SHOTS FIRED! SHOTS FIRED!
CHICAGO HARDCORE FOR THE APOCALYPSE
CHICAGO HARDCORE FOR THE APOCALYPSE
Lattermath is a progressive metal band from Boston, MA
Drewsif Stalin’s Musical Endeavors (or DSME for short) is a metal collective from Baltimore, Maryland. Focused on heavy grooves and emotive melodies, DSME sets out to convey a strong message while smirking the entire way through.
I am Sarah đ I play guitar. I create during the cold, dark Wisconsin winters in hopes that someday this will be what I can do all day everyday! đ All of the music I make is written/recorded/mixed/etc. by yours truly! I hope you enjoy!
After cutting his teeth in Punk Rock bands since the mid 90’s and touring the U.S. endlessly for many years, Daniel Lewis has finally found his true voice as a songwriter with the new release, “Rarities” (January 2018, self-released). More of a compilation and primer for Lewis’ eclectic sound than a true studio album, “Rarities” is a mixed bag of Electric Southern-tinged Rock N Roll, Acoustic Americana, and Alt Country. Daniel Lewis has shared the stage with artists such as Unknown Hinson, Bob Wayne (Hank 3 Band), Dollar Store (Bloodshot Records), Lorin Walker Madsen, Gary Moore 2, Sean K Preston & The Loaded Pistols, Jason & The Punknecks, and many more. Daniel Lewis has performed at House Of Blues, Grant Park, CBGB’s (NYC), Dragonfly (L.A.), and many other legendary venues across the U.S.A. His live show focuses on the Alt Country/Storytelling side of his music, and often times will play with Upright Bassist Michelle Weinberg (of Strictly Jug Nuts Bluegrass Band), and/or have some great “pickers” sit in on the set.
Chris Ojeda: Vocals, Rhythm Guitar
Brian Henderson: Lead Guitar, Vocals
Sean Sydnor: Bass Guitar, Acoustic Guitar
Matt Bowles: Drums
To state that The Cicada Tree is âclassic Byzantineâ in no way implies that this is an album solely rooted in the bandâs past. Certainly, all of the hallmarks that have made their sound so compelling for close to two decades are present and correct: muscular yet lithe riffs and fluid leads play against gripping, dynamic and at times unpredictable rhythms, while rich melodies and lyrics that are both involved and intelligent wind their way through every track. But, once more, the groove metal unit has continued their steady evolution â the interplay between their members organic and natural, imbuing the recordâs sixty-two-minute running time with a freshness and urgency. âAfter seventeen years of writing music for Byzantine, I know to let it just come as it may,â states vocalist/guitarist Chris Ojeda. âI never really know what the songs are going to sound like or even the direction they might take. My main focus is to always experiment and push the parameters that have been pushed by past Byzantine albums, without straying too far from the original goal.â
San Diego psychedelic hard rock with Riley Hawk and Holland Redd on guitar/vocals, Luke De-Vigny and Nick McDonnell on drums.
Glitter, Rocking, Drinking. Eyeliner, Lipstick. Nail Polish, pretty things, late nights,
Danny, Jake, Jeff- Instruments: we can be legal dads
One of the most hottest, sensationalist, bestest rock and or roll artists ever to grace any stage ever in the world. Romeo Dance Cheetah was conceived during a scientific experiment gone wrong. The semen of David Lee Roth, David Bowie, David Copperfield and Dave from internationally acclaimed “Famous Dave’s” barbeque sauce and restaurant…all got mixed together and artificially inseminated into a real live cheetah. The momma cheetah, Marmoonoo, gave birth and raised Romeo as one of her own cubs “Jungle Book” style until he decided to pursue the life he was born to live…a guy that sings and dances on the stage or in front of a camera or for the internet. Ladies and gentlemen…Romeo Dance Cheetah.
Organic heart. Electronic music.
St. Marlboro is a Chicago rock ‘n’ roll band influenced by twangy classic country, ethereal indie rock, and the grit of Chicago punk. The four-piece band creates a unique urban-gothic sound, reminiscent of early 2000âs folk-rock powerhouses. This backdrop serves as the vehicle for singer-songwriter Kyle Paulinâs straightforward storytelling, complimented by melancholy Americana undertones. They have performed throughout Chicago and the Midwest, supporting acts such as Left Lane Cruiser, Lucky Tubb, The Goddamn Gallows, Railway Gamblers, and J.R.C.G., and have made their presence known in the Chicago club circuit at venues like Schubas, Empty Bottle, Subterranean, and Reggieâs Rock Club. Their live show is a high-energy, yet intimate experience, featuring a spectrum of sounds ranging from delicate to scathing.
A bunch of nerds playing with things.
