ROTTING CHRIST have reached another peak in their long career that now spans over more than three decades. The Greeks have literally stood the test of time. With a steady core line-up and their well-honed live delivery, ROTTING CHRIST are filling concert halls and reap enthusiastic crowd reactions wherever they go. This demonstration of love from their followers is not just driven by nostalgia as the band has managed to evolve and grow, while staying relevant beyond the classics with their highly acclaimed latest albums such as ‘Aealo’ (2010), ‘Κατά τον δαίμονα εαυτού’ (2013), and ‘Rituals’ (2016).

Now, with the new offering ‘The Heretics’, ROTTING CHRIST are opening a brand new chapter. With confidence and skills derived from experience, each song represents its own sonic universe. Guitarist and vocalist Sakis Tolis in collaboration with his brother Themis on drums achieve a perfect balance of amalgamating their classic and unique style of riffing and rhythm with exciting new elements sprinkled in to keep their material exciting and fresh. The experienced is enhanced by Jens Bogren’s equally clear and transparent yet also massive as well as sombre mix and mastering at his widely renowned Fascination Street Studios (AMORPHIS, BORKNAGAR, MOONSPELL, DEVIN TOWNSEND, and many more).

Buckle up for a fascinating musical ride through the woes of religious wars, Zoroastrianism and the eternal war between good and evil. Metal at its best!

Intrepid black metallers Borknagar, in partnership with Century Media, mark their return with resplendent new album, True North. The Norwegians spent the better part of three years writing and rebuilding the lineup—Borknagar are now Øystein G. Brun (guitars), Simen “I.C.S. Vortex” Hestnæs (bass/vocals), Lars A. Nedland (keyboards/vocals), Bjørn Dugstad Rønnow (drums), and Jostein Thomassen (guitars)—to make their 11th studio album a reality. The reasons are plenty but the main driver for space between and change within Borknagar’s repertoire and membership was calibration. Chief songman Brun needed to refocus his labor of love after the assiduous Winter Thrice album cycle. Indeed, that’s exactly what he’s done on True North. While Winter Thrice was a celebration of time spent and bonds made, True North is the vanguard forward, clear-sighted, refined, and full of power. Truly, there’s no holding back now, but with year 25—the band’s silver anniversary—approaching next year, small wonder that Brun and Borknagar are still with us. Fortuitous, or part of the plan all along…

“Absolutely not,” Øystein G. Brun says [of the plan]. “Back in the day when I starting to play around with the ideas about the band I had no goal aside from making music I love myself. At that time, the whole concept of making money, doing big festivals and traveling around the world was so far off that I wasn’t even thinking along those lines. But that said, I have always had the belief that genuinely good music can move mountains.”

Abigail Williams returns with their boldest and most diverse offering to date.

“Walk Beyond the Dark” summarizes the band’s previous experiments into one defining statement.

The album deftly wields the forces of light and dark in skilled measure. Icy guitars and bleak atmospheres encircle. String accompaniments burst into rapture. Powerful guitars shift between slithering rhythms and all-out assaults.

The grandiosity of the band’s debut album arrives via intricate string accompaniments. The raw fury of their sophomore effort pummels. A sense of space and clarity evokes the band’s third album. And the gritty darkness and progressive oddity evoke the fourth.

“Walk Beyond the Dark” melds all previous efforts into an undeniable force, elevating the result to the next level.

Abigail Williams take their rightful crown as the lords of American black metal.

The melancholic futility of despair. Surrender to the mysterious void.

Born in the metropolis: Imperial Triumphant embodies the sounds of New York. The chaos, the menagerie, the perils and majesty of the greatest city on earth. We portray this great juxtaposition between high society luxury coexisting with absolute filth and urban decay. Our city is like the corpse of a giant. What was once so bright, grand and spectacular, is now filled with greedy maggots writhing towards their share of ‘success’. We don’t support it nor are we against. We only play the sounds of the New York City as we hear them.