Black & Blue plays Rolling Stones tunes from the 70s—not just Exile or Some Girls, but hits and deep cuts from the catalog. John Mead and guitar and vocals, Jimmy Tomasello on guitar, and John Abbey on bass have played (and taught) these tunes their whole lives, and they’ll be joined by Alton Smith on keys, Zoey Witz on guitar, Peter Manis on drums, Mani Bances on percussion, and the Midnight Hourhorns.
Lavish Lashes blend sequencers and electronic dream machines with lush ambient guitar and keyboard effects. They do this to make you want to dance, to sing along, and to make your own art.
Heavy.
Dank Evil from South-East Iowa.
Dyers eve is the most authentic sounding Metallica tribute band in the world! Dyers Eve is from Chicago, IL and features Ken Becker, the former guitarist and lead singer of Battery (who opened for Metallica on the Garage inc. tour), Kevin M Buck well known area guitarist from Blizzard of Ozz, Kevin M Buck band, and the former lead guitarist of Battery and Blackened (…played onstage with Metallica for their 30th anniversary show). With John Rix of Air Raid on bass and Jack Michener of End of Anarchy on Drums.
Dyers Eve plays the actual parts that the original band members played!
Dyers Eve plays the songs in the original (proper) keys that the songs were first recorded and played in!
Dyers Eve plays over 80 Metallica songs.
Dyers Eve gives the talent buyer a professional concert experience.
Do not miss Dyers Eve live!
post-everything
Will Bennett & The Tells conjure a delicious mix of supercharged country and toe-tapping rock & roll. The result is a sound that will resonate just as well with fans of The Replacements’ literate barroom rock as those of cowpunk stalwarts such as the Old 97’s and Lydia Loveless. At the heart of it all are instantly memorable tunes—infectious without being syrupy, clever without being obtuse—that dig into the marrow of murky, mid-twenties love and loss.
The band’s debut album Wichita, released in 2016, has garnered high praise from a variety of genre tastemakers, ultimately landing at #40 in the No Depression Year-End Readers Poll and earning a spot on Americana Rock Mix’s “Best of 2016” podcast. In the past year, Will Bennett & The Tells have released a standalone single “Tumblin’ Down” and opened for national alt-country acts such as Cory Branan and the Yawpers.
Will Bennett & The Tells formed in 2014 when the singer-songwriter packed up his guitar and left his hometown of Grinnell, Iowa for Columbus, Ohio, where he joined forces with drummer Daniel Martinson. Now based in Chicago, the Tells are rounded out by Ethan Kenvarg on bass and Wilson Brehmer on guitar.
Blind Adam & The Federal League is:
Adam Gogola – Vocals/Guitar, Alex Simotes – Bass/Vocals, Nick Cvijovic – Lead Guitar/Vocals, Tim Schuman – Guitar/Vocals Athen Erbter Drums
Founded in 2017 in Chicago, has developed into something of an anti-fascist punk rock family band. Founding members (Blind) Adam Gogola and Alex Simotes turned a handful of Adam’s acoustic demos into what would become the band’s self titled debut LP before playing a single show. By 2019 the band had played all over the midwest on regional tours, small festivals, and as support for Anti-Flag, Ben Nichols (Lucero), Ever Clear, Bowling for Soup, CJ Ramone, Dog Party, and more.
After several lineup changes and a 7” on Anti-Flag’s A-F Records, the band headed to Pittsburgh to record An Act of Desperation with Chris “2” Barker of Anti-Flag at the helm as producer/engineer. The plan was to release An Act of Desperation in early summer 2020 and spend the year on the road, but plans changed with Covid-19. The band quickly shifted gears to support mutual aid and survival programs, hosting a nine-week livestream series raising over $10,000 for community relief efforts. The band spent 2020 and 2021 in the streets in solidarity with the Black Lives Matter uprisings and mutual aid projects around Chicago. With the fall 2021 release of An Act of Desperation, the Federal League played a handful of shows around the midwest with bands like The Copyrights, The Dopamines, and The Eradicator. The Bouncing Souls invited the band to join their spring 2022 tour alongside Pkew Pkew Pkew, but Covid-19 cases forced both openers to cut the tour short.
