Sissy Brown is a sweet voiced country singer influenced by honky tonk, outlaw, and classic country gold legends.
The Blues Kids Foundation is an IRS recognized 501(c)(3) nonprofit charitable organization. We were established to preserve, perform and promote the Blues among America’s youth, parents and educators under the tutelage of highly qualified instructors. Our focus and social responsibility is education (pedagogy + andragogy), literacy and music as a second language.
Each summer we present Fernando Jones’ Blues Camp in different parts of the United States and abroad. This “priceless,” fun-filled, weeklong experience is designed to impact the life of the Blues Kid who simply wants to create, perform and experience this cultural enrichment opportunity in an organized and nurturing environment with like-minded others.
Lasers! is a rock band from Chicago IL.
Former known as Blue Daven’s Code, this Canadian trio from the defiant Quebec City decided that the changes that their music and style, not to mention the departure of the 4th member and the decision to continue on as a trio, warranted a new name. That name came easily on their trip to the city of angels in February 2015 (LA) for their showcase presentations. The stylish rockers that had an EP released in September of last year called Blue Daven’s Code are now back in Quebec and getting ready to hit the road with female rock legend “Girlschool”, Swedish female act “Crucified Barbara” and fellow Canadians “Old James. The North American tour antecedes the recording of a full length album to be released by Native Alien Records later in 2015.
Back in 2011 at the very dawn of the band – then called Blue Daven’s Code – these rockers showed that they were not just another band by finishing in 2nd place at the prestigious Budweiser’s “Omnium du Rock” battle of the bands, beating out 42 bands in the process. Filled with hope and enthusiasm, they continued relentlessly to tour and record until in 2013 the band released the single “Dangerous”. They got airplay on major radios in Canada, such as CFWF (Regina, SK), CIKR (Kingston, ON), CJRX (Lethbridge, AB), CKMH (Medicine Hat, AB) and were a featured on the notorious ‘New Rock Nation’ show.
Formed in Stockholm in 1998 by bassist Ida Evileye and guitarist Klara Force, CRUCIFIED BARBARA is Sweden’s hardest rocking quartet, playing a fiery brand of rock ‘n’ roll tinged with metal and lashings of punk, pop, thrash, and whatever else dares to cross their path.
No strangers to hard work or success, CRUCIFIED BARBARA’s debut single from their 2005 debut In Distortion We Trust climbed to #8 on the Swedish pop charts. They played Australia, toured across Europe opening for Motörhead, Sepultura, In Flames, and Doro, and earned a prestigious slot alongside Black Sabbath, Velvet Revolver, and System Of A Down at the U.K. Download Festival. With all that touring, it would be four years before the band got around to recording their second album, 2009’s ‘Til Death Do Us Party. Next thing you know, there they were on national television performing in Eurovision’s 2010 Song Contest and made it to the semi-finals. Go figure.
Entering the legendary Music-A-Matic Vintage Recording Studio in Gothenberg with sound engineer Henryk Lipp and producer Chips Kiesby to create CRUCIFIED BARBARA’s third studio release, The Midnight Chase features the beautifully evil “Rock Me Like The Devil,” the anthemic “Everything We Need,” and the commandeering “Into The Fire.” Ida Evileye dominates her trusty Sandberg bass, Klara Force rocks steady on her ’76 Gibson Explorer, Mia Coldheart belts out her unapologetic vocals while riffing all over her Gibson Gothic Flying V, and Nicki Wicked pounds on her glittered Yamaha Maple drum kit until you’re splayed across the floor with a bull’s-eye knock-out punch that’ll make you spit your teeth out. Now you know what happens when Motörhead mates with The Runaways.
So how did they get their name? The band members attended Denmark’s legendary Roskilde Festival and came across something very unexpected in a nearby forest: a blow-up doll (generically called “Barbara” throughout Sweden) attached to a crucifix. And no, they didn’t identify with the victim, they claimed the power of the aggressor right on the spot and have never looked back.
If ever you cross their path, bring some brass knuckles to better protect yourself.
Girlschool are a British heavy metal band originating out of the New Wave of British Heavy Metal scene in 1978 and frequently associated with contemporaries Motörhead. They are the longest running all-female rock band, still active after more than 35 years. Formed from a school band called Painted Lady, Girlschool enjoyed strong media exposure and commercial success in the UK in the early 1980s with three albums of ‘punk-tinged metal’ and a few singles, but rapidly lost their momentum in the following years.
In the 1990s and 2000s, they concentrated their efforts on live shows and tours, reducing considerably the production of studio albums. During their long career, Girlschool travelled all over the world, playing in many rock and metal festivals and co-headlining with or supporting some of the most important hard rock and heavy metal bands. They maintain a worldwide cult following and are considered an inspiration for many succeeding female rock musicians such as The Donnas. Despite of line-up changes in the past, original members Kim McAuliffe, Enid Williams and Denise Dufort are still in the band to this day. The only original member no longer in the band, lead guitarist and singer Kelly Johnson, died of cancer in 2007. and was replaced by Jackie Chambers in 1999.
Erik and Doug started playing rock in high school. Then they stopped. They played in lots of other Chicago bands. Many years later,Erik built a studio. Doug and Erik started playing again.
Ted came to Erik’s block party in 2014 and played a mean guitar. Ted joined the fold. Stephen and Erik discussed music at the 9:00 A.M. roach coach for the last couple of years. Stephen plays a mean bass. Stephen joined the fold in December of 2014. Stephen and Ted played in numerous, Chicago bands. This one is ours.
The AJ Ghent Band is an Americana band that fuses the sounds of southern rock, blues, soul, and funk together. AJ’s songs are witty, energetic, and funky, but they have a message. The message portrayed in each song gives listening ears an outlet. The songs allow those who are going through to sing about it, dance it out, and clap it out, and by the end of the song, forget about the problems and the issues.
In 2015, Dallas rock band Somebody’s Darling, taking a page from Tom Petty, packed up camp, pushed all their chips in, and headed for Nashville to run down the dream of doing this forever. Think My Morning Jacket fronted by a woman, or Alabama Shakes if they’d been born in Texas.
