

THE BLASTERS
The Blasters are an American rock and roll music group formed in 1979 in Downey, California, by brothers Phil Alvin (vocals and guitar) and Dave Alvin (guitar), with bass guitarist John Bazz and drummer Bill Bateman.
Dave Alvin, the group’s primary songwriter, left the band in 1986 for a critically-acclaimed solo career. He was initially replaced on guitar by Hollywood Fats (birth name: Michael L. Mann) who appeared with them at Farm Aid. Phil Alvin has led various incarnations of The Blasters intermittently since then, including a few reunion tours and live albums of the original lineup. Personnel as of 2008 was Phil Alvin together with John Bazz, Keith Wyatt, and Bill Bateman.
The Blasters stink of rockabilly. A unique part of the Los Angeles punk scene of the 1980s, they project the essence of small streets of post-war neighborhoods, car culture and the sun-bleached concrete of Downey, California. They are lead by Phil Alvin’s soulful bellowing about causing chaos, chasing women... [read more]
The Blasters are an American rock and roll music group formed in 1979 in Downey, California, by brothers Phil Alvin (vocals and guitar) and Dave Alvin (guitar), with bass guitarist John Bazz and drummer Bill Bateman.
Dave Alvin, the group’s primary songwriter, left the band in 1986 for a critically-acclaimed solo career. He was initially replaced on guitar by Hollywood Fats (birth name: Michael L. Mann) who appeared with them at Farm Aid. Phil Alvin has led various incarnations of The Blasters intermittently since then, including a few reunion tours and live albums of the original lineup. Personnel as of 2008 was Phil Alvin together with John Bazz, Keith Wyatt, and Bill Bateman.
The Blasters stink of rockabilly. A unique part of the Los Angeles punk scene of the 1980s, they project the essence of small streets of post-war neighborhoods, car culture and the sun-bleached concrete of Downey, California. They are lead by Phil Alvin’s soulful bellowing about causing chaos, chasing women and the loss of the citrus groves. Influenced by the likes of The Rolling Stones, Elvis Presley, Buddy Holly, and many others who came and went during the 1950’s, The Blasters play the songs of the working man’s curse and rock and roll romance. Founding members Phil Alvin and John Bazz, with the addition of Keith Wyatt on lead guitar and Jerry Angel on drums, are carrying on their hard-won legacy of one of the most credible and recognizable bands in Americana music.
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PIÑATA PROTEST
Punk rock like abuela used to make!
Piñata Protest is a “Tex-Mex punk” band from San Antonio, TX. Their self described sound and attitude arises from the two counter-clashing worlds that the band embraces: punk and Tex-Mex.
Piñata Protest’s unique and catchy sound takes the traditional folk rhythms of Tex-Mex music (conjunto and norteño music that is native to the South-Texas and Nortern-Mexican region they originate from) along with the three-row button accordion and combine that with the fast tempos and attitude of punk rock, ska, and many other genres. Along with the use of traditional instruments and rhythms the band also sings in their regional mix of Spanish and English (or Spanglishas it’s called locally). Their songs lyrics cover a range of topics, from political topics close to the ethno-identities of the band, drinking, love, religion, and racism. Adding to their sonic performances is a lively and energetic live show that ignites crowds to mosh, skank, and twirl their... [read more]
Punk rock like abuela used to make!
Piñata Protest is a “Tex-Mex punk” band from San Antonio, TX. Their self described sound and attitude arises from the two counter-clashing worlds that the band embraces: punk and Tex-Mex.
Piñata Protest’s unique and catchy sound takes the traditional folk rhythms of Tex-Mex music (conjunto and norteño music that is native to the South-Texas and Nortern-Mexican region they originate from) along with the three-row button accordion and combine that with the fast tempos and attitude of punk rock, ska, and many other genres. Along with the use of traditional instruments and rhythms the band also sings in their regional mix of Spanish and English (or Spanglishas it’s called locally). Their songs lyrics cover a range of topics, from political topics close to the ethno-identities of the band, drinking, love, religion, and racism. Adding to their sonic performances is a lively and energetic live show that ignites crowds to mosh, skank, and twirl their dance partners.
Piñata Protest was founded by the Mexican-born singer, song writer, and accordionist Álvaro Del Norte. The band includes Regino Lopez on electric guitar and vocals, Richie Brown on electric bass and vocals, and Chris-Ruptive on drums. Other instruments such as the trumpet and güido are used in not only their studio recordings but their live performances as well.
For over ten years the quartet has maintained a busy schedule of performing and touring throughout the United States, Canada, Mexico, Spain, and France alongside range of musical acts such as The Reverend Horton Heat, Mariachi El Bronx, Molotov, GBH, Tagada Jones, Guttermouth, Voodoo Glow Skills, Brujeria, The Toadies, Ramon Ayala, The Blasters, Authority Zero, Agent Orange, Ozomatli, Mustard Plug, The Blasters, and Wayne Hancock.