After a busy fall playing DIY shows, FEST 20 in Gainesville, and a run with Anti-Flag, The Suicide Machines, We Are The Union, and The Gully Boys, the band is looking forward to a busy 2023, starting the year in Asbury Park to work on a new record with Pete Steinkopf of The Bouncing Souls.
He joined his first band at age 15, although at that stage the music itself may now have been the most important aspect of being in a band. That would come later though. After High school he attended the Dick Grove School of Music in Los Angeles, at first specializing in drums but later switching to vocals, songwriting and music theory. He kept playing the drums though.
In 1992 he encountered fellow musicians Neal Morse and Al Morse at a blues jam, which was the start of what would eventually become Spock’s Beard. One year later he met Kevin Gilbert, and soon became a close associate of him, lasting until Gilbert’s passing in 1996. D’Virgilio had worked close enough with Gilbert to take it upon himself to finish his last album, which Gilbert had merely started working on when he passed. And in 2000 this resulted in the album The Shaming of the True.
One year before Gilbert died, Spock’s Beard had gotten their major breakthrough with their debut effort The Light, and they were working on their sophomore effort at the time Gilbert passed away. They continued issuing popular titles for the coming years, which kept D’Virgilio rather busy. And besides his mani band, he was also brought in to be the drummer of Tears for Fears in this period, a task he has continued with to this date. At the same time he was also brought in as the drummer for what turned out to be the last studio effort by Genesis, the 1997 production Calling All Stations.
FM is a Canadian progressive rock music group formed in 1976 in Toronto. The band existed from 1976 to 1996, with a brief return in 2006, although they had a period of inactivity between 1989 and 1994. Their music has been categorized as space rock, and lyrics are dominated by science fiction themes. In November 2011, Cameron Hawkins reformed the band with two new players.
French TV is a Louisville, Kentucky – based progressive band that has been in existence since 1983.
Some of the very first music 2016 Modern Drummer Reader’s Poll Top 5 Progressive Rock Drummer Jonathan Schang (of Chicago’s District 97) ever heard was the 1979 Bruford album “One of a Kind.” His father played it repeatedly in his youth, and the album’s blend of crisp drumming, dexterous bass, lush keyboard soundscapes, and sinewy guitar lines immediately intrigued Jonathan. Having very little point of reference though, he assumed this was just how instruments were played! After maturing and hearing more music, Jonathan came back to this album and realized it was truly “One of a Kind” indeed.
When District 97 bassist TIm Seisser took on organizing an Allan Holdsworth Tribute on the first anniversary of his passing this year, he asked Jonathan and Andrew Lawrence (D97 keyboardist) to participate. Among other songs, the group took on Five G from “One of a Kind.” Having had so much fun with that, the idea was born to play the whole album at Progtoberfest 2018. Come see this special (fittingly) one-ttme only performance! Also featured will be Cleveland-area guitarist Jeremey Poparad.
Axon-Neuron was initially formed in 2011 by Jeremey Poparad as an excuse to play some music one last time with some friends who were moving away from Ohio. In the course of four months, an entire full length album was written, rehearsed, and recorded and a few live shows were put on in Akron. The result was so enjoyable, that Axon-Neuron “2.0” was assembled to continue performing, writing, and recording after the original lineup departed.
Our first album, “Brain Songs,” was released in May 2011, with our second album, “Dreamstate,” following in June 2012. They are both available on CDBaby (http://www.cdbaby.com/Artist/Axonneuron) and iTunes, as well as other digital music services, and at live shows.
Westward, the band from Salt Lake City, Utah. Founders of Cowboy Space Rock. Born from the minds of Andrew Marshall, Matt Morrison and Karl Grimm.
Soft Machine : One of the greatest UK avant/jazz-rock bands of all time.
Their work, from their earliest performances as a psychedelic band who were contemporaries of, and shared stages with, Syd Barrett’s Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe’s best known ‘fusion’ groups, has influenced several generations of bands, and continues to be name-checked by today’s hip experimentalists.