“Equal bits Gary Clark Jr. and ZZ Ward, their track “Generator” whose delightful Tame Impala’s “Elephant”-esque intro gives the track a propulsive spurt right out of the gates. It’s off their upcoming LP, Adult Roommates, and we’re ready to hear more.” – Baebel Music
“Somebody’s Darling have all the elements you would expect from a Southern rock band: Lead singer Amber Farris’ commanding vocals, dominant guitars, powerful drums, and lyrics that make you pay attention.” -CULTURE COLLiDE
Hailing from the Heart of Illinois, Steady Flow is a power funk band on the rise, blending new-age/progressive funk, with a classic 1970’s feel. Formed in 2012 by 18 year old guitar prodigy Tanner Brown, his brother Ky on bass, and longtime friend Jonathan Bobo on the drums, this band instantly caught fire. With the addition of a vintage rotary organ and a three piece horn section, they have become the full funk package. Steady Flow was recently crowned champion of the “Dos Equis Toast of the Coast” competition, topping hundreds of bands throughout the U.S. and winning a headlining slot at North Coast Music Festival 2013. The band’s first EP entitled “The Oneoff Sessions” made its debut in 2013 and quickly set the bar for the FUTURE OF FUNK! – See more at: http://www.steadyflowfunk.com/about/#sthash.I6nBddjB.dpuf
Grabbing influences from all over the musical spectrum, the Ars Nova has something for everyone. They pride themselves in never having two shows be the same and embrace the musical freedom that is their improvisational jams. From Umphrey’s McGee to Led Zeppelin, from STS9 to the Red Hot Chili Peppers, from Jimi Hendrix to Kings of Leon, the Ars Nova is a must-see act. After breaking on to the festival circuit in the summer of 2014 at Summer Camp Music and Arts Festival in Chillicothe, IL, everything has been up hill for the Ars Nova. Catch them all over the Chicago area and be sure to follow them closely on Facebook, Soundcloud, Twitter, and Instagram. Do NOT forget the name ‘The Ars Nova’.
Justin Adam Beaver was born in Rockford, IL. One decade later, he fell madly in love with the bass guitar. A short while later, he formed 7th Street Saints, a bass guitar focused, alternative funk rock trio. 7th Street Saints were involved with the RAMI organization (Rockford area music industry). They have performed at venues such as The Elbo room, Davis Park, and On the Waterfront Festival, as well as various benefit shows.
Justin is currently attending Columbia College Chicago for a bachelors in music and studying Contemporary, Urban, and Popular music, majoring on electric bass. While at Columbia, he formed the group, Metropalis, and they were selected to play the official SXSW AEMMP showcase in 2013.
After graduation he is interested in collaborating with as many musicians as possible on stage, in the studio and on tour. He writes solo material that he will record, release, and perform in the very near future. He also plans to continue to merge community and music through benefit concerts, charities and organizations so that his art can give back to the community.
I started playing music when I was in middle school and it quickly consumed my life. When I started going to school for it, the passion took off. Now I write, perform, and compose every day of my life and plan to continue for as long as I can. I have played in countless bands of many different styles, and love new collaborations. I also am very experienced in recording and engineering, as well as music business knowledge.
Metropalis, a Chicago based rock band with a menagerie of influences ranging from Blues, Jazz, Reggae, and Funk, has made a splash in the Chicago scene. Founded in September 2013, as part of the Recording and Performance Ensemble at Columbia College Chicago, all six members are pursuing a Bachelor of Music in the Contemporary, Urban and Popular music program. Their tasty hooks, hypnotic grooves, and luscious harmonies will not only continuously captivate your attention but demand meticulous movement from your hips. Metropalis enjoys seamlessly blending their influences and crafting original songs that they love to perform for any music lover.
Sautéed in the pool of grease that used to be your brain, Jollys is an array of common vegetables that have rotted just enough to be mistaken for organic.
Post Animal is a rock & roll band from Chicago.
Drone. Noise-rock. Improvisation. Kraut. Ambient. Experimental. 21st Century Dance. Progressive.
The road to rock ‘n’ roll glory is littered with the smoldering remnants of bands that blazed brightly for a few brief moments and then fizzled out in a cloud of thwarted ambitions. But every now and then a band emerges that walk, talk and rock like true saviours of our beloved music’s spirit and soul. Founded in Northern Ireland in 2000, The Answer have spent the last decade proving their rock ‘n’ roll credentials and making the kind of life-affirming, eardrum-threatening music that separates the truly great from the merely adequate.
The band emerged into the mainstream spotlight in 2005 when their debut single Keep Believin’ became the subject of critical acclaim and led The Answer to the ‘Best New Band’ award at that year’s Classic Rock Awards. The following year, this young band consolidated that early promise with ‘Rise’, a debut album that received universally great reviews and backed up their burgeoning reputation with fistfuls of gloriously anthemic songs like Under The Sky, Into The Gutter and Come Follow Me that delighted everyone from cantankerous classic rock fans to bright-eyed teenagers with a penchant for balls-out rock ‘n’ roll. ‘Rise’ went on to sell over 125,000 copies worldwide, a startling achievement that ensured that when the band released their second album, the mighty ‘Everyday Demons’, three years later, the world was more than ready to embrace The Answer on an even greater scale.
The end result of their fearsome reputation, both as an astonishing live band and as rock’s brightest hopes, was a two-year stint as chief support to AC/DC, which took them around the world and into some of the biggest venues on the planet.
“We were thrown to the wolves a lot of nights on the road with AC/DC and all we had to fall back on was the four of us playing together,” recalls mercurial guitar hero Paul Mahon. “We had to make it work and dig in really hard. After all that time on the road, our song writing’s so much tighter, all the fat has been stripped away and we’re much more direct. Songs that we had in that vein seemed to go down with their audiences, and we took all of that on board.”
Undeniably, The Answer – completed by perennially charismatic front man Cormac Neeson and the powerhouse rhythm section of guitarist Paul Mahon, bassist Micky Waters and drummer James Heatley – have achieved a great deal in their career so far, but 2015 looks certain to be their most gloriously triumphant year to date. Signed by Napalm Records in 2012 the band have just re-signed with the label and are releasing their new album entitled “Raise a Little Hell” on March 6th 2015 (GSA/Benelux), March 9th (UK and Europe) and March 10th in North America.
Lead vocalist Cormac Neeson commented, “We’re delighted to be extending our relationship with the Napalm family and look forward to great times ahead! During summer 2014 we hightailed ourselves down to Madrid to record our new album with long time friend and producer, Will Maya. Our time in Spain represents one of the most productive and enjoyable chapters in The Answer’s colourful history. Our new album ‘Raise A Little Hell’ comes from deep down inside. We brought the blues, the swagger and soul back into the studio and emerged from it with an album that encapsulates our unabated love for making the music we make. We’re all incredibly proud and thrilled with this record!”
