BLACK SABBATH “VOL. 4”

Vol. 4 is the fourth studio album by English rock band Black Sabbath, released in September 1972.

Performed by: After Forever
Four musicians gathered together to do one thing, bring Black Sabbath tunes to YOU. They call themselves After Forever and are dedicated to create a musical flow just like Sabbath did and still does. In the days of auto-tune, perfect recordings, and backing tracks galore, the music of Black Sabbath needs more appreciation. After Forever is a BIG slice of Black Sabbath and features songs you know and amazing songs you have never heard before. Relive the birth of metal with After Forever.

Bölzer

BÖLZER

The name Bölzer is difficult to translate into one word in English. It can be approximated to something like “smasher” or “bulldozer”. bölzen is a Swiss German verb deriving from Bolzen (a bolt); bolzen(verb, without the umlaut) can also mean “to drive fast” in other parts of the German-speaking countries as well as being a term related to football (“to slam”). The band themselves describes the meaning as “a powerful force or blow or strike that has no regard for the consequences or the repercussions. And in that sense it’s not directed either, it’s just a chaotic strike of energy…. a force of chaos, and a force of life and death and anything.”

SAINt JHN

Born in Brooklyn and of Guyanese descent, JHN grew up listening to a lot of Caribbean music. With his father absent, JHN tried his hand at drug dealing but didn’t like it. After this, he followed his older brother into rapping. He said of the experience, “my older brother felt like a father. He was only two years older than me so that was all I had. Whatever he would’ve done I was going to do.” In the beginnings of his music career he went by his birth name, Carlos Saint John. He describes his earlier rapping style as more aggressive and less melodic than his current output. He also used this name for a brief time when he put rapping on hold to spend time writing songs for other artists. JHN has co-writing credits on songs like Usher’s 2016 hits “Crash” and “Rivals.”

He is part of a collective called GØDD COMPLEXx

GHOST-NOTE

Multi-Grammy Award winning artists Robert Sput Searight and Nate Werth take percussion out of the shadows and into the spotlight with their new project, Ghost-Note. World renown for their ongoing catalog with international sensation Snarky Puppy, this dynamic duo expands their rhythmical voice into a celebration of music in all its forms. This is music that takes listeners on a mind-blowing journey, inspired by the influences of James Brown, Prince, and J Dilla to name a few.

Since forming, Ghost-Note’s sound has evolved to a state that can best be described as ‘conscious funk’ – an elaborate and sonically powerful surge of the tremendous talents that each of the players provides, with the bandleaders leaning back and letting the band go. The core lineup is a rotating cast of heavy hitters – all stretching to meet the expanding nature of the band. The explosive rhythm fueled band, deeply rooted in neck breaking funk, is comprised of the industry’s best and quickly becoming one of the most anticipated live shows of today.

Band members include A.J. Brown (Fred Hammond) on bass, internet star Dywane “MonoNeon” Thomas (Prince) on bass & guitar, Sylvester Onyejiaka (Prince, Quantic) baritone sax, tenor sax, & flute, Xavier Taplin (Prince) on keyboards, Jonathan Mones (Funky Knuckles, RC and the Gritz) on alto sax & flute, Mike Jelani Brooks (Kirk Franklin, RC & the Gritz) on tenor saxophone & flute, Justin Stanton (Snarky Puppy) on keyboards, Vaughn “V-keys” Henry on keyboards, Daniel Jones (Jay-Z, Janet Jackson, Justin Timberlake) on keyboards, Nick Werth (Galaxe, Yak Attack) on xylosynth, and Alvin Ford Jr. (Pretty Lights, Dumpstaphunk) on drums.

HAEGERS BEND

No music style was to far out of reach for the band, but they stay true to there Midwest guitar rock roots. 

chip-ratliff

CHIP RATLIFF & THE PRINCE TRIBUTE JAM

The beat hits you in the chest like a jackhammer…your head starts bobbin’…the bass attacks with no mercy…now you wanna’ dance! You look around and people are groovin’ everywhere! You don’t know what’s going on, but it feels good! Don’t be alarmed! It’s a natural reaction to the force of nature called Chip Ratliff & The DirtyBluCrue!!! The band offers fans an unforgettable live experience steeped in the Chicago tradition of a good time!

Throughout the country’s music venues including Chicago’s Navy Pier (Chicago), Buddy Guy’s Legends, California’s Fender Center, and more, people have experienced the colossal low end and tasty grooves that this band dishes out routinely, and with a vengeance! Bassist/vocalist Chip Ratliff and his band is dedicated to not just rehashing classic funk, but to taking his own unique style of Funk, Soul, and Blues to new heights. Fueled by his own original releases, Chip takes his talent, infuses it with the sophisticated funk and showmanship of Prince, the tightness of any one of James Brown’s bands, the grit and excitement of Chicago Blues, the extended live jams of a Parliament-Funkadelic show, combines it into one big pot, and serves it hot!