Whilst the line-up of Soft Machine may have changed many times since the heady days of the late 1960’s, the band’s spirit of musical adventure, and the ease with which it freely avoids being pigeon holed and can move from powerful progressive jazz fusion to atmospheric psychedelia to free improvised jazz-rock to ambient loop music continues to make it both unique and totally contemporary.
The Tronosonic Experience is a hard hitting punk jazz band from Norway. In December 2016 the band recorded their debut album at Ocean Sound Recordings, with engineer Henning Svoren behind the recording console.
The band’s eponymous debut album was released by Losen Records in September 2017.
Möbius Strip is an instrumental band formed in Sora (Italy) in 2014 and made of: Lorenzo Cellupica (25) on keyboards, Nico Fabrizi (27) on sax and flute, Eros Capoccitti (24) on bass and Davide Rufo (26) on drums. Möbius Strip was born with the intention of exploring and mixing different musical styles, in particular the sound and the improvisations of jazz with the structures of prog, without disregarding the insertion of strong melodies and searching for its own identity anyway.
Want to hear what Fractal Geometry, Chaos and Non-linear physics sound like when the mathematics becomes music? Climb the Devil’s Staircase…Made up of Ramsés Luna (Saxophone, Midi Wind, Electronics)
Tim McCaskey (Electric and Acoustic Guitars)
Luis Nasser (Bass, Pedals, Holophonics)
Mattias Olsson (Drums, Percussion, Loops)
The “Hypnotic Pandemonium” of Lucille Furs has been alternately described as “poetic rhythm,” “sophisticated and mellow” and “dream beat-pop”. The group describes themselves simply as “baroque pop.” The Music Manual UK describes them as “one of the hottest offerings to come out of Chicago.”
The Knells are an art rock ensemble from Brooklyn, NY. Drawing inspiration from over 1000 years of western classical music and deftly fusing it with the worlds of progressive, psychedelic, and experimental rock, their music “is a must for those seeking untamed new musical hybrids” (The Daily Beast). The New York Times writes, “[The Knells’] lyrics ponder cosmic conditions and cycles — time, space, dissolution, regeneration — and they are sung by three women, often in cascading counterpoint that can invoke Renaissance polyphony or Minimalism. The songs… sweep ahead, through passages of tolling solo electric guitar, of elegiac vocal melodies and harmonies, of note-bending quasi-Indian strings and guitar, of progressive-rock processionals.”
From Jazz (Weather Report), to Rock (Frank Zappa and the Mothers), to Pop (Genesis/Phil Collins) to Gospel (Ron Kenoly), Chester Thompson has surpassed the boundaries of musical genres. Chester’s performance and recording experiences have influenced over three decades of music and musicians. Whether playing drum kit or percussion, Chester’s masterful subtleties and unyielding time create the firm musical foundation for any musical genre.
Bubblemath. Kings of delight.
Valdez is a four piece art-rock band from Philadelphia, USA comprising of singer/guitarist Simon Godfrey, bassist Tom Hyatt, keyboard player Joe Cardillo and drummer Scott Miller. The band released their debut album entitled ‘This’ in the spring of April 2017 and plan to return to the studio to record their follow up record in early 2018.
Farmhouse Odyssey was formed by five college students in a small farmhouse in the fall of 2012 in Arcata, California. Embracing an improvisational writing style and inspired by the natural beauty of the Pacific Northwest, the band quickly developed an organic and undeniably original sound. Songs flow freely between moods and styles influenced by progressive rock, psychedelia, jazz, funk, and world music, while always retaining the distinct musical personality of the group.
New York based guitarist Joe Nardulli‘s self-titled debut CD inspired and intrigued a bunch of local progressive rock musos. After jamming with a few, Joe finally found the right people and put a band together. David Penna on drums, J. Levine on bass and Eric Davis on keys brought Joe’s solo material to life. Harold Skeete and Tony Savasta are now filling the rhythm section duties. Now as a band, AD ASTRA(Latin for “To the stars” – inspired by the title of the closing track of Joe’s self-titled debut CD) has taken the compositional process to another level and have completed a full band recording! With tone and melodic sensibilities reminiscent of Steve Morse and Eric Johnson, the focus is on compositions that are tightly structured, eschewing the bombast and length that progressive rock is known for. Smooth, thematic playing styles blend perfectly with soaring, uplifting melodies. Combined with odd and shifting time signatures, you have songs that always keep your interest and never sound monotonous.
