Mother Nature

MOTHER NATURE

MOTHER NATURE IS THE IRRESISTIBLE FORCE OF KLEVAH AND TRUTH—EMCEES DEVOTED TO BUILDING A LEGACY FOUNDED ON DEFIANCE AND SELF-DISCOVERY. THE CHICAGO AND HOUSTON-BASED DUO IS THE ANSWER FOR LISTENERS SEEKING BOTH SUBSTANCE AND SIMPLICITY. AS EDUCATORS, THEY HAVE MASTERED THE ABILITY TO DELIVER WEIGHTY CONTENT THROUGH UPLIFTING BARZ THAT PIERCE THE CONSCIENCE. MOTHER NATURE HAS INDEPENDENTLY TOURED GLOBALLY WITH THE MISSION OF REBUILDING TRUE HIPHOP CULTURE, AND IMPACTS YOUTH THROUGH THEIR NONPROFIT WORKSHOP SERIES THE MISEDUCATION OF HIPHOP. WITH PEACE AND LOVE AS THEIR WEAPON AND COMMUNITY AT THEIR FOUNDATION, THESE THINKAZ ARE ON THEIR WAY TO PROVOKING A PIVOTAL SHIFT IN THE NEXT GENERATION.

BOJO’S MOJO DUO

BoJo’s Mojo is a band from central Wisconsin, playing original & cover music that all crowds will enjoy. A wide variety of influences and genres can be heard in the original material. Our long but engaging songs can be attributed to our love of musical masterpieces by such greats as The Allman Brothers and The Grateful Dead and our strong passion for music & song chemistry. From blues to rock and folk to reggae, each member brings an experience with a unique and enjoyable style to the group. Already making appearances at some well known venues in Wisconsin and beyond, the band is looking to grow their fan base and share their music. Most importantly they have a great time doing it. Separately each band member is a skilled musician but combined the chemistry is undeniable.

FLOWTATION

Flow is the mental state in which a person performing an activity is fully immersed in a feeling of energized focus and enjoyment in the process of the act

THE SMOKIN’ TONES

The Smokin’ Tones was formed as the official band of Columbia Tonight, Columbia College’s late night show, in September 2016. In preparation for the show’s premier, the band quickly came together and began its quest for zesty, transcendental music and killer tone. Since then, the band has continued writing and performing original music along with unique twists on covers that appeal to musicians and music enthusiasts alike.

THE LAMANTIA BROTHERS

A dynamic duo of rock ‘n roll goodness and soulful song writing. We play the ones you know and the ones you want to know more about.
Chirp

CHIRP

Based in Ann Arbor, MI, Chirp is a four-piece band that does their fair share of genre-hopping. Often playing in the styles of progressive rock/funk and jazz-fusion, their sound maintains a melodic center. The group features a wide array of originals and covers in their live sets and puts together dynamic, high-energy shows. Though their music ties in many technical elements, an equal emphasis is put on grooving and keeping people moving. Chirp takes influence from Snarky Puppy, Steely Dan, Led Zeppelin, James Brown, Yes, Daft Punk, Vulfpeck, and The Beatles to name a few. 
 Chirp has been hard at work since their formation in 2015, touring and recording consistently since the project began. Their fresh sound has taken them touring across the Midwest to play a large variety of venues and festivals. Chirp released their self-titled debut studio album in March 2019 as well as three live-recorded EPs: “Live from Brownstown” (in-studio, 2016), “Live at Willis Sound” (in-studio, 2017), and “Live at Ann Arbor Summer Festival” (2018). All of which have been met with great reception and have helped along with live performances to build an extremely enthusiastic fan base. Chirp is Jay Frydenlund, Brian Long, Sam Naples, and Patrick Blommel.

