FUTURISTIC DRAGON
Futuristic Dragon Mission Statement: Perform/record the music of Marc Bolan & T-Rex.
JESSICA LEE WILKES
Raw, Rhythm & Blues-tinged Rock & Roll from a bygone era yet to come.
THE FLOOD BROTHERS
The Flood Brothers are a two man THUMP MACHINE whos infectious melodies and animal rhythms will have your bones shakin’ outta your boots! Heavily influenced by the early Rock ‘N Roll sounds of Memphis and Deep Blues of North Mississippi, Gabe Meyer and Jacob Best add their own bend to the boogie that could only come from the muddy banks of the mighty Mississippi River. Hannibal, MO is where these boys and their music call home.
Forming in a basement in early 2000, The Flood Bros. cut their teeth a few years later as the unofficial house band at The Packer’s Roost; a rowdy dive bar in rural off-the-grid Montana near Hungry Horse.
“Our first gig was actually in Wapiti, Wyoming in 2002. We used a mop, bucket, and duct tape for a mic stand, played for five hours and hadn’t practiced in three months,” says Meyer. “We nailed it.”
Best adds, “Our first gig at Packer’s was on Christmas Day. We showed up at about 6:00 that evening after working all day on the mountain, walked in with our gear, Gabe’s wearing shorts, and these people are smashed wasted throwing every insult short of a beer bottle. All we could do was yell and holler back, set up and play. We felt instantly at home. Everyone in Whitefish warned us not to go out there. Too rough. We played through lots of fights, knives, and EMT’s…..we were paid in duck, goose, and mashed potatoes.”
After returning home, the guys started a band with Kent Burnside, the oldest grandson of the legendary R.L. BURNSIDE, as Kent Burnside and the New Generation. Son of R.L., Dan Burnside joined on bass, Best was on drums and Meyer on lap steel guitar. With R.L. Burnside being a musical hero, Gabe and Jake already knew most of the music by heart and within three weeks were on a major West Coast tour. During the years of 2006-2010, the band played regularly at many notable venues nationwide such as Legends, Chicago, Ill; Ground Zero, Clarksdale, MS; The Knitting Factory, Hollywood, CA; Gip’s Place in Bessemer, AL (Alabama’s last remaining Juke Joint, on the blues circuit for over 50 years – a must visit venue), and the House of Blues in Chicago. Gabe and Jake also had the chance to share the stage and play alongside many standout musicians with the Burnsides: Buddy Guy, Bobby Rush, Kenny Brown, Duwayne Burnside, Cedric Burnside, Garry Burnside, the sons of Junior Kimbrough, and the daughter of Johnny Shines to name(drop) a few. “My guitar’s more famous than I’ll ever be,” says Meyer. “Elmo Williams played it up in Minneapolis.” “Kenny Brown played it later that night at a bar down the road and then we all got kicked out.” “It’s been stolen, pawned, and bled on.” “She always comes home and never talks back.”
Meyer and Best rotated a bit, playing around down South with whichever of the Burnsides needed a solid drummer and rhythm and slide guitar player. “None of those guys really played slide. The generation after R.L. seemed to have lost interest in it, and finding a drummer who could play those Hill Country beats wasn’t easy either. Jake and I were in high demand there for awhile.” While crediting the Burnsides for musical inspiration and some long years of paying hard dues on the road, the boys had to follow their number one priority of playing original music as a two man band.
Promoting their long-awaited debut album, “Flood Type,” the Flood Brothers are back on track playing solely as a duo and are known for their energetic live performances that can promote hours and hours of groove.
“Shake it if you got it…”
JOEY HENRY’S DIRTY SUNSHINE CLUB
Group Therapy. I tell Stories from the inevitable book of the Dirty Sunshine Club. so far its a convoluted mess of notebooks but someday will be a convoluted mess of binded book. In The mean time you can purchase a short cd version called ‘I Fuck Up A Lot”
EGO
A$AP MOB
A$AP Mob is an American hip hop collective formed in 2006, in Harlem, New York, by members A$AP Yams, A$AP Bari and A$AP Illz. The Mob is a collective of rappers, producers, video directors and fashion designers who share similar interests in music, fashion, style and art. The collective consists of New York-based rappers, most of whom carry the “A$AP” moniker, such as A$AP Rocky, A$AP Ferg, A$AP Twelvyy, A$AP Nast and A$AP Ant. The collective’s resident record producer A$AP Ty Beats, also carries the moniker and has produced several songs for his ASAP Mob cohorts, most notably Rocky’s debut single “Peso”.
LADIES OF PANAMA
“Panama was indeed the cream of the crop and has been the vehicle for some of the baddest musicians and vocalist the City of Chicago has had to offer, many of them having their humble beginnings with the Panama group. After several years of honing skills and being in demand on every arena imaginable local and worldwide, the core ladies of this great group Panama, have decided to come together once again to do a tribute to a legacy that they helped to build. Mae Koen has been in demand for her supreme vocal harmony skills for artists as diverse as Willie Dixon and Aretha Franklin. Shawn Christopher has also been in high demand, having several solo releases and fronting the band Sonia Dada, bringing the band to the level of success unprecedented. Diane Madison, also a scholar, has lent her beautiful angelic colorful voice to many a major artist, including Gene Chandler, Otis Clay, and Aretha Franklin. Nanette Frank, the powerhouse vocalist who has become in demand all over the world having toured extensively in Asia and the USSR and enjoying great success with her CD, Room for One More.” – Gail Dee
MUTOID MAN
New album “Bleeder” is out now on Sargent House from Steve Brodsky (CAVE IN) and Ben Koller (CONVERGE) of MUTOID MAN.
ECHOES OF POMPEII
This Pink Floyd tribute from Gary Indiana is made up by regular hard working members of society who come together on stage to perform the best music from the best band rock and roll has produced in the past 50 years. We are the best non touring Floyd tribute you will ever hear.
THE HARTE ATTACK JAM
“The Harte Attack Jam” featuring various Bret Harte alumnus
LA COSA
On the day we let our last little freak flag fly, we gestured knowingly toward the middle of our home. Like little lazy, loquacious locusts, La Cosa left.
I wasn’t until a few years later that we had realized Uncle had left us a few gifts underneath the patch flooring.
DER WEG EINER FREIHEIT
DER WEG EINER FREIHEIT was born in February 2009 in Würzburg, Germany when founding fathers Nikita Kamprad (guitars, bass, songwriting, drum programming) and Tobias Jaschinsky (vocals) released the first self-titled album limited to 200 copies and using a drum machine. Within just one month the self-produced record was sold out and the first reviews and interviews followed quickly.
In January 2010 a deal with Berlin based label Viva Hate Records was inked and the band re-released the debut in May – this time featuring real drumtracks recorded by Christian Bass (Heaven Shall Burn, Night In Gales, Deadsoil among others), a new mix and the bonustrack “Ruhe”. Further the band celebrated their first live performance at Friction Fest Berlin among bands like Wolves In The Throne Room, Bohren & Der Club Of Gore, Entombed, Crippled Black Phoenix and Amenra followed by various shows all over Germany.
In March 2011 the band entered the Hammer Studios Hamburg with producer Eike Freese (Negator, Dark Age, Deep Purple, Gamma Ray) to record their “Agonie” EP. With its release in July drummer Christian Bass had to leave the band due to timing and private reasons but shortly after a new drummer was found in Tobias Schuler who already replaced Christian Bass at some shows in 2010.