Blues all Funked up, tha’ts the recipe. Influenced by The Meters, Mofro, and Col. Bruce Hampton. Mix in a heavy dose of Rory Gallagher, Allman Bros, and simmer in a Gumbo of Muddy, Wolf, and the Three Kings till sweaty and groovin’.
Risin’ up, back on the street, did my time, took my chances. Went the distance now I’m back on my feet just a man and his will to survive.
So many times, it happens too fast you trade your passion for glory.
Don’t lose your grip on the dreams of the past you must fight just to keep them alive.
It’s the eye of the tiger, it’s the thrill of the fight risin’ up to the challenge of our rival and the last known survivor stalks his prey in the night and he’s watching us all with the eye of the tiger.
Face to face, out in the heat hangin’ tough, stayin’ hungry. They stack the odds still we take to the street for the kill with the skill to survive.
It’s the eye of the tiger, it’s the thrill of the fight risin’ up to the challenge of our rival and the last known survivor stalks his prey in the night and he’s watching us all with the eye of the tiger.
Risin’ up straight to the top had the guts, got the glory. Went the distance now I’m not gonna stop. Just a man and his will to survive.
âCombining the best of multiple genres into a cohesive, catchy and memorable sound is not a simple thing to do. Yet, this Cincinnati-based, multi-talented quintet does just that. Fuse “old school” Rock-n-Roll with Jam & Roots and masterfully layer it over a solid Reggae base and you have the distinct sound of Elementree Livity Project. Whether in a room at the back of a coffee house or an auditorium for thousands, ELP brings people together. When the band clicks on all cylinders, it’s noticeable.â – Michael Clare, mikecimages.
VIRVUM was founded by Gruhn and Berger in 2007.
First Fragment was founded in 2007 by Phil Tougas (Chthe’ilist, Atramentus, Funebrarum) & brothers Gabriel Brault-Pilon and David AB. From day one, the trio sought to create a brand of extreme technical death metal that combined counterpoint-based riffing, neoclassical lead guitar work, power metal-inspired passages as well as flamenco & swing sections in a desire to branch out and establish their own unique voice in the Quebec scene.
Their critically-acclaimed 2016 debut album “Dasein” released through Unique Leader built upon the foundation established with the band’s notorious EP “The Afterthought Ecstasy”, self-released in 2010. Dasein was the culmination of almost 10 years of hard work and dedication to their craft. First Fragment have since honed their craft and perfected their sound through expanding upon their extensive musical influences, further blurring the line between flamenco-inspired technical death metal and neoclassical power metal.
The result is “Gloire Ăternelle” – an ambitious conceptual album that is unmistakably First Fragment, yet at the same time, impossible to categorize and pigeonhole. Boasting baroque-influenced guitar counterpoint, flamenco sections, unique slap-bass-driven swing grooves (which the band trademarked by name as “swingdowns”), dual vocals, face-ripping lead guitar work and bombastic drumming, the end result can be described as an ultimate shred-fest filled to the brim with passion, conviction and memorability.
The debut, double EP, recorded with friends in our basement, features plenty of inventive segues, special guests, and tones ranging from cheery folk sing along, to frightening dissonant chaos. These two parts separately showcase our two loves; songs and improvisation.
Part one weaves in and out of richly textured, alt-pop, noise, folk, rock, and country songs. These quasi-satirical takes on popular music form and content are just slightly tweaked with oddball arrangements, subtle psychedelia, and a voice that can be both sarcastic, and sincere. Witty words shine through sing-able melodies, all wrapped up in warm, playful vocal harmonies. The tight live band feel gives these songs urgency and a life of their own.
Part two takes you through an improvisation that blurs the line between performance and studio manipulation. The conversational interplay moves from blissed-out, beautiful melodic segments, to otherworldly realms, to frenetic funk fusion, to uplifting rock and roll. This sprawling twenty-minute jam takes you on a trek, much like the song side, but without any words or breaks to act as a guide. With the lights off and a good pair of headphones, you might find your mind wandering to places itâs never been.
i started the band in kc now i live in Chicago been touring alot and recording a little for a few years. i like pop music and avoiding responsibilty
Gazebo Effect is a Rock group out of Chicago. Ray Bach, James Bloomfield, Eric Dost, Jamie Major and Ian Robertson.