Festivals are a strong point for Piñata Protest. Their very eclectic sound, interactive show, and energetic performances makes them a perfect fit for a wide variety of festivals. Most notably the band has had several official appearances at Punk Rock Bowling, SXSW, The Tejano Fan Fair, Flogging Molly’s Salty Dog Cruise, Palomino Fest, Punk In Drublic, The Latin BMI Awards, Accordion Noir, Muddy Roots Festival, and a slew punk, folk, and Mexican themed festivals.
The bands unique sound has also leaded them to be featured in soundtracks for the following major and independently release films: Tequila Re-Pasado (2023), Me Estas Matando Susana (2016), La Soldera (2015), Circus of the Dead (2014). The band has also written music specially for Me Estas Matando Susana.
The band has also had several collaborations with companies including releasing their own beer through Freetail Brewing with a released of Piñata Protest beer which was distributed in grocery chains, bars, and venues across Texas. The band has also collaborated with other worldwide brands such as Tecate beer, Ford Motor Company, and Nike Athletics.
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LUCKY 3 BLUES BAND
The Lucky 3 Blues Band is a new group of Chicago music veterans exploring the blues in the 21st century. Their unique style of “Blues Confusion” draws from a deep reservoir of original songs, blues classics, & the odd left turn. Featuring electric & acoustic guitar, harmonica, archaic drum machine sounds & vocals – The Lucky 3 play “old school” blues with a modern sensibility.

AMAZING HEEBY JEEBIES
AMAZING HEEBY JEEBIES was born in the back seat of a ’63 Caddy tearing down Highway 41. Amazing Ary and Earl “Wolfdaddy” knew they had created something that could be a sinners delight. Neighbors curiosity grew hearing the two bang out what became the foundation of AMAZING HEEBY JEEBIES.
Chicago Artist Ary started painting at a young age..but visual art was just not enough. When she turned 21, she became a regular fixture lurking in the shadows of the hippest live music shows mingling with international party girls, hep cats & kittens…now cutting her teeth as a musician/songwriter/performer, taking souls & rockin’ bones on stage for the first time…raawwwr! This petite bad girl packs a powerful vocal punch like nobody’s business. Her live performances show her provocative but sweet style, invoking artists from past and present, from blues to punk, hell raisin’ rock n roll with a twist and shake of vintage kitsch.
Earl “Wolfdaddy” Carter is also one of the two original members... [read more]
AMAZING HEEBY JEEBIES was born in the back seat of a ’63 Caddy tearing down Highway 41. Amazing Ary and Earl “Wolfdaddy” knew they had created something that could be a sinners delight. Neighbors curiosity grew hearing the two bang out what became the foundation of AMAZING HEEBY JEEBIES.
Chicago Artist Ary started painting at a young age..but visual art was just not enough. When she turned 21, she became a regular fixture lurking in the shadows of the hippest live music shows mingling with international party girls, hep cats & kittens…now cutting her teeth as a musician/songwriter/performer, taking souls & rockin’ bones on stage for the first time…raawwwr! This petite bad girl packs a powerful vocal punch like nobody’s business. Her live performances show her provocative but sweet style, invoking artists from past and present, from blues to punk, hell raisin’ rock n roll with a twist and shake of vintage kitsch.
Earl “Wolfdaddy” Carter is also one of the two original members of The Riptones, and before that he was in numerous other insane notable local bands (Deacons, Deke Rivers, Rebel Rousers, The Buzzerds, and the late and great Elvis impersonator Tom Green). Slappin’ & howlin’ in league with the hellhounds from the blazin’ fires of nitro moonshine madness, Wolfdaddy will make you scream!
Meanwhile, back at the ranch….other talented son-of-a-guns joined in;
Randy “Doctor”” Carter: Guitar/Mandolin (bluegrass band Slightly Bent). Creating the monstrously sick incurable sound deep within your brain-that will haunt your memory in that feel good kinda way.
Bob “Be-Ware” Hyatt: Guitar/Vocals (Los Diablos, Red, Hot and Blue, Riptones). Bob’s brooding and dangerously dark songwriting and sounds will start rumbles and will make you kids run to your mommas.
Tom “Boss X” Klein: Guitarist Extraordinaire (Liquid Soul, Country Doctors, Razorhouse, Ambassadors to Earth, and in the past, Spies Who Surf). The mystery behind the mayhem, this assassin of sound will cause explosions and riots with only six strings.
And last but not least the king of swing Danny “Danny Boy” McClain on drums (Los Diablos, Red Hot & Blue). Banging to the drum of his own primal beat, invoking crazy voodoo magic, makin’ you twist, shake and move your feet.
Together this bizarre musical powerhouse is putting a spell on amazed crowds everywhere including the hottest spots in town, various hotrod shows, and other footstompin’ happenings. Too dangerous to stop. Too gone to turn back jack!
Best described as “Dixiefried Garagabilly” drawing on various eras and genres from hillbilly, gritty blues, 60’s garage punk, deep from the underworld of moody psychotic rock n roll!.
[read less]$80 Red Chair VIP
includes reserved seat, 3 hr call drink package and poster
$50 Above Stage VIP
includes access to above stage balcony and poster
$50 Dinner package VIP
includes dinner (any one dinner item, no alcohol) and poster