The first big festival appearances at Summer Breeze Open Air, Barther Metal Open Air and Wolfszeit Festival followed as well as the first Austrian shows with friends Neaera.
After finishing songwriting for the next record at the end of 2011 the band entered the Tonstudio Würzburg in their hometown to record their next full-length. “Unstille” was produced, mixed and mastered by Nikita Kamprad and released in June 2012 once again via Viva Hate Records. After having various friends helping out on live-guitar and -bass, Sascha Rissling (guitars) and Giuliano Barbieri (bass) were added as permanent members to the line-up.
Despite of a successful headliner tour around Germany and Austria singer Tobias Jaschinsky decided to leave the band due to musical differences. Having no auditions with other singers at all the band chose to go on as a 4-piece with Nikita Kamprad taking over the vocal position besides guitars live and in the studio.
In this constellation the band went on tour through Germany, Austria and Switzerland in March 2013 with comrades Agrypnie and Heretoir and played Summer Breeze Open Air for the second time as well as several headliner shows.
2014 started off with a short run through France with Ensiferum and Frosttide before leaving for Blastfest at Bergen, Norway in February, followed by a German tour with The Ocean. In April the band flew over to Russia successfully playing shows in Moscow, Nizhny Novgorod, Arzamas, Tolyatti, Samara and Ulyanovsk. After that they co-headlined the Tel Aviv Deathfest, Israel’s biggest annual metal festival, among many other international bands. The band also played the renowned With Full Force Open Air in Germany and headlined various smaller festivals.
In August 2014 DER WEG EINER FREIHEIT signed a deal with French label Season of Mist and is about to record the highly anticipated follow-up to 2012’s “Unstille” at Ghost City Recordings, Germany.
FOOLS BREW
FOOLS’ BREW is on a mission to tear up every stage they play with straightforward, beer-soaked, Midwest-bred metal. The Chicago four-piece cut their teeth playing bars and clubs all around Chicago, Joliet, and northwest Indiana. In the early months of 2012 they rocked The Rave in Milwaukee while opening for Korn. 2013 saw the FOOLS win the Chicago Battle of the Bands at Reggie’s Rock Club, play the main stage at Congress Theater, and headline shows at Goose Island Wrigleyville and Reggie’s. This year, behind their newly released EP, “THIS SIDE OF SANITY”, they’ve showcased their raucous live set across the Midwest playing venues in Detroit, Indianapolis, Cleveland, Columbus, Pittsburgh, Milwaukee, and Bloomington; opened for Kyng, Kill Devil Hill, Soulfly, Butcher Babies, and Upon A Burning Body; and packed shows back home at Reggie’s, Martyr’s, and Mojoes among others. In 2015 the FOOLS have partnered up with BlankTV and joined the family of Coldcock Whiskey sponsored artists. The word is spreading, heads are turning, and faces are melting. The future looks bright, because this band is on fire.
DESECRATE
Desecrate is a heavy metal band hailing from Los Angeles, California.
Their music is a unique blend of aggression and technical prowess founded by drive and passion. Their catchy melodies, modern edge, and progressive elements give them a sound that distinguishes them from the metal masses.
Hailing from the birthplace of the American metal scene, Desecrate calls Hollywood home. Their explosive live shows have gained them a loyal growing fan base that has allowed them to headline many well known Hollywood clubs including: The House of Blues, The Whisky A Go Go, The Key Club, The Roxy, The Avalon, and The Troubadour. They have shared the stage with many top national metal acts such as: Overkill, Warbringer, Dragonforce, Metal Church, Anvil, Exmortus, and many more.
Desecrate has embarked on multiple nationwide tours, devouring cities and dominating the stage every step of the way. They have played such notable cities as: San Diego, Las Vegas, Phoenix, Denver, Albuquerque, Sioux City, Des Moines, El Paso, and more. No matter the circumstances Desecrate performs at the highest level and delivers greatness every single show.
Desecrate has self released several professional quality recordings. It has always been the band’s philosophy to put out top level material whether or not a record label is part of the equations. Their previous 2012 release “At the Edge of Sanity” is an album that takes a very modern approach on classic metal elements. It will take you from powerful melodic vocals to aggressive angry screams and from fast guitar neck ripping articulations to heavy groove oriented rhythms. Their newest 2015 release promises to push the metal envelope even further.
“Desecrate’s impressive line-up lends itself to the unique blend of old-school thrash with the melodic sensibility of progressive music. Chase Becker’s tasteful and complex phrasing on the guitar makes them a powerful force.” – Chris Broderick (Guitarist of Megadeth)
“Desecrate is a band that is pushing the boundaries of musicianship, songwriting, and stage performance.” – Rock City Magazine
“Desecrate is a reminder that metal music is alive and well. This band knows how to rock and loves to deliver the goods.” – KNAC.com
“Desecrate has SOLD OUT the Whisky A Go Go every time they’ve played, consistently for the past half decade.” – Luke Iblngs M Productions
GINA SOBEL
Gina Sobel’s music is overflowing with energy and improvisational spirit. She’s a devoted multi-instrumentalist – virtuosic on flute and voice and just as expressive on sax and guitar. Gina’s composition takes two main directions. She writes songs with piercing lyrics and soaring vocal melodies as well as jazz tunes that bring in elements of funk, modal jams and found sounds. She pulls these two sides together with her rock band Gina Sobel and the Mighty Fine. Gina also leads a jazz quartet (the Sobel 4tet) and plays as a solo artist and in a number of other groups.
ACID KING
For as loud as their riffs and roars are, Acid King’s legacy is as unassuming as it is enduring, casting a quiet shadow over the underground for over two decades.
Bathed in distortion and baptized in a plume of smoke, the Bay Area trio—Lori S. [vocals, guitars], Joey Osborne [drums], and Mark Lamb [bass]—re-emerged with their first offering in a decade, Middle of Nowhere Center of Everywhere. Receiving widespread critical acclaim, tastemakers such as Noisey, Blabbermouth, Invisible Oranges, Ultimate Guitar, and New Noise lauded the album. They embarked on tours of the States and Australia, appearing on festivals including Psycho Las Vegas, Erosion Fest, Desert Generator, and more as well as sharing the stage with everyone from Sleep and Down to Blue Öyster Cult, Red Fang, and YOB. The record extended a celebrated discography that encompasses three EPs and three full-lengths, namely Zoroaster [1995], Busse Woods [1999], and Acid King III [2005], carving out a foundation back in 1993. It’s no surprise strains of their style infect modern luminaries such as The Sword and Kylesa, and they’ve earned a place in tomes like The Encyclopedia of Heavy Metal and the A to Z of Doom, Gothic & Stoner Metal.
Forever etched in the Acid King Necronomicon, Joey and Mark announced they would each begin their own respective new chapters in late 2016.
“When we started this band, it was always just about playing music that we love,” exclaims Lori. “Joey and Mark reached a point where they wanted to focus on other aspects of their lives. I wish them the best. It was simply the start of another era.”
As the proverbial train kept rolling, Lori invited an old friend to join her on the road for a string of shows in 2017. Black Cobra’s Rafa Martinez entered the fold again after assuming bass duties once in 2007. Meanwhile, she tapped the talents of local drummer Bil Bowman behind the kit.
