Reggies and Empire Productions regret to announce that Discharge will not be performing on May 31 due to visa difficulties. We are in the process of confirming a rescheduled date in July/August, tickets for May 31 will be honored on the new date. Apologies for the inconvenience, and we are just as disappointed as you all that we have to delay this show.
The band has released the following statement:
“Due to circumstances beyond our control, our visas have been delayed and we are forced to postpone the immediately forthcoming tour dates in North America.
FEAR NOT, however, as we are working diligently to reschedule these shows as QUICKLY AS POSSIBLE, and we WILL fulfill ALL shows. All tickets will be honored. Please stand by as we will announce new performance dates in the next few days!”
DISCHARGE
Very influential British punk rock band which formed in 1977 with the original line up of Terry ‘Tez’ Roberts on vocals, Tony ‘Bones’ Roberts on guitar, Roy ‘Rainy’ Wainwright on guitar, Nigel Bamford on bass and Akko on drums. Shortly after Nigel Bamford left the group, and Rainy moved to bass. This line up sounded much more like the Sex Pistols, but only recorded one demo. The line up and the sound changed in 1979. It became: Kelvin ‘Cal’ Morris on vocals, Bones on guitar, Rainy on bass and Tez on drums, which many consider to be the “classic” Discharge line up.
The band pioneered a heavy, distorted, and grinding guitar–driven sound and anti–melodic shouted or screamed vocals with on a focus on anarchist and pacifist themes and frequent mention of nuclear war.
Discharge also pioneered “D–beat” as a punk subgenre. The band’s sound, political viewpoint and stripped–down aesthetic can be traced to modern hardcore bands like ; Disfear, Tragedy, Nasum
New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with a caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996) or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still hurts.
TOXIC HOLOCAUST mutated into existence in 1999, when Joel Grind merged his love for classic punk and metal into his ideal band. Like his influences – Bathory, Venom, English Dogs, Possessed, Broken Bones – TOXIC HOLOCAUST featured blazing riffs, gravel-throated vocals, and a deadly fixation on the evil in man and a post-apocalyptic world. Grind wrapped all of these elements up with a DIY attitude.
RINGWORM, the reigning kings of destructive hardcore metal, have brought forth yet another testament to their sheer brutality: The Venomous Grand Design. Ever since their emergence from the Cleveland metal scene, RINGWORM has garnered the immediate attention of hardcore metal fans, leading them to spots on tour with bands such as Blood For Blood, Hatebreed, and Terror. RINGWORM displays an awesome ferocity in the power of their instruments, and vocalist the Human Furnace uses his voice as a tool to extract the diabolical nature of anyone who hears it.
RINGWORM was spawned in 1991 from the metal scene in Cleveland, Ohio. In 1993, the band released The Promise on Incision Records, finding their place amongst other hardcore metal heavyweights such as Terror and Earth Crisis. However, despite this early success, RINGWORM decided to pursue personal ventures, the Human Furnace concentrated his focus on tattooing and his artwork, while other members joined up with hardcore legends Integrity. Nearly 10 years later, 2001 saw RINGWORM emerge from their dark place in the shadows with their critically acclaimed Victory Record’s debut: Birth Is Pain. Extensive touring followed, although this was interrupted by personal ventures, as the Human Furnace owns a chain of tattoo shops, and guitarist Frankie “3 Gun” Novinec was touring with fellow hardcore deity, Terror. However, 4 years later, Justice Replaced By Revenge was released. Following their extensive touring in support of their latest album, RINGWORM made record time recording their latest offering: The Venomous Grand Design. In 2013, RINGWORM signed to Relapse Records and plan to release a new album the same year.
Destined to be a mainstay in every hardcore metal fan’s headphones, RINGWORM’s The Venomous Grand Design summons forth a new frenetic rage, breathing life into the rage within human kind that has gone unanswered for so long. RINGWORM shows any newcomers to the genre exactly what hardcore metal is supposed to be.