Very influential British punk rock band which formed in 1977 with the original line up of Terry ‘Tez’ Roberts on vocals, Tony ‘Bones’ Roberts on guitar, Roy ‘Rainy’ Wainwright on guitar, Nigel Bamford on bass and Akko on drums. Shortly after Nigel Bamford left the group, and Rainy moved to bass. This line up sounded much more like the Sex Pistols, but only recorded one demo. The line up and the sound changed in 1979. It became: Kelvin ‘Cal’ Morris on vocals, Bones on guitar, Rainy on bass and Tez on drums, which many consider to be the “classic” Discharge line up.

The band pioneered a heavy, distorted, and grinding guitar–driven sound and anti–melodic shouted or screamed vocals with on a focus on anarchist and pacifist themes and frequent mention of nuclear war.

Discharge also pioneered “D–beat” as a punk subgenre. The band’s sound, political viewpoint and stripped–down aesthetic can be traced to modern hardcore bands like ; Disfear, Tragedy, Nasum

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with a caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996) or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still hurts.

TOXIC HOLOCAUST mutated into existence in 1999, when Joel Grind merged his love for classic punk and metal into his ideal band. Like his influences – Bathory, Venom, English Dogs, Possessed, Broken Bones – TOXIC HOLOCAUST featured blazing riffs, gravel-throated vocals, and a deadly fixation on the evil in man and a post-apocalyptic world. Grind wrapped all of these elements up with a DIY attitude.

Nam Land crawled out of the gutters and back alleys of Chicago. We play our music to enlighten those who are too blind to see the atrocities committed against this world we all share. There’s a Cabal controlling the world ( the 1%) who manipulate us through the media and dominate using law enforcement, oil and war. They will try to crush us through intimation and force. Our words will not be silenced. Nam Land is not just a band. It’s you and me, a voice to be heard and reckoned with. Insurrection.