CRISP

CRISP is a Progressive Jam Funk band from Chicago, IL.
CRISP’s humble beginning’s date back to August of 2013, when Elburn, IL native Kevin McMahon (bass player/band leader/composer and arranger) moved back to Illinois after a living in New Orleans for the previous five years. Upon his return to the Chicagoland area, he had a goal in mind; to assemble a band of like minded, talented musicians to compose and preform original Funk/Jazz/Fusion music, in a time when DJ’s and tribute bands rule the landscape of modern nightlife entertainment. Kevin is honored to have secured the talents of Stewart Ream: Keyboards/Vocals, Constantine Alexander: Trumpet, Ian Letts: Saxophones, Joel Ream: Guitar/Vocals, Jerry Williams: Saxophones, and Greg Essig: Drums, to CRISP’s line up of sensational musicians. Over time, CRISP has come to embody Fusion driven composition with open improvisation. Or as we prefer, PROGRESSIVE FUNK with WEIRD LYRICS…ENJOY

THE MOONSHINERS

Modern songs done in the style of the Prohibition Era. We like to call it “prohibition pop” and it’ll knock your socks off!

AIMING FOR AVERAGE

We are a 5 piece Rock band from Berwyn, IL. We enjoy soft couches and peppermint tea. We play all around Chicago in crowded venues, empty basements, and everything in between. If you can beat us at Call of Duty you get a free CD. Download our music for free at aiming4average.com

I MADE YOU MYSELF

Jason DeLeon
Jeff Schultz
Patrick Greenwood
Brian Halicki
Bret Bennette

HUMAN AFTER ALL

Milwaukee Emo/Post-Hardcore

COMMONWEATHER

Commonweather formed as a 4-piece rock band in the winter of 2014. Combining their music tastes from the 90’s rock and grunge scene to early 2000’s emo, they have managed to self-produce and record 3 EPs with their latest being ‘Apparitions’.

From playing venues like the historic Cubby Bear in Chicago and various house shows around the suburbs, Commonweather continues to grow organically around the Midwest and gain exposure.

At the end of 2016, Commonweather teamed up to record with engineer and producer Sam Pura at The Panda Studios to work on their 4th EP ‘Nausea’ available now.

ETHAN BROSH

Ethan is a young rock guitar player who leads The Ethan Brosh Band as a national touring act. In addition to recording and touring with his own music, Ethan also sometimes steps into playing for high profile musicians as a session guitar player who can replicate other people’s music in the most accurate way and adding lots of energy to it on stage.
Ethan Brosh was born in Suffern, NY yet spent his childhood years in Israel. It was there that Ethan discovered Bach’s Toccata and Fugue in D minor, event which awakened his love of music. At the age of 12, he developed a taste for playing guitar and started taking up classical guitar lessons. Soon enough, he picked up the electric guitar and began studying under the mentorship of Eyal Freeman. Originally influenced by artists such as Iron Maiden and other groups of that era, Ethan gradually grew into writing his own music. Therefore, he went on to study at Berklee College of Music, where he earned a Bachelor’s Degree in Songwriting, eventually becoming a part time teacher there at Berklee.
Upon graduating, Ethan formed a hard rock band called Burning Heat along with singer Adrian Araiza, which started working the local New England scene intensively, Getting asked to open for lots of national acts, Burning Heat continued traveling and playing all over as well as being on a number of rock festivals.
After writing music for several years it was time for Ethan to record his first solo record. A two and a half year process of working with the best people in the field and trying to create an over the top instrumental album as Ethan’s debut recording brought to life Out of Oblivion. Released in 2009 under Mike Varney’s Magna Carta Records label, the album featured guests such as George Lynch, Greg Howe (Michael Jackson) and Mike Mangini (Dream Theater, Extreme). The artwork was created by Derek Riggs (Iron Maiden), while the album was mixed by Chris Tsangarites (Judas Priest, Depeche Mode).
During the same year of 2009, Ethan toured opening for Eddie Money, played with Terry Ilous (XYZ, Great White) and Pat Travers and started playing guitar for the band Angels of Babylon. The band, which featured Rhino(Manowar) on drums and David Ellefson(Megadeth) on bass guitar, released their debut album, Kingdom of Evil, on various labels all over the world in 2010, followed by a second record, Thundergod, in 2013. After Ethan moved on from Angels of Babylon to focus on his own music, he and David Ellefson continued with several more collaborations, including them playing on each other’s records.
Complex, technical and melodic, Ethan’s debut record was followed by Live The Dream, released in 2014 under Carmine Appice’s Rocker Records label featuring Dave Ellefson (Megadeth). It was the mix of producer Max Norman (Ozzy), whom Ethan convinced to come out of retirement and perform his first mix after 20 years. The mastering was the work of Grammy winning mastering engineer Bob Ludwig. The artwork was a real painting done by Joe Petagno (Led Zeppelin, Pink Floyd) as well as most of the record being recorded analogue in high end recording studios to create a realistic feel and an immense production not usually heard on rock records in this day and age.
Between 2013-2015, Ethan toured with a great number of acts such as Yngwie Malmsteen, Jake E. Lee, Marty Friedman, Michael Schenker and many more. In 2013, The Ethan Brosh Band was the direct support act for Yngwie Malmsteen on a major 25 show tour, while in 2014-2015 they did a couple of tours with Jake E. Lee’s Red Dragon Cartel in support of Ethan’s second album, Live the Dream. Between the tours performed with his band, Ethan played guitar for Carmine and Vinnie Appice and went on the road with them, which resulted in a live record called Drum Wars Live!, released on Cleopatra Records. In 2015, Ethan played guitar for the band SteelHeart in South Korea opening for the Scorpions, and acoustic guitar for Eric Martin of Mr. Big.
During those years, Ethan received a great deal of press and media coverage being featured in many guitar and music related magazines around the world and doing countless radio and print interviews.
With a third record in the making and many other projects to delve into, Ethan Brosh will surely continue to deliver his music to new audiences and keep being an important part of the guitar and rock world.

