For as loud as their riffs and roars are, Acid King’s legacy is as unassuming as it is enduring, casting a quiet shadow over the underground for over two decades.
Bathed in distortion and baptized in a plume of smoke, the Bay Area trio—Lori S. [vocals, guitars], Joey Osborne [drums], and Mark Lamb [bass]—re-emerged with their first offering in a decade, Middle of Nowhere Center of Everywhere. Receiving widespread critical acclaim, tastemakers such as Noisey, Blabbermouth, Invisible Oranges, Ultimate Guitar, and New Noise lauded the album. They embarked on tours of the States and Australia, appearing on festivals including Psycho Las Vegas, Erosion Fest, Desert Generator, and more as well as sharing the stage with everyone from Sleep and Down to Blue Öyster Cult, Red Fang, and YOB. The record extended a celebrated discography that encompasses three EPs and three full-lengths, namely Zoroaster , Busse Woods , and Acid King III , carving out a foundation back in 1993. It’s no surprise strains of their style infect modern luminaries such as The Sword and Kylesa, and they’ve earned a place in tomes like The Encyclopedia of Heavy Metal and the A to Z of Doom, Gothic & Stoner Metal.
Forever etched in the Acid King Necronomicon, Joey and Mark announced they would each begin their own respective new chapters in late 2016.
“When we started this band, it was always just about playing music that we love,” exclaims Lori. “Joey and Mark reached a point where they wanted to focus on other aspects of their lives. I wish them the best. It was simply the start of another era.”
As the proverbial train kept rolling, Lori invited an old friend to join her on the road for a string of shows in 2017. Black Cobra’s Rafa Martinez entered the fold again after assuming bass duties once in 2007. Meanwhile, she tapped the talents of drummer and avowed Acid King fan Bil Bowman of Hornss behind the kit. The new year sees the group
Drawing from the sounds of Lightning Bolt, Karp, Sonic Youth, Black Sabbath and High on Fire, Wizard Rifle cannot sit still sonically for more than two seconds. Prepare thineself…
Imagine if Incesticide era Nirvana were crossed with Static Age era Misfits. You’d have sinister low budget horror rock with a visceral, twisted weirdness