The term “space rock” has been applied loosely over the last decade, but few bands truly achieve that delicate balance between openly atmospheric and crushingly heavy. Complex times, without feeling overly mathy. The Chicago quartet have layered instrumentation reminiscent of 90’s rockers Hum, with powerful vocals that can lead the listener towards Failure, or even the Midwest rock sounds of Shiner. This doesn’t mean Lybria are stuck in 90’s, as their modern approach has the contemporary feel of a matured Thrice, or progressive nature of UK’s Oceansize. Lybria are now focused on supporting their new EP “Cylces” with regional shows throughout the Midwest, and a heavy online presence.
The Gabriel Construct is the rock solo project of Gabriel Lucas Riccio, a vocalist, composer and performer from Salisbury, MD. His debut album, ‘Interior City’, is a dark and atmospheric concept album featuring Travis Orbin (Darkest Hour, ex-Periphery, Of Legends) on drums, Thomas Murphy (ex-Periphery) on bass, David Stivelman (ex-Debbie Does Dallas) on guitar, Soren Larson on saxophone, and frequent collaborator Sophia Uddin on violin. The album unites players from rock, metal, classical, and jazz backgrounds to create a sound which incorporates influences from a wide variety of genres, including progressive rock, 20th century classical music, extreme metal, drum-n-bass, jazz, ’90s grunge and space rock, ’80s pop and more. The album’s densely layered vocal harmonies, distorted pianos, dissonant chords, and complex rhythms envelop the listener in a hallucinatory wall of sound.
The journey of Neal Morse has seen three decades of musical accomplishments, the latest being the inception of THE NEAL MORSE BAND. The Los Angeles born Prog-Rocker Neal Morse (Spock’s Beard, Flying Colors, and Transatlantic) has forged many relationships over the years. The most compelling and fruitful efforts have been those with Mike Portnoy (ex-Dream Theater, The Winery Dogs, Twisted Sister, Transatlantic, Flying Colors, and more).
Together the pair has launched four bands. But the band that has endured the longest and thus with the most musical output has been THE NEAL MORSE BAND. Over the years, Neal along with Mike Portnoy and Randy George always assembled musicians as needed to support Neal’s solo music. In 2012, Neal with longtime bassist Randy George held auditions to find the musicians needed to fill out the band as a permanent lineup that would write music collectively. Bill Hubauer (keyboards, vocals) and Eric Gillette (guitar, vocals) joined the band after three days of auditions. They went on to release THE GRAND EXPERIMENT in 2014 followed by the ALIVE AGAIN live DVD/2 CD package in 2015.
Together, the five members are now embarking on THE SIMILITUDE OF A DREAM. This will be the eighth studio album with Morse, Portnoy and George, but the second as a true collaboration with this lineup. Neal’s most recent album is Life & Times.
Dinosaur Exhibit is the brain child of former members of several historic Chicago based Rock bands: The Flock, The Mauds and Aura. These bands exploded onto the music scene during the 60’s and played
through the 70’s and are noted for being an integral part of the birth of American Rock Music! These bands through their creativity and various successes have influenced many generations of musicians to follow in their footsteps!
The Flock were well known for such hits as “Clown” and other cult classics recorded over 3 albums, and headlining around the world. The Mauds produced top hits including “Hold On”, “Knock On Wood” and “Soul Drippin” and were a charting Phenomenon in Japan!
Aura were a more obscure band, that included original members from Four Days and a Night, and not unlike The Mauds and The Flock were signed to Mercury Records and had and have developed a huge following. Dinosaur Exhibit is not a tribute band, but the original musicians playing the music that they created and the music that we have all come to know and love, Live and in person!
*Featured guest legendary violinist Jerry Goodman is recognized as the world’s finest Electric Violinist who was a member of The Flock, Mahavishnu Orchestra, Jan Hammer Group and The Dixie Dregs and has appeared on countless recordings including: Hall &Oats, Styx and Toots Thieleman.