NYDGE

Nydge is a producer and songwriter from Detroit, MI. He was born in a hospital, and despite being named after a race car driver, he drives a reliable Honda Civic. He loves podcasts, but he hates the talkshow ones. He likes plants, but all of his plants are dead and he feels bad about it. He can replace the brake pads on your car. He knows more about synthesizers than he does about microeconomics. Like most of America, he dropped out of community college. He used to love Trent Reznor.

In summer 2017, He stepped out from a behind-the-scenes producer role and started releasing the tracks he’s produced and co-written as the artist “Nydge”.   Since beginning his steady release of singles, his music has been streamed over 700,000 times and he’s opened for acts like BANKS, SG Lewis, Flint Eastwood & Vesperteen. With the help of spotify’s curated playlists (Alternative R&B, Young & Free, Weekly Buzz, Indie-pop), Nydge has received the attention of blogs and listeners alike. Indieshuffle speaks highly of his most popular single Won’t You Call Me: “Another rare gem from Detroit, some wonderful collision of atoms. The reaction is straight chemical; the perfect high.” Nydge has also placed songs on TV and is played in retail stores around the world.

DISASTERPIECE

Disasterpiece is the original Slipknot Tribute Band. Formed in the fall of 2003 out of the Northwest suburbs of Chicago

ROBERT J. ZIMMER?

Robert J. Zimmer? is dedicated to exploring the fundamentals of universal mechanics through a multidimensional musical approach that blends the study of macroscopic acoustic environments with quantum interactions of sound waves. In essence, it is “that one band that I saw at that one place that one time that played some [good] stuff.” This, and other proclamations of ecstatic enjoyment, represent the general response of those fortunate enough to encounter the tunes of RJZ.

Thrown into the public eye and forced to face a world of harsh criticism and rejection, Robert J. Zimmer? has emerged a hardened power and decorated name in the Hyde Park community. Hailed as a “musician’s musician’s musician’s musician’s musician’s band” it is far ahead of its time while still managing to touch the minds of simpletons via a synergy of intricate complexities that results in a sound of such emotional power it touches the roots of man’s most fundamental sentiments.
When possible, Robert J. Zimmer? plays
-Atlas Cabinets
-Carvin amplifiers

THE SEXTET

Playing original compositions and arrangements of bassist Robert Castillo, The Sextet plays music to move to and moved by. Castillo originally formed the group in the fall of 2015 in Portland, OR and when Life called him back to his native Kansas City, he reformed the group with childhood friends and other prominent KC musicians.