“The new lineup sounds killer,” she goes on. “We’re carrying on the Acid King’s story.”
As she aims to commence writing, the future remains bright for the frontwoman. In the end, Lori keeps forging ahead as Acid King’s spirit rages on louder than ever before.
“Even though we’re doing the same thing we were at the beginning, I feel like it keeps getting better,” she leaves off. “It’s exciting to see the impact it has on fans. A lot of people will write me and say they had a shitty day, put on our music, and it took them to another place. Many songs are written while I’m riding my motorcycle. I want to transfer that feeling. It’s cool to see the reaction.”
RAPPER CHICKS
PSALM ONE * ANGEL DAVANPORT * ILL-ESHA * FLUFFY * & MORE
CITY SLANG
MEMBERS ALL HAVE BEEN IN VARIOUS BANDS, DECAY AFTER DEATH, WHITE ROSE, WHEELS ON FIRE, CEMETERY…
EAST CAMERON FOLKCORE
Fear has many faces: It’s stirred up by the media to achieve higher quotas and print runs. It’s used in politics to restrict the rights of individual freedom. It’s not only virtual, it’s frighteningly real, it’s a misty veil that covers the planet and it’s a hole that opens up behind your garden fence. East Cameron Folkcore doesn’t shout out cheap platitudes or rebelliously empty slogans against the system. They know what they’re talking about. If the album “For Sale” was the key to open the door to the outside, “Kingdom Of Fear“ is the boot that crashes the door into pieces letting everything in: Light, Knowledge and truth, which are so glistening bright and obvious that nobody can be neutral and try to say: I didn’t know anything, I didn’t hear anything.
This phenomenal record is wise and thought out, searching and pioneering, hollered and breathed, until, at the very end, the fear is drawing the short straw. The solution is called “Goodbye To Fear“, as difficult as simple. Shut down your computer, throw away your pills, stop believing everything that’s reported in the news. And foremost: No more curling up into a ball, hiding, retreating into the private sphere. Go out, open your eyes and do something. Look for like-minded people, join an initiative, announce a demo, start a blog. Or, another option: Listen to this record. That is, I have to admit, only a tiny little step. But a small step is better than nothing. – Ingo Neumayer
PurP
With lightning speed, thundering drums and a knack for jamming, PurP is a fantastic sample of what the south suburbs of Chicago has to offer. Influenced by bands like Rush, the Allman Brothers and the Grateful Dead, PurP supplies a new chapter to the rock Jam saga with a little heat on it. Drummer Rudy Johnson supplies a perfect powerhouse of rhythm, along with the thumping bass of “Magic Shoes” Marty Arneberg, to give Guitarist Zak Kerkhoven a launch pad from which he can create and display some PurPtastic riffs! Working on the first PurP release, and on setting tour dates for next year!
SUNSHINE REGGAE BAND
AINSWORTH ROSE, FOUNDER AND MANAGER OF THE SUNSHINE REGGAE BAND of Chicago, IL has been performing the music of his native shores throughout the Midwest for over twenty years. This self-taught musician/entertainer started his US music career as the Jamaican One Man Band in 1995, singing and playing for local events in Bensenville and throughout the Western suburbs. He was the recipient of the 2001 & 2002 Calypso Entertainer of the year, awarded by the Chicago Music Awards.
The transition to THE SUNSHINE REGGAE BAND happened in August 2010. This welcomed progression added female beauty and talent to his band presentation. In 2011 they performed their first band concert at the DuSABLE MUSEUM in Chicago. The band has now evolved to a full ten piece ensemble.
In November 2013, they performed their second annual band concert at John Barleycorn (River North) which was well received and celebrated. They have also become a regular feature attraction on the local CANTV concert show on Channel 19.
On February 23, 2014, they were the recipient of the 2014 BEST CALYPSO/SOCA ENTERTAINER award, presented by the CHICAGO MUSIC AWARD which was held at the COPERNICUS CENTER in Chicago.
They have a very extensive repertoire, comprising hundreds of reggae, calypso, soca, Latin, Hawaiian and American songs. The band is in high demand for weddings, festivals, concerts, corporate events, picnics, country clubs, holidays and private parties.
The sunshine reggae band is a very flexible and perceptive group. Their ability to read and please their audience is phenomenal. Spontaneous audience participation is the highlight of this island act.
Their sunny smiles, harmonious singing and rhythmic movements are very contagious. They’ll have the audience in the island vibes shouting; Yeh Mon!!, singing; “Who let The Dogs Out” and “Hot Hot Hot”, doing the Limbo, the Dollar Wine and having the greatest time.
THEY TAKE YOU TO THE ISLANDS ON THE WINGS OF MUSIC. YEH MON!!
DJ MYKOL
STEVE BURKS
SAMMY KAY
The Jersey Blues
UNAMUSED DAVE
Unamused Dave is your basic rock band that spends their time doing their homework two weeks in advance & wiping their feet before entering the house. They have two albums out called “Apple Drive” and “Leroy”.
BROTHER DOUGLAS
JUSTIN WELLS
“His gritty storytelling…doesn’t require more than his powerful, growly baritone and an acoustic guitar…” – No Country for New Nashville
Justin Wells sings loud songs.
After spending nearly a decade fronting the Kentucky southern rock band Fifth on the Floor, no strangers to a rocking show, Justin spent his nights on the line between a slow country ballad and fast rock-n-roll. Now on his own, his songs are a little older, a little leaner, a little meaner. Currently playing a handful of solo dates prior to hitting the studio for his debut release, expect his show to feature stories instead of solos, or a stomping boot instead of a drum.
But don’t expect quiet.
AS GIANTS
4 piece band from America.
Tyler Arnoff – Drums
Joey Fernandez- vocals, guitar
Paolo Lanzisero- bass
Jacob Vidovich- guitar, vocals
THE FANTASTIC PLASTICS
Self dubbed “The Future of The Future,” The Fantastic Plastics simply describe their sound as “Candy Coated Cyanide.”
The Fantastic Plastics, craft infectious pop hooks sprinkled with thick analog synths and a dose whip smart lyrics. The Fantastic Plastics live in the world of retro-futurism and their songs are often cautionary tales for a society blindly adopting technology for which the consequences are not understood.
The Fantastic Plastics are known for their energetic concerts. The live shows are enhanced with video installations, lights, costumes and more. A blend of 2001 A Space Odyssey with the glam sensibility of Ziggy Stardust.
$PENCER $IMS
HEY…IM $PENCER…#NewDealCrew #Straylife
THOMAS MAC
KEITH JAMES
Keith James is a multi-platinum songwriter whose distinctive mix of Pop, Hip-hop, and R&B has led to writing hits for top-selling artists such as Jeremih, Wale, and others. Now, his unique musicality and charismatic appeal have him stepping into the spotlight as the performer with his most recent masterpiece and debut single, “Not My Day” (Releasing Feb 9, 2015).
Born and raised in one of South Side Chicago’s most dangerous neighborhoods, James began performing at the tender age of nine, singing in his church choir and playing both piano and saxophone. Writing music nightly, James never allowed the harsh reality of his surroundings – or the sound of gunshots outside his window – to steer him from creating the positive, uplifting lyrics and melodies that have since become his trademark.