John and I started writing material back in 2013, with the idea of eventually turning it into a recording project, originally known as “Project Huxley”.
After tediously making demos and rehearsing, we decided that it was time to start playing some gigs together!
After a year of random bar shows, it was time to put everything we had written to tape (so to speak). With the help of our good friend Danny, and lots of elbow grease, we were able to record our first album, “Concrete Echo” in a mix of basements and bedrooms.
Since then, we have kidnapped our buddy Jon Glabus to play the bass (opening up a WORLD of sonic possibilities, and allowing John to rip out guitar solos) and have even been working on a plethora of new material.
Cheers!
-Chris
Music flows through me like a river runnin down a mount side.
It’s been in me since I was born and once I was introduced to Michael Jackson, heard my first Pearl Jam Cd and sang to 4 non blondes it was over. What’s funny is how I’ve come to truly appreciate the role music plays in my life. And I don’t just mean music- I mean performing! I love to perform in front of people and share that special energy of being connected through the vibe, the lyrics, the beats and the melody. I left music behind for almost 10 year of my life to pursue traditional business success. I was successful yet unfulfilled.
So I left the business goals behind to pursue music. Again unfulfilled cause I was broke! So I decided to tap into both and that’s when my world changed. I’ve found a way to use each to support each other through planning and finding my true passion. I want to travel the world as a musician speeding a conscious, real and positive message. I want to share my time with people who want to just flat out let go and enjoy themselves!
So my passion of travelin the world as a well known respected musician fuels my passion to work so I can afford to put all the pieces in place to do so. It’s a beautiful thing to know you’re working to support your passion- it will literally strengthen your work more than any generic business skill set. Passion is the key!! I have pinch myself cause I’m on an extraordinary journey!
So I have a question- what are you passionate about? What adventure do you want to live? Join me for this journey and you’ll find honesty, integrity, honor and of course an overall positive message. If you like it share it and spread the good vibes!
Sporting such elegantly performed and smartly written duets, New Mexico natives Christian Felix & Kendra Lyons moved to Chicago in 2011, but they could’ve truly come from another eraaltogether. Though co-ed pairs have taken center stage nationally as of late – She & Him, The Civil Wars – here’s a team that not only exudes such natural sounds, but is wise beyond their years when it comes to putting pen to paper. It’s that maturity that has brought them opportunities to perform along side a wide range of national acts, from Daniel Johnston to ZZ Ward.
Having begun performing in college back in Santa Fe, Felix & Lyons maintains a flexibility that eludes other acts of their ilk: Having added Jason Peters on bass around September of 2012 (right around the time their debut album Something Between Us dropped), Christian and Kendra remain just as powerful with a backing band as they are standing shoulder-to-shoulder against the world.
Despite the change of scenery, their tunes have an old-west quality but not in a faux, alt-country sense. These are songs with true grit, often accompanied by thunderous, distant percussion (as on the charging “Broke My Heart”), stories of complex love (“Open the Door,” where Felix plays the nearly baritone Johnny to Kendra’s June Carter-Cash) or ghostly tales of travel, like on the charming “N. Bethesda.” Having passed through several of Chicago’s top clubs – Cubby Bear, Goose Island, Beat Kitchen, Bottom Lounge, Hard Rock and Uncommon Ground among them – this is a group well on their way to commanding a substantial local – if not, national – following.
Scattered across the West Town area of Chicago, Simpleton & Cityfolk appeal to the listener with a blend of roots rock, Americana and folk. The band’s roots go back to Iowa when Geoff Glenn (guitar, vocals) and Chris Bennett (guitar, vocals) met as roommates at the University of Iowa. In 2010, college over, Bennett returned home to Chicago. Glenn soon followed. Chris “Foo” Williams (bass, vocals) and John Conlon, (guitar) filled out the rest of the Cityfolk with Mike “Sku” Skowronski joining on drums after Conlon’s move to Utah.
In the past 4 years, S&C has been playing to receptive crowds throughout the Midwest, at summer festivals and many of Chicago’s finest venues including: Metro, Double Door, House of Blues, Schubas, Lincoln Hall, Bottom Lounge, and Beat Kitchen. They’ve opened for , The Dirty River Boys, Daniel and the Lion, Run Boy Run and in August 2014, they were asked to be main support for Big Head Todd and the Monsters at Soldier Field.
Simpleton & Cityfolk has released two EPs and one LP; The Williams Account EP (2012), No Man Is An Island (2013), and Wild Hearts Can’t Be Broken (2014) which is their most ambitious effort to date. They continue to push the boundaries on the ever-changing genre of Americana and are looking to release another record in early 2015.
MurrKat has been following her two passions of music and hooping for most of her life. She has performed live shows all over the Midwest including Chicago, Madison, Champaign, and more.
MurrKat’s first single, “Spring Don’t Come,” was released on October 24th. Stay up to date on MurrKat and her forthcoming EP by following her on social media.
Many bands who claim to wave rock’s gnarly, pedal-to-the-metal flag forget the intricacies and innovation that go along with it. True: Sometimes a great rock and roll song can be just four chords, but rearrange them all you like and they can only get you so far. What’s refreshing about Draft Week’s style is that they incorporate rich dynamics and throw a wrench in atypical song structures, while still remembering to keep things consistently hooky with fervent energy and back-alley cool.
Though Kevin McNamara (vocals, guitar), Mike Zevin (bass, keys, back-up vox), Mikey Plahm (drums) and Chad De Leon (lead guitar) all performed in rival bands in high school, they eventually started Draft Week together in 2009, during their college days. Through two national tours and four self-released EP’s, the band has racked up prized opening slots for the likes of Fuel, Taking Back Sunday, Lucky Boys Confusion, AM Taxi, Empires, the Ataris, Sister Hazel, and Motion City Soundtrack. Locally, they’ve played some of Chicago’s most renowned venues (Metro, Congress Theater, House of Blues) as they continue to build a solid fan-base throughout the second city.
Come for the awesome music, stay for the wicked banter.
Mellow, harsh, sexy, spastic, cool and not commercial…but some of it you can play for your mum.
A higher caliber of crap for a new degenerate diaspora.
Soddy Daisy is
Eichler, Joey
Lee, Chris
Neer, Maureen
Swafford, Christian
Jen Korte first had the idea to start The Dirty Femmes 5 years ago but quickly realized she didn’t have the chops or the musicians she needed to pull it off. So she put the idea on the back burner for some day when she knew it would be the right time. Finding out that 2012 was the 30 year anniversary of the recording of the platinum debut album,”Violent Femmes,” she knew the time was now.