Soften the Glare is what happens when different worlds collide. Ryan Martinie (Mudvayne), Bon Lozaga (Gongzilla, Tiny Boxes) & Mitch Hull unleash an amalgamation of captivating sounds. When Lozaga, Hull & Martinie first met in LA and started talking about getting together to create some music, they didn’t know what to expect. Now, as Soften The Glare, their music is constantly evolving, bringing in elements from all of their worlds. Currently their music is headed in a jazz/rock fusion direction with elements of metal, funk, prog and chaos.
Jeavestone was formed in 1999 by a group of young hopefuls in Western Finland. They developed their style from a more direct approach towards what the band themselves call “prog’n’roll”
Born on the south side of Chicago, SharmonJarmon! is a Journalist, Radio Personality, and Singer/Songwriter.
Sharmon has worked with local radio stations in Chicago from Vocalo.org, TrueStar Radio on Power92 Chicago, Clear Channel Chicago, and UICRadoio.org and even host and produced her own radio show StrawberryJamz! Radio on windycityunderground.com.
Sharmon has also hosted numerous open mics, talent shows, fashion shows, and even non-for-profit seminars. Overall Sharmon likes to have fun and is always optimistic about the next step in life. She hopes to spread “peace, love and STRAWBERRIES” as she says by always presenting 2 Timothy 1:7 in everything that she does.
Billy Sherwood (Yes bassist/producer/engineer/solo artist) will be doing a clinic at Reggies Chicago on Wednesday June 6th at Noon.
Sharing insight and discussing the finer points of the music industry as well as techniques and tips on audio production, engineering, mixing, song writing, playing bass, guitar, keyboards etc… There will be a Q and A included. Come out and learn how to better improve whatever aspects of the music field you’re perusing by picking the brain of one of Progressive rocks most prolific artists/producer. Having produced/recorded/mixed over 100 professional records, Billy has a wealth of information to share and in many ares of music. A picture/autograph session is also included. Tickets are limited so make sure to get yours today !!
Brutal Death Metal from Chicago, IL
shhh… It’s a secret. Yeah it’s good.
Bruce Lamont wears many hats, he’s part of electronic noise-dirge squad Corrections House, with Eyehategod’s Mike IX Williams, Neurosis’s Scott Kelly, and longtime creative partner Sanford Parker; the mind-melting jazz-prog-hardcore trio Brain Tentacles, and dozens of other projects, large and small, collaborating with an ever-growing network of like minds.
Initially assembled in 2012, The Twenty Committee are a young band from New Jersey with a modern, melodic sound — a unique blend of musical theatre and classic prog. Comprised of Geoffrey Langley (keys, lead vocals), Stephen Kostas (lead guitar), Justin Carlton (guitars, keys, vocals), Joe Henderson (drums, vocals) and Richmond Carlton (bass, harp), the band released their debut album, “A Lifeblood Psalm,” in April of 2013. Recorded in the space of two weeks at Neal Morse’s Radiant Studios, and produced by Jerry Guidroz (Neal Morse, Transatlantic), “Psalm” has continued to receive significant critical acclaim since its initial debut. The Twenty Committee have done shows in the greater Philadelphia area, including a bill for the NJProghouse, and have been featured in numerous podcasts and online radio stations.
Strange Changes is an eclectic nine piece rock band comprised of musicians from the Boston music scene. Residing in Allston, they mix elements of American popular music with classical, jazz, metal, and more, in the tradition of the great American pop composers Frank Zappa and Charles Mingus.
ALPHA LIGHTING SYSTEM was formed in Mexico City in 2013. The band members are Alam HERNÁNDEZ, lead vocals, drums and keyboards, Jaco JÁCOME, bass and backing vocals, and Joshua San MARTIN, guitar and backing vocals. Their debut album, Walking On An Eartlike Planet, produced by Billy SHERWOOD (YES, WORLD TRADE), released in 2015, showcases the group’s unique blend of space rock, jazz fusion, and classic prog sounds.