Every show is different. “The set list is a guideline!” says Chip. “We keep it spontaneous and free flowing throughout. Makes it fun for me, the band, and the audience can feel it! They go on the journey with us. It always comes out good!”

“I just want you to get down and have a good time! If you leave the show happy, exhausted, and wanting more…mission accomplished!”

DJ SENSELESS

Dark dance and bright lights

STREET FEVER

Darkwave from Boise Idaho

Lara Hope & The Ark-tones

LARA HOPE & THE ARK-TONES

Winner of the 2017 Ameripolitan Music Award for Best Female Rockabilly Artist, and named the “Best Up-And-Coming Band” by Hudson Valley Magazine, Lara Hope and the Ark-Tones are New York’s premier roots rock n’ roll, rockabilly, rhythm & blues outfit. Born from a hybrid of Lara’s former rockabilly band The Champtones, and upright bassist Matt’s international psychobilly act, The Arkhams, The Ark-Tones hit the ground running in 2012 and haven’t slowed down since.

Lara Hope was featured on the cover of UK Rock n’ Roll magazine in March 2015, and New York’s Ulster Magazine in March 2016. The band has shared the stage with many well-known acts including Tiger Army, Gary US Bonds, America, Big Sandy, and Wayne Hancock, amongst others, and has performed at at a variety of national festivals including Viva Las Vegas, Ink n Iron, and The Nashville Boogie. The band is also known for their visually arresting videos – “Whiskey Pick” (from their debut album) and “I’m the One” were official selections in the 2014 and 2016 Woodstock Film Festival.

BEITTHEMEANS

Just when you thought Southern rock was said and done, along comes Beitthemeans, swaggering out from a dark shed somewhere deep in the pines of Sylacauga, Alabama. The name is fitting for a power trio that is all about boot straps, whether it’s pulling them up or using them to beat their way out of a smoldering genre that could benefit from a whipping or two. With swelling riffs, bluesy throwbacks and a lead singer with a screech that must be part owl, BITM certainly cracks the whip on Southern rock.

ASG

Formed in the North Carolina coastline community of Wrightsville Beach in 2001, the riff-fueled, distortion-driven rock of ASG that can be found on their latest effort has actually been at the band’s core since its inception.
Initially forming as a three-piece instrumental project, due to the lack of a dedicated vocalist, ASG were intensely focusing on devising tight, driving guitar riffs, locking guitarist Jason Shi in with the rhythm section of bassist Andy Ellis and drummer Scott Key.
But as time passed and no vocalist was found, Shi was eventually forced to step up to the mic.
With Shi becoming more comfortable as a frontman, the group found themselves connecting with Volcom Entertainment, who signed the band and put them in the studio in 2003, to record their debut album, …The Amplification of Self Gratification.
In 2005 ASG found themselves in a proper studio with proper producers, Matt Hyde and Phil Caivano, recording their sophomore album, Feeling Good Is Good Enough, an album that summoned all the band’s potential and spawned a thunderous hard rock creation that equaled what the band had been working towards for the past 3 years.
Shortly after completing Feeling Good Is Good Enough, second guitarist, Jonah Citty, was added to help recreate the album’s sounds live, which was none too soon as the band quickly found themselves on the road with the likes of Motorhead,Fu Manchu,Saviours,The Sword, Torche, Dwarves, and CKY.
In June 2007 ASG returned to Los Angeles to record their fourth album, entitled Win Us Over, with Matt Hyde again.
Win Us Over, is a vivid, psychedelic, and panoramic thrust that is just as much for the ears as it is for the aura; an experience in a colorful and dense cloth of abrasiveness.
Big beefy guitar riffs and melodic foreboding are soaked in Southern roadhouse whiskey, that just might be laced with psilocybin, and are hazed out through a kaleidoscopic squall that packs a walloping sonic punch.
While the ingredients of stoner rock, psychedelic metal, and angst-ridden punk rock are apparent, ASG doesn’t fit under any particular category. Be you a fan of plain ol’ rock and roll and don sleeveless flannels while sucking down 22 ouncers and gettin’ rowdy – or enjoy waxin’ deep on the bong, Win Us Over lives up to it’s namesake and ensures that come January 22nd 2008, ASG won’t be knocking on any doors; they’ll be knocking them down.
Win Us Over is available now digitally and is set for physical release (CD &am; 2XLP) on January 22, 2008