Jen quickly sent out to find a rhythm section that could handle the audacity of Brian Ritchie’s well known bass playing style and the complicated sounds of Victor DeLorenzo’s minimalist drum kit. Now enter Neil Mitchell and Andy Bercaw who back her with the same truculent musical styling that the Violent Femmes possess.
The Dirty Femmes pay tribute to the original Violent Femmes debut album its entirety along with the bonus tracks and a few songs off the second album, “Hallowed Ground”.
The Dirty Femmes premiered on April 7th, at the Hi Dive Denver and was met with an overwhelming response from Violent Femmes fans and the press.
Columbia College Chicago: CCC Reggies take over/ WORLD MUSIC
Ozric Tentacles are, simply put, legends of the UK underground. One of the most influential bands to emerge from the UK’s festival scene, “The Ozrics” layer ambient and ethereal landscapes with freeform dub trips, incredible rave grooves, and psychedelic progressive rock. Their aim is not just to make truly unique and culturally diverse music, but to harmoniously unite all in attendance, and create portals for astral travel. Most fans and listeners report feelings of euphoria, an immediate connection to nature as well as others around them, and intense feelings that they have transported to other dimensions or met with other-worldly beings. It’s an open exploration of music and the soul.
In their 30+ years, the Ozrics have experienced the vicissitudes of the rock and roll life. The band has scored two hit records, created 2 record labels (Dovetail & Stretchy), owned 3 tour busses, flourished through a number of line-up changes, spawned several side projects (including Eat Static and Nodens Ictus), released 29 albums, played 35 countries, 45 states, and sold over a million albums world-wide. And yet, the basic motivation behind the band’s existence has never wavered.
A campfire at the Stonehenge free festival in 1983 witnessed the birth of Ozric Tentacles. It was there that synth player Joie Hinton, stumbled upon brother’s Ed Wynne (guitar) and Roly Wynne (bass), performing in a band known at the time as Bolshem People, along with drummer Nick ‘Tig’ Van Gelder (Jamiroquai). From that very first jam session, a healing musical presence was evoked that has since been a trademark of the Ozric Tentacles. It’s a signature blend of hippy aesthetics and raver electronics with spiralling guitars, textured waves of keyboards, midi, samplers, and super groovy bass and drum rhythms. Having no vocals or lyrics, the multi-ethnic musical references leave the underlying meaning of each song or improvisational moment entirely up to the listener’s own interpretations.
The Ozrics swiftly claimed their place as a staple of the UK’s burgeoning festival scene, and are now credited an influential musical linchpin of the scene’s re-emergence.
Throughout the early 1990’s, constant touring of the UK helped the Ozrics to build a tremendous national fan base on a grass roots level. With the band’s 1993 release “Jurassic Shift,” which debuted at #11 on the British pop chart and climbed into the Top 10 in the National Album Charts, the Ozrics eventually won over the adulation of mainstream press, and found itself heralded in publications such as NME and Melody Maker. It was, and still is, an astonishing accomplishment for a band with no hit single, no celebrity status, and no major record label backing.
Ozrics have just completed their new double studio album, “Technicians of the Sacred”.
Ozric’s 21st studio album is 90 minutes of mind bending astral journies ready and waiting to transport you to another world. Over 30 years into their musical career, Ozric’s continue to push the boundries where no band has gone before. This epic offering takes you on a journey of awakening through musical celebration, it encourages listeners to take a step away from the restraints of traditional and modern days styles or genres, and open their minds to any possibility. “Technicians of the Sacred” is the group’s first double length album in 25 years, since their ground breaking Erpland LP released in 1990. “Even after all this time, we’ve never been so excited or pleased with an album”, says Ed smiling, as usual. “We just can’t wait for people to hear this one. If (hypothetically), for any reason we would not able to make another album after this, we would be content in knowing we have had the opportunity to bring this particular musical journey to everyone.”
“The newt, an amphibious creature, is not solely terrestrial or aquatic; it spends its life as a land and water dweller. Much like the characteristics of the animals, Noot does not confine themselves to one genre or niche. Drawing from elements of jazz, funk, blues, rock and roll, psychedelia, reggae, and even Afro-beat, a set moves through decades, countries, and musical cultures that is sure to be an eclectic listening experience to your ears.”
Noot began as an afternoon jam session between friends in the summer of 2013 on the tree lined street of Altgeld in Chicago’s Lincoln Park neighborhood. Bassist Michael Ryva and guitarist Spyridon Hasiakos began collaborating in the dorms of Loyola University Chicago. Through the music department at Loyola, the two were connected with guitarist Jarrett Donoghue and drummer Cecil Gardner. Mutual discussions of upcoming concerts, favorite Grateful Dead eras, and iconic jazz albums led the four to an exchange of talents that culminated in the formation of Noot.
Hardcore from Chicago’s South Side.
Paul-Bass (Brighton Park)
Danny-Drums (Pilsen)
Flea-Guitar (Canaryville)
Jimmymack-Vocals (McKinley Park)
Travis Larson Band’s complicated phrasing, impossible timing, and seamless flow cause some to suspect that the band must surely operate from only one, albeit enormous, brain.
With eight studio albums and three full-length performance DVDs, the Travis Larson Band is firmly rooted as one of instrumental music’s premiere acts that masterfully delivers full throttle rock-fusion.
We are a three-piece rock band based in Chicago. We formed in 2012. All in all, we sound like a mud-wrestling match of Mudhoney and The Wipers vs Dick Dale and The Beatles…. I guess. Good melodies and heavy sound is what we aim at.
Based out of Chicago, Burnside & Hooker merges the styles of folk, blues and roots-rock. The band is comprised of 6 members – guitarist Michael Vogus, violist Diana Mayne, cellist Ted Graham, drummer Vuck, upright bassist Ken Fuller, and vocalist Rachel Bonacquisti.
In 2013, they released their debut album, “Rail Yard Hymns” and are slated to release their second in the Spring of 2015.
Burnside & Hooker can be seen performing around Chicago at venues like Double Door, Grand Ballroom at Navy Pier, festivals such as ChillFest and Green Fest, WGN news station, House of Blues, Metro, Lincoln Hall, and Schuba’s.
“Rail Yard Hymns” has been played on Vocalo, Chicago Independent Radio Project (CHIRP), Fearless Radio, and multiple tracks from the album have appeared as the Song of the Day on Chicago Music Guide.