Robert’s writing incorporates elements of funk, soul, and dance, as well as jazz song structures and harmonies. The result is contemporary groove jazz that a listener of any background can bob their head to. The songs are influenced by life events and experiences – a set can include a variety of emotions including joy, anger, frustration, and bliss.

The Sextet’s debut album was released just before Castillo left Portland and was listed on KMHD Portland Jazz Radio’s Top Top Albums of 2016 list.
In October of 2017 The Sextet released their sophomore album “Blob Castle” shortly after being named KCUR 89.3 Band of the Week.

BIG BLU SOUL REVUE

Big Blu Soul Revue bring the soul of San Francisco to their music and live show. With an extreme passion for the music of 60’s and 70’s soul, funk and jazz, the band shares music influences ranging from soul legends like Stevie Wonder, Sly Stone, Aretha Franklin, Bill Withers and Marvin Gaye to funk and jazz artists like The Meters, Herbie Hancock, Jimmy Smith, Grant Green and many more. Their fresh approach brings a wide array of infectious dance grooves to their high-energy live show. The band released their highly-anticipated debut album, Tongue & Groovin’, in late 2016, and is now available everywhere including iTunes, Amazon, Spotify, CD Baby and many more sites.

The band formed in 2012 by long-time Bay Area guitarist and vocalist Jason Movrich (The Mission Players, Jason Movrich & Friends). The band is comprised of a tight group of top notch musicians including Bay Area bassist John Bartlett, southern California native Blake Ritterman on drums, along with multi-saxophonists Brian Lassiter and Hermann Lara, and also featuring the incredible vocalist Miss Lydia Walker.

The band’s music is strongly influenced by the classic sounds of Motown, Stax, Daptones and Blue Note Records but with a fresh and original spin. “Our ultimate goal is to connect with our audience, get you to feel the groove that makes you want to dance,” says Movrich.

2017 brings live shows throughout the West coast to support their latest album release. The band has recently been performing to strong and enthusiastic audiences, regularly performing at famed Bay Area venues such as Yoshi’s, Sweetwater Music Hall, Boom Boom Room, Brick & Mortar Music Hall, Elbo Room, deYoung Museum, Ashkenaz, Lagunitas Taproom, as well festivals like For the Funk of It (Belden, CA), Gilroy Garlic Festival (Gilroy, CA), Music on the Beach (Lake Tahoe) and many more. The band has also recently shared stages and co-bills with Fred Wesley, Glen David Andrews, Jelly Bread, and many more great artists.

Big Blu Soul Revue is:

Jason Movrich :: Guitar & Vocals
Lydia Walker :: Vocals
Hermann Lara :: Tenor & Alto Sax
Brian Lassiter :: Alto & Baritone Sax
John Bartlett :: Bass
Blake Ritterman :: Drums

FORQ

Forq is an instrumental quartet with an aggressive sound and a penchant for sonic exploration. This all-star band based in New York has just completed their third album – Thrēq – released on August 4, 2017. Originally founded by keyboardist Henry Hey (David Bowie, Empire of the Sun, Jeff “Tain” Watts) and bassist Michael League (Grammy-winning founder of Snarky Puppy), Forq is joined by guitarist Chris McQueen (Snarky Puppy, Foe Destroyer, Bokanté) and drummer Jason “JT” Thomas (Roy Hargrove’s RH Factor, Marcus Miller, D’Angelo). Their group sound draws from various musical paths of it’s members. Henry Hey is the keyboardist and co-leader of groundbreaking instrumental quartet, Rudder, and some of that sound can be heard in the music of Forq.  Drummer Jason Thomas has a musical history rich in authentic Texas blues and swampy funk. Guitarist Chris McQueen brings his singular sonic approach coupled with highly melodic soloing. Joining Forq on this tour is bassist Kevin Scott whose incredible low end groove can be heard with guitarist Wayne Krantz as well as with Atlanta music legend, Colonel Bruce Hampton.