Teaming with multi-platinum producer and musical genius Mick Schultz in 2008, James co-wrote the platinum smash “Birthday Sex” with recording artist (and childhood friend) Jeremih. The song peaked at number four on the Billboard Hot 100 and topped the Hot R&B/Hip-Hop Songs. The trio then collaborated on the hit record “Imma Star,” which reached gold status, and a publishing deal with Universal followed.
Colleagues have described James’ music as a contagious mix of Pharrell Williams, Bruno Mars, and John Legend, and his voice as a soothing mix of Teddy Pendergrass and Barry White – a sound that is magnified by the warmth and positive energy reflected in James himself.
“Keith James is an incredible songwriter but has always been a true artist at heart,” says Schultz. “It’s now time for the world to know that!”
Realizing that they share a special bond, James and Schultz continue to work together to change the face of music, and have written a large catalogue of songs together that the world has yet to hear. With his producer firmly by his side, the career of Keith James is history in the making.
SIR THE BAPTIST
The Preacher’s Kid
It is often said religious families birth the worst rebels. This cross-cultured fact has become the creative fingerprint for Sir the Baptist, and the inescapable thought of religion worldwide explains why he is an emerging artist with a universal market. Sir the Baptist, the son of a preacher, is an indie American renaissance artist noted as “one of the chosen ones” by Universal Music. If 2Pac was our first urban Prophet, he’s our first glimpse at an urban hymnist with that same ghetto gospel. He is a religion rebel. In the 1950’s, Ray Charles was rebuked by the church for bringing gospel music to the secular/pop world with his hit song “I Got a Woman”. Sir is the second coming of that twisted faith. “Thank God real performers still exist”, says Sean Dale of Power 92.3fm. He’s a game-changing fusion of secular and sacred – with a message that is refreshingly progressive, delightfully innovative, and unapologetically necessary for today’s socio-political climate. He has hip-hop’s aggressiveness with a crooner’s charm that paints the provoking imagery of a sinner who juggles desire for salvation and plotted bad habits.
The centuries spent branding religion makes his target easy, limitless… sometimes reminiscent of the world renowned Broadway musical “Book of Mormon” with his church stylistic comedy, while other times referencing the serious and thought provoking fire and brimstone teachings from his upbringings. Jeff Vaughn, of Warner Music Group, says “Sir blurs the line between Saturday night at the club and Sunday morning at church. Simply incredible.” Sir’s willingness to invoke both humanity’s longing for redemption, and its lust for worldly practices is a surprisingly relatable exhibition of the human condition.
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Sir the Baptist was born William James Stokes at the “Gateway of Jazz Heaven” also known as Chicago’s historically artistic Bronzeville neighborhood, to Christian Apologist Dr. James Benton and Mission Ambassador Patricia Ann. The mystique of Sir’s artistry is connected to the memories of his father’s sermons and Chicago crime and drug infested ghettos. Dr. Benton had the great fortune of not only seeing the foundation of Bronzeville’s rich musical community, but also was a part of its economic engine that pushed Bronzeville to keep giving back to its community, even after his death. His neighbors’ residue was his inspiration. Ella Fitzgerald played at Bronzeville’s Sunset Café, which today is where Ace Hardware resides. Lena Horne, Duke Ellington and Josephine Baker, Louis Armstrong and Nat King Cole along with countless others also were regular performers at Sunset Cafe. In addition, their Bronzeville homes have been deemed historical landmarks. Being a part of the same community as those greats before him made Sir the Baptist the genius he is today. Brandra Ringo, of Universal Music, proclaims “Amen! One of the chosen has arrived. Save music!” .
The world, although it may not always seem so, is ready for new points of view. “This is It”, says Rex Rideout of Motown Records. Tunji Bungalow, of Interscope, simply states “Thank you for making good music”. When asked what genre his music is, Sir says “It’s Art Tatum boogie woogin’ on an old upright piano in a small tavern with a choir and Andre 3000 or Pac at the mic,” or simply put “church pub rap”. Although this isn’t remotely innovative, he has recorded with towering Steinway Composer Lee Musiker; who produced for the likes of Tony Bennett and Frank Sinatra Jr. This type of diversity has him leaving the studio with a Sinatra to recording “Familiar” with Chance the Rapper on Surf alongside King Louie and Quavo. From finales with Joffery Ballet to taking that same 8-piece horn section to RAGE venues with Travis Scott at Chicago’s renowned venue “The Metro”, Sir the Baptist a new voice in music to be reckoned with. From Pitchfork features for his trap production with his collective StokFord, to composing the theme for Dysfunctional Friends, a major motion picture, now featured on Redbox, Netflix, and international film outlets Sir the Baptist is an accomplished and versatile artist. An extended version of the film’s theme also made it to Sir the Baptist’s “PK” album. Rated as “one of the most diverse records of the year, welcome to church” by Grammy Governor and multi-platinum artists representative Daryl Jones. .
JEFF MORRIS
Jeff Morris – Singer, Guitarist and Songwriter performing solo electric and acoustic.
Morris established his credentials in the late 80’s Boston punk rock scene as the songwriter/lyricist/guitarist in seminal east coast street rock punk band The Bruisers from 1988 through 1996 with current Dropkick Murphys singer, Al Barr.
Jeff’s signature guitar style and songwriting helped create what has become known as the street rock punk scene in the USA. He and The Bruisers are constantly cited as influences by up and coming bands.
The Bruisers released seven records and toured extensively in the US and EU, and are now considered an icon in the scene. They shared the stage with legendary bands including Bad Brains, Agnostic Front, Sheer Terror, Madball, Blood For Blood, Dropkick Murphys, The Business, Biohazard, Type O Negative, Life Of Agony, Murphys Law, Breakdown, Nuclear Assault, 25 Ta Life, Converge and many more.
The Bruisers influence and popularity have only increased over time as all of their recordings are still in print on Taang! and available on iTunes, Amazon and elsewhere as downloads and their merchandise continues to sell through online retail.
They recently played two reunion shows to several thousand eager fans and plan to work more in 2015/2016.
After The Bruisers, Morris formed Death & Taxes, a three piece post-punk roots rock band who played extensively and released one critically acclaimed record; “Tattooed Hearts and Broken Promises” on I Scream Records of USA/Belgium.
Death & Taxes also shared the stage with legendary bands and artists, including John Doe (X), Brian Fallon (Gaslight Anthem), The Supersuckers, Dropkick Murphys, Ted Leo, Street Dogs, Darkbuster, Three Blue Teardrops, Casualties, Waco Brothers, Chris Mills, Stigma, Drag The River, Woggles, Michael Graves (Misfits) and others.
Stylistically Death & Taxes are a logical progression from the late Bruisers sound, and the reception by fans to this day proves that the style Morris helped create is still relevant today.
Morris’s skill and notoriety have earned him endorsement deals with several guitar gear manufacturers including Reverend Guitars, Jenkins Sound Shop, Truck Amplifier Co, Sweet Sound Effects Pedals and ProAnalog Effects Pedals.
Morris’s solo electric and acoustic shows typically include songs from both The Bruisers and Death & Taxes as well as new material.
In 2009 Morris relocated to Chicago where he continues to write and record.
