Power Pop Icon Cliff Johnson, the driving force behind legendary Chicago bands Off Broadway usa, Pezband and d’Thumbs returns home, backed by his new band, The Raine to showcase timeless signature songs “Stay in Time”, “Hang on For Love”, “Full Moon Turned My Head Around” and more in a career spanning set of classics.
Johnson, who cut his teeth in the clubs of Chicago, went on to release two discs for Atlantic Records. Off Broadway’s “On” featuring the hit, “Stay in Time” sold over 300 thousand copies in Chicago alone and propelled Cliff and the band into the world of stadiums and arenas, sharing the bill with the likes of The Beach Boys, The Babys, Cheap Trick, Lover Boy, Ian Hunter, Alan Parsons and Jefferson Starship.
The Raine members are veterans of the Chicago rock scene playing along side local heroes such as The Kind and The Insiders as well as national acts like A Flock of Seagulls. A rock music critic recently suggested that The Raine is “the best kept secret in the Chicago Music scene, today”.
Cliff and members of The Raine met individually over the years under casual circumstances. Having great respect for his music and what Cliff has accomplished throughout his career, the band was on an unconscious course to hook-up with Johnson musically. In 2015, Cliff agreed to join The Raine on stage to perform a handful of Cliff’s tunes in a one-off performance. There was magic in the air that night. Terry Flamm of the Power Pop blog “Broken Hearted Toy” was in attendance, and said of The Raine, “they’d be a perfect match for Johnson”. A month later, Cliff Johnson and The Raine launched. A night of fun turned into a more serious project for The Raine, who enjoy their status as the “who are these guys?” four piece engine supporting the most dynamic singer/songwriter/performer in the history of Chicago Power Pop.
Hailing from Chicago’s south suburbs, Pat Egan & The Heavy Hearts are a rock & roll band formed in 2015 to bring you indie music that echoes with hooks, passion, and nostalgia. Pat Egan & The Heavy Hearts aim to create music highlighting love, loss, and loneliness through the characters and stories within their songs. Coming off the release of their first record “Love & Disruption”, Pat Egan & The Heavy Hearts take a look inward and begin growing and writing together more so than ever before. “I think I was just afraid of letting people into my world when I’m writing.” Says Pat Egan of his creative process. For Love & Disruption, he would bring most of the song to the band and the Heavy Hearts would write parts to the established song. This time around, Egan would come together with guitarist Adam Chorak and bassist Pat Leonard to work out ideas.
Half Full brings an Organic Rock N Roll sound to the Chicago music scene. Fronted by Frank Bongiorno and David Estey, the two musicians have finally found a band to excel with after a decade of performing together.
The group has been building their fan base and honing their skills by performing regularly at Chicagoland bars, venues, and festivals.
Songwriting is a gift and labor of love to them.
In order to pursue that gift, Half Full has learned to entertain audiences with both original and cover songs which funds their dream. Relentless hard work allows continual growth in a competitive music industry.
Most importantly, the band members have come together with one common goal…to have fun performing music for a living!
Be on the look out for a collection of new singles releasing in 2018!
Raw and unapologetic, The Dead Lizardz combine Blues with influences of their Southern upbringing and individual musical tastes, creating a style of music that blurs the lines of what you thought “The Blues” were.
Face to Face is a punk rock band from Victorville, California, formed in 1991 by front man Trever Keith, bassist Matt Riddle and drummer Rob Kurth. The band rose to fame with their 1995 album Big Choice, featuring the radio hit “Disconnected” that was first played by KROQ and appeared in the movies Tank Girl and National Lampoon’s Senior Trip.
Face to Face officially split up in September 2004, allowing the band members time to focus on other projects. During that time all the band members played in a number of post-Face to Face projects including Legion of Doom, Me First and the Gimme Gimmes, The Offspring and Saves the Day. In April 2008, after a four-year hiatus, Face to Face performed together for the first time at The Glasshouse in Pomona, California. Since then, the band has continued to perform and has released three more studio albums.
Current Lineup:
Trever Keith – Vocals, Guitar
Scott Shiflett – Bass
Chad Yaro – Guitar
Danny Thompson – Drums
Greg Howe: Guitar
Ernest Tibbs (Allan Holdsworth, Simon Phillips): Bass Joel Taylor (Al DiMeola, Allan Holdsworth): Drums
Legendary guitarist, Greg Howe, will kick off his North American tour ‘Lost and Found” this July 2023, which will feature tracks from a new upcoming studio album, in addition to many of his classic fan- favorites.
The 2023 touring band features renowned bassist Ernest Tibbs (Allan Holdsworth, Simon Phillips) and drummer Joel Taylor (Al DiMeola, Allan Holdsworth) joining Greg Howe on guitar.
Lost and Found marks Howe’s eleventh solo album and follows his 2017 Wheelhouse release, which was voted #6 of the top 20 best guitar albums of the decade by Guitar World Magazine.
Throughout Howe’s long career, he has developed a solid reputation as a technical innovator, particularly for his “hammer-on from nowhere” technique, legato runs, unusual time signatures, and linear tapping approach. His self-titled debut album Greg Howe is ranked as one of the top 10 best shred albums of all time by Guitar World Magazine.
Greg has also played key roles in numerous collaborative recording and touring projects along the way, partnering with the likes of world renowned musicians such as Dennis Chambers, Victor Wooten, Billy Sheehan, Jordan Rudess, Eddie Jobson, Tony Levin, Marco Minnemann, Richie Kotzen, Dave Weckl, and Tetsuo Sakurai, to name a few. In 2018, Howe recorded all the guitar work for the GRAMMY® nominated album Protocol IV by legendary drummer Simon Phillips, which also featured Ernest Tibbs (bass), and Dennis Hamm (keyboards).
In addition to his personal recording career as an artist, Greg also made a name for himself as a stellar sideman and touring session musician with some of the biggest pop artists of all time such as Michael Jackson, Justin Timberlake, Rihanna, Nsync, Enrique Iglesias, Christina Aguilera, and others.