Titans of Punk is a Song Writing, DJ, and Production Team. Across their individual careers, the team have collectively sold over 100,000 records and toured over 10 countries.
Long regarded as a haven for electric blues, power pop, and even metal, Chicago served as surprisingly fertile soil for the speedy growth of Lucky Boys Confusion. The five-piece ska-punk outfit — Kaustubh Pandav (vocals), Adam Krier (co-vocalist, guitar), Ryan Fergus (drums), Jason Shultejann (bass), and Joe Sell (guitar) — formed in 1997 when Pandav and Krier began writing songs together. The pair drew from punk, rap, and reggae to create an infectious ska-punk sound that combines Pandav’s Latin melodies with Krier’s Beastie Boys-influenced rap.
Recruiting members from their previous bands, Pandav and Krier formed Lucky Boys Confusion and began to perform at house parties and YMCAs in Chicago’s western suburbs. The band’s first recorded effort was a four-song EP, What Gets Me High, released on their own Townstyle label in 1997. The Lucky Boys’ tales of suburban teen life proved popular and the band followed in 1998 with the full-length Growing Out of It, again released on Townstyle. The 17-track Growing Out of It included the four songs from What Gets Me High, along with new material written almost exclusively by the team of Pandav and Krier.
As the Lucky Boys’ following grew in Chicago, “Dumb Pop Song,” a single from Growing Out of It, found its way into regular rotation on Q101, Chicago’s influential alternative rock station. With regular radio play, the band’s fan base exploded and suburban house parties gave way to headlining gigs at the House of Blues and the legendary Metro. Fueled by the popularity of “Dumb Pop Song,” Growing Out of It went on to sell over 6,000 copies. An EP, The Soapbox Spectacle, was released on Townstyle in March 2000 and the band eventually signed with Elektra Records. Lucky Boys Confusion’s major-label debut, Throwing the Game, was released in May 2001, featuring the college radio favorite, “Fred Astaire.” Commitment followed three years later. Some of their hookiest material to date, the guys made minor waves on national radio and television with “Hey Driver,” but with Elektra’s subsequent demise, the band soon found itself labeless.
Undeterred, the Lucky Boys embraced the DIY aesthetic and spent the next few years opening and headlining tours relentlessly across the country. As a result, the band’s underground following stayed loyal. Working on various songs on the road, they next released the EP How to Get Out Alive in June 2006 on their own Townstyle Records, an imprint of Reincarnate (Sony/BMG). To celebrate the EP’s release, the band played a five-night stand at Chicago’s Beat Kitchen before heading out on nationwide dates with Bowling for Soup, Punchline, and the Army of Freshmen.
Swizzle Tree definitely has an interesting name, which in a strange way defines the style of the band…Interesting. Soaring melodies, crunchy guitars, magnetic harmonies, a solid rhythm section and strange personalities make up the unique sound of this infectious rock band. Born and bred in Chicago/Downers Grove, Il – Swizzle Tree’s members are no strangers to music. With influences ranging from the Beatles to Weezer and Alkaline Trio to Material Issue, the band shows no signs of weakness. Steve, Saarang, Todish, and Jiggles all went to high school together at Downers Grove South in Downers Grove, Illinois. Working together at a retirement home, Saarang, Steve and Todish became quick friends – getting high and serving ‘old’ people food is a good form of bonding…and getting high is too. Sooner than later, they did what every clan of tight-knit teenager’s did…started a band!!! After luring Jiggles in, and releasing their self-titled album, Swizzle Tree(2001), featuring the song Green Eyed Fool mixed by Grammy-nominated producer Johnny K (Disturbed, Plain White T’s, Avenged Sevenfold), and selling a few thousand copies, the Tree started playing bigger and better shows in Chicago. With the release of Play On(2003), a new-improved music machine started branching out through the Midwest, building up markets and making new friends. After a lot of hard work, a lot of agonizing van trips with no A/C, and a radio add in Council Bluffs, IA/Omaha, NE ~ the Tree saw a steadily growing fan-base and surge in record sales. With the track Marc’s Car becoming a hit on Council Bluffs, IA based KIWR (89.7 The River), the band sold close to 10,000 copies of Play On throughout the Midwest. Which spawned the release of Here We Are(2006) on Areena Records, and the independent release of No Really I’m Happy(2008). Swizzle Tree knows what they want to do in life: Play music!!!
Hailing from Richmond, VA, The Southern Belles play American, Rock & Roll, bridging the gaps between funk, psychedelic rock, country, and soul.
Since their formation in 2010, The Southern Belles have continued to grow exponentially. In 2012, the band released their critically acclaimed debut album “Sharp as a Knife”. The Belles play regular monthly shows across the state of Virginia, in Charlottesville and their hometown of Richmond, and have a touring schedule that takes them from Vermont to Colorado and all points in between.
The band consists of Adrian Ciucci (guitar/vocals), Tommy Booker (keys/vocals), Raphael Katchinoff (drums/vocals), and Andrew Carper (bass/vocals). The Southern Belles have also played a seemingly countless number of music festivals in our area. The Southern Belles have shared the stage with the likes of The Congress, Anders Osborne, Moon Taxi, Keller Williams, Toubab Krewe, Yo Mama’s Big Fat Booty Band, Zach Deputy, and more. Currently The Southern Belles are touring the East Coast and recording their second album to be released later in 2015.
Once hailing from East Lansing, MI, Mason’s Case now based out of Chicago, IL has an eclectic sound and a live energetic stage show that has won over audiences wherever they happen to take the stage.
Blending elements of hard rock, acoustic folk, punk, and blues, Mason’s Case has broken out of the typical college-rock mold where they first began to transforming themselves into a band that has been lucky and grateful enough to play the House of Blues in Chicago as part of I AM FEST headlining that event two times in a row as well as countless shows, tours, and three studio releases. What is Greatest in Life, The Gloom, and their most recent release Trust Me.
We are a 4 piece street punk/ pogo punk band from the Chicago suburbs. Drink, puke, and stud yer eyes
Eruptors are a punk rock band consisting of Marcin on rhythm guitar and vocals, Dirvin on bass, Nick on lead guitar, and Kasper on drums. The band started in Chicago in 2012. Eruptors play a stripped down all power chords style of music popularized by The Ramones. The band is also influenced by Cockney Rejects, Fear, Exploited, Vanilla Muffins, Misfits, Youth Brigade, and rock music in general.