A TRIO OF TWO BROTHERS AND ONE LONGTIME FRIEND WHO PERSONALLY PRODUCE, PERFORM, AND PASSIONATELY CONJURE UP DARK ALTERNATIVE POP PUNCTUATED BY ROCK AND R&B, AUSTRALIA’S CHASE ATLANTIC BLUR THE LINES BETWEEN A NOCTURNAL AESTHETIC AND PRIMAL BLISS ON THEIR 2017 SELF-TITLED DEBUT FOR WARNER BROS. RECORDS.
THIS DELICATE BALANCE QUIETLY TRANSFORMED THE GROUP—MITCHEL CAVE, CLINTON CAVE, AND CHRISTIAN ANTHONY—INTO A VERITABLE SENSATION DOWN UNDER WHILE STILL IN THEIR TEENS. SINCE FORMING IN 2011, THE BOYS HAVE PACKED MULTIPLE HEADLINE TOURS ACROSS AUSTRALIA, AMASSED AN IMPRESSIVE DIGITAL FOOTPRINT OF FOLLOWERS, RELEASED TWO SUCCESSFUL INDEPENDENT EPS, DALLIANCE [2014] AND NOSTALGIA [2015], AND SPAWNED A VIRAL SINGLE WITH “FRIENDS,” WHICH GARNERED AN INCREDIBLY LARGE COUNT OF SPOTIFY PLAYS.
HOWEVER, THEIR SHARED AMBITION ALWAYS EXCEEDED THE CONFINES OF THE BEDROOM STUDIO WHERE THEY INITIALLY RECORDED. “WHILE ALL OF OUR FRIENDS WERE DOING GAP YEARS AND FINDING THEMSELVES, WE WERE WORKING ON GETTING THE WORLD TO NOTICE US,” ADMITS MITCHEL. “WE MADE THIS AGREEMENT WITHIN THE BAND THAT WE WEREN’T JUST GOING TO STAY IN AUSTRALIA. WE WANTED TO SIGN TO AN INTERNATIONAL LABEL, AND WE WOULDN’T STOP UNTIL THAT HAPPENED.”
“WHAT WE WERE DOING WAS DIFFERENT FOR AUSTRALIA,” ADDS CHRISTIAN. “IT FELT LIKE WE WERE THE ONLY ONES PUTTING OUT MUSIC THAT WE PRODUCED AND MADE ENTIRELY BY OURSELVES. THAT’S THE PROCESS. IT’S REAL.”
THAT SPIRIT CAUGHT THE ATTENTION OF THE MADDEN BROTHERS DURING 2015. MULTIPLE MEETINGS IN AUSTRALIA FOLLOWED, AND THE THREE-PIECE SIGNED WITH THE INDUSTRY ICON’S MUSIC COMPANY, MDDN. IN 2016, CHASE ATLANTIC FLEW TO LOS ANGELES SCORING A DEAL WITH WARNER BROS. RECORDS.
“THE MADDENS LOCKED US AWAY IN A BURBANK STUDIO FOR THREE MONTHS AND THREW AWAY THE KEY. WE REALLY GOT TO PRESERVE THAT ORGANIC SOUND,” SAYS CLINTON.
WITHOUT OUTSIDE INFLUENCES, THE THREE-PIECE PRODUCED, PLAYED, AND RECORDED EVERY NOTE, INCLUDING SAXOPHONE. ALONG THE WAY, THEY HONED AND FINE-TUNED A DEFINITIVE STYLE EQUALLY REVERENT OF TAME IMPALA AND SKRILLEX AS IT IS OF THE WEEKND AND TRAVI$ SCOTT.
“TO US, PRODUCTION IS THE MOST IMPORTANT THING,” MITCHEL GOES ON. “IT’S THE MOST CRITICAL ELEMENT OF CREATIVITY. WE PUSH OURSELVES TO FURTHER WHAT WE CAN DO EVERY DAY, WHETHER IT’S PRODUCING OR PLAYING. WE REALLY FOUND OUR MUSICAL IDENTITY THIS PAST YEAR.”