Dizzy melodies, funky rhythms, fever dreams. “Chill Night” LP is out now on Grandpa Bay
Individually, the members of theSHIFT are highly sought-after musicians whoâve recorded and toured the world with music royalty. Together, John Shannon (vocals/guitar), MJ Lambert (drums) and Ben Geis (bass) craft earth-shattering, anthemic rock with vibrant depth and a forceful punch. The powerhouse trioâs defiant sound is perfectly captured on its debut 7th Direction, to be released on April 14.theSHIFTâs multi-layered riffs and heavy driven groove are in full effect with âKobraâ, the first single off of 7th Direction. The song received its world premiere with Loudwire.7th Direction was recorded at Brooklynâs Mission Sound and Manhattanâs JRock Studios and co-produced by Jamie Siegal (Taking Back Sunday, Mary J. Blidge, Santana). Referencing the Native American concept of directions, the track title further reflects a deeper meaning behind theSHIFTâs approach to music. âtheSHIFT is about altering your consciousness through the sheer power of rock nâ roll,â declares Shannon. âOur lyrics donât question the government, they question the nature of your reality.â
Having each attended the famed Berklee College of Music, theSHIFT comes from a wide-ranging music spectrum. Shannon has recorded and toured with top-national acts like John Mayer, Lauren Hill and Ben Harper, and also composed music for comedian Louis CKâs live specials and hit FX series, Louie. Lambert and Geisâ musical roots lie deep in the world of hip hop, having backed legends Big Daddy Kane and Slick Rick.
After a year and a half of non-stop touring and gathering die hard fans across the United States, theSHIFTâs song âDreamsâ was mysteriously added to a mainstream rock radio station in Lima, Peru where the song went to #1 and soon became #5 of the year 2015 amongst Coldplay and Florence and the Machine. theSHIFT were the only independent band on the top 150 list. Shortly after this they were then noticed on YouTube by the legendary songwriter/producer and co-creator of the Woodstock Festival, Artie Kornfeld, who has taken them into the studio to begin work on their next album.
theSHIFT is constantly on the road, bringing its vivacious rock nâ roll spirit to life onstage.
True American Doom Metal, the APOSTLE OF SOLITUDE story begins in Indianapolis, in 2004, when guitarist-vocalist Chuck Brown (ex-The Gates of Slumber) paired up with drummer Corey Webb to explore the beautiful cold depths of sorrow and ruin. After numerous demos, split releases, two full length LPs: 2008’s ‘Sincerest Misery’ (via Eyes Like Snow) and 2010’s ‘Last Sunrise’ (via Profound Lore), lineup changes, several extended US tours, as well as numerous US Doom Festivals, APOSTLE OF SOLITUDE recorded their epic third album ‘Of Woe and Wounds’ for Italy’s Cruz Del Sur Music in 2014.
Following the release of âOf Woe and Woundsâ, a string of official videos, including videos for âThis Maniaâ, âLamentations of a Broken Manâ, âPush Mortal Coilâ, and âLuna” were released in support of the album. The band embarked on a 10 date Northeast US Tour in May 2015, followed by a jaw dropping performance at the inaugural Maryland Doom Fest that June, followed by an additional 10 date Southwest US Tour in September.
Currently APOSTLE OF SOLITUDE are working on material for their fourth full length and are confirmed for the Hammer of Doom festival (Germany) and Doom Over Vienna (Austria) in November 2016, with further European dates to be announced.
Beelzefuzz is a heavy rock band from North East MD formed in 2009. Releasing a 4 song demo in 2010 they established a loyal fan base in the DE, MD, PA area that eventually led to signing with Germany’s very prestigious Church Within records in 2012. Beelzefuzz incorporates a very unique style of heavy music similar to the classic sounds of early 70’s bands such as Uriah Heep, Deep Purple and Black sabbath as well as contemporary acts Pentagram, Graveyard and Earthride. Still Beelzefuzz remain decidely independent with their own personal brand of melodic heavy rock and the David Byron, John Lawton crossed with Mark Farner vocal stylings of singer and guitarist Dana Ortt shine through beautifully in songs such as “Lotus Jam”, “All the Feeling Returns”, “Reborn” and the haunting “Hypnotize”. Joined by drummer Darin McCloskey (Pale Divine) in 2011, Beelzefuzz entered the studio again to record a new four song demo. Sparking quite a bit of label interest they secured the deal with The Church Within records and released their first self titled album via the label in 2013. The current and active lineup of Beelzefuzz is Dana Ortt (vocals/guitar), Darin McCloskey (drums), Greg Diener (lead guitar/vocals), Bert Hall (bass). A new album entitled “II The Righteous Bloom” is set to be released from The Church Within records for spring of 2016.
Sheavy formed in St. John’s, Newfoundland and Labrador, Canada in 1993, and originally performed under the name Green Machine. In 1994, the band discovered there was another band in the United States with the same name, so a decision was made to rename the band Sheavy. The band’s repertoire originally consisted of a sampling of Kyuss covers and an assortment of originals that would eventually make their way onto the Reproduction E.P., Slaves To Fashion, and ultimately Blue Sky Mind. A three-song 7″ vinyl record was recorded in early 1995 at Jolly Roger Studios in St. John’s. The band regularly performed in and around St. John’s for the first few years at small clubs and venues such as The Loft, Sam Shades; Junctions and the LSPU Hall.