Musical trends may come and go, but you always know what to expect with a new Greg Howe album and tour – and this veteran guitarist certainly won’t disappoint with what will undoubtedly be a breathtaking showcase featuring one of the best Rock/Fusion players in the world.
Audiences will experience Greg Howe doing Greg Howe like no other. The show will include material from the new album, as well as, his most popular tracks such as “Jump Start”, “Kick it all over”, “Sunny”, and many more.
Gorphanage is a comedic death metal three-piece with a strong emphasis on humorous lyrics and groove oriented, old school riffage that operates out of Lake County Illinois. They’ve gigged regularly since 2013 around the Northern Illinois and Southern Wisconsin area. Their debut, full-length album “May Cause Birth Defects” was released in Feb of 2016 independently and is available through CDbaby, iTunes, and Amazon. The band’s second full-length recording “Swank” is currently in the pre-production phase.
Founded in the fall of 2007, The Chicago Outfit is a democratic, not-for-profit organization run by the skaters, for the skaters. The Outfit is an all-female flat track roller derby league based in the city of Chicago. The Chicago Outfit strives to create a positive female community dedicated to contributing charitably to other nonprofit organizations. Each year, partial proceeds from the Outfit’s bouts and events are donated in support of a nonprofit organization, voted on by the league. As proud members of the Women’s Flat Track Derby Association, The Chicago Outfit represents roller derby nationwide with class, sass, and dignity.
Caryn Robinson, or KayKay for short, maintains a dual DJ & Graphic Design practice, which are both influenced by the cultural aesthetic of her hometown, Chicago. She matches beats with seamless transition and produces sets that are as sonically varied as her city’s streets. Designer by trade and DJ by craft, KayKay produces experiences that seduce the audience and lures them into her meticulously cultivated audiovisual realm. She believes that while a DJ’s skills can be sharpened, musical taste cannot be taught. While her first love is House, she is an open format DJ with an extensive collection of music that represents the best of Disco, Hip-Hop, R&B, Slow Jams, Dancehall, Baltimore Club, Vogue, Blog, Rock & Roll, Trap, Twerk and Chicago’s homebred sounds Drill and Juke.
She has been the reigning queer female DJ of the Chicago scene for more than 10 years and has held residency at numerous Chicago bars and nightclubs, including, but not limited to: Not Safe for Wallflowers at the Shrine (Lesbifriends), Illuminaughty at Progress Bar (Lesbifriends), Honey Pot at Progress Bar (Chicago Twerkit Authority), Cirque de la Femme at Lincoln Tap, Menace2Sobriety at Subterranean (Lesbifriends) and the infamous Dirty Girl Thursdays at Berlin and the Lakeview Broadcasting Co. (Chicago Dirty Girls).
Her most recent mixtape “Roller Rank” (in collaboration with Rabid Vinyl Monks’ White Owl) is currently featured on the JUGRNAUT (Chicago’s premier street wear boutique) website. Her music is also featured on the Chicago based queer erotic calendar Q-We’re’s homepage, and has been broadcasted on WCRX Chicago’s Underground Radio on their programs, “Masters In the Mix,” and “The Scene.” She was also featured by the Chicago Reader for their column “In Rotation,” in which local music scenesters share their current interests with a citywide audience. KayKay also has an upcoming cameo in season 12 of Oxygen’s the Bad Girl’s Club, which contains footage of her residency at Progress Bar’s weekly queer ladies night, Honey Pot.
Her events are frequently advertised in the press, including the Huffington Post, Do312, the L Stop, the Windy City Times and the Chicago RedEye. From the confines of the booth she has orchestrated the convergence of dancing bodies at parties like: Slo Mo’ at the Whistler, Bump & Grindcore at Beauty Bar Chicago, Dollhouse Fridays, Dusty Grooves at Cobra Lounge, ISTILLLOVEHER at Subteranean, Stardust at Berlin, Femistry by BBliss at the House of Blues Foundation Room and Queerer Park at Beauty Bar Chicago.
She has worked as the headlining DJ for several events, including: Back Lot Bash: Chicago’s Ladies Pride Weekend (2013 & 2012), the Chicago Reader Pride Cruise and Chicago Reader People Issue Party (2012) and the Halfway to MichFest Party (2011-2014). She has also shared the stage with the likes of Flosstradamus, Kid Sister, Psalm One, Hollywood Holt, Million Dollar Mano, DJ Tittsworth, DJ Gant-Man, Zebra Katz, Njena Reddd Foxxx, Big Dipper, God-des & She, Aneesa of MTV’s The Real World Chicago, Leisha Hailey of The L Word and Uh Huh Her, and Whitney Mixter of The Real L Word. All the Way Kay has also been an official DJ of the Chicago Outfit Roller Derby Team.
Psycho Sock Hop began in the summer of 2016. Members Pete Manzella, Charlie Stanley, Tim munester and Dave Cherrick were looking to fuse their punk rock/metal/rock n roll influences into a style that could get the ladies dancin and the fists pumpin. Raw and rockin, PSH was born.
Rodney “Pie-Man” Henry, of Dangerously Delicious Pies in Detroit, DC, Baltimore and Austin. Also legendary frontman of the Glenmont Popes, a rockabilly band out of Baltimore.
ROCKIN BILLY AND THE WILD COYOTES
Rockin Billy and the Wild Coyotes are a three piece rockabilly/psychobilly band that have been gigging in the Chicago area since the early nineties. Known for a hard driving bluesy dance beat,and have recorded with well known producer Steve Albini. Rockin Billy- guitar/vocals Steve Uppling-Drums Dave Smith -Bass .Known for songs like Snake Woman, Zydeco Baby, and Rockin Pharaoh. They have been stalwarts of the chicago rockabilly scene for close to 30 years.
Channelling a hefty dose of heavy lyricism via metaphysical realms of consciousness, for Devil To Pay’s Steve Janiak the past decade has predominantly found the front man unearthing lyrics from what many might consider the “Other Side”. Attributed in no small part to the hallucinatory visions and flashbacks he experienced while hospitalized after falling deep into a drug-induced coma a few years ago, despite the doctor’s grim prognosis, Janiak thankfully survived with tales to tell. Albeit ones pulled from a well of perilous inspiration.