STRANGER COLE AND HIS JAMAICAN ALLSTAR BAND

Cole was born in Kingston, Jamaica in 1945 and nicknamed “Stranger” by his family, as they considered that he didn’t resemble any member of his kin. Cole was initially successful as a songwriter, writing “In and out the Window”, which was a hit for Eric “Monty” Morris. This success gave him the chance to make his recording debut in 1962, instantly finding success with singles such as “Rough and Tough” and “When You Call My Name” (a duet with Patsy Todd) for producer Arthur “Duke” Reid. Further success followed with singles for Reid through to the mid-1960s, and he also worked with other producers at this time, including Clement “Coxsone” Dodd (a duet with Ken Boothe on “Worlds Fair”), and Prince Buster. Further duets included recordings with Gladstone Anderson (on “Just Like a River”) and Hortense Ellis, the tendency to record duets apparently due to his shyness when it came to singing alone. In the late 1960s and early 1970s he recorded with several producers, including Bunny Lee, Lee “Scratch” Perry, and Sonia Pottinger. These included further material with Todd as Stranger & Patsy.

In 1971 he emigrated to England, where he toured extensively, and moved on again to Canada in 1973, settling in Toronto. He worked as a machinist in the Tonka Toy factory in Toronto and later opened the first Caribbean record shop in Toronto His first album, “Forward in the Land of Sunshine”, was released in 1976, with a handful of further albums released over the next ten years, most on his own label.

In 2006, Cole released his first album in twenty years, Morning Train, a collaboration with Jah Shaka. Cole is featured in the 2009 documentary Rocksteady: The Roots of Reggae, in which he and other stars of the rocksteady era reunited to record a new album of the same name, released in August 2009.

Cole’s son, Squiddly, followed him into a music career, working as a drummer for artists including Ziggy Marley , Amy Winehouse, Mutabaruka, and many more.

SLEEPWALK

Sleepwalk drifts seamlessly between spacious slow burns and grungy, riff-driven rock, woven together by warped guitar leads played through an endless string of effect pedals. Placing equal focus on both melody and atmosphere, haunting vocals and chord progressions punctuate songs cloaked in thick reverb and distortion.

TOM SPACEY

One a final show for the people who keep asking for it, as well as a send off for the two members who past on a couple years ago.

COSMOS RAY

Cosmos Ray is a Chicago based singer, songwriter, producer, and DJ. His career began in 1995 as a hype man for Mr. Greenweedz, then a member of the Family Tree of All Natural, Inc. Since then Cosmos Ray has fronted, sang, emceed and composed for bands such as Star People, Akasha, and Heavyweight Dub. He curates the monthly all-vinyl reggae night, Simmer Down Sound and was a resident DJ for Rocksteady Sundays at The Shrine.

Cleric

CLERIC

Founded in Philly in 2003, Cleric resides in the circle of bands like The Dillinger Escape Plan and Car Bomb – elite musicians playing avant-metal that wows on both a cerebral level and a gut level. Cleric’s brand of metal is marked by dark, cinematic atmospheres and free jazz-informed forays, bursting through a base of highly technical, mathy shred. As a review in Chicago Reader phrased it, the sound is “a kind of metal, the way [David Lynch’s] Lost Highway is a kind of movie. It’s an elastic tissue of creepy electronic noise and barely-human screaming, impregnated with patches of riff-salad grind and hypercube mathcore.”

On Retrocausal, Cleric has pushed its style to new heights. Meshuggah-esque hypnosis, doomful synths, spastic skronking, and blastbeats weave together into highly unpredictable, kitchen-sink epics, many surpassing the 9-minute mark. An ominous vibe, straight off a movie screen, underlies everything; lurking in the shadows are mysterious samples and field recordings evoking deep sea and outer space.

None other than John Zorn is a fan and collaborator who lent his talents to Retrocausal. Elder statesman of musical freedom, a man whose massive body of work incorporates jazz, classical, metal, klezmer, film scores, and more, Zorn guests on Retrocausal’s closer, “Grey Lodge.” Cleric’s relationship with Zorn began in 2013 when he invited the band to work with him on his ongoing Masada project, and continued with his tapping guitarist Matt Hollenberg to join his band Simulacrum (along with John Medeski of Medeski, Martin, and Wood).

In addition to Zorn, Retrocausal features guest appearances by Mick Barr (Krallice, Orthrelm, Ocrilim) and Timba Harris (Secret Chiefs 3).

BARRY FONTENOT

Echo Of Silence

ECHO OF SILENCE

Sex metal from Detroit, MI.

