GORGUTS, long-running Canadian craftsmen of technical death metal have returned! After more than a decade of silence, mastermind Luc Lemay unleashes “Colored Sands”, a new brand of pestilent fury featuring an all star line-up including John Longstreath (ORIGIN, SKINLESS), Colin Marston (BEHOLD THE ARCTOPUS) and Kevin Hufnagel (DYSRHYTHMIA). Few extreme bands have the pedigree of GORGUTS. During their early days as part of death metal’s first wave, they created a legacy of legendary releases including their debut album “Considered Dead” (1991) and its follow-up “Erosion of Sanity” (1993). The latter witnessed the Canadians becoming more experimental and technical. After a hiatus of five years, Luc Lemay returned with a new line-up, which released the acclaimed third full-length “Obscura” (1998). By then GORGUTS had fully transformed into one of the most progressive and influential bands in extreme music, which remained impervious to trends, while expanding and redefining the language of death metal. With a new line-up that left Lemay as the sole original member, another milestone album was released. On “From Wisdom to Hate” (2001) the Quebecois successfully merged the brutal and more direct approach of their earlier albums with the complex arrangements of “Obscura”. Just as GORGUTS seemed on the verge of making the first decade of the new century their own, the band was hit by business and personal issues and went on hiatus. Their musical legacy continued to inspire and thrive as their native Quebec became a focus for technical death metal with acts such as CRYPTOPSY, NEURAXIS and BEYOND CREATION to name but a few following in their footsteps. Now the masters are back to deliver the stunning masterpiece the metal world has been awaiting so long. Brace hard or get swept away by the mind blowing storm of “Colored Sands”!

American progressive metal band from Maryland

ROMAN RING was formed by members of Small Town Murder as the next step in an evolutionary process. An anomaly amongst the Chicago metal scene, Roman Ring fuses together elements rarely heard from their local peers. Combining blistering speed and technicality with passages of polyrhythmic grooves along with other-worldy influences. Their music will take you on a journey to another dimension before bringing you back to this earth as an evolved being.

Formed in 2015, SUNLESS draws influence from pioneers of extreme and dissonant metal such as Gorguts, Ulcerate, and Meshuggah, reinterpreting the sounds through an abstract lens that is all their own. Comprised of bassist Mitch Schooler (Nerves, Modulus), drummer Taylor Hamel (Aziza), and guitarist/vocalist Lucas Scott (Obsolete, Australis, Pestifere), the band features a prominent rhythm section, a scattered assortment of time signatures, interwoven and complex arrangements, and bellowing death growls, akin to the output of Artificial Brain, Baring Teeth, and Pyrrhon.

SUNLESS has toured and performed across the United States and Canada in support of their debut full-length album Urraca with bands such as Gigan, Suffering Hour, and Plebeian Grandstand. Tracked by Adam Tucker at Signaturetone Recording (The Crinn, Ambassador Gun, Maeth) in their hometown of Minneapolis, Minnesota and mixed/mastered by Colin Marston at Menegroth, The Thousand Caves in Queens, New York, Urraca delivers a relentlessly engaging onslaught of complex and dissonant death metal with nine tracks encompassing a dense forty-four minutes. The album is presented appropriately in a psychedelic and abstract visual manner with artwork by former band member Andrew Notsch (Youwretch) aka Hollow Dusk and logo by Stephen Wilson aka Unknown Relic.

“Staying away from the traditional constraints of a single genre label, Misanthropy fuses mind dissolving dissonant melodies, twisting hyper speed technicality, foundation-shattering low brutality, and hooks that will worm their way into your brain and take up permanent residence “