NOW, CHASE ATLANTIC ROARS TO LIFE ON THE FIRST SINGLE “CHURCH.” GLITCHY SYNTHS BLIP IN THE BACKGROUND AS MITCHEL’S BREATHY VOICE HAUNTS AND HYPNOTIZES. BELLS RING WHILE THE HOOK—“I’M ABOUT TO TAKE YOU BACK TO CHURCH”—SIMPLY SEDUCES. “IT’S VERY FORWARD, SEXUAL, AND AGGRESSIVE,” EXPLAINS MITCHEL. “THE LYRICS ARE SEXUALIZING RELIGION IN A WAY, AND THE SONG ENDS UP BEING THE COMPLETE AND TOTAL OPPOSITE OF WHAT CHURCH REALLY MEANS TO MOST PEOPLE.”
ELSEWHERE ON THE RECORD, THE AIRY “INTO IT” TEMPERS A DOWNTEMPO GROOVE WITH AN UNSHAKABLE REFRAIN BEFORE A JAZZ-Y SAXOPHONE SOLO TAKES THE SPOTLIGHT. “IT REPRESENTS THE TRANSITION INTO A NEW, MORE INTENSE LIFESTYLE,” SAYS CHRISTIAN. “YOU’RE ACKNOWLEDGING THAT THIS SOMETHING YOU’RE INTO AND CAN ROLL WITH. IT’S OUR STORY.”
MEANWHILE, “RIGHT HERE” URGES FOR A CARPE DIEM MOMENT WITHIN A RELATIONSHIP. “IT BASICALLY SAYS, ‘FUCK EVERYBODY ELSE. IT’S JUST YOU AND ME’,” MITCHEL REVEALS. “ALL THAT MATTERS IS THE TWO OF US IN THIS MOMENT.”
ULTIMATELY, CHASE ATLANTIC FORGE A LASTING CONNECTION THROUGH THAT HONESTY.
“THE ONE THING WE WANT PEOPLE TO TAKE AWAY FROM THE MUSIC IS THIS ELEMENT OF REALLY FEELING THEMSELVES,” MITCHEL LEAVES OFF. “A SONG CAN MAKE YOU GO, ‘FUCK YEAH,’ AND YOU’RE THINKING ABOUT IT AND SINGING IT ALL DAY. YOU’RE NOT LEFT UNDERWHELMED. YOU’RE OVERWHELMED. WE WANT THAT.”
“AND WORLD DOMINATION,” AGREES CLINTON.
Los Unos has been described as a band you might hear on college rock radio…in the 80’s. Influenced by such notables as The Blasters, The Replacements, The Smithereens, R.E.M., Drivin’ N’ Cryin’, The Jam, Minutemen, X, and The Clash there’s probably some truth to that. But ultimately they’re an all-original power trio that combines equal parts Garage Rock, Power Pop, and Roots Rock.
Kill Lincoln is a ska/punk band from Washington, DC.
Between 2004 and 2006, Tempano continued to gain international acclaim through their work on several compositions for international musical projects, The Odyssey, The 7 Samurai and Hell, all produced by Musea (France) and Colossus (Finland).
In 2008 Tempano offered the public a free download of there newly completed album Selective Memory. This work included a combination of re-mastered tracks recorded for Musea Records and Colossus, along with new compositions and arrangements that had not appeared in any of there previous work.
Throughout these years Tempano’s record sales were also correlated with increasing exposure at national and international music festivals where Tempano served as the opening act for such greats as Roger Waters (Pink Floyd), Yes, Kansas, Steve Hacket (Genesis) and many others.
And then, in December 2014 Tempano met in Miami and headed back to the studio where Pedro Castillo, Miguel Angel Echevarreneta, Giuglio Cesare Della Noce and Gerardo Ubieda began recording there newest work, Nowhere Now Here. The album has already been completed and has a release date set for the end of 2016. For the first time since the days of Atabal Yemal, the quartet will release their work on vinyl.
Between 2004 and 2006, Tempano continued to gain international acclaim through their work on several compositions for international musical projects, The Odyssey, The 7 Samurai and Hell, all produced by Musea (France) and Colossus (Finland).
In 2008 Tempano offered the public a free download of there newly completed album Selective Memory. This work included a combination of re-mastered tracks recorded for Musea Records and Colossus, along with new compositions and arrangements that had not appeared in any of there previous work.