Doctor Death Crush

DOCTOR DEATH CRUSH

DOCTOR DEATH CRUSH are a 5-piece rock band currently based in LOGAN SQUARE, CHICAGO, IL. Delivering a highly unique and contemporary blend of glam, goth and grunge. Their ‘dark art rock’ sound is dense, heavy and intricate. Most often, fans of DOCTOR DEATH CRUSH rave about the unmistakably unique vocal style of mysterious lead singer ‘Violet the Psychic Dominatrix’, and the soaring, skull-melting guitar solos executed with ruthless precision by provocative lead guitarist Steven Lynn (aka ‘Dr. Sunshine’). Explosively cathartic live performances unfailingly include ritualized demonic exorcisms free of charge.

Stagecoach Inferno

STAGECOACH INFERNO

The pride of Louisville, KY, STAGECOACH INFERNO rages with their brand of self-dubbed “Wild West Heavy Metal.”  Their 2016 release, A Town Called Atonement, is a platter of riffs that will have you running for your life through the open prairie and desert.  Always an exceptional live show, come ready to be rocked and be shown how the wild west was won.

Owl

OWL

Formed by the Baechle brothers in 2007, Oakland, California’s OWL deliver their style of classic heavy metal summed up as “BlackZeppelinBudgieLizzyMotorVenom.”  A band of insane DIY ethic, they bring their relentless intensity to the stage for you to enjoy. 

Ignitor

IGNITOR

Formed in 2003, Austin, Texas’ IGNITOR are coming in hot after the release of their sixth full-length, Haunted By Rock & Roll, in November of 2017.  Bringing their hybrid of some of the best of American, British, German 80s influenced heavy metal, they give you anthem-oriented tunes to raise your fists to.

INVISIBLE INC.

Invisible Inc. is a musical project of lead emcee George Watsky and producer/ musicians Daniel Riera and Max Miller-Loran, all San Francisco transplants living in Boston. Using an innovative combination of live horns, laptop looping, emceeing, talkbox and more, Invisible Inc. brings hip hop and jazz together with a refreshingly original instrumentation

Dave Miller's Old Door Phantoms

DAVE MILLER’S OLD DOOR PHANTOMS

A truly unique musical product of both Brooklyn and Chicago, Dave Miller, who “plays with refined restraint of someone twice his age” (Time Out), has once again redefined his parameters with the improvisational psych-folk of “Old Door Phantoms”. Out 4/1/16 on ears&eyes Records with a national tour to support!

Hammr

HAMMR

Satanic metal destruction from Cleveland

Blackrat

BLACKRAT

Witching metal punk from Calgary, Canada

Occult Burial

OCCULT BURIAL

The Canadian power-trio Occult Burial, born in filth in 2012, plays vicious 1st wave black metal laced with witching speed metal. 2016 will see the release of “Hideous Obscure” – their first full length. An evil frenzy of possessed shrieks, morbid riffs and rhythms of rampage… recorded primitively on an 8-track! The ancient returns!

Joël Thomas – Bass/Voice
Dan MacLoud – Axe
Dan Lee – Drums

Dumal

DUMAL

The band’s name comes from the Charles Baudelaire book of poetry Les Fleurs Du Mal (“The Flowers of Evil”), so essentially “Dumal” translates to “Of Evil”.

Suffering Hour

SUFFERING HOUR

Suffering Hour are a blackened death metal band from Forest Lake, Minnesota. Forming under a different name as a tech-thrash band in 2010, the band carried their sense of manic chaos and old-school structure into the world of cosmic black death. Profound Lore Records.
DgS – Verbal Anguish & Wormhole Summoning
YhA – Diabolical Phosphene Sorcery
IsN – Astronomical War Detonations
Dødheimsgard

Dødheimsgard

“Dødheimsgard” is a conjunction of three words: “Død”, which means death, “Heim” which means home, and “Gard” which means mansion (at least in this context). A natural translation of Dødheimsgard into English would be “Mansion/house of Death” or “Realm of the Dead/Death.”

MELTING SUN

“Three piece rock and roll outfit from Chicago. Riff after sun-melting riff.”

TRANSTORNO

TRANSTORNO, banda de Blackened, Death, Thrash Metal en espa~ol. Iniciado en el 2008 dentro de la ciudad de Pomona en Los Angeles, CA.