MATT CHARETTE
Boston singer/songwriter
SEWN UP
New ’90s influenced Indie Rock band local to Chicago.
FORTY WINTERS
Fans of acts such as Darkest Hour, Cannibal Corpse and The Acacia Strain are sure to uncover a whole new sonic disease when exploring the punishing sounds of Forty Winters. An exhilarating band on the rise based out of the South Florida music scene, Forty Winters present passionate tunes of darkness and integrity that will tear into your soul and then toss your ass into the nearest mosh pit of mass destruction. Their latest recording is entitled ‘Isolation’, an assault to the senses that will leave the listener gasping for air.
DEAD LUCID
Three piece Psychedelic Rock band in the vein of The Jimi Hendrix Experience creating new, imaginative rock for the next generation.
ARVIA
Upon their formation in 2013, Arvia immediately discovered a passion for songwriting and performing that has since carried them to enormous heights. The band has shared the stage with acts such as Against The Current, Late Nite Reading, and Slaves, and since the release of their debut EP “Everything You Dreamed Of” in December 2014, the band has quickly become a recognizable name in the Chicago scene, continuing to expand their fanbase and broaden their horizons.
WE ARE FOREVER
Composed of Aren Andersen (Vocals), Alex Nauth (Guitar, Vocals), Ricky Ayala (Guitar, Back up vocals), and Alex Ayala (Drums), the Indianapolis, IN pop rock quintet have quickly taken the independent music scene by storm. Formed by brothers Ricky and Alex Ayala at a young age, the band released their first EP, “Seasons” in 2012, and their first full-length album, “To Be Alive” in 2013. We Are Forever’s distinct brand of fun up-beat Pop Rock has captured the hearts of thousands and secured their spots on large shows alongside bands such as The Maine, Breathe Carolina, Sleeping With Sirens and many more as well as winning a spot on the Ernie Ball stage at Warped Tour. The band is currently in the studio with ZK Productions (Cartel, Mayday Parade, The Summer Set) working on a new EP, expected in 2015.
THE BIG TIME
The Big Time is a Pop Rock/Alternative band from Altoona, PA. Since forming in 2009, they have released four albums and most recently worked with producers Zack Odom and Kenneth Mount (Mayday Parade, All Time Low, Cartel) on their newest album “Imaginary Heart” that was released in early September 2014.
In the past few years The Big Time has quickly gained a strong following with their tireless work ethic, utilizing every social networking avenue available and sharing the stage with artists including; All Time Low, Mayday Parade, Breathe Carolina, The Downtown Fiction, We Are The In Crowd, Hit The Lights, and The Wonder Years to name a few. The Big Time has also been featured on The Gunz Show and had their newest album streamed on idobi Radio before its release.
7 MINUTES IN HEAVEN
Just give me the chance, and I’ll take it.” This lyric from pop-punk band 7 Minutes In Heaven sums up the ethos of Timmy Rasmussen, Alex Rogers, and Justin Mondzak. Formed as a solo project by Rasmussen in late 2012, 7MIH (the abbreviation favored by fans) added musicians Rogers (Vocals/Bass) in early 2014 and Mondzak (Guitar) end of 2014. Having already toured as a solo act in support of a self-released EP (“Get in The Van!”), Rasmussen found the addition of both Rogers and Mondzak as the missing pieces to what he had set out to accomplish.
With the newly completed line-up taking form, 7MIH toured virtually non-stop in 2014 (including a summer of promotion following the Van’s Warped Tour) in support of their self-released “The Statement” EP. The immense support from fans old and new allowed the band to revisit the “The Statement” EP and record a companion release “The Statement: Deluxe”.
The band kicked off 2015 with a co-headlining tour supporting “The Statement: Deluxe” followed by a national tour with pop rock veterans Metro Station. The band will be embarking on a tour in early June to support friends Hollywood Ending on their farewell tour. The rest of the year will find Rasmussen, Rogers and Mondzak preparing new material for a fall 2015 release. It’s clear now; 7MIH has an extremely bright future ahead of them!
ANONYMOUS THAT DUDE
Anonymous That Dude “W.T.F.I.T.D.” Ft. Kevin Gates, Berner, Keak Da Sneak, Philthy Rich, Thuggy & More on iTunes | #NoDaysOffEnt #SmugglersUnion #Coffee&Kush Coming Soon! SmugglersUnion.com
J-HORNAY
Jason Horn or more commonly known as JHornay, A.K.A Sir High, lives the laid back West Coast life style of smoking weed and letting his thoughts flow freely behind the microphone. Reigning from Phoenix, Arizona, J has built his ever-growing empire with the HIGH Maintenance Smoke Shop brand to fund his passion for music. Having already toured with many national acts such as Krizz Kaliko, Johnny Richter, Sunspot Jonz and more recently, Devin the Dude, Berner, and Potluck, Hornay continues to actively tour the country to grow his brand and distribute his art. Despite the laid back lifestyle, Horn hustles hard to earn his success and unwinds by getting in the studio and doing what comes natural to him, rapping. After returning from the Buds and Suds tour in 2014, Jason began production on his next project, including collaborations with Grammy nominated Planet Asia, Crooked I, Berner, and Devin the Dude. Although none of the tracks have been leaked and there’s currently no set release date for the project, Hornay continues to build the anticipation by grinding harder than ever! Prepping to hit the road this spring with Rittz and Crooked I on the SouthWest Kings tour, J just might give you a sneak peak at what he’s been working on!
DEMRICK
Young De aka Demrick is a Recording Artist / Songwriter currently residing in Los Angeles, California. He has a unique style of music, both raw and soulful. “The songs I write are about my life, friends, family and people I’ve met along the way, most of my inspiration comes from my everyday experiences.” He is best known for his collaborations with high profile artists such as Xzibit, Kurupt, Snoop Dogg, Too $hort, B-Real and Cypress Hill. He is also recognized as a protege of B-Real & Xzibit.
BLACK FAST
As seen on the “Unsigned and Unholy” Metalsucks feature, Midwestern progressive thrashers BLACK FAST has a short but concentrated history. Formed in 2010 by fellow music students Aaron Akin, Trevor Johanson, Ryan Thompson and Ross Burnett , BLACK FAST has been melting faces and sharing the stage with bands like Havok, Vektor, Toxic Holocaust, Cavalera Conspiracy, Revocation, Forbidden, Warbringer, Nachtmystium, Enabler, Lazarus AD, and Agrimonia.
Black Fast recorded a self-titled EP in 2011 and in August 2013 they self-released their first full-length album, ‘Starving Out the Light,’ which helped them win accolades like ‘Best Thrash Metal” album in the 2013 Metal Storm Awards.
CANNABIS CORPSE
HallHammer – Drums
LandPhil – Bass/Vocals
Brent Legion – Guitar
Cannabis corpse was founded by Landphil and Hallhammer in the summer of 2006. The band was a heart felt tribute to smoking pot and the most brutal band in the universe CANNIBAL CORPSE! The original demo “Blunted at Birth” was recorded in the kitchen of a shit hole apt. in “Oregon Hill” a small neighborhood in Richmond VA.
Landphil and Hallhammer wrote and recorded the songs with no vocalist in mind, but since Andy “Weedgrinder” Horn lived in the same Apt. and was known to do extreme metal vocals from time to time he was recruited. After “Blunted at Birth” was complete it was put out as the first release on the fledgling record company “Forcefield Records” The album received a great reaction so Nick was recruited to play as the live guitarist.