Following the release of the band’s retro-inspired, down-tuned debut Thirty Pieces Of Silver in 2003, Devil To Pay persevered, releasing the Crowbar-by-way-of-Kyuss influenced Cash Is King in 2006, and Heavily Ever After and 48 Minutes DVD in 2009, building a legacy through the slow burn of countless festival appearances, songwriting and relentless gigging.
After a mind-expanding epiphany in 2011, Janiak also began to explore links between the normal and paranormal, devouring anything he could find on the subject from eastern philosophies to books about the hunt for alternate universes. All of which bled profoundly into Devil To Pay’s lyrical themes. Through ten years of soul searching and survival – crawling out from the dank underbelly of the Indianapolis heavy music scene – Devil To Pay eventually established themselves in the underground rock community after signing to Ripple Music to release Fate Is Your Muse in 2013.
Recorded in 2015 by Mike Bridavsky at Russian Recording in Bloomington, Indiana, A Bend Through Space and Time picks up where its predecessor left off and further develops Devil To Pay’s songcraft and explorations in heavy, riff-oriented rock and roll. By now, followers of the band should have already heard ‘Your Inner Lemmy’ – the quartet’s fitting tribute to Motörhead legend Lemmy Kilmister and the first track lifted from this new record – released earlier this year. Described by Classic Rock Magazine as sounding like an authentic, “long-lost Motörhead song,” it serves as just one of many reference points, dotted across a constellation of hard rock influences at play on this, their best album to date.
A Bend Through Space And Time will be released on 12th August 2016 through Ripple Music.
“King Buffalo is a psychedelic trio in the classic format of bass, drums, and guitar, whose expansive and thunderous music is anything but easily definable.
Formed by three long-standing members of the blooming Rochester, NY rock scene, King Buffalo gathered in September of 2013 to start working on a new musical collaboration in a heavy rock vein. Their efforts spawned a demo release and several splits and one-offs which, coupled with their impressive live show, quickly gained them an international audience.
Nearly exactly three years after their formation, King Buffalo shows the world its first long-player creation – a powerful concoction of heavy psych, blues, and stoner rock in stunning cohesion. Orion’s flow is surprising giving the relative youth of the band, but King Buffalo seems to be a rare breed capable of fusing loose-knit and spacious pieces into a tightly-focused package. Written during and out of jam sessions, Orion’s nine tracks are texturally rich and oozing with psychedelic goodness, yet honed and driving in the next blink of an eye. Lush, shimmering melodies á la Dead Meadow and free-flowing grooves that recall All Them Witches meet with the full force of fuzzed-out stoner rock riffs, all coinciding organically. impressively, King Buffalo’s focus extends beyond composition and into the technical realm; Orion was recorded entirely by the band in the very same rehearsal room that played host to the songs’ creation. After a successful self-release, Stickman Records is proud to present Orion to the world on 180 gram vinyl including CD as well as a standalone CD release.” – via Sludgelord
From a small work studio, Chicago-based artist Bryan Sperry has created a small army of Warriors of the Apocalypse. His twenty strong (so far) army of futuristic warriors are replete with illicit weaponry, from grenades to blades, from guns to gas masks.
These highly decorated soldiers are constructed from mannequin forms and found objects, which the artist quite meticulously selects from a myriad of depots. This ensemble of futuristic warriors includes sirens, ninjas, shape-shifters, cyborgs, battalion chiefs, black ops specialists, a highly decorated general and more.
Sperry states ‘‘The warriors are to protect myself and humanity from the tribulations of a one-world government and a one-world bank – they are to protect civilization from greed, government, power, politics and economic slavery.’’ Each warrior is a highly-chiseled, well constructed, super-strength soldier – hand-crafted from its original mannequin base. Through acute attention to detail, each sculpture is unique to its individual purpose.
All materials used in the construction process are archival as a demonstration of what Sperry considers ‘‘their immortal quest’’ – a well-placed hand for a well-placed blow.
Every warrior has been constructed to fulfill a different purpose, each independent from the other, yet still demonstrating its primary purpose – to protect humanity.
Fresh noise from Lost Angeles. THE FLASH HITS are now. Suturing angular guitar stabs with seething bass lines and precision time signature shifts with almost math-like exactitude. These are songs for the heart-stabbed and heaving, the bitter, the hopeless (and fans of Unwound, Polvo and the acid-ier bits of the Elephant Six catalog).
Dead Meadow formed in 1998 with Jason Simon on vocals and guitar, Steve Kille on bass, and Mark Laughlin on drums. They began to combine 70s hard rock and 60s psychedelic rock with far out and sometimes mystically minded lyrical themes occasionally even hinting at the obscure genius H. P. Lovecraft and other far out writers of the bizarre and weird. The first album, Dead Meadow, was released in 2000 on Tolotta Records, a label run by Fugazi bassist Joe Lally. The LP version was released by Planaria Records. This was quickly followed by 2001’s Howls from the Hills, also released on Tolotta Records. At the completion of “Howls from the Hills” John Peel asked Dead Meadow to record a Peel Session which was recorded in Fugazi’s home studio, the first time a Peel Session was recorded outside the BBC studios.
n Spring 2002, Laughlin parted ways with the band in order to pursue a career as a lawyer. He was replaced by long-time friend Stephen McCarty ). A live album, Got Live If You Want It, was released in mid-2002, which documented one of the last shows with drummer Mark and was produced by Anton Newcombe of Brian Jonestown Massacre. In early 2003 the band signed with Matador Records and released Shivering King and Others. Along with the heavy song and blues-influenced songs as on the previous two records, the band continued in their psychedelic style, with acoustic elements and ballads. With the addition of second guitarist Cory Shane, Feathers was released in 2005. Simon’s guitar virtuosity is influenced by the droning modal character of Eastern music as by classic rock riffs.
Jason Simon is the nephew of The Wire creator David Simon. Dead Meadow’s music was used briefly in the episode React Quotes in season five of The Wire.