LEPROSY INC

LEPROSY INC. O LEPROSY INCORPORADO, ES UNA BANDA FORMADA PARA PARTICIPAR EN UNA SERIE DE EVENTOS EN VIVO, HACIENDO TRIBUTO AL GRUPO LEPROSY Y A ZAIKO, LA BANDA ESTA FORMADA POR: JULIO (GUITARRA), FELIPE (BATERIA) Y MARIO (BAJO). QUIENES SON EX- MIEMBROS ORIGINALES DE LEPROSY, INVITAN AL CANTANTE DEL GRUPO TRANSTORNO PEDRO SANCHEZ, PARA ESTA SERIE DE CONCIERTOS, ORIGINALMENTE EL GRUPO IBA A SER LLAMADO ZAIKO, Y EL NOMBRE DEL TOUR ERA LEPROSY INCORPORADO, PERO POR MOTIVOS DE ULTIMO MOMENTO PARA ESTA GIRA SE HACEN LLAMAR LEPROSY INC. JULIO, FELIPE Y MARIO GRABARON LOS DISCOS DE LEPROSY LLORA CHIAPAS 1998 – REY DE LAS BESTIAS 1999 – DEVORANDO SUEÑOS 2001 Y LOS DISCOS EN CONCIERTO VOL. 1 Y 2 2001. PARTICIPARON CON UNA CANCION AL DISCO TRIBUTO V8 GRUPO ARGENTINO, CON LA CANCION (A TRAVEZ DE LOS TIEMPOS) COMO ZAIKO GRABARON EL DISCO MIEDO EN EL 2003,

Autumn

AUTUMN

Between the lost promises of summer and the bitter austerity of winter lives the time between; the shorter, pallid days, the dying leaves, the melancholic reflection of time as it passes… This pensive time between has been evoked and pondered in the words of poets ranging from Yeats to Keats, and once again it finds sublime expression in the lush, passionate, melodic, dark pop of autumn.

Autumn is Julie Plante (vocals), Jeff Leyda (bass), and Neil McKay (guitars). Forming in Minneapolis in 1994, autumn has always sought to create melodies that get the listener to feel something deeply, that have the ability to haunt you in some way after the fact. The band released two albums on Tess Records – “the hating tree” (1996) and “return to the breath” (1999), with accompanying tours in support of each album before taking an extended hiatus.

“the fall” is the band’s brand-new 3-song single, produced by William Faith and released on Sett Records. Leading off with the track “the fall” the band inhabit the onerous tension between ire and loss, with vocalist Julie Plante spitting “I saw the light, and it was not where I needed it to be” over the haunting guitar refrains of Neil McKay and Jeff Leyda’s serpentine bass work, driving the beat onward.

The single will soon follow up with a video for lead track “the fall” and a new full length album, titled “chandelier”, slated for release on February 14, 2018. Touring should follow, both in the USA and abroad.

Sombra

SOMBRA OSCURA

Sombra is the creative brainchild of Chicago musician Gabriel Antonio Rodríguez
Ruby Claret

RUBY CLARET

Chicago burlesque performer, crafty cat lady, and naked baker.

Fae Beguile

FAE BEGUILE

Fae Beguile is sugar and spice with a lot of bite. She loves combining her enchanting energy with her favorite music to deliver one hell of a dance. Inspired by fantasy and folklore, she reaches into her Irish roots to give audiences a taste of the fae with a punk rock edge.

Shimmy LaRoux

SHIMMY LAROUX

I came dead last in my debutante class, but will ALWAYS come first in your hearts. I’m a gal who can set a 22 piece table and enjoy a 3 martini lunch (dirty gin please….). Stop by and say hello, I’ll be sure to have something ready.
Lilly Rascal

LILLY RASCAL

This heart breaker is ready to kick your ass while you can kiss hers! She teaches and tours, bringing her energetic rock and roll burlesque to the stage and the studio. With over 10 years of dance and acting experience under her skirt, she drives to bring an interesting and different experience to the world of burlesque. “She ensnared her audience with her forceful dancing”- Cloud Orchid Magazine. Having featured at the Ohio burlesque festival and the Empire burlesque festival, she is the original rascal without a cause, it’s Lilly Rascal!

Black Bear Rodeo

BLACK BEAR RODEO

four boys from sucktown looking for health insurance. As losers of the Metallica hit the stage competition we will play music for food.

Delvon Lamarr Organ Trio

DELVON LAMARR ORGAN TRIO

After years of playing in bands that inevitably fell apart, as bands so often do, keyboard player Delvon Lamarr landed in a different kind of group: one founded by his wife and manager, Amy Novo. She created the Delvon Lamarr Organ Trio so her husband could fully focus on the things he does best: writing and playing music.