Many many shows followed with this line up including two Euro tours, and several treks across the U.S. Landphil and Hallhammer continued to write and record albums including “Tube of the resinated” in 2008 “The Weeding E.P” in 2009 and “Beneath grow lights thou shalt rise” in 2011.
In 2012 Andy and Nick parted ways with the band and Brent “Legion” Pergason was recruited as the new live guitarist and Landphil took over vocal duties. The band continues forward with no end in sight! Stay tuned for more brutality!
SNEAKY BONES
American troubadour Matthew Bean, better known as Portland’s Sneaky Bones has been wandering North America for the better part of the 21st century having done time with The Dwells and causing a stir across Europe with his genuine take on dusty Americana folk-rock. The sound is that of Sweetheart of the Rodeo era Byrds with a hint of Townes Van Zandt. The debut self released 7 inch single “Eternity” is set for a Fall 2014 release. Prepare yourself for a sonic treat with rustic instrumentation and analog aesthetics.
THE DIRTY MUGS
From the woods of Northeastern Oklahoma. The Dirty Mugs, since 2004!
BELLWETHER BLUES
We are Bellwether Blues, a four piece rock band from Lake County with psychedelic and blues influences. Although blues is in the name, this is no blues band. Our music defies easy categorization yet we show our affinity for rock and roll and its pioneering elements with our performances and song catalog. Our sound displays a wide range of musical styles and influences, has a strong melodic component, and appropriately uses three-part harmonies to make our tunes captivate music lovers of any genre.
Bellwether Blues was formed in Lake County in late 2012 by guitarist/vocalist John Mesce, guitarist/vocalist Billy Nixon, and bassist/vocalist Shane Seebock with drummer Bryce Ring joining in early 2013. Having similar musical influences such as the Beatles, Cream, Wilco, Spoon and (of course) the blues has helped us develop the ability to play unhinged rock and roll side by side with sophisticated and attractive pop songs. We have performed throughout the Chicagoland area in the past year, and we are eager to continue to broaden our horizons.
Ultimately, we would like to gain popularity from our original songs but we understand some venues like to provide music that is familiar to their audience. So, we can offer over an hour of original music and/or another hour of recognizable covers. We are currently working on the release and promotion of our debut album For The Birds, which introduces the world to Bellwether Blues and provides a glimpse of the first steps in a much longer journey. Our goal is to produce enjoyable music that is meaningful and lasting.
Billy Nixon – Guitar/ Vocals
John Mesce – Guitar/ Vocals
Shane Seebock – Bass/ Vocals
Bryce Ring – Drums
OD JO
Assembled to bring a unique and pure sound to the masses. Creating fresh and original funk that blow ears away while begging for more.
THE WALTERS
The Walters is a band from Chicago and Minor League Baseball Team.
CULT OF LUNA
Cult Of Luna is a Swedish post-metal band from Umeå. They formed from the remnants of a Umeå hardcore punk band called Eclipse in 1998. They slowly garnered critical appreciation and underground popularity with early releases Cult of Luna (2001) and The Beyond (2003); however, it is 2004’s Salvation that can be considered their ‘breakthrough’ release. This was followed by Somewhere Along the Highway in 2006, another largely well-received album.
In August 2006, the band released a remake of “Marching to the Heartbeats” from Somewhere Along the Highway entitled “Heartbeats” solely on the internet community MySpace. The song was available for download for a few days and was later removed. The point was to see if the song would be kept alive by file sharing, and was also apparently a statement against the conservative music industry, said keyboardist Anders Teglund in an interview.
In 2008 the band released its fifth album, Eternal Kingdom. It was released in Europe on June 16, followed by its release in the United States on July 8.
In 2009 they released a DVD including a live performance from 2008, an interview with the band, as well as all of the band’s videos.
On October 18, 2009, the band released Eviga riket, a hardback book/audiobook covering the story and themes from Eternal Kingdom. The book and audiobook are bilingual, printed and spoken both in Swedish and English. The audiobook contains new pieces of music and soundscapes written by the band. Eviga riket was released the 23 of February 2010.
On October 8, 2012, the band announced the title of their sixth studio album as Vertikal, as well as the first leg of their upcoming European tour. The release dates were confirmed as November 5, with the European release on January 25, 2013, and the American release four days later on January 29, 2013. A companion EP, Vertikal II was released on September 20, 2013. It includes the three songs with which Cult of Luna intended to conclude Vertikal as well as a remix of “Vicarious Redemption” by Justin Broadrick.
On December 17, 2013, the band announced that they’d be taking a break of sorts for the foreseeable future stating “2013 have been a very active year for us and neither do we want or think it is good to continue in that pace” they also said “Sooner or later we will return in one form or another”.
In May 2014 the band curated the Beyond The Redshift festival in London, held across 3 venues with Cult Of Luna closing the festival with a headlining set at the Forum.
MARTY FRIEDMAN
At the end of the 20th Century, few guitar virtuosi were as respected and revered as MARTY FRIEDMAN. After first rising to prominence alongside fellow six-string whiz Jason Becker in the influential band Cacophony and via his well-received solo debut “Dragon’s Kiss,” FRIEDMAN joined Megadeth, with whom he soon wrote and recorded the thrash landmark “Rust In Peace.” His 10-year tenure with the iconic group — during which they sold more than 10 million albums worldwide and earned multiple Grammy nominations — saw the band’s dream lineup reach its greatest heights, and FRIEDMAN’s unique sonic contributions became heavy metal DNA that to this day continues to inspire new generations of metal fans.
On paper, it seemed as if FRIEDMAN was living the dream as a well-respected player in a multi-platinum act, but after a decade of cryptic, risky countdowns, the Washington, D.C.-native found himself anxious to explore new challenges. Soon after the release of 1999’s “Risk,” FRIEDMAN announced his departure from Megadeth and — at least to many American fans — vanished. A fanatical devotee of current Japanese music and pop culture, he rather suddenly moved to Tokyo, where continued to record and release albums that further solidified his guitar hero reputation overseas. Meanwhile, his absence from America seemed to be a catalyst to the legend and influence of his previous catalog growing greater with each passing year.
In Japan, FRIEDMAN became an enigma of sorts: Armed with a fluency in the Japanese language, he left a platinum-selling American band to start from nearly zero to pursue his longtime dream of making his mark on the Japanese domestic music world. That mission was accomplished far beyond his wildest expectations, as FRIEDMAN has since performed at the largest venues in Asia, including three shows at the Tokyo Dome and five at Budokan. In addition, he played on and wrote several Japanese Top 10 hits, including a #1 single in 2011 and a #3 single in 2012. At the same time, FRIEDMAN also became a popular Japanese television personality who not only hosted several programs, but was even featured in several long-running national ad campaigns. He estimates he has made well over 600 network TV appearances in Japan, including three televised sold-out solo performances with the Tokyo Philharmonic Orchestra.
In 2012, Prosthetic Records — a U.S.-based independent label that introduced the world to Lamb of God, Animals As Leaders and All That Remains, among others — approached FRIEDMAN about giving proper American releases to four of his Japanese studio albums and reissuing another that had become unavailable Stateside. Those conversations led to discussions about making a new record that would see FRIEDMAN remind the world outside of Japan of his phenomenal talents and why he’s considered the greatest lead guitarist in thrash metal history.