In 2007 the band has reverted back to a three piece, made an appearance at the 5th annual Green Man Festival in Crickhowell, Wales and relocated from Washington, D.C. to Los Angeles, California.
In the beginning of 2008, Dead Meadow released Old Growth on Matador Records. A collection of songs that brought the band back initially to the same farm that their second release Howls from the Hills was created and eventually finished up at the legendary Sunset Sound studio in Los Angeles. As with the last three albums Old Growth was produced by bassist Steve Kille.
Later in that same year a brief session with Andrew Stockdale of Wolfmother led to the reinterpretation of the Dead Meadow song “Everything’s Goin’ On” as a new song “Pilgrim” landing on the second release for Wolfmother, “Cosmic Egg”.
In March 2010 the band released a feature length live film and soundtrack, “Three Kings”, that spotlights their stage show along with psychedelic dream scenarios. The live footage and audio was captured at the bombastic final show of the five month “Old Growth” tour. The film premiered at the Hollywood Forever Cemetery in Los Angeles, California and was released on the NYC label Xemu Records, co-run by Kille.
Jason Simon also announced his September release of his first solo “self-titled” acoustic album on TeePee Records.
The song “Sleepy Silver Door” and “Greensky Greenlake” were featured in the skate video “Emerica, Stay Gold.”
Raised in the woodlands of central Wisconsin, Samantha Siren has, since childhood, drawn inspiration from the natural environments surrounding her. While studying in the nationally acclaimed sculpture department of the University of Wisconsin- Stevens Point, she was able to hone in both her technical and conceptual skills as a visual artist. It was during this time that she also began to take her participation in the performing arts more seriously, including dance, circus, aerial, and vaudeville. After graduation she chose to forego graduate school in pursuit of continuing her education and career in the performing arts. Samantha moved to Chicago in January 2016, with the full intention of attending a full-time contemporary circus training program. While that dream quickly proved itself unrealistic, she chose to harness her pure determination to work harder at developing her craft- on her own terms. Samantha was fortunate to have fallen into the laps of a few exceptional mentors while in this pursuit, and has since had the opportunity to perform at the Edwardian Ball in San Francisco, CA, Theatre Bizarre in Detroit, MI, Electric Forest in Rothbury, MI, and has also performed on tour throughout much of the American south and midwest. Her work often references the natural environments she grew up in, placing emphasis on organic movements to play with the themes of time, tension, and contrast in order to express the concept of transformation- something she sees as neither good nor bad, but surely inevitable to all things.
Part dance, part theatre and wholly entertaining, Chicago-Based Fringe Factor is a dance ensemble that instantly transforms any event or show into an unforgettable experience with its unique performance style.
Harken back to the Roaring Twenties with the Classic Acts, featuring sassy flappers and vaudevillian antics. Looking to keep it modern? The Contemporary Menu pulls from today’s top hits including the high-energy latin beats of Pitbull and the intense sensuality of Beyonce. For the artistic palate, our Avant-Garde Acts include animated voodoo dolls and parasol-spinning floating flowers. No matter what you choose to dine on, Fringe Factor is a visual and auditory feast.
Fringe Factor boasts a rotating cast of diverse performers who are all powerful figures in the variety scene both as performers and producers of their own shows. Our ranks include local favorites who have appeared at top clubs such as Untitled Chicago, Fedora Lounge, Clipper Cabaret, The Drifter, Berlin, Carnivale and more, as well as collaborated with groups such as The Chicago Symphony and Contemporary Circus Festivals. Our performers are international entertainers, performing at events with the likes of Fleetwood Mac, James Taylor and Big Freedia and appearing at top burlesque and variety events as soloists, headliners, and (winning) competitors. With such a formidable group, Fringe Factor has found itself quickly in demand for both public entertainment events and private shenanigans.
Angela Eve is an accomplished artist, producer, director, international variety burlesque performer, aerialist and costume/set designer. Eve’s Parlor Productions originally helped kicked off the Neo burlesque movement in Chicago in 2004. Eve’s Parlor since has grown to a full multi-media production company created with her partner Anastasios Ketsios. An explosive experience showcasing burlesque, circus, vaudeville, performing arts, fashion, photography, video and a wide range of variety performers creating large to mid level events. Eve’s Parlor team of artists and designers combine the finest elements of visual art, intricately designed costumes and sets creating a performance extravaganza.
Chicago Tribune has hauled Angela Eve and Eve’s Parlor Cabaret as: “One of the top pioneers in the burlesque revival in Chicago”. Angela Eve is the artistic director of a weekly critically acclaimed show “Unbridled” at Untitled, which is one of Chicago’s top variety shows combining sexy circus, burlesque, sideshow and performance art.
Reaching international status with her show in Ireland, Italy and London along with traveling around the country for the past 10 years. Specializing in creating large scale avant-guard variety productions such as her annual “Metropolis Ball” and major music festivals & tours around the country: Pride Fest, Mountain Jam, Rothbury Electric Forest, Lollapalooza, Ozzfest. Additionally living between Chicago and New Orleans while creating art and building a strong reputation for performing in New Orleans and showcasing performance art installations for The Museum Of Contemporary Art New Orleans and other city wide events.
Tinderbox Circus Sideshow is one of the last remaining traveling “ten-in-ones” in the country. Our show consists of a variety of working acts, girlie shows (or burlesque), and classic carnival appeal. Our acts range from the classic circus side tent including The Human Blockhead, The Human Pincushions, the Bed of Nails, Clowning, & Fire Eating…to more daredevil stunts the likes of Balancing on Wine Glasses, Eating Glass, Body Piercing Weight Lifting, & our personal favorite…BREAKING THINGS ON THINGS!
They’re the one-stop shop for all things icky in entertainment! Between Captain Darron’s miraculous nose, dangerous juggling, and high threshold for pain, whimsically white trash fantastic award-winning performer Trashique’s alluring ears, deadly figure, and non stop sing song energy, AND the most disgusting woman in sideshow, Devereaux Dollface…they never fail to astound, arouse, and disgust audiences across the nation! The trio spends their time scheming, plotting, and planning to dislodge your stomach contents and leave you screaming for more!