The band recorded and mixed their debut album Blue Sky Mind over a single weekend during the summer of 1995. Later that summer, the band’s bass player Paul Gruchy amicably left the band to focus on completing his university studies. There were about 1000 copies of the album released early in 1996, at which time Keith Foley also stepped in to complete the Sheavy line-up as the band’s bassist. Although the audio quality of Blue Sky Mind was low, the original master tapes later revealed a much-higher audio quality existed. On the strength and popularity of the recording, however, Rise Above Records in the U.K. signed the band to a three-album deal. The band now had more resources available and were better prepared for work on the second studio album.
The Electric Sleep was recorded in St. John’s in the summer of 1997. Recording Engineer Don Ellis helped the band capture the simple, powerful sound they’d been searching for. The result was an album one British reviewer deemed “the best Black Sabbath album in 25 years.” Black Sabbath comparisons were nothing new for the band, but for every review filled with praise another came along that maintained they were little more than clones. The album’s doomy title track could even be found on the web described as a lost Sabbath track. After a short tour of the U.K. and an invitation to play the Dynamo Open Air Festival in The Netherlands, the band headed back to the studio.
Recorded in the summer of 1999, in the workshop of Ren Squires’ parents home, Celestial Hi-Fi, showcased the diversity of the Sheavy sound. The delicate nuances of “Persona” gave way to the doom of “Tales From The Afterburner,” while tracks like “What’s Up Mr. Zero” and “Strange Gods Strange Altars” illustrated the bands ability to throw hooks into the mix. Reviews of the album were generally positive.
In October 2001, the band converged on Keith’s new home in Edmonton, Alberta to write and rehearse for what would become the Synchronized sessions. Recorded in November 2001, with former Black Sabbath Producer/Engineer Mike Butcher at the helm, Synchronized once again saw the band diversify its sound with the addition of synthesizer, piano and drum loops. Despite, and perhaps because of the addition of Butcher, the album has been described as the bands least Sabbath-like release and nothing less than a sincere tribute to ’70s rock. Written largely in the studio due to time constraints, the albums rock-solid production showcased a raw power unseen on the Sheavy’s previous releases.
In September 2004, the band reunited in St. John’s to begin writing songs for a new album. Due to a number of outside obligations, consummate band leader and drummer Ren Squires stepped quietly out of the spotlight. Kevin Dominic, a long-time friend of the band, was brought in to keep the rock n’ roll machine running. By November the band emerged with 11 new tracks. Over the next month, with the help of friend and Producer Rick Hollett, the band tracked Republic? above a Duckworth Street club called The Republic. Billy Anderson mixed Republic? in San Francisco, California, and the album was released on Rise Above Records in 2005.
In 2006, the band travelled to Europe for a two-week tour, which included a number of countries and festivals.
On March 3, 2007, Sheavy filmed a special live performance at the Holy Heart of Mary High School auditorium in their hometown of St. John’s. This performance was released on DVD with the band’s album “The Machine That Won the War” in 2007. This album saw Sheavy take a much simpler approach than with the few previous albums. They made the choice not to record digitally, and also to maintain their own creative control, with singer Steve Hennessey acting as producer. As well, the booklet with the CD notably features panels of artwork by numerous Newfoundland artists connected to the band, including two panels by Sheavy’s original bassist. Each panel is directly inspired by, and corresponding to, each of the tracks on the album.
Following that release, both Tommy Boland and Kevin Dominic amicably parted ways with the band. Evan Chaulker, who had previously toured with Sheavy, was brought in on guitar, and Jason Williams joined the band on drums.
In April 2009, original guitarist Dan Moore resigned from the band and announced his decision to the band’s Facebook fan group – both via email. The band enlisted guitarist Chris White on guitar and premiered the new guitarist and new material at local St. John’s venue distortion in October 2009. Recording began on a forthcoming album, Disfigurine, roughly around the same period. Prior to its completion, though, the band took up the RPM challenge, which invites musicians to record a whole album of music, 10 songs or 35 minutes. The end result was released late May 2010, entitled ‘The Golden Age of Daredevils.’ ‘Disfigurine’ was released in late August 2010.
Though they continue to write, Sheavy have been otherwise inactive throughout 2011 and 2012, as Steve struggles with vocal problems and members depart. Both bassist Keith Foley and guitarist Chris White parted ways with the band in the spring of 2012.
Eljay Marquise began working steadily in the Columbus, Ohio hip-hop scene at the early age of only thirteen releasing multiple projects over the years that have built a small buzz around his name. Most recently he’s seen a bit of success after the release of the Party Pak and Tabs mixtape Spring 2016 and plans to take it to the next level with the upcoming release of 90Doses April 2017. Getting his start in the rough but diverse east side of Columbus, Eljay embodies everything it means to be young, hungry and from the mid-west. With catchy hooks and introspective lyrics Eljay is a star in the making.