Sudden Suspension is a pop punk band from Lake County, Indiana. They have been playing shows all around the midwest in support of their EP ‘Basement Songs.’ The EP is available on all digital stores.
Kees Schaper, Melle Boersma, Tim Knol, Eric Lensink.
Mystikal’s debut album, Mystikal, was released on New Orleans-based independent record label Big Boy Records in 1994. He found himself in conflict with fellow New Orleans rappers signed to Cash Money Records including U.N.L.V., Lil Wayne and B.G.. They dissed him on tracks like “Drag ‘Em in Tha River” by U.N.L.V. and “Fuck Big Boy” by The B.G.’z. He struck back with the diss “Beware” which was on his sophomore effort Mind of Mystikal. Mystikal’s sister, Michelle Tyler (whom he had close ties with), sang the chorus on “Not That Nigga” and her fate became a major influence on Mystikal’s music after her untimely death. The songs “Dedicated To Michelle Tyler”, “Murderer” (both on Mind of Mystikal), “Murder 2”, “Shine” (both on Unpredictable) and “Murder III” (on Let’s Get Ready) refer to her murder. It wasn’t long after their beef that Mystikal and Lil Wayne decided to squash it and become collaborators.
Mystikal signed to Jive Records and released Mind of Mystikal in 1995. He signed to No Limit Records in 1996 and released Unpredictable in November 1997. He appeared on many of the No Limit albums released from 1997 through a chunk of 1999. In late 1998, he released Ghetto Fabulous. That was his last album with the label, and he left later in 1999 to go on his own
In 1999 he began recording his album after leaving No Limit. Let’s Get Ready was released in 2000 and contained “Danger (Been So Long)”, which featured rising pop star Nivea, and was the Billboard Hot R&B/Hip-Hop Songs number-one single in June 2001. Let’s Get Ready debuted at Number One on the Billboard 200, making it Mystikal’s only chart-topping album to date. The album also featured the popular, Neptunes-produced hit “Shake Ya Ass”. The song retained cult-like popularity and can be heard in the background of numerous movies.
Mystikal’s most recent solo release was the 2001 album Tarantula, which contained the hit single, “Bouncin’ Back (Bumpin’ Me Against The Wall)”. Though it presented Mystikal’s typical and funky flow style, which had the distinction of drawing comparison to legendary R&B soul screamers Little Richard and James Brown, the song also saw a blending of jazz and swing elements with hip-hop. The well received album was nominated for a Grammy Award for Best Rap Album in 2003, and Mystikal was nominated for a Grammy Award for Best Male Rap Solo Performance that same year. Mystikal was also featured prominently in the single, “Move Bitch” by Ludacris as well as “I Don’t Give a Fuck” by Lil Jon & The East Side Boyz along with Krayzie Bone, both in 2002. In 2003 he starred in the film 13 Dead Men.
Mystikal headlined a concert at the Mahalia Jackson Theater of the Performing Arts on Mardi Gras, February 16, 2010. Mystikal’s first song after being released from prison was an underground track with former No Limit labelmate Fiend entitled “I Don’t Like You”. A few weeks later, Atlanta-based, New Orleans-born R&B artist Lloyd released “Set Me Free” featuring Mystikal. The music video for “Set Me Free” was released on May 18, 2010 and was shot in New Orleans, primarily from the Calliope Projects.
In an interview in May 2010, he stated that he was still obligated to Jive Records for one more album and alluded to the fact that he would be taking the necessary time to ensure the album would be his best to date. He also stated that he had not come up with a name for the album, but stated that he was considering The Big Shake Back. He made a promo song called “Papercuts” featuring once again Fiend and the unexpected Lil Wayne. In 2011, He performed at the Gathering of the Juggalos. Mystikal and Busta Rhymes were signed to Cash Money Records by Birdman on November 16 the same year. His first single for the label, “Original”, was released shortly thereafter and featured new label-mates Birdman and Lil Wayne. Mystikal is currently touring the United States. He also appeared in the BET cypher in 2012.
In 2014, Mystikal recorded a new song for Mark Ronson’s new album entitled “Feel Right”.
Pink Talking Fish is a Hybrid Tribute Fusion Act that takes the music from three of the world’s most beloved bands and creates a special treat for fans of the music.
Pink Floyd, The Talking Heads and Phish are all more than just bands… they are Phenomenons. Their creations have artistically inspired people and their mindblowing live performances have brought people together to form a special sense of community around the love for their favorite band.
Although the music from each act is different, Pink Talking Fish has discovered that fusing the material together creates an amazing story. The epic emotion of Pink Floyd…. The funky, danceable layerings of The Talking Heads…. The multitude of styles, unique compositional structures and pure fun of Phish…. to merge these three into one gives music lovers a special experience.
Pink Talking Fish features Eric Gould on bass, Richard James on keyboards, Zack Burwick on drums and Dave Brunyak on guitar. This is a band created by musicians who love the music of these acts. It’s purpose is to heighten people’s passion for this music by creating something fresh and exciting for fans.
Discovering connections is part of the fun: Pink Floyd’s “On The Run” seamlessly fitting in the middle of the composition of Phish’s “You Enjoy Myself”. Perfectly placing Phish’s “Sand” into the groove of The Talking Head’s “Slippery People”. Segued collections from all three acts such as Run Like Hell > Making Flippy Floppy > Piper > Run Like Hell or Mike’s Song > Have A Cigar > Once In A Lifetime > Weekapaug Groove. These ideas are the spirit behind Pink Talking Fish.
The story is ever evolving. The experience is always exciting. Come join Pink Talking Fish for the ultimate fusion tribute and celebrate the love of this music in unique fashion.
Pale Green Stars has just been mistaken for one of those cow-punk power trios you might find rocking a stage behind chicken wire at some wayward Texas roadhouse. PGS is letting its New York grown cow-punk steer deep into the heart of Texarkana as they redefine gut-bucket twang with a punkadelic cutting edge that’s as sharp as a barbershop straight razor.
In short, J.P. Harris plays Country Music. Not “Americana,” not “Roots,” “Folk,” or any other number of monikers used to describe a slew of spin-off genres; he plays from the foundation of these styles, the music that has influenced four generations of songwriters. In a world where prefixes have been added to the term “Country,” JP simply sticks to the old-fashioned sounds that have called to him. Referencing influences would be like describing each stitch in a quilt; every scrap of fabric tells a story of how the weathered and comfortable blanket came to be…
Born six minutes before Valentine’s Day in Montgomery AL in 1983, JP’s life was to be full of color, travel, hardship, and grace from the day he first saw the world. After more than six generations in Alabama, his family would leave seeking work, first to California and then on to Nevada. He left home on foot at the age of 14, traveling via thumb and freight train, living the next 4 years mostly from a backpack, tarp, a bedroll. Eventually landing in the northeast, he worked as a farm laborer, equipment operator, lumberjack, luthier, and carpenter.