Emerging from the emerald twilight of Portland, Oregon, Sepiatonic is a vaudeville-inspired dance and music experience. Some parts theatrical show, some parts wild dance party, this project always brings innovative audio and visual entertainment! We feature original live and electronic music, focusing on electro-swing, but extending out into further realms of balkan beats, hip-hop, funk, and more. Sepiatonic strives to bring vintage class into today’s electronic music, and to put a bumpin’ booty party into a vaudeville experience. We have high-energy tunes, dance acts, antics, and theatrics up our sleeves, and strive to distribute joy everywhere we venture!
The success of the Pretenders’ debut album in 1980 created a great demand for more material from the fledgling band; however, a lack of songs precluded the quick release of a follow-up album. In the UK, the band released two hit singles in 1980 and early 1981: “Talk of the Town” and “Message of Love,” respectively. In the US, where standalone singles had become rare, these tracks were combined with three others for a stopgap EP release called Extended Play, in March 1981. Their second album, Pretenders II, was released a scant two months later, to mixed critical reception, partly because two of the better songs on the album had been previously released, and partly because many of the songs were viewed as overly-similar (though not quite as groundbreaking) to the band’s debut. Nevertheless, several of the album’s songs became hits and the album has increased in critical stature with time.
FLEETWOOD MAC “TUSK”
Tusk is the twelfth album by British/American rock band Fleetwood Mac. Released in 1979, it is considered experimental, primarily due to Lindsey Buckingham’s sparser songwriting arrangements and the influence of punk rock and new wave on his production techniques.
Coyote Man is an instrumental band from Chicago Illinois. Members Augie Portugal, Ian Wheeler and Rene Rodriguez have been making noise since the early 2000’s but officially formed Coyote Man in 2015. The trio imbues powerful riffs that are haunting yet soothing, which penetrate deep into the mind of the listener. Coyote Man is a reminder that music can still be an art form not easily subjugated to cliché’s of today’s digital age. “Our aim is to make the listener more susceptible to the complexities of their own feelings and breathe new life into the established paradigms of metal music.”
Black Road is a four-piece sultry stoner/doom band from Chicago, IL. Founding members Tim M. and Suzi Uzi write the riffs and lyrics, with new member Trey Wedgeworth (bass) and newest member Danny Garcia (drums) creating a heavy and harmonious rhythm as the backbone. Formed in the summer of 2015, Black Road has had lineup changes that have pushed the band to become stronger and more focused. Just before acquiring then-new members Robert and Casey in fall of 2016, Black Road signed with DHU Records (Netherlands) for a vinyl and cassette deal. In early 2017, they signed with BloodRock Records (Italy) for the CD release. After almost one full year of gaining their new bassist and drummer, Black Road was finally ready to reveal their self-titled debut Black Road – EP (10/6/2017). One year later, a digital single with a runtime of over ten minutes was released: Witch of the Future. The single album release with two tracks is titled “Blood On The Blade” (4/5/2019), and the 7” vinyl sold out in 20 minutes in the US and overseas at DHU Records. “Witch of the Future”, the debut full-length attempt, was released on Halloween 2019 with the same two killer labels. It features a completely new recording of the song “Witch of the Future”, and a brand new mix for “Blood on the Blade”. A repress on “Witch of the Future” was released in September 2020, with a limited edition translucent red vinyl via DHU Records and The Company. This second pressing (sold out) featured new artwork.
After over 10 years of slinging their Texas-sized psychedelic blues doom, Wo Fat is going stronger and rocking harder than ever, promising to continue their swampadelic visionquest of overdriven, fuzz-laden riffage and jazz-minded jam explorations with the next chapter, entitled Midnight Cometh, looming on the horizon. Through five studio albums, a live album, and a couple splits, starting with The Gathering Dark in 2006, they have stayed true to the deep, dark blues that wails from within and have forged their riffs with a primal grooviness, giving them a consistency of style, even while they have progressed and matured as a band, with their musical forays getting heavier but also trippier at times. 2009’s Psychedelonaut really began to solidify the Wo Fat name, garnering them wider critical recognition, leading to releases with Nasoni and Totem Cat records and then on to their two most critically acclaimed releases to date, The Black Code (2013) and The Conjuring (2014,) both released on the iconic stoner rock label, Small Stone Records, with The Conjuring landing on NPR’s “Top Ten Metal Albums of 2014” list, among numerous other “best of” lists. One reviewer (yourlastrites.com) aptly described the album this way: “It’s hard to know where to place The Conjuring along the stoner spectrum because it’s metal heavy, but it rolls like rock.” During these last few years, Wo Fat has made appearances at the legendary Roadburn Festival, Desertfest, Freak Valley Festival, Psycho California Festival and Sylak Open Air Festival as parts of a number of successful international tours.
In May and June of 2016, coinciding with another European tour that included appearances at Desertfest Berlin, Desertfest London and one of the largest metal festivals in Europe, the famed Hellfest in France, where they made Metal Hammer’s “Nine Best Bands of Friday at Hellfest” list Wo Fat teamed up with a label on the rise, Ripple Records, to release Midnight Cometh, the newest slab of riffage that is possibly their most daring psychotropic exploration of heaviness to date. With voodoo drums beating and molten blues-tempered waves of guitar riffery, they are carrying on the Wo Fat tradition of keeping things heavy and fuzzy, but also groovy, which, all too often, is a missing element in much modern heavy music. You can hear the echoes of field hollers and that oft forgotten “way back yonder funk” that fuel the fire that burns deep in the swamp at the witching hour. You can feel the rush of living on the edge and glimpse a phantasmal Coltrane in your peripheral vision as they careen through improvisational jams. And all this with an unrelenting metal heaviness underscoring apocalyptic lyrics that conjure visions of the end of an age, (our age?) and black midnight bargains and the consequences reaped. While Wo Fat may be speaking a familiar language to the apostles of the riff, there isn’t anyone that sounds quite like them.