Creeping up from the North, Bostonâs WORSHIPPER is a dark new voice in heavy music. Drawing comparisons to such luminaries as Dio-era Black Sabbath, UFO, and classic-era Scorpions, WORSHIPPER create something new and epic from the echoes of the past. Through their unique mix of contemporary and classic influences, WORSHIPPER prove that the soul of melodic heavy music still burns brightly.
RGMT (Real Greatness Molded Together), is a rap trio from Chicago consisting of Prince DKG, BigDon J.R. and Aceito.
Some of there biggest musical inspirations come from Jay-Z, Rick Ross, Young Jeezy, Lilâ Wayne, Yo Gotti, Drake and DMX.
Their music is diverse from lyrical Hiphop with meaning, chill riding music and radio smash like anthems that’ll have you turning up at all the parties. RGMT is determined to be the next hottest group out of the Midwest to take the scene.
Check out their latest project Rappers Section Only (RSO) hosted by DJ Moondawg from Chicago’s very own WGCI radio.
Helheim, the pioneers of Norwegian Viking Metal, have been running since 1992. Since then nine albums and three MCDs have been produced in the name of the Norse realm of the condemned dead. With over 20 years of live experience they have become one of the true top performances in the scene
CORKY LAING (CAN) is a drummer, songwriter, singer and a raconteur. He is best known as the drummer of the legendary bands Mountain (1969-) and West, Bruce & Laing (1973-75). Mountain toured and recorded on and off until 2010. In the late 70s Corky released his solo album âMaking it on the Streetsâ that is often cited as an overlooked pioneer of AOR. In the early eighties Corky recorded with an indie band called the Mix and at the end of 1990s he got together with Noel Redding (Jimi Hendrixâs Experience) and Eric Schenkman (Spin Doctors) to form the band Cork. In the 90s Corky worked for several years as the vice president, A&R, of Polygram Records, Canada. During that time he produced bands like Men Without Hats and Bootsauce. He also had his own radio show, Under the Rock, in Canada, has published an anecdotal road-stories book, Stick it! and has his one-man show, The Best Seat in the House, a humorous autobiographical production that combines storytelling and music. During the past couple of years Corky has been busy with Playing God: The Rock Opera â a critically acclaimed collaboration with two Finnish philosophers. In 2014 he was awarded the Bonzo Bash Legend Award (following Bill Ward, Carmine Appice and Peter Criss). Corky performs frequently and from 2015 onwards he has been touring across Europe and the US with CORKY LAING plays MOUNTAIN.
What started as a casual reunion jam in a Los Angeles rehearsal room in 2011 has grown into a fully-fledged project that has taken on a life of its own. Last In Line, the band, takes its name from the second Dio album released in 1984. Vinny Appice, Jimmy Bain and Vivian Campbell were Ronnie Dioâs co-conspirators and co-writers on the “Holy Diver”, “Last In Line” and “Sacred Heart” albums â these records have gone on to become part of rock history.
During that first jam it was apparent that the chemistry of the original band was very much intact â even after a 27 year hiatus. The excitement generated by that rediscovery led to a second session, where this time they called in acclaimed vocalist Andrew Freeman. Hearing Andrewâs interpretations of the original Dio songs was a revelation and the inspiration to move forward as a band.
Over the ensuing years a handful of local LA shows led to a handful of overseas shows in the U.K. and Japan, and eventually to an offer from Frontiers to record a new album of original material.
During the course of 2014 the band wrote and recorded 12 new songs and chose longtime friend Jeff Pilson as producer. Jeff very much captured the organic crunch of the band and the very best in Andrewâs voice and delivery.
Last In Lineâs debut album, âHeavy Crownâ was released in February 2016, with the singles âDevil In Meâ and âStarmakerâ leading the charge. But the release was preceded by tragedy, when Jimmy Bain passed away at the age of 68 on January 23rd, another great musician taken from us far too soon.
Jimmy was immensely proud of the new album and his input to “Heavy Crown” was immeasurable. “We will continue to celebrate his life through his music.. Rest in peace, dear friend.â..Viv
Earlier this year Last In Line played a handful of shows, including headlining both the frontiers Rock Festival in Milan and the Metal Stage at the Rocklahoma Festival, bringing in renowned bassist Phil Soussan and keyboardist Erik Norlander. The gigs featured tracks from “Heavy Crown” alongside songs from those classic Dio albums.
With “Heavy Crown” finally being released on gatefold vinyl on August 26th, Last In Line will take that line up out on a full European tour in November 2016 appearing as special guests to Saxon on selected European dates and headlining a raft of venues across the UK.