KASHENA SAMPSON

Kashena Sampson ain’t the first unknown singer to move to Nashville with stars in her eyes, but music city’s most powerful new voice may be the first to have toured the world and partied like a rock star before doing so.

Though the Las Vegas native grew up singing three-part harmonies in a band with her sisters, Sampson found herself post-college living in Los Angeles, waiting tables, and doing the struggling actor thing. She also was doing a lot of drugs. “I kinda stopped doing music because I was doing nothing but drinking and doing drugs,” she laughs. “People didn’t know I was a singer.”

Now a shimmering enchantress of a performer, who effortlessly expands a 70’s rock aesthetic with an elegant wardrobe and lungs that could shake the walls of an opera house, it’s hard to believe Sampson was once a self-confessed “trainwreck,” who had lost sight of her musical roots.

It was only after belligerently getting thrown out of a party that her friends staged an intervention, setting her on the path to sobriety. After a little soul searching, it was also the path which led her back to music. “I was doing a lot of meditating, trying to figure out what I should be doing, and the answer was music,” she said.After a few years of focusing on paying the bills and staying sober, at a friend’s urging, Sampson began singing at an L.A. Irish bar’s open jam night. She chose songs from artists she admired, including Dolly Parton, Stevie Nicks, Bob Dylan, Bonnie Raitt and others. “It was like a 70’s country music club,” she said.

Then, one day, she got an email informing her that the music director from a top Las Vegas show had seen her singing on Youtube, and wanted her for a gig on a high-end cruise ship. She got the gig without an audition. It was as if some of that Irish bar’s luck had rubbed off on her. “The day I left for rehearsals was the day the lease was up on my apartment,” she says. “I was supposed to be gone for seven months doing this cruise ship, and I ended up doing it for three years.” While traveling what she says was “the whole world,” Sampson performed everything from 60’s and 70’s folk and country, to The Beatles, to Motown, and even opera. But despite her diverse repertoire, she was often told that she would do well in Nashville. The plan all along was to make enough money working on the ships that she could record an album of her own songs, but the money didn’t last. After three years at sea, she decided to go home to Las Vegas, where she got a job bartending and singing at a downtown piano bar. Again, while singing there, people told her she oughta give Nashville a shot. It wasn’t long before luck found her again — this time, Lady Luck.

In a most “Las Vegas” scenario, she was contacted by a cast member of the musical Million Dollar Quartet, who invited her to sing lead vocals on a song written by Miss Nevada USA. The studio band was Olivia Newton-John’s band, who happened to be in Vegas performing, and were all from Nashville. “I kinda listen to signs. I try to do what the universe is telling me,” Sampson said. When Miss Nevada told Sampson she was moving to Nashville and needed a roommate, it was the final sign she needed. Without enough money to pay the rent, let alone make an album, Sampson put up her sails and set out for music city in the winter of 2015. She landed at The Nashville Biscuit House, a popular East Nashville breakfast spot, but no luxury cruise ship. “I was broke. I hated it,” she laughs. “I lasted three weeks there.” The experience is hilariously recounted in her song “Greasy Spoon,” a clever, coming-to-Nashville country romp, which, if there’s any justice in the world, will one day be a honky tonk standard. But despite moving to Nashville and immediately penning a perfect country song, Sampson doesn’t consider herself a country singer.

“I don’t consider my music country. I think if anything it’s more folk, and a little soul,” she says. “Really, what I like is rock and roll, but my music comes out the way it comes out.”

Her debut album, Wild Heart, recorded live to tape in just a couple days at popular East Nashville recording studio, The Bomb Shelter, is an intimate reflection of the voyage she has been on, seamlessly drawing from the musical styles she loves, while also forging her own identity. “I wanted it to sound real, raw. We didn’t do any auto-tuning or anything like that. I wanted it to have feeling, especially with my vocal,” she said