That wasn’t enough for FRIEDMAN, though. “I wanted to create a new landmark to which my future music will be compared,” he says. “That idea of just going completely balls-out — knowing what the full potential of my music and my playing could possibly be, and actually making it a reality — was what drove me through the whole process.”
The result: “Inferno,” FRIEDMAN’s first album of original material in four years and his first in more than a decade to be released worldwide simultaneously. Recorded in Los Angeles with engineer Chris Rakestraw (Children of Bodom, Danzig) and mixed by Jens Bogren (Opeth, Amon Amarth), the album features what FRIEDMAN told Guitar World is “the most intense writing and playing I can do,” with the goal of “go(ing) completely ape-shit, in the most ‘Marty’ way possible.”
“I’m extremely proud of the work I’ve done with Cacophony and Megadeth, but I was never interested in looking back or stopping there,” FRIEDMAN says. “‘Inferno’ is the album that fans of my work with those two bands have always wanted me to make. I’ve finally made it, and completely on my own maniacal terms.”
Notably, “Inferno” includes several collaborations with players influenced by FRIEDMAN, including Alexi Laiho (Children of Bodom), Revocation guitar whiz David Davidson, the flamenco/metal acoustic duo Rodrigo y Gabriela and acclaimed rocker Danko Jones. In addition, the album features FRIEDMAN’s first songwriting collaboration with Jason Becker since the pair played together in Cacophony. Ultimately, though, it’s arguably the most compelling chapter yet in FRIEDMAN’s improbable international journey — one for which he’s excited to have fans in all countries along for the ride.
Upon its release, “Inferno” became FRIEDMAN’s first-ever solo record to crack the Billboard Top 200, while readers of Guitar World magazine voted it “best shred album” of 2014. Major features from Rolling Stone and Billboard were also firsts for Marty as the US mainstream picked up on “Inferno” and Marty`s unique story of leaving a multi-platinum band only to find greater success in another country and another culture. His story spawned both a documentary and a biography that are currently in production. To support the release of “Inferno”, FRIEDMAN has toured extensively internationally alongside the likes of Arch Enemy, Kreator, Shining and Gus G in addition to performing at major international events such as Loud Park (Japan) and Guitarfest (Chile). Earlier this year, he also embarked a 20-date Brazilian clinic tour, which Rolling Stone Brazil called “the most extensive and ambitious guitar seminar tour in South America’s history.” This fall, FRIEDMAN will embark on the eagerly anticipated North America tour for “Inferno”.
IN LA KESH
Established in March of 2013, IN LA KESH brings a seasoned lineup of Chicago-scene musicians and a massive repertoire of original and cover material. Perhaps most easily described as a “jamband”, IN LA KESH pulls from a variety of influences. Known not only for their countless original tunes, you can also hear IN LA KESH covering The Grateful Dead, Jerry Garcia Band, Ween, Pink Floyd, The Band, and other “kind” music extensively. Don’t expect the same show twice.
IN LA KESH has already played many notable venues around Chicagoland such as Martyrs, Durty Nellie’s, Abbey Pub, and Mojoes while also making appearances on several regional festival bills (Nippersink Music Festival, Rossaroo Music Festival, Cosmic Railroad’s Family Gathering, Mr. Blotto’s Blottumnal Equinox and Mars Hotel festivals). Previously, IN LA KESH also held a weekly Wednesday night at Mackey’s Hideout in McHenry, IL for over 9 months, and currently hold a Thursday night residency at Windy City Inn in Chicago, IL. Rumors of a potential first record have been tossed around for mid- 2015.
“A great part of the changes has to do with
The shift in consciousness
And, what if, for a moment, we took the place of the others?
What if I were you, and you were me…
…Just for a moment.
Think about the other before acting, before responding…
…First, think about others
Inlakesh, is the name it is called…
…and the Mayans left this secret for us, among others
The meaning of Inlakesh, is to take another person’s place
It ´s about understanding another person before taking action.
The world needs to apply Inlakesh, I am you and you are I
Whenever there ´s a doubt in you, repeat:
Inlakesh, I am you and you are I
Get in the other person´s place, and then go ahead with your decision
Inlakesh … repeat it endlessly
And transmit the concept by helping others during the shift.”
SHAH JAHAN
Patrick Tsotsos | Trevor Pritchett | Nick Dehmlow | Brendan Peleo-Lazar
THE TIP
The seeds of The TIP were sown when Benny Carl, Dixie Carl and Ricky Dover Jr met bassist Drew Uldrich knocking on the door of their rehearsal space in the spring of 2014. The simple gesture let to a perfect match up between the four musicians, and by June the band was playing their first show at legendary Atlanta strip-club The Claremont Lounge. The independently released four song, “Killin’ It Wasted EP” quickly followed, and by November of the same year the band was on tour with Hollywood’s Hammered Satin (Burger Records).
After linking up with NashTray Productions in East Nashville, the band recorded their self-titled debut album during January of 2015. With continued success playing regional showcases, The TIP is now set to release their debut album in the summer of 2015. Starting June 18th at Star Bar in Atlanta, The TIP are set out on a 16-date East Coast / Mid West tour with notable shows at Brooklyn’s Grand Victory, Minneapolis’ First Ave/Seventh St Entry, and Chicago’s Reggie’s. After the summer tour, the band looks to the West Coast for a string of dates in the latter half of 2015.
Members of The Tip have also played with The Poor Boys, The Booze, Abernathy, and Static Revival.
MOON
Moon: Heavy, melodic, propulsive, spacious, dark, rock. Moon is echo-laden guitar, post rock bass, propulsive drumming, shifting time signatures, and haunting, ethereal vocals.
Moon formed in late 2008. They released their first album, Finding and Losing the Light in 2012 and their second album, Distant But Close in 2014, and third album, Extinction, in 2018.
THE CHINESE PROFESSIONALS
The Chinese Professionals are drummer Victor Salazar and guitarist Peter Allen. The Chicago natives formed the band as an alternative musical outlet to the duo’s main band, Big Electric. The Chinese Professionals combine improvisation with structured motifs and riffs to create an exciting blend of rock, metal, and prog tinged instrumentals played with precision and passion.
ONE STEEL WOUND
“A transparent band in a time where imitation is common”
The beginning,
One Steel Wound began in 2012 when Brandon Castillomet Mike Boyer and D. Reitz in the south suburbs of Chicago. In the following months consisting of a search for a bassist, Gerard Ortiz would emerge and fill the vacant space thus completing the line-up. By the time the line-up was complete, the sound harnessed, the goals marked, and the first songs composed; the year was coming to an end.
Amidst opening for artists such as Drowning Pool, Affiance, It Lies Within, Tenafly Viper, Mushroomhead, Eyes Set To Kill, and Kill Devil Hill; OSW was creating what would become their first recorded effort in the format of an EP.
DEC 1, 2014
This date marked the writing process of One Steel Wound’s debut album “Vendetta”.
Performing as headliners and opening acts ranging from city house shows to Mojoes; it is evident that with a determined unfiltered mindset One Steel Wound is living by their guts and goals and not dollar signs and thus retaining a permanent space within individuals eager for a refreshing artist of modern times.