Midnight Cometh has been welcomed by loads of great reviews and Wo Fat has had a full page interview feature in Classic Rock Magazine.
Rumor has it that incantations and conjurings of the Riff have begun for the next album…
A heavy psych rock/proto-metal power trio based out of Austin, Texas, the Well’s lethal blend of knotty prog, punk, and bluesy doom rock invokes names like Black Sabbath, Electric Wizard, Sleep, and Uncle Acid & the Deadbeats. Citing a desire “to blend different musical styles as diversified as Joy Division to Blue Cheer”, the band, which consists of Ian Graham, Lisa Alley, and Jason Sullivan, came together in 2012 out of a shared love for extreme music, cult horror films, and dark mysticism. That same year they released their limited-edition debut 7″ “Seven.” The band’s 2013 EP, First Trip, caught the attention of Riding Easy Records, who quickly signed the trio, leading to the release of their full-length debut, Samsara, in 2014, a sophomore effort, Pagan Science, followed in 2016, and Death and Consolation in 2019, again via Riding Easy. -Bio from Allmusic.com
Electric Love Machine (ELM) is best described as an outer space adventure through sound, infused with doses of electronic funk, traditional Americana and improvisational jazz, and whose foundation is built on a sense of community. Their first full-length album, XenofoneX, touches upon the aural sense, and travels through one’s heart, makes a stop in the brain, all while travelling across the cosmic plane.
ELM is part of a dedicated and diverse network of Live performance artists, acrobats, painters, graphic artists, musicians, fashion designers, and music lovers from in and around the Baltimore area who support each other and often perform together to make each show a profoundly unique experience.
Flying through their (fair-priced) interstellar journey, their tribe supports ELM not just in their hometown of Baltimore, MD, but also throughout the band’s multiple engagements spanning the Northeast, and future markets in the Southeast, Midwest, West, the Moon, and potentially our neighboring Andromeda Galaxy (dependent on contract negotiations).
In addition to the many hallowed halls ELM has had the extreme pleasure of playing, they have gratefully performed with jam monsters EOTO, Papadosio, Dopapod, TAUK, Turkuaz, Electron, and PPPP, and have played multiple sets at such fine festivals as All Good Music Festival, The Mad Tea Party, Moonrise, Camp Barefoot, The Werk Out, Domefest, and Lunar Bay.
Greener Grounds is a four piece jamtronica band based out of Denver, CO. They quickly gained momentum and secured a name for themselves in the highly competitive jam band scene landing performances at Backwoods Music Festival, Resonance Music Festival, Highberry Music Festival, SONIC BLOOM, Luna Light Music Festival, ARISE Music Festival, Paradise, and many more. Inspired by the likes of Lotus, STS9, the Disco Biscuits, Phish, and Umphrey’s Mcgee, they blend many styles including psychedelic funk, rock, trance fusion, and break beats. Their eclectic sound continues to take crowds by surprise ensuring a lively, danceable, and energetic vibe where ever the road takes them.
Greener Grounds features Joe Shur on guitar, Jeremy McDonough on keys/synth, Jay Rieder on bass, and AJ Gillman on drums.
Keeping themselves to a high standard, Greener Grounds holds a passion, collective consciousness, environmental sustainability with a positive outlook on life to inspire the world which is all expressed through their music. Constantly evolving in their sound, performance, and presence, they have caught the attention of sponsors, stages, and festivals all around the United States as well as landing performances with Perpetual Groove, Kyle Hollngsworth Band, The Main Squeeze, Kung Fu, Consider the Source, Zoogma, The Magic Beans, YAMN, the Mantras, and many more. Their “Practice makes perfect” mentality is visible in their connection to each other and their fans at each show.
Last year’s release of their first EP, Photosynthesis made headlines in the music world and was quoted as “Jamtronica Gold,” by The Untz, setting them up for a bright future in the studio world. Greener Grounds followed their debut EP with a full length album titled Momentous, that was successfully funded by through their Kickstarter Campaign. Momentous was released on July 8, 2016 and became a groundbreaking force for both the jam band and livetronica music scenes. Please visit: www.GreenerGroundsMusic.com for the latest updates, tour dates, free downloads, videos, merchandise, and more!
Husbandry’s debut full length is a wild, aggressive and sensual trip across nine masterfully crafted and equally unrelenting tracks. The riotous result of years of inspiration and experimentation compressed by the heat of a sweltering mid-July recording session, the band gunned through the album’s explosive tracks like beasts through a jungle. In under a week’s time — without doctoring or pitch correction to be found — the band emerged with FERA in tact. There’s an undeniable immediacy to the fierce and frenetic energy of the record that is in debted at least partially to its scorching, raw, and feral origins.
There must be something in the water out there in Chicago, because they’re churning out ridiculously tight, brutal deathcore bands so fast it makes the American Apparel sweatshop look like it’s in slow motion. Fans of moshing are surely already familiar with Demolisher, Monsters, and Oceano, who are producing some of the best metalcore this side of VOD, Bloodlet or A Life Once Lost. The newest addition to the Chicago moshcore cartel is ROOKS, featuring ex-members of all three bands.
Prez Harris, a 21 year old from Maywood, IL, loves to create. He began his musical journey at the age of 8, when he started learning how to play the drums. Soon after he began writing poetry and rapping with friends, but it wasn’t until his freshman year of college that he accepted his role as a solo artist.
In 2013, Harris went off to college at Northwestern University to study Computer Engineering and minor in Music Technology. His freshmen year, he created a student group called DOJO, with friends Steven Layne, Michael Martinez, and Bomani McClendon. DOJO, a music community with a deep love for Hip Hop, reintroduced creating music to Harris and soon after the group’s creation, he was inspired to begin rapping again.
After a few guest verses, Harris released his first single, Economics, to many positive reviews and a few blog posts. A few weeks later, he released his second single of the tape, Power. A month later in January 2015, he released his debut mixtape, State of The Union. The ten-track project featured artists and producers such as Thaddeus Tukes, AleXander, Aria Charles, Adhana Reid, LexOfNP, Detrakz, Paul Cabbin, etc. Harris began doing shows non-stop after the release, throughout Illinois and Wisconsin opening up for major acts like, B.o.B. and Jay Electronica.