In the summer of 2011, after two years of touring without much in the way of recorded music, Harris made a trip to the sweltering heat of south Louisiana. In an old Cajun cook shack he and a few pals pounded out an album in three days, and shortly after it’s completion, he made the move to Nashville. JP released his all-original debut “I’ll Keep Calling” in May of 2012 on Cow Island Music. Shortly after it’s release, without the aide of publicists or a large label’s bankroll, it won “Best Country Album of 2012″ from The Nashville Scene, the same honor at the Independent Music Awards, a cameo on NPR’s American Routes, and as JP says “a whole mess of other stuff in the papers and on the internet.” (Two songs were also licensed to the soundtrack of 2012′s “At Any Price,” starring Dennis Quaid and Zac Efron.)
His latest album “Home Is Where The Hurt Is” (produced by Harris, guitarist Adam Meisterhans, and engineer Justin Francis) was recorded and mixed at Ronnie’s Place (formerly the personal studio of Ronnie Milsap) at home in Nashville. It features not your typical Music Row studio musicians, but young local players, many of whom have spent thousands of miles on the road in JP’s backing band The Tough Choices. Lending a hand on the album vocally is friend and local Indie-Country star Nikki Lane, as well as long-time friend Chance McCoy, singer and guitarist of Old Crow Medicine Show (McCoy also took rhythm and lead guitar in addition to fiddle duties throughout the album.)
When he isn’t touring, JP can usually be found repairing an old house, splitting wood in his backyard, or digging through the trash for useable refuse.
A powerhouse trio full of huge, low end, ripping vocals and body moving music. Midnight Sinners? A sure-fire way to get the house moving.
A fifties style with a modern twist! Po’Boy Special pays respect to the legends that came before them, their hometown, Chicago, blues capitol of the world. Inspired by the greats, emulating most, a passion, a love, a thirst, paying their dues, working hard and loving every minute of it. With a steady hand of originals and a catalog of covers, from top to bottom they do it all. Not cause they have to, cause they want to, for you… Chicago.
THE CHEYENNE LINE is an American Pop-Punk/ Experimental/ Alternative group based out of Chicago, IL, consisting of Sam Biggs (lead guitar/lead vocals), Nick Brussel (bass/vocals), Peri Arreguin (drums/percussion), and Jarrett Pryzgoda (lead guitar/back-ups). The eminence of the group speaks through energetic live performances and their most recent/ debut release Kid I Used to Know EP; mixing raw 90’s pop-punk with experimental rock, forming infallible melodies and dramatic prominence. Introductions of new material is slowly leaked through various performances, suggesting yet another release with short anticipation and a new sound.
Four piece from the windy city area.
“Arkham released ‘The Great American Goodbye” this summer, and it’s already a contender for one of the best local albums of the year… its hardcore wallop is a throwback to matinee punk shows at the Fireside Bowl”-The Chicago Tribune
“a snotty mix of newer Bane, early Boy Sets Fire, Rage Against the Machine, Gallows and More Than Life combined with the energy of Refused’s The Shape Of Punk To Come”-Borderline FuckUp
“Arkham stands for something and doesn’t back down”-Chicago Punk Rock Radio
Members: Michael Martenson (Vocals) Jake Cemer (Vocals/Guitar) Jacob Austin (Guitar) Eli Sleeker (Bass) Brittain Clay (Drums)
STEPHEN LEE got his boots wet making sinners out of saints with the PunkRockCountry band, “Who Are the Southern Baptists?” However in January of 2013 Lee released the solo and self-titled Stephen Lee EP, recorded and mixed by Dan ABH of The Lab ALL-AGES, in Alexandria, VA.
With a move to Baltimore, Lee released his second solo EP, Too Drunk To Punk. Too Drunk To Punk features faster paced tunes, “Boys Talk,” a self confessional of angst and pessimism towards open mic regulars, but over all reveals a softer and more lyrical approach, steeped in the solitude of solo touring, and the resignation of self reflection. These five songs were recorded live at Lee’s parent’s house in Manassas, VA and engineered by Chad VanNortwick in February of 2014.
Stephen Lee performs either alone or accompanied, both regionally and regularly, hitting Virginia and Maryland dates with frequent stints to points further out. Songs and videos are available at ReverbNation.com/StephenLee, and FaceBook.com/StephenLeeVA, while his music is up for purchase at STEPHENLEE.BANDCAMP.COM. Steve’s been known to trade CDs for a floor to crash on or even just kind words. He likes whiskey after his set, too—just saying.
Rosencrantz (formerly Aztalan) is influenced by such bands as Braid, Thursday, At The Drive-in, Taking back Sunday , Cursive, and many others. Like many relationships now-a-days, this one started online. Nils and Rob happened to start chatting online about starting a new project with a unique math-y sound mixed in with their 90s emo influences. Nils and Rob spent almost a year jamming and perfecting their sound before they found a bassist, Ian. Ian introduced them to drummer Brian. After a few months and a few shows, Ian had to depart from the group to focus on other projects. Shortly thereafter, Keegan strolled into their Waukesha practice space and the band was ready to record. They spent a weekend at Howl Street Recording Studios. After recording the ep (never released), the boys took a break and decided to move on without Brian. Re-grouping in the spring of 2014, Brandon joined them on drums, and the Schlitz loving foursome was officially born. Rosencrantz plans to record in early September and release a new ep in January of 2015.