With a deep soul backbone augmented by jazz, rhythm & blues and rock ’n’ roll, the Seattle trio — Lamarr on B-3 organ, Jimmy James on guitar and David McGraw on drums — evokes a classic instrumental sound with a fresh, virtuosic sensibility all its own on debut LP Close But No Cigar. The band put out the album independently in 2016, and Colemine Records gives it a wide release in March.

All three musicians knew each other from the local soul scene. When Novo founded the Delvon Lamarr Organ Trio in 2015, Lamarr asked McGraw if he was interested in joining the band. After playing for a year with another guitarist in the group, Lamarr invited James to sit in as a substitute one night at the trio’s regular Tuesday gig, and he never left. That’s when the band truly found its sound. “We had chemistry right out of the gate, and that doesn’t always happen,” Lamarr says.

In fact, the keyboardist and guitarist say they’re constantly engaged in a game of name-that- tune, throwing in licks from obscure soul or rhythm & blues tunes and seeing where the other takes it, while McGraw sits back in the pocket and keeps things moving. “It puts you on the edge of your seat, like, I don’t know what’s going to happen here,” James says. “It’s like going out into the middle of the forest with nothing, and there’s bears and wolves all around, and seeing if you can make it out.”

Their chemistry stems from each musician’s unique abilities. James describes McGraw as having “that rare soul sound. He’s got this light touch, but it still tells you, ‘I’m here.’ You feel it.” Meanwhile, Lamarr holds down basslines on the organ that are so vivid that audience members sometimes ask where the bass player is. “His left hand is second to none,” James says. “He’s got that, but he’s also got this wild approach. He goes for it, and he’s fearless about it.”

Though James is more modest about his own abilities — “I mostly just go for what I feel,” he says — his bandmates complete the picture. “When Jimmy joined the band, everybody who was a regular at that club said, ‘That’s it: that’s the band right there,’” Lamarr says.

Lineup thus complete, the Delvon Lamarr Organ Trio spent those Tuesday night sets honing its sound, often creating songs onstage in the middle of gigs. “It gave us a lot of freedom to explore,” says McGraw, who also plays with James in the local soul band the True Loves. “So much of the songwriting, and our ability to improv together, came from those live shows.”

The Delvon Lamarr Organ Trio recorded Close But No Cigar soon after James joined the band. “Those originals came together pretty quickly, and we were still kind of learning them when we went in to record the record,” McGraw says. While Novo handles the business end of the group (and others that Lamarr plays in), the musicians have logged countless hours onstage together, resulting in a trio that’s tighter than ever. In addition to the tunes on Close But No Cigar, they have a stockpile of new material they’re looking forward to taking on the road and, by the end of the year, recording for a second album.

“It means a lot to me that people dig what we do,” Lamarr says. “I just want people to feel it, basically. So far, it seems to be going pretty well.”

Jam City Collective

JAM CITY COLLECTIVE

The Jam City Collective is a Chicago-based funk/soul band with a strong influence from the legends of groove past and present

Krystal Peterson & the Queen City Band

KRYSTAL PETERSON & THE QUEEN CITY BAND

“Meet Krystal Peterson & The Queen City Band. While Peterson’s multi-octave vocal range is enough to get your blood pumping, she’s also backed by an entourage of talent from brass to beats. The Queen City Band could easily back Sharon Jones’ sultry chops or Black Joe Lewis’ garage funk licks, but Krystal Peterson has enough wind in her pipes to level every skyscraper in Cincinnati, so they’ve got their work cut out for them.” ​ -David Hampton | Contributing Editor, Sly Vinyl

Krystal Peterson has been performing for many years seizing opportunities in music, television, and cinema. Most recently, Krystal has been connecting with audiences worldwide touring as lead singer of Grammy award-winning bassist Victor Wooten’s band, in addition she has launched her own collective, the Queen City Band. They are performing locally and abroad. Their newest record, Spell, recently making it’s debut, is characteristically soulful music with fiery female vocals, strong hooks, anthemic phrases, and contagious beats. Krystal sings deeply and straight from the heart. She has a passion for people, for her community, & for the integration of music into a multiplicity of avenues to better well-being and health for all.

