Familiarizing oneself to The Kickback may seem like an exercise in confronting consistent sets of seemingly opposing ideas: A band that prides itself on its love of Muppet Christmas specials and youthful naiveté but has no problem admitting to a paralyzing fear of death and decline. The group seems to strive for brutal honesty, all-the-while realizing they’re a pop band playing pop music. Even the membership of the group itself may seem odd: one-half brothers from South Dakota, one-half Chicago transplants from Washington D.C. and Mexico.

Comprised of brothers Billy (vocals, guitar) and Danny (drums) Yost, Eamonn Donnelly (bass) and Jonny Ifergan (guitar), Chicago’s The Kickback is a result of the brothers’ emigration to The Windy City from rural South Dakota in late 2009 and the subsequent Craigslist pleas seeking out band members. The group’s music (with songs exploring journalists banding together in the early 1980s to battle the decline of print journalism through sheer ultraviolence to the emasculation of trying to protect the woman you love in a city you don’t understand in a body you know is eventually going in the ground) have earned the group wide praise from Rolling Stone, Sound Opinons contributor Jim Derogatis, You Ain’t No Picasso, the Chicago Tribune, and many more.

After a steady two years of touring and supporting acts like White Rabbits, Smith Westerns, Here We Go Magic, Tapes ‘n Tapes, and Telekinesis (all-the-while earning a reputation as a stellar and explosive live act), the band has released Kill Fee, an EP of live takes and studio recordings. In July, the group announced that it would be recording their debut LP (tentatively titled Sorry All Over The Place, after a footnote in David Foster Wallace’s Infinite Jest) with producer Dennis Herring (Modest Mouse, Elvis Costello, Wavves) at his Sweet Tea studio in Oxford, Mississippi. Following the mastering process (undertaken by Brian Lucey (Black Keys, The Shins, Neko Case), the group will embark on a nationwide tour in support of the release. To document their travels, the band began recording their podcast, Diary of a Disas-tour, in December of 2010 are nearing their 60th episode. The show attempts to address the far-from-glamorized lives of a band on the road and the arrested development indicative of the lives they have chosen.

Hello, we’re The Minneapolis Henrys (as opposed to those Westchester Henrys). We’re on a mission to find our rock n’ roll family. Here is our story:

In the cut throat culture of the new world aristocracy, The Minneapolis Henrys were cast out by their well-to-do family for possessing what Robert Murdoch, patriarch of The Horse Shoe Lake Henrys, deemed “a rebellious and incorrigible spirit that may very well sully the Henrys’ name for the rest of our days.” Not content with the stuffy, button-down lifestyle of their forefathers, the MPLS Henrys set out to find a better way. The four members of The Minneapolis Henrys met during a high society bank heist, a move intended to fund their coup of the Henrys’ aristocracy. However, the four found themselves making quite a lovely racket together, and decided to take an approach pioneered by heroes of the underground culture like Bob Dylan, The Replacements or The Pixies; they decided to rock. Rock hard. And so the four of them spent some time together, learning each other’s musical strengths and sensibilities, recorded their debut album “The Way of the Albatross”, and struck out into the great unknown to spread their brand of genre-skewing rock n’ roll. Facing the darkness with pure hearts, The Minneapolis Henrys’ goal is to grab your ears, move your feet and win your heart. So please, listen, dance and love.