Throughout these years Tempano’s record sales were also correlated with increasing exposure at national and international music festivals where Tempano served as the opening act for such greats as Roger Waters (Pink Floyd), Yes, Kansas, Steve Hacket (Genesis) and many others.
And then, in December 2014 Tempano met in Miami and headed back to the studio where Pedro Castillo, Miguel Angel Echevarreneta, Giuglio Cesare Della Noce and Gerardo Ubieda began recording there newest work, Nowhere Now Here. The album has already been completed and has a release date set for the end of 2016. For the first time since the days of Atabal Yemal, the quartet will release their work on vinyl.
Inner Ear Brigade (IEB) is an ensemble of musicians based in the San Francisco Bay Area who play a unique mix of progressive rock, jazz, and experimental pop, all delivered through their originally detailed compositions and arrangements. They recently released their 2nd full length album “Dromology”. The music is “fun, happy, accessible, and proggy.” Steeped with a vintage analog sensibility, effects processing, and synthesizers, IEB crafts their sounds from “ RIO elements (Rock In Opposition), Canterbury (Sound), and Zappa”. IEB is Bill Wolter (guitar and compositions), Ivor Holloway (sax), Andrew Jamieson (keyboards), Stephen Wright (bass), Alison Niedbalski (vocals, synths) and Christopher Lauf (drums).
No More Pain is a four piece band from central New Jersey. They are concentrated as a true progressive rock arrangement with a grungy epicenter. The current lineup of the band consists of Michael Roman (Guitar/Vocals), Dan Rainone (Drums/Vocals), Matt McDermott (Keyboards/Vocals), and John Moroney (Bass). No More Pain employs virtuosic musicianship with songwriting to match. Their music can best be described as a mellow soundscape, followed by a direct kick to the face, and are still to this day: “The only band preferred by both God and Satan.” No More Pain stands on the thin line between rock and progressive, where hard hitting riffs and emotive vocals combine with complex harmony, rhythm, and thought provoking lyrics.
As of January 2015 the band is working on new material for their second album, and are working towards getting international distribution for this forthcoming album as well as becoming a more active band in the live circuit.
The literal definition of Escaper is “one who escapes confinement”. Founded in 2016, the Brooklyn based Post-Rock/Space-Funk Fusion quintet strive for a sound without limits.
**Just named one of “5 Bands You Need to Know” in a feature of Relix Magazine (October 2017 edition).**
The band released their first album with Ropeadope Records in May 2017 to critical acclaim including being named one of three “Release Day Picks” by JamBase. Live for Live Music said, “Their sound is a reckoning force of funky fusion music…there’s no telling how high this band can climb.”
The band released their 2nd album in February 2018. As with the first album, it was recorded at The Bunker Studio in Brooklyn, with all five band members playing together simultaneously, while in isolated rooms. Recording this way helped capture the great live synergy between the players which you can witness during their performances. Their live sets tend to be open with many in-the-moment improvisational aspects, and this essence was not lost during the studio recordings. Bandleader and guitarist, Will Hanza, expresses, “The term ‘jam’ can be a loaded one, but the idea of having some concrete ideas, while still allowing the music to be open to take advantage of the moment is really important to us.”
Arising from a sweat-drenched Halloween house party debut in 2011, Gramps The Vamp has become equally known for it’s “tight-as-a-rope funk” [My Spilt Milk] as for its dedication to break the funk mold and carve out its own genre. In 2014, a year after being named Best New Band by Chicago Reader on the merits of its demos and live shows, Gramps The Vamp released its self titled debut LP produced Sergio Rios (Orgone, Killion Sound). The album’s vintage-noir style, which the band half-jokingly calls “Doom Funk,” drew the interest of filmmaker Alaric S. Rocha, who used over half of the songs as the soundtrack for his 70s inspired horror film “Demonoid (1971)”. In 2016 the band released its sophomore effort, “The Cave of 10,000 Eyes”, which brings together afrobeat, deep funk, ethiopian-jazz, and spooky soul for a further exploration into the dark, wild, and strange side of the funk.