Youngblood Supercult

YOUNGBLOOD SUPERCULT

Youngblood Supercult is an American stoner rock band from Topeka, Kansas. The band’s line-up consists of Bailey Smith (guitar), David Merrill (vocals), Weston Alford (drums), and Brad Morris (bass). The group has been categorized as hard rock, stoner rock, and heavy blues. Their sophomore album, High Plains (2016) garnered substantial reviews and ranked at number two on the label and critic-backed Doom Charts for March 2016. They have been consistently touring various U.S. cities since their latest release, and have signed to DHU Records for a limited vinyl release of High Plains. Currently, they are mixing tracks for their third studio album, “The Great American Death Rattle,” to be co-released by The Company & DHU Records.

cory henry

CORY HENRY: THE REVIVAL PROJECT

Cory Henry is a multi-instrumentalist and producer with a catalog worthy of a man twice his age. His primary instrument is the organ, and he began playing at the age of two. At the age of six he competed at the Apollo Theater and made it to the finalist round. In 2010, he co-produced Jay White’s “Larger than Life”. Later that year he released his first album “Christmas With You”, which featured his lively renditions of Christmas classics and prominently showcased his skill as an improviser. Kim Burrell’s Grammy nominated and Stellar Award winning “Love” album released in 2011 boasted several tracks that were written and produced by Henry. Later on that year, he released a single entitled “Leave Me Alone” featuring his vocal artistry.

At the tender age of nineteen he had the opportunity to begin traveling with the Jazz legend Kenny Garrett as his organist in a stint that lasted three years. He has done television work playing on the third season of Sunday’s Best for BET and on the Jimmy Fallon Show. He has worked with Aretha Franklin, Yolanda Adams, Sara Bareilles, Stanley Brown, Ray Chew And The Crew, P. Diddy, Kirk Franklin, Rob Glasper, Ron Grant, Lalah Hathway, Derrick Hodge, Israel Houghton, Joe, Shaun Kingston, Donald Lawrence, Mary Mary, Donnie McClurkin, Michael McDonald, Boyz 2 Men, NAS, Snarky Puppy, Tommy Sims, Bruce Springsteen, The Roots, Hezekiah Walker, Bishop Jeffrey White, the late Timothy Wright, and many others. Henry’s awe-inspiring impromptu YouTube performances have gained him a loyal and sizable following. His latest release, “First Steps” was released in the July 2014 and was celebrated on iTunes as “New and Noteworthy” and debuted #1 on the iTunes charts. He is currently touring with Snarky Puppy, his own band “The Funk Apostles” and lending his talent to the production of several projects for other artists.

RaelynNelsonBand2018

RAELYN NELSON BAND

As an emerging female country artist in Nashville, history suggests that the quickest path to success is somehow aligning oneself with one of the major publishers, producers, songwriters, labels, or managers that are the heart of Music Row. So what do you do if you are an emerging female country artist in Nashville, and also happen to be the granddaughter of musical icon, Willie Nelson?

You hook up with an independent producer and veteran of the rock/punk scene, write some songs that are part Loretta Lynn, part Cheap Trick, and form the Raelyn Nelson Band.

Raelyn Nelson has been singing since she can remember. Having been raised on a steady diet of traditional country and gospel music, a gift from her grandpa in the form of a guitar during her teenage years was the inspiration she needed to begin writing her own country and folk songs.

Looking for a place to record these songs, a mutual friend suggested
JB (Jonathan Bright), a veteran of the underground rock scene and independent producer. After recording some of these early songs, they decided to try to write some things together and see what happened.
The result? A completely fresh and original sound, a true hybrid referred to by some critics as “Country/Garage Rock.”

When they aren’t recording their songs or making music videos, they are on the road taking their high energy live show to the people. Having shared the stage with such diverse musical acts as country superstar Tim McGraw, indie rock icons Drivin’ n Cryin’, and jam band supergroup Hard Working Americans, the RNB is proving that you don’t have to fit neatly into any particular “genre” to find success.

“I don’t really have any desire to be a  ‘solo-artist’. Everyone in my family who plays music has always placed a lot of importance on band chemistry, on stage, off stage and in the studio. Our band can almost read each other’s minds. Why would I mess with that? We try to keep it simple: Write songs we like, record them, make a video, then go out and play them for people.”- Raelyn Nelson

Hexadiode

HEXADIODE

Melodically infectious and rich in hooks, while still staying true to the artistic and experimental edges that keep the genre of dark electronica moving forward.

BELL WITCH

With their third full-length album, “Mirror Reaper,” Seattle’s doom metal duo BELL WITCH have created a truly enormous work – one continuous 83-minute piece unfolding as a single track.

Engineered and mixed by veteran producer Billy Anderson (Swans, Sleep, Neurosis), the duo of Dylan Desmond (bass, vocals) and Jesse Shreibman (drums, vocals, organ) have pushed the band’s sound further than it’s ever gone before. While retaining the monolithic heaviness of their previous releases, “Mirror Reaper” sees the band explore the more meditative, melancholy, and introspective aspects to their sound through the introduction of long, lonely organ passages and the return of honorary BELL WITCH member, vocalist Erik Moggridge (Aerial Ruin), offering a prominent presence.