Kathryn Patricia Hill-Granberry, (Ms. Trysh) was born in BolĂvar, Tennessee and spent most of her adult life in Chicago, Illinois. She is tenth of twelve children. Her family was blessed with âallâ singers and musicians.  Ms. Tryshâs ability to sing was well known throughout the community and the local churches.
After college and working in Corporate America for several years, Trysh decided it was time to pursue her dream. In 2010, she started a catering and entertainment business, âFrom the Kitchen to the Stageâ which stems from her passion for cooking, singing and entertaining.
In addition to getting her new venture off the ground, Trysh is using every opportunity to open the many doors before her. To her credit, Trysh has: auditioned for the X-Factor TV show and advanced to the final audition; auditioned for the Grammy Winning TV show, “The Voice” which she advanced to the blind audition; second finalist to open for Jill Scott concert in Indianapolis, IN; was one of five finalist for the V-103 opening act for the Taste of Chicago; has performed with: Howard Hewett at the Legacy Theater, B.L.U.E.S. Chicago, South Shore Country Club, Leeâs Unleaded Blues, and with Countess Williams at Buddy Guy’s Legends.
Nocturnal Doom was a band formed by lead vocalist/song writer Count William Jannusch in 1987, at the age of fifteen. The line-up changed several times before lead guitarist Dereck Anderson joined and the band recorded the “Shades Of Despair” album in 1991 with Dan Lamb-drums, and Gary Oakley-bass. After gigging all over Chicago and Indiana, playing all age metal clubs and roller rinks, the band developed a strong following. Soon problems with the line-up began again, and Dereck and Bill decided to hire a new drummer and bassist.
Soon after, the band recruited drummer Gary Pedersoli and bassist Roger Massey in the Summer of 1992, and the band changed their name to Witchcross. By the end of the year, they had a whole albums’ worth of original material and were also playing a catalogue of Ozzy era Black Sabbath classics live too.
In 1993, Witchcross recorded their debut self titled album in a local college recording studio and heavily released it on professionally printed cassettes and later cds. Then heavy live concert gigging began again.
Over the years the band continued to do shows all over the Chicago,IL. and Indiana area. Band members also split into other band projects over the years, while still regrouping to perform with Witchcross. Count William Jannusch did Ravensthorn(who went on to release three albums..”House Of The Damned”(2002-now currently re-released as a remastered edition cd-2015), “Hauntings And Possessions”(2004-followed by a four day stay overseas for a two date festival concert performance in Germany in 2005), and “Horrors Of The Black Mass”(2012) ) and also in the years before that, Shadowlord(playing and recording regularly throughout the middle nineteen nineties, releasing a full album self titled cd in 2000). Dereck did The Devil Inside and they released a very bluesy cd album. Witchcross always reunited and performed more concerts, as well as writing a myriad of new original material, and performing as a Black Sabbath tribute band at many other shows.
By 2008, Witchcross decided to record another album that would be entitled “Innocence And Evil”, and released it professionally on cd, self financed, and distributed through underground distros and local record stores. Many more live concert performances continued on a regular basis, though also once again the band began focusing more on other band projects and kinda slowed down, Count William once again drifted further into Ravensthorn, with the band playing out a lot more and becoming immersed in the band’s “Horrors Of The Black Mass” album project and promotional live concert shows that went on for a few years at several studios before being released in 2012, though during this time Witchcross was still playing out live on a regular basis between Ravensthorn(heavy metal band) shows…
When Witchcross began the recording for 2014’s “Crypt Of the Undead” album at Chicago’s The Dead Room Studios with engineer producers Joe Duhr and Chad Elliott,and final mastering done by Sasch Machyne (of Mighty Monster Records-Germany). They wanted to properly capture the band’s live sound, and they finally did. For once the band was 100% focused and also captured in a recording properly, and wickedly in the right way..
Currently, in 2015, Witchcross has released a very heavy and Occult based third album of wickedly produced Horror Doom Metal Musick, working together stronger than ever, a 13 song album, called “Crypt Of The Undead” on Germany’s Metalizer/Battle Cry Records, and also performing many new concert shows all over the place. Another very heavy new Witchcross record will be in the works at the end of 2015 too!!!
FEHORA MAEI is a horror metal band from the South Suburbs of Chicago, IL – ‘Don’t Let Them See You’ EP coming Summer 2017!