Harris is now set to release his next project, an EP entitled A Different World, this year. Along with the EP, he will be performing at colleges in the Midwest throughout the Fall.
While Shake and her 070 counterparts – PHI, J Sebastian and Ether – continue to buzz about their local Jersey hip-hop scene, the group is slowly starting to creep around territory outside of the tri-state area – and with good reason. The production in many of Shake’s tracks boast a (familiar-sounding) hazy, snare-happy trap beat, but the artist’s genre-warped, baritone vocal spits and gritty realness land her in a category of her own.
JFA was formed around March of 1981. Don Redondo and Michael C knew each other from going to shows around Phoenix. Michael was in a band called the Jr. Chemists and Don had just been in a band called the Deez. Michael and Don never really agreed to play together until after a DOA gig during the Hardcore 81 tour—one of the best shows I have ever seen to this day. After that, the hunt was on for the other members…the only criteria being that we wanted to play fast and they had to skate. Don met Bam Bam at an Industrial Dance (early Phoenix punk shows). Talking to a big group of skaters…one of them said, “Hey that guy is really good on drums, skates and lives down the street from that Wallace and Ladmo guy.” It took Bam about three seconds to agree. Michael C met Brian at a Hate House gig (big Phoenix punk rock/artist house) and asked him:
1. Do you skate? 2. Can you scream? (At which point Brian yelled in his ear) 3. And, do you have a place we can rehearse? (Brian’s garage)
First rehearsal was under Brendan deVallance’s house. After that it was always in Brian’s garage (playing with his dog Julie between songs). First show was at another Industrial Dance (Don got the Crowd from HB to headline so that is what got us on the bill). First song we played was “Pipetruck.” First and last time I ever jumped on Bam’s drum set (have a ride cymbal scar on my camouflaged SG to this day from that). Brian and Bam were 14. Don and Michael were 21.
Comic Book Certification Service, LLC will expertly, impartially, and consistently certify and encapsulate comics using the highest quality materials. CBCS will promote the hobby of comic collecting with integrity, transparency, and a friendly attitude: educating hobbyists, welcoming suggestions, and promoting related charities.
Hailing from eastern Ohio and western Pennsylvania, IRONFLAME is a modern Heavy Metal band with traditionally based ideals. Their fist-banging anthems hearken the sounds of such venerable acts as Riot, Nocturnal Rites, Running Wild and Fifth Angel. Founded in 2016 by vocalist/musician Andrew D’Cagna, IRONFLAME originated as a solo project but soon became a formidable live unit. The debut album “Lightning Strikes the Crown” was self released on vinyl in 2017. The album sold out quickly and soon after the band signed a deal with Divebomb Records. A second album entitled “Tales of Splendor and Sorrow” soon followed in 2018 as well as a deal with Metalworld Switzerland for vinyl distribution in Europe. The live lineup consists of Andrew D’Cagna/vocals, Quinn Lukas/guitar, James Babcock/bass, Jesse Scott/guitar and Noah Skiba/drums. IRONFLAME has played high profile festivals such as Legions of Metal in the US and Keep It True in Germany alongside Heavy Metal heavyweights like Armored Saint, Grim Reaper, Flotsam and Jetsam and Uli Jon Roth. On the heels of their successful first European tour, the album Blood Red Victory was released in 2020. 2022 saw the release of fourth studio album entitled Where Madness Dwells, followed by a rarities compilation CD entitled Compendium in 2023. The band signed a deal with High Roller Records in 2021 and a new album entitled Kingdom Torn Asunder will be released July of 2024.
Steel Aggressor formed in 2010 by Rick Cope (Ex Phantom Witch), hired Bob Fouts on drums (The Gates of Slumber) and Damon Black on bass to record “From Ruins to Dust” later that year. It was recorded at Bob’s personal studio “Basement Rage” in Beech Grove, IN and submitted to Stormspell Records releasing it in spring of 2011. The album had great feedback, doing multiple interviews and airplay on podcasts such as “Raise the Fist of the Metal Child”. Later in 2011, Bob was hired to record a batch of new songs never to be released in a more traditional metal vein.
In 2012 Rick teamed up with David Phelps (Also Ex Phantom Witch) on lead guitar and wrote some new songs together starting off in a power metal direction, then ended up leaning in a more thrash metal direction. Rick and Dave hired Andrew Moore on drums and recorded at “Music Garage” in Indianapolis, IN. The album was titled “Mourning Star… Total Eclipse” and was also put out on Stormspell Records in 2013.
Not being totally thrilled with the previous outcome, Rick started anew with Steel Aggressor writing brand new songs back to the original “Ruins” format, power/speed metal to stay true to the classic German sound he is prominately fond with. The songwriting began in 2013, Richard Russo (Andrew W.K. among many other projects) was hired long-distanced to perform drum sessions in Nashville, TN. The drum recordings were sent over to The Lodge in Indianapolis, IN to begin recording their biggest production yet. Rick teamed up with Eugenic Death guitarist Jonathan McCanless from NC who performed a guest solo, many backing vocals, and miscellaneous percussion. New instruments have been included in songs such as keyboards, tin whistle, prima balalaika, and contrabass balalaika to broaden the sound.
The recording took nearly 2 years to complete. On Sep 29, 2016, Steel Aggressor’s Third Album “A Rival of the Fittest” was released.
We are now working on our 4th release. We are in the process of recording at Russian Recording in Bloomington, IN.
The Members participating in the are Rick Cope on Guitar, Bass, Vocals and Jonathan McCanless, on Drums, Guitar, Vocals. This may be one of our best albums yet!
