Formed in Southern California in 2008 when vocalist James Paul Luna and drummer Tyler Meahl diverged from Pasadena metal squadron White Wizzard and teamed up with San Diegan guitar hero Eli Santana, the band was called Sorcerer until it became clear that the moniker didn’t quite capture the rarefied nature of the members’ collective talents. Sorcerer became Holy Grail. The band became so unstoppable that California just couldn’t contain them and now, like their spiritual forefathers in Iron Maiden, Judas Priest and Dio, Holy Grail are poised to bring their hook-laden shred anthems to an arena near you.

Holy Grail are heavy metal personified, possessing a seemingly infinite arsenal of mind-blowing riffs, skyscraping vocal melodies and devastating drum dynamism. Not mention the kind of six-string acrobatics and straight-up power-shredding that would make Yngwie Malmsteen chuck the proverbial goat in sweep-picking solidarity. “We shred and we’re serious about it,” Luna offers. “This is not a tongue-in-cheek thing. It’s not throwback or retro. Holy Grail is a modern band with a new twist on the best of old-school metal with death metal riffs, modern breakdowns and power-metal singing. We just tried to pick stuff from all our favorite bands and make the best blend of metal we could.”

But don’t take our word for it—or Luna’s. The fine folks at Decibel magazine knew exactly what they were talking about when they hailed HOLY GRAIL as “the most exciting prefix-free metal band to come out of L.A. in the last two decades.” The esteemed editors at UK’s Metal Hammer nominated the gentlemen of the Grail for the magazine’s “Best New Band” award at their annual Golden Gods ceremony before Holy Grail even had an album out. But a certain tall, handsome genius over at Thrasher summed it up best when he proclaimed, “Holy Grail are the reason that heavy metal will never die.”

Chicago modern metal powerhouse TRIALS is set to make a triumphant return on May 1st with the release of their sophomore album, “In the Shadow of Swords.”

Coming off the heels of their 2011 debut, “Witness to the Downfall”, “In the Shadow of Swords” sees the band take their blend of melodic death and muscular, technical thrash to the next level. Don’t mistake those words for the typical promotional hyperbole either. TRIALS has truly upped the ante where aggression, songwriting and sheer metallic power are concerned.

Hailing from Chicago and the UK, CRUSADER is relatively new to the metal scene in Chicago, although they are all veterans of playing live music, having only been officially a band since spring of 2010. Tired of hearing run-of-the-mill corporate produced ‘metal’, CRUSADER decided to raise the flag and rally the troops to their banner.
Raised on classic rock, speed metal and thrash through to doom, and everything in between and beyond, CRUSADER proudly and unashamedly wear their influences on their sleeves.
Early 2011 saw the release of CRUSADER’s self released EP ‘Rise of the Templars’ which has received rave reviews:
‘If you close your eyes, you can picture hundreds of spiked gauntlets, punching the sky, lock step, united in war against poseurs. When the song takes off, it’s a groove thrasher with crooning vocals that reminds me a lot Death Angel’ – American Aftermath Webzine
‘Rise of the Templars’ is one great epic metal release, I do love the bass sound, this is indeed everything I want from a metal release in all fairness right down to the Grave Digger inspired EP cover artwork. The gauntlet is laid down and the challenge is accepted. Setting their stall out to emulate the metal giants (credit vidovic at dhead tech), Crusader makes a good account of themselves and I for one simply love this EP’ – Brutalism Webzine
‘This is prime NWOBHM inspired heavy metal taking you back to the days of Black Axe and Angel Witch…’ – Powerplay UK Magazine
‘Their NWOBHM sound, the epic-driven song titles and the cool performance are enough to guarantee you that you are gonna have great time when these guys are onstage. During their 30 minutes’ performance, I enjoyed “Templar” and “Asgard’s Fire” and the sure thing is that I’m going to dig their EP asap. Just a perfect way to warm up for ANVIL’s invasion, don’t ya think? – Metal Kaoz review – show with ANVIL
2012 will see the band recording their full length album and taking their sound all over the country. Think of a Crusader tank driving over a minefield littered with the skulls of the enemy dead…they’re taking it back to the roots: Drinking beers, throwing the horns and playing metal…

Armored Assault have been delivering riffs upon riffs to the unsuspecting masses since 2003. Not content with sticking to a label, Armored Assault is Metal. Now, armed with a new guitarist, the band’s ready to unleash its first new EP in 5 years.