The Dyes are a raw rock’n’roll trio hailing from Chicago, IL. Often coined as ‘garageabilly’, they’ve dipped into a phonic realm fueled by infectious ’50s and ’60s oldies, approached with an irreverence and vigor that is anything but retro. Frontwomen Lisa and Jill formed the group as teens, then maintained the same line-up since the addition of Charlie back in ’06.  The Dyes’ve had the pleasure to travel around the great US of A a time or two, sharing bills with roots rock luminaries including Johnny Powers, Reverend Horton Heat, JD McPherson, Los Straitjackets, and too many other friends to name!

Their last single “Liza Jane” was featured on Bloodshot Records’ (RIP) 25th Anniversary Comp Too Late to Pray: Defiant Chicago Roots, alongside 21 other Chi-town artists running the spectrum of classic country, bluegrass, rockabilly, folk, and rock. Described as “Cramps-and-Flat Duo Jets-fearing garage power trio spins a sleazy, lo-fi psychobilly take on a pop standard that became David Bowie’s first recorded single.”

People who’ve seen a lot in the music business see something special in Jimbo-Delta… A longtime Chicago blues artist introduced Jimbo-Delta as “The Real Deal”… The Chicago Sun Times says… “Jimbo Delta, a k a Jim Parks, gives winks to the region his moniker suggests with clean resonator guitars and the vocal range of a young Johnny Cash. Parks considers himself to be true Americana, something the lazy river strings of his debut long player, “Hypnotized” (2002), certainly reflect. But new tunes in the works flash electric-guitar effects and pitter-patter blues beats. Either way, the man’s got a knack for blending new sentiments with old traditions.” Jimbo-Delta truly is authentic Americana Roots music.

Three pieces of pro-sumer Amero-trash with entitlement issues, energy, and talent. Recommended for dancers, drinkers, and druids on drugs, but all are welcome. Muddy Udders has played hundreds of shows at bars, parties, restaurants, festivals, all-ages venues, bowling alleys, basements, and backyards. Instruments switch hands, genres get jumped, requests are admirably (if not foolishly) attempted. An original catalog of 30 songs and growing, and a cover catalog of 300 songs and growing.