Dave Kerzner, of the band “Sound of Contact”, has a variety of Progressive Rock projects including his work as a soloartist. Dave’s “Sonic Elements” project uses sounds from his company Sonic Reality and features iconic guests like Steve Hackett (Genesis), Keith Emerson (ELP), Billy Sherwood (Yes), Francis Dunnery (It Bites), with SR drums from Neil Peart, Nick Mason…
King Llama plays progressive music for progressive minds. The group’s debut full-length album, RETURN TO OX is a journey ofinstrumental compositions with elements of rock, jazz, funk, fusion, and a touch of hip-hop.
Band members — guitarist Ryan Tanner Bailey, drummer Luis Briones, and bass/baritone guitarist Nico Staub
Karcius is a band from Montreal, Canada, teamed with unique musical vision. Combined, they create a unique style of fusion, emanating from Rock, Pop, African, Classical, Jazz, and ambiant grooves. The group was formed in spring 2001 with Simon L’Espérance on guitars, Thomas Brodeur on drums, Mingan Sauriol on Keyboard and Sylvain Auclair, who joined the band in 2009, on bass and vocals. Each of these solid musicians are constantly active in the local and international music scene, especially in Europe. Through diverse musical projects, the quartet has acquired experience and maturity, thus enabling them to conceive and ideate unique musical blends and explore boundless opportunities within Karcius.
The band was formed in the idyllic Norwegian countryside, in the vicinity of the great waterfalls of Hønefoss in the spring of 1999.
The band had a burning desire to create, or perhaps recreate some of the musical expressions of the early 70’s – specially in the use of the instruments of that time and the somewhat “strange” compositions of the progressive rock scene from 1969 – 1974. In a few months the basic ideas for a demo was created.
Some of the songs was recorded at Lars’ studio in 2003, put out on the internet and started living its own life. Wobbler ended up signing a record deal with the US-label The Laser’s Edge.
By now, Lars’ vintage keyboard collection was getting out of hand, and the insane recording of the debut album Hinterland was about to begin in June 2004. There wasn’t allowed to use any midi what-so-ever, and only pre-1975 instruments were applied.
After eight intense months the album was ready. The hype from the demo songs had now reached it’s peak, and the expectations were sky-high. In July 2005 “Hinterland” was revealed at one of Wobblers rare live performances at Near-fest.
In April 2009, the band finally released the second album; “Afterglow” on Termo Records. It contained a re-recording of the two old demos plus three other old songs from 1999. Both albums made Wobbler a name amongst a lot of listeners around the world.
In 2009 the band entered the studio again, this time with new vocalist and frontman Andreas Wettergreen Strømman Prestmo. The third album, “Rites at Dawn”, was released in 2011, premiering at the Terra Incognita in Quebec, Canada. This album did really well worldwide and paved the way to a greater audience within the progressive rock community. After a while original member Morten Andreas Eriksen left the band, and old time friend Marius Halleland joined forces as the new guitarist.
Between 2011 and 2017 Wobbler have played in Sweden, Germany, England, Italy, Switzerland and France. In 2015 they supported Änglagård in front of a full house in Norway for a truly magical evening of progressive music.
The last couple of years Wobbler have been busy working on new material whilst doing concerts. As of january 2017 Wobbler has recently finished recording their fourth album, due for release in the first half of 2017.
Aisles have been regarded as Neo-Prog, but their approach to music goes far beyond. Their soulfully crafted combination of rock, progressive rock, art rock, fusion, world music and other styles illustrates the band’s unique liberal and eclectic music vision, reaching their own sound by forming an identity which makes it unmistakably unique to anyone’s ear, and a spirit in which prevails above all, the desire to create.
Founded in 2008, Agori Tribe is Sean Naughton (drums), Will Nicholls (guitar/samples), David Collins (guitar/keys) and Dave Hash (keys/percussion). These musicians have combined their talents to create a truly inventive sound that defies classification. Blending elements of psychedelic rock, funk, jazz, reggae and world music to form a one-of-a-kind fusion of sound, it is Agori Tribe’s fearlessness when it comes to experimentation that has led them to emerge as perhaps the most unique instrumental band Memphis has to offer.
The last several years have been a whirlwind of new opportunities for Agori Tribe. They’ve shared the stage with the likes of Perpetual Groove, Particle, Twiddle, Dopapod, Earphunk, Zoogma, Moon Taxi, Archnemesis, SunSquabi, Sixis, Spankalicious, The Original Wailers and appeared at the Wakarusa, Madsummer Meltdown, LUVMUD, Bristerfest, Fools Ball/Fall Ball, Memphis Electronic and Memphis Heritage music festivals. Having toured extensively throughout the Southeast, Mid-Atlantic and beyond, Agori Tribe’s following continues to grow.
Years of dedication to a shared musical vision culminated in the release of their debut album, “The Hard Mountain Tradition” in 2013 followed by the band’s second LP “Roller Coaster Tragedies” in Summer 2016. The psychedelic waves are only beginning to set into motion as Agori Tribe continues to dazzle audiences, while they push forward and prepare for bigger things to come.
Schooltree conjures elements of rock-opera in highly crafted, piano-driven, guitar-laden rock arrangements that explore both gritty, melodic riffs and ambient textural detail. Their debut album Rise offers a modern spin on classic 70’s era AOR, with big, multi-tracked guitars and vocal harmonies, compelling lyrical content, subtle humor, and majestic gravitas.
At the helm of this project is composer / vaudevillian / audio producer Lainey Schooltree (The Steamy Bohemians, Jerkus Circus, Bent Wit Cabaret), whose emotional intensity, quirky wit, and sophisticated musicality combine creating a larger-than-life “master of dynamic shift” (Bill Copeland) on stage, capable of delivering animated and passionate performances. Citing influences from Queen to Grizzly Bear, her writing is suffused with unpredictable changes and an unorthodox tonality; listeners often find a Schooltree song immediately recognizable as such. Lainey has performed to sold out crowds in Boston, New York, and Providence, and received press in The Boston Globe, The Herald, The Weekly Dig, The Boston Metro, The Boston Phoenix, The Noise Boston, Northeast Performer Magazine, Comedian Magazine (NYC), Somerville Times, Worcester Magazine, The Worcester Telegram and Gazette, Black Canvas, and others.
