What makes NAPALM DEATH so special? Well, let’s think back 30 years: Would you have thought that a grindcore band from Birmingham would ever make it into the official album charts with some of the most infernal noise ever put on tape, enter the Guinness book for the shortest song ever recorded or appear in a prominent UK TV series named “Skins”? That it would be part of an Alice Cooper hosted episode of BBC’s Never Mind the Buzzcocks to guess from a couple of look-alikes who is the singer in NAPALM DEATH? Could you have ever imagined a down-to-earth lad named Mark “Barney” Greenway, a soccer fan (Aston Villa F.C.), vegetarian, prog metal freak and one of music history’s most renowned representatives of “cookie monster” style vocals would become a personality within the extreme music realm that is not about beer-drinking and hell-raising but synonymous with sounding hard while being smart? Well, that is where we are at now. From filthy, sweaty rehearsal rooms and tiny clubs and pubs NAPALM DEATH has conquered every music festival you can think of and toured through corners of the world a lot of bands would not even dare to tour while becoming famous for combining brutal music with political engagement and ethical values beyond the usual cliché of sex, drugs & rock n roll. And, as most fans will be delighted to hear, this remarkable story is far from being over…
Mankind’s sense for creativity probably manifests best in the sheer unlimited ways of torturing, mutilating, and killing each other. Successfully applying this atrocious inventiveness to their perversely precise sonic executions, “European death metal butchers” ABORTED with members hailing from Belgium, France & UK have refined and re-defined the tools of their trade on their seventh full-length “Global Flatline” to murder the listener with unimaginably gruesome, shockingly diverse brutality.
“Old School Melodic Death Metal from Chicago.”