New singing sensation Brandon James is a rising star from Chicago who has set his sights on making an impact with his music across the globe. He first realized his passion for singing at the age of 12 after he was pushed to become involved in various school projects as a means to keep him out of trouble and to find something that he would like to do. Brandon James delivers a versatile style that blends Opera, Sacred, Gospel, Blues, Pop, & R&B. Beyond singing Brandon James is also a gifted song writer that pulls his material straight from the heart. With influences like Luther Vandross, Lyfe Jennings, & Donnie Hathaway he is destined to elevate to a level where he is recognized as one of the world’s greatest entertainers. Despite some of his influences being R&B legends, Brandon James learned to diversify his style after teachers in college introduced him to groups like the Beatles and Rolling Stones. He describes his sound as a mixture of Pop and Soul. Music is more than a passion it is Brandon James life and has been his dream since he realized his ability to sing at a young age. Brandon James along the way has challenged himself to become better at his craft including taking voice lessons from Bobby Wilsyn one of the best Chicago Jazz Musicians as well as Ars Musica and classical singer Andrew Schultze. Seeking to learn music on all levels Brandon James attended Columbia College Chicago where he earned a degree in Music Performance & Music Business in 2009. It was also an amazing moment in 2009 when the young gifted artist got the chance to perform with the legendary band Earth, Wind, & Fire. Through his learning experiences Brandon James has been able to cultivate a unique sound and dynamic stage presence. He decided to take things a step further by forming a band called The 409s while also balancing his solo career. Brandon James primary goal is to share his story and testimony through his music with millions of people all over the world. He seeks to inspire, touch hearts, and provoke thought with his music. In addition to performing live at various notable venues across Chicago including the UIC Pavillion he is working on the completion of his debut solo album Soulfully Divine. Brandon James current singles “Inspiration”, “All I Want Is You”, & “Everytime” can be heard on his website and Itunes. Brandon James will be performing at a venue near you soon but in the mean time Brandon James music can be heard at www.reverbnation.com/brandonjames20
New Jersey was the birthplace for a true music extraordinaire – Derek Brown aka D.Roc – who now uses his talents to write, produce and perform his innovative and fresh music in the heart of Chicago.
It’s easy to claim that Derek was born with a gift in the arts realm when reminiscing about his ongoing releationship with music. At the age of 6, he began experimenting with multiple aspects of music starting with the trumpet. 6 years later he transitioned to the piano, which he taught himself by ear. This newfound knowledge and flexibility with music allowed him to lead Church services alongside musicians from all over New Jersey.
Derek encountered many talented artists who have taught, challenged and inspired him to create music of his own. He took every opportunity to learn from them, and ultimately learned about various types of sounds within a wide variety of genres. Even today, he calls upon the lessons he learned to create timeless music, which has equipped him to inspire even the most seasoned artists. Usually, it’s his comforting aura and simplistic, sensible approach to production that extends inspiration to those around him.
Derek’s curiousity of the science behind music thrived in his life and molded him into what he is today. It continues to burn – pushing him beyond any limits of creativity. Derek is relentlessly driven to start, cultivate and in time lead the movement that resurrects the creation of timeless music among today’s artists.
SÓLSTAFIR are different. Their unique blend of metal with beautiful melodies, psychedelic moments and a strong undercurrent of classic / hard rock comes as varied and at times appealingly bizarre as the landscapes of their native Iceland. Their fifth full-length “Ótta” is the logical continuation of the musical course this four-piece adopted on the highly acclaimed forerunner “Svartir Sandar” (2011). Expect the unexpected, such as seduction by subtle strings or a hypnotic banjo. None of this was apparent when SÓLSTAFIR released their album debut “Í Blóði og Anda”, which translates as ‘In Blood and Spirit’ in 2002. Instead of today’s Icelandic gravel throated siren chants, frontman Aðalbjörn Tryggvason spit forth vitriolic crust-like vocals and the ripping guitars were clearly black metal inspired. Yet the band was as clearly identifiable back then as now and along their way with the next albums “Masterpiece of Bitterness” (2005) and “Köld” (2009) introducing new elements in a continuous evolution. SÓLSTAFIR’s music is as much the product of Arctic blizzards as of red hot volcanic magma, erupting geysers, lush green pastures, and salty waves. With “Ótta” the Icelanders touch something ancient and timeless, while defying easy categorisation. This album needs to be heard again and again to peel back layers of details, each different and yet always revealing the same: great songs – all of them. The song titles of “Ótta” form a concept based on an old Icelandic system of time keeping similar to the monastic hours called “Eykt” (“eight”). The 24 hour day was divided into 8 parts of 3 hours each. The album starts at midnight, the beginning of “Lágnætti” (“low night”), continues through each Eyktir of the day and ends with “Náttmál” (“nighttime”) from 21:00 to 0:00. This form of time keeping is more open than the relentless ticking of modern times, where each second is made to count, which turns humanity into cocks of the corporate clockwork. Now SÓLSTAFIR give you the antidote. Just lean back, close your eyes, take your time and lose yourself in this masterpiece called “Ótta”!
Visitors is a five entity experimental alternative post-hardcore band from Salt Lake City Utah.
They are- Bryan Lee, Cameron Jorgensen, Daniel Burt, Ian Cooperstein, and Ian Hilton
It started out on a whim, and now it is a care-free gang of guys playing music. Add pizza, Pepsi, s’mores, chips, chicago style hot dogs, leather, knifes, daggers, swords, old school video games, girls, inside jokes, white & black plain t-shirts, jeans, very cool tube socks, dirt, grease, sweat, and possibly some type of mental social disorder and you get Shoebomb.
They are just four guys who like to hug each other and play music. If you want to listen to a band while skateboarding, walking to a store, waiting for a train, going on a road trip, sneaking out at night, moshing, or simply just to sing along, this is the band. They write songs about ANYTHING. They barely take themselves seriously.
In the end, they have no idea where they are going with Shoebomb, but they do know where they have been. And as long as there are stupid-nonsense-sense bands out there, Shoebomb will give hope and light to those dark souls whose ears have been poisoned by today’s music. Shoebomb is love, Shoebomb is life.
“Manic and raw Death/Thrash from a Baltimore gutter”
The members of Angel Du$t may overlap in bands like Trapped Under Ice, Turnstile and Diamond Youth, but their frenzied hardcore punk stands alone just fine. They’re preparing to release their new album, A.D., this Tuesday, June 10 on both REACT! and Reaper Records.
“What I appreciate most about Angel Du$t, and A.D. in particular, is the authenticity of their approach. They shun genre norms, but not in a pretentious way, they just don’t care what you think they’re supposed to be. There’s a wildness to it, like they don’t have anyone telling them what may or may not work, and somehow it all works. On A.D., they manage to pull together influences from all corners of the punk universe and, against all odds, bring it together in a cohesive and memorable way. A.D. is at the same time incredibly familiar and the wildest record you’ll hear this year,” said REACT! Records owner Evan Wivell.
Jason Hann – String Cheese Incident, EOTO, Prophet Massive, percussionist
Club Malos is Ryne Holmquist and Jim Sanders, a raw rhythmic twangy two-piece pulling no punches and playing like a couple of assholes.