Alethia is a metalcore band based in the Northwest suburbs of Chicago IL. Infusing fast-paced heavy riffs and screams with melodies, Alethia pulls inspiration from their favorite styles and genres in attempt to create a unique sound. Started in 2012 as Jake Farhang’s solo project, Alethia soon after started to take shape as a full band, going through several member changes until finding a solid roster. In December of 2014, Alethia released their debut EP ‘Lykaion Falls’, a five-song released including their single “Wolves”. On June 1, 2016, Alethia released their newest single “The Resilient”, acompanied with their first music video. Alethia is currently Jake Farhang on lead vocals, James Troye on rhythm guitar and backing vocals, Zach Kosmicki on lead guitar, Jake Bailey on bass guitar and backing screams/clean vocals, and Danny Springer on drums.
Every so often a new artist comes along with a debut album that not only raises eyebrows, but curiosity in that the songs are so perfectly matched with the talent. In TYCEâs case, with the release of his debut Broadway Records album, HERO (March 10), his voice is perfectly in sync with the celebratory music and lyrics of noted-Meat Loaf-collaborator Jim Steinman.
No ordinary talent would ever dare to record such treasured songs as âHolding Out For A Hero,â âTotal Eclipse Of The Heart,â âIâm Gonnaâ Love Her For Both Of Us,â and âBraver Than We Are,â without the imprimatur of wordsmith Steinman, who was catapulted to international fame and renown with the debut album from Meat Loaf, Bat Out Of Hell.
Tyce is the first male vocalist to have recorded with Steinman since Meat Loaf. Adds Tyce, âI also fit Jimâs original vision of a young blond, honorable, noble-boy that he first had in mind when he wrote Bat Out Of Hell.â
Bravely produced and boldly re-imagined by Zak Lloyd (with Tony Heyes as executive producer and Nicky James as producer), with Steinmanâs blessing, the album features nine Steinman-tracks, plus seven bonus tracks. Donât be fooled, these tunes perfectly balance Steinmanâs original vigor with a twist of modern.
Tyce first met Jim Steinman after honoring him at a special concert in New York City. A surprise performance followed, with Tyce receiving a standing ovation after singing âBat Out of Hellâ in its 9-minute 51-second entirety in the original key: the first time the song was ever officially performed live since the Meat Loaf rendition. From there, it was kismet and a new interpreter of Steinman was born and reborn, for Jim.
Steinman called Tyceâs performance âbrilliantly virtuosic!!â and terms Tyceâs performance on the album: âIt was like you wrestled with a fire-breathing dragon and came out on top!!!â
Theocracy are finally back with their new album “Ghost Ship”, featuring 10 powerful new songs that showcase the epic, heavy and melodic sound the band is known for, Ghost Ship is the followup to 2011âs As the World Bleeds and 2013âs self-titled debut remix.
With Ghost Ship, Theocracy perfects the lively and fully-realized sound of As the World Bleeds, delivering 10 muscular and streamlined tracks that never lose focus and combine for one memorable journey. Each song on Ghost Ship stands alone and has a unique signature, but every moment sounds unmistakably like Theocracy.
Theocracy started life as a one-man project by Matt Smith in Athens, Ga., though their style has more in common with their European contemporaries than with most of their U.S. counterparts. Characterized by huge choruses, epic arrangements and progressive elements, Theocracyâs music is both immediate and deep, managing to be instantly catchy and memorable, yet revealing new levels of intricacy and depth with each subsequent listen.
The self-titled Theocracy debut album was released at the end of 2003 on MetalAges Records to fantastic reviews and worldwide acclaim within the metal community. After its release, the band began playing shows (including the prestigious ProgPower USA showcase) and started working on new material. After years of hard work, Theocracy signed with Ulterium Records and released their second album Mirror of Souls in 2008.
Mirror of Souls was a huge breakthrough for Theocracy, and received fantastic reviews from press around the world. The album was released in Europe, North America and Japan, and in addition to U.S. shows opening for bands like Sonata Arctica, Blind Guardian and Circle to Circle, Theocracy also embarked upon their first European headlining tour in the fall of 2009.
In 2011, Theocracy released their third magnum opus, entitled As the World Bleeds, which hit the Billboard Heatseeker Chart at #40 in the U.S. and received a fantastic response all around the world. In the fall of 2011, Theocracy returned to Europe for a second headlining tour, followed by more shows in the U.S., a festival appearance in Finland, and the bandâs first show in Costa Rica.
By 2013, the self-titled debut album from Theocracy had been out of print for several years, and fans were constantly asking for a re-issue. In order to improve upon the drum machine and amateur production of the original release without losing the charm of the recordings, Theocracy drummer Shawn Benson recorded drums on all tracks, while nothing else was re-recorded. Matt completely re-mixed the album, with the mastering handled by Mika Jussila, and the debut was re-released on Ulterium Records.
Now Theocracy is back with Ghost Ship. The album was produced and engineered by Smith at his studio in Athens, and at a farmhouse that the band converted into a recording space. âWeâve been so inspired and moved by the people weâve met on the road after shows over the last few years, and many of their stories will stick with us forever,â says Smith. âThis was on my mind when creating this album, and I hope these songs will be a real encouragement for the struggling, the broken, and the misfits looking for a place to belong. I think that thread of hope runs throughout this record.â
Easy. was born in Birmingham, Alabama has defined his craft fresh out the basement through emotion filled artistry. His songs are a combination of truth seen through his eyes and a deep passion for music vocalized with his literary accent; or as he would say “country ass nigga speaking literature”. With his insight on music passed down from his family he has created a style of his own and within it’s on category that will shock the world. This mixture of Jazz, Hip Hop, R&B, Classic, Old School, and Funk leaves listeners on edge not knowing whats next. This is just the beginning of an unfinished story that is to be continued and will continue.
To classify Chris Duarte simply as a Blues Man is an understatement. In his own words, ârockinâ bluesâ or âpunk bluesâ describes him best. âFerocious bluesâ also fits. Legend has it that Chris will play so hard that his fingers bleed in a set. The legend is true. Photos attest.
Chris Duarte is a road warrior playing more than 150 dates a year. As well, Chris has headlined major festivals and clubs throughout the US, Canada and Europe.
Chris is a savant, a sorcerer of tone, a master at channeling the spirits and sounds of great musicians of our past, while remaining completely recognizable in his own sound. He has shared his stage with many of the greatest musicians of our time as well as the multitude of âyoung lionsâ and local musicians he meets on the road. From his many years as a side man in Austin, he easily changes roles from front to side, graciously allowing all to share the conversation of the jam.
Chris Duarteâs music is ever changing. In many interviews, he has said âMusic must evolve.â His own early offerings often become magical journeys into changing tempo and jazzy interludes before returning to their core. With such a vast catalog of recordings, there are no two shows alike. Every set list is different, and each song may be offered distinctly, based on the feel of a show and the audience. For those reasons, loyal fans often return to a Chris Duarte show again and again, and always walk away awed and satisfied to have witnessed such a legendary, but humble guitarist.
The Chris Duarte Group emerged on the scene out of Austin, Texas in the early 90âs and gained notoriety after wowing a packed room of industry insiders at the South X Southwest convention. In the wake of Stevie Ray Vaughanâs passing, Duarte quickly gained a National reputation as young man imbued with a playing style comparable at times to the late guitarist. After fielding interest from a number of labels, Duarte signed to Silvertone Records and his debut album âTexas Sugar/Strat Magikâ reportedly sold in excess of 100,000 units in the United States, no small feat for a blues/rock guitarist. This coupled with Duarteâs strong commitment to touring, was the impetus for Chrisâ winning the âBest New Talentâ in Guitar Playerâs 1995 Readerâs Poll. He also finished fourth in the magazineâs âBest Blues Guitaristâ category that year behind legends Eric Clapton, Buddy Guy and B.B. King.
Formed in 2015, SUNLESS draws influence from pioneers of extreme and dissonant metal such as Gorguts, Ulcerate, and Meshuggah, reinterpreting the sounds through an abstract lens that is all their own. Comprised of bassist Mitch Schooler (Nerves, Modulus), drummer Taylor Hamel (Aziza), and guitarist/vocalist Lucas Scott (Obsolete, Australis, Pestifere), the band features a prominent rhythm section, a scattered assortment of time signatures, interwoven and complex arrangements, and bellowing death growls, akin to the output of Artificial Brain, Baring Teeth, and Pyrrhon.
SUNLESS has toured and performed across the United States and Canada in support of their debut full-length album Urraca with bands such as Gigan, Suffering Hour, and Plebeian Grandstand. Tracked by Adam Tucker at Signaturetone Recording (The Crinn, Ambassador Gun, Maeth) in their hometown of Minneapolis, Minnesota and mixed/mastered by Colin Marston at Menegroth, The Thousand Caves in Queens, New York, Urraca delivers a relentlessly engaging onslaught of complex and dissonant death metal with nine tracks encompassing a dense forty-four minutes. The album is presented appropriately in a psychedelic and abstract visual manner with artwork by former band member Andrew Notsch (Youwretch) aka Hollow Dusk and logo by Stephen Wilson aka Unknown Relic.
Greenbeard is a desert rock trio from Austin, TX created in 2014. Greenbeardâs sound is a sonic gathering of early British heavy metal, psychedelia, desert guitar riffs, & stoner rock.
Heavy Street Riff Rock
Label:Ripple Music
bandofwatchers@gmail
Tim Narducci Vocals/Jeremy Epp Guitars
Cornbread Bass/Carter Kennedy Drums
Not just songs but an unschool of thought. Also a gateway to help rock aficionados behold the majesty of jazz.
Heavy