Formed by Desmond and ex-drummer/vocalist Adrian Guerra, BELL WITCH released their first self-titled demo in 2011 and partnered with Profound Lore Records for their debut album, “Longing,” in 2012. The duo’s second LP, the acclaimed “Four Phantoms” (2015) was recognized as one of doom metal’s triumphs of the year. The band extensively toured in North America and Europe, securing notable festival appearances (Roadburn, Basilica Soundscape, Sled Island, Psycho CA).

On the themes surrounding the concept and lyrics of “Mirror Reaper” the band state:

“The title ‘Mirror Reaper’ is indicative of the Hermetic axiom ‘As Above, So Below,’ written with two sides to form one whole. The song is both its own and its reflection, as an opposite is whole only with its contrary. Our focus as a band has always been the perception of ghosts and the implied archetype of the dichotomy of life/death therein. ‘Mirror Reaper’ is a continuation of that concept.

During the writing process we were devastated by the loss of our dear friend and former drummer, Adrian Guerra. In love and respect to his memory, we reserved an important yet brief section in the song for him that features unused vocal tracks from our last album. This specific movement serves as a conceptual turn in the piece, or point of reflection. We believe he would be proud of it as well.

‘Mirror Reaper’ was the first collaborative writing project with the new line up, and Adrian’s death during it brought extra emotional weight. We sought to match the complexity and weight of these events within the composition of the piece.”

Deacon Blues

DEACON BLUES

Deacon Blues was born in the twelfth year of the 21st century. Eleven stellar musicians, composers and educators based in Chicago, they share a unique passion for the Becker/Fagen repository, better known to the world as Steely Dan.
The genesis of Deacon Blues began when Steven Kikoen, Jon Hey, and Cash Michaels formed an original jazz/rock collective known as Bebop Daddys. The Daddys also featured the renowned rhythm section of Tom Mendel (bass–Hamilton) and Tom Hipskind (drums–Hamilton). Considered a Daddys fan, Donald Fagen can be seen in many a YouTube video sporting his Bebop Daddys “Tee.”
Steve, Jon and Cash formed a bond within the Daddys which has followed them into Deacon Blues. Under Steve’s leadership, and with the addition of newest “Deacon” Thomas Linsk, the group reads as a “who’s who” of world-class musicians. Chicago luminaries and Grammy® winners such as Howard Levy (Kenny Loggins, Paul Simon, Béla Fleck), Paul Wertico (Pat Metheny, Wertico, Cain, & Gray); Wally Hustin (Phoebe Snow, Dave Mason, Mark Stern, David Benoit), Chuck Webb (Aretha Franklin, Ramsey Lewis, & Al Di Meola); Sugar Blue (The Rolling Stones); Billy Branch (The Sons of Blues); Khari Parker (George Benson, Destiny’s Child); Richard Patterson (Miles Davis, Boz Skaggs), and Bob Lizik (The Beach Boys; Brian Wilson) have been featured as special guests with the band. Recently, original Dan session musician and legendary drummer Bernard “Pretty” Purdie appeared with Deacon Blues at one of their sold-out Arcada Theatre shows. The band also plans on featuring famed bassist and producer Steve Rodby (Pat Metheny, The Impossible Gentlemen) and prolific drum legend Peter Erskine (Weather Report, Jaco Pastorius) at future shows as well.
This stunning collective is essentially the personification of what The Dan did on record. Steely Dan is well known for attracting only the top studio musicians in the world for their albums. The Deacons are doing what The Dan did on record – but they’re doing it live on stage. Speaking of “The Deacons” – that is actually the moniker of Deacon Blues’ alter ego – their original band. With support from legendary Chicago FM radio station personalities such as Bob Stroud (WDRV–The Drive), Richard Milne & Terri Hemmert (WXRT–Chicago’s Finest Rock) and Scott Mackay (WERV–The River) as well as WGN Television, The Deacons will be debuting their first album of original music, in a similar musical landscape as ‘The Dan,’ in 2017.
Deacon Blues has structured their live repertoire to encompass a wider range of the Dan’s prolific material – including rarities as well as repertoire from the Dan’s 1991 reunion prototype — The New York Rock & Soul Revue. Deacon Blues has consistently played to sold-out audiences, and has appeared on regional and national television. As the song goes . . .“Close your eyes, and you’ll be there.”
In the words of legendary Chicago FM Radio personality Bob Stroud, “If you are a Dan fan, you owe it to yourself to see Deacon Blues — they’ve got all the right musicians with all the right chops — they are an incredible tribute to the music of Steely Dan!”
In the words of ‘another’ defining band . . . “A splendid time is guaranteed for all!”