“One Steel Wound is a band determined to live by what is in their blood and displays disregard for the status quo.”
~thank you to everyone who supports us. Listening, connecting, and representing… it is truly an honor. We’ll keep going as long as you’re listening. -One Steel Wound
STRAHAN & THE GOOD NEIGHBORS
Good Neighbors are an American band.
A LIVE ONE
A Live One is a Phish tribute band based in Austin, TX, sharing the joy of Phish where Phish rarely treads.
ANDY T NICK NIXON BAND
Nick Nixon is one of those amazing artists that rarely surface today. This velvet voiced singer was born and raised in Nashville, TN, and was part of the thriving Jefferson Street blues scene of the 60’s. Nick was a Chess Records recording artist in the 70’s, and is a key figure in the reviving Nashville blues scene today. His latest, soon to be released CD on Blind Pig Records was recorded with guitarist/bandleader “Andy T” Talamantez (Guitar Shorty, Smokey Wilson), and produced by Anson Funderburgh. This follows the Andy T – Nick Nixon Band’s Delta Groove releases, “Drink Drank Drunk” (2013), and “Livin’ It Up” (2014).
As a long-time member of The New Imperials, an act with a forty-five year history, Nick has performed with many of the top blues and R&B artists in the world.
Nixon is something of an institution in the Music City, regularly performing for civic functions and even singing before thousands at the Riverfront Park, accompanied by the Nashville Symphony. His blues duo, Nick and Bayou, is the only act to have ever sung in the chambers of the Nashville Metro Council.
Despite such a varied and successful career in the music business, Nixon is still remembered by many as a friend and sometime stage mate of the late, great Jimi Hendrix. Nick befriended Hendrix and his pal (and later to be Band of Gypsies member) Billy Cox when they arrived in Nashville in the early ’60s. To this day Nick often writes and performs with his good friend, Cox.
“Andy T” Talamantez was born and raised in Southern California, and relocated to Nashville in 2008. His guitar style is influenced by T-Bone Walker, BB King, Magic Sam, and Albert Collins among others, yet it remains his own. Andy has toured internationally with blues greats Guitar Shorty and Smokey Wilson, and has performed with a long list of major blues artists around the country.
After meeting James “Nick” Nixon, and watching him perform, Andy knew that they would make an unstoppable combination.
DFMAGICKS
DFM and Magicks in one band.
YESTERDAY’S SAINTS
Concept albums are not new territory in metal by any means. But Northern Virginia’s YESTERDAY’S SAINTS elevate the notion of conceptual metal to a whole other level, thanks to the rich, extensive storytelling and the pummeling metal in Generation of Vipers. The music is as smart and thought provoking as it is extreme, that’s not an easy thing to do. Striking an artful balance is difficult, but YESTERDAY’S SAINTS make it seem easy.
YESTERDAY’S SAINTS, who play a death-thrash-power hybrid, has been in existence since summer 2010 and with a self-released EP and some regional touring under their belt. They knew that a full-length concept album was the next step to take. But they did not go about it capriciously. The decision to go with a concept for the 11-track Generation of Vipers was driven by the most important things —the songwriting and careful thought.
The album is assembled like an opera, three acts, with an instrumental interlude and outro. It traces the story of Satan, one of the most notorious characters in history, throughout time, from his desire to usurp God’s throne to his modern infiltration of mankind to the indication that all mankind are now his descendants.
It’s a lot to process, but once you absorb that story along with the music, your appreciation will be furthered and deepened, as all senses are satisfied by Generation of Vipers, which targets one’s brain and one’s body.
CRIMSON SHADOWS
In the frozen reaches of Canada, where the mountains meet the sea; a band of young men locked in steadfast tenacity have assembled to live out their worldly dreams. The dawn of 2014 has seen Crimson Shadows borne to international praise and repute by their unwavering delivery of boundary-crushing and genre-defying modern death and power metal.
‘Combining the fiercest elements of power and death metal with crushing guttural vocals, three-part vocal harmonies, seraphic guitar-work, formidable bass and miles of breakneck drumming; Crimson Shadows have unveiled a new breed of extreme metal both ironclad and spellbinding, leaving Crimson Shadows sights set for the stratosphere!’
Having appeared at the world stage of Wacken Open Air in Germany mid-2013, the band triumphantly laid claim to the title of International Wacken Battle Champions. After touring their native Canada coast to coast, Crimson Shadows are ready to take the world by the throat and deliver their brand of heroic metal that only the ice-clad lands of Canada can forge!
HOTEL BOOKS
WORTHWHILE
Worthwhile is an American melodic hardcore band formed in the San Francisco Bay Area in 2009. With the successful reception of Worthwhile’s first two releases, “Miracle Me” and “Not Fixed But Found,” the band spent 2009-2011 gaining a strong hometown following and beyond. As the band gained its loyal fan base, listeners latched onto the heartfelt lyrics, high energy, and positive message the band put forth in their music and shows.
When Worthwhile decided it was time to start writing their third release, they realized band members had matured through some tough, personal times and developed musically. A pop punk album could not properly portray the lyrics and feeling the band wanted to create. With a love for melodic hardcore, members drew inspiration from bands like Have Heart, Verse, and Touché Amoré as they set out on their new project. After a long year of carefully writing new songs with their new sound, Worthwhile headed back to Panda Studios to record their new album “Carry On Kid.”
Many longtime fans have claimed it is a whole new band. However, Worthwhile has gained many more followers with this new sound. The heartfelt lyrics, high energy, and positive message are as loud and clear as ever.
With the success of the self-released album, Worthwhile re-released “Carry On Kid” through InVogue Records after having it remixed and remastered it by Jay Maas of Defeater at Getaway Recording. Worthwhile leveraged their strong underground following, embraced newfound sound, and consistently positive message and lyrics into a deal with Hopeless Records the start of 2015.
Driving off of their matured melodic hardcore sound, they went back in studio with Jay Maas of Defeater to finish their second album with Jay. Worthwhile is excited for new ears to hear their music, continue to spread their positive message, and hear the stories of fans that drive them on their journey. Worthwhile is managed and published by Worthwhile Music.
PAPER MICE
Paper Mice is a three-piece whirligig from Chicago that blends a freakish range of influences into miniature, prog-punk puzzles. The band is a fixture in Chicago’s tight-knit DIY community, performing their high-wire “stop-start mess of rhythmic tics and awkward face plants” for dance-soaked warehouse hounds throughout the Midwest and East Coast since 2007. Their first album, “Paint it Pink,” featured sixteen short, spastic songs about bizarre news stories, botched surgeries, and hirsute politicians. The follow-up, “The Funny Papers, continues the band’s jagged jaunt through the world of current events with eleven tracks about canine heroes, fast-food meltdowns, and Dolly Parton. The album was completed over three days in an elementary school gymnasium-turned giant, temporary recording studio. The comic artist, Paul Hornschemeier, designed and illustrated the album’s artwork. Two of the band members are music teachers, devoted to spreading their love of musical fun and mayhem to America’s youth. They love animals.
FOUL TIP
Foul Tip is a two piece drum and bass band from Chicago, Il.
THE SWAN KING
The Swan King is:
J. Drier – Bass
Z. Musharraf – Drums
D. Thomas – Guitar/Vox