strings, the Chapman Stick functions at times like two instruments. Markus Reuter plays his self-designed touch style guitar – again covering much more ground than a guitar or a bass. And Mastelotto’s drumming encompasses not just the acoustic kit, but a unique electronic setup too, allowing him to add loops, samples, percussion, and more. Members of STICK MEN have recorded on albums that sold over 100 million records worldwide and all 4 individual members have played collectively in many different projects in past 5 decades in over 90 countries worldwide.
TONY LEVIN – Born in Boston, Tony Levin started out in classical music, playing bass in the Rochester Philharmonic. Then moving into jazz and rock, he has had a notable career, recording and touring with Peter Gabriel, John Lennon, Pink Floyd, Yes, Alice Cooper, Paul Simon, Seal and many more. He has also released 5 solo CDs and three books of photohraphy and poetry. In addition to touring with Stick Men, he is currently a member of King Crimson (since 1980) and Peter Gabriel Band (since 1977), and jazz bands Levin Brothers (with his older brother Pete Levin) and L’Image (with Steve Gadd, Mike Manieri, David Spinozza, Warren Bernhard). Tony Levin is one of the most recorded bass players in history of music, appearing on over 1000 albums, and one of the most iconic and recognizable rock musicians in the past 5 decades. His popular website, tonylevin.com, featured one of the web’s first blogs, and has over 5 million visits. He is currently touring with STICK MEN, LEVIN BROTHERS, BAND OF BROTHERS LEVIN & LA BARBERA, BEAT (supergroup with Steve Vai, Adrian Belew and Danny Carey),
PAT MASTELOTTO – Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, so too has Pat Mastelotto, a self taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming. Pat has spent a lifetime jumping genres from pop, to prog, to electronica to world music with – among others – Mr. Mister, XTC, David Sylvian, The Rembrandts, Kimmo Pohjonen, and for the last 25 years with King Crimson. He is currently touring with STICK MEN, ORK, TU-NER.
MARKUS REUTER – Markus is a composer, guitarist, and producer. Initially trained as a pianist, he subsequently studied Robert Fripp’s Guitar Craft and learned to play the Chapman Stick, later moving onto the U8 Touch Guitar. Reuter has re- leased several solo recordings and worked extensively with other musicians. He is one of the core members of the experi- mental band Centrozoon, is half of the duo Tuner (with Pat Mastelotto) and was also a member of Europa String Choir. Reuter has collaborated with Ian Boddy, Robert Rich, No-Mansinger Tim Bowness, and many others, and he has joined the new Devin Townsend ’s band. His new power trio TRUCE is recording the second album and will be touring worldwide. He is currently touring with STICK MEN, TU-NER
CONSIDER THE SOURCE
Sci-fi fusion trio Consider the Source defy easy categorization. If intergalactic energy beings, upon their initiation into an order of whirling dervishes, built a pan-dimensional booty-shaking engine powered by psychedelic math…it would sound like a cut-rate CTS cover band. With their blend of progressive rock and improvisatory jazz, soaked in Indian and Middle Eastern styles, CTS blends disparate elements into an utterly original whole. A relentless touring schedule has earned them a fervent following around the world, with fans ranging from jam-band hippies to corpse-painted headbangers.
Their latest album, You Are Literally a Metaphor, is the culmination of a fifteen-year musical journey. Packed with the same fury and dazzling virtuosity of their previous work, Metaphor is also a portrait of three musicians reaching new levels of maturity.
From the bluesy swing of “When You’ve Loved and Lost Like Frankie Has” to the ethereal electro-synths of “Sketches From a Blind Man”, CTS’s minimalist pop instincts stand shoulder-to-shoulder with progressive metal and freewheeling improvisation in a true expression of their omnivorous musicality. Three of Metaphor’s nine songs are Eastern European traditionals, but could easily be mistaken for the band’s original tunes, so singular has their sound become. CTS retain their signature fiery maximalism while pushing the hooky, anthemic songwriting to the forefront. Bassist John Ferrara’s new Taurus bass pedals and guitarist Gabriel Marin’s new custom Vigier double-neck guitar add new dimensions to the band’s already diverse sound.
This is an album born of comfort and growth. In the five years since World War Trio, the band has toured extensively, Marin and Ferrara have released side projects, and drummer/percussionist Jeff Mann has gone from a relative newcomer to a road-hardened veteran. After all this time, CTS knows how to create space for each other, how to finish each other’s musical thoughts and sentences, how to think as three individuals but speak with one voice. You Are Literally a Metaphor is a statement of confidence, an assertion of identity from a band with no reservations and nothing to prove.
CTS have performed in a half-dozen countries across three continents. They have shared the stage with a wide variety of artists, including: Victor Wooten, King Crimson Projekt, Wyclef Jean, Ozric Tentacles, Soulive, The Disco Biscuits, Papadosio, Turkuaz, Pigeons Playing Ping Pong, Wayne Krantz and many others. They have performed at festivals and events including: Electric Forest, Peach Fest, Gathering of the Vibes, Resonance, Summercamp, Shakori Hills, ProgDay, and Progtober. You Are Literally a Metaphor is available at considerthesourcemusic.bandcamp.com
$30 Table Seat
Includes reserved seat at table
$40 Front Section
Includes reserved seat in front section of chairs.
$30 Above Stage
Includes access to balcony directly above the stage.
$35 Red Chair
Includes reserved plush chair seating in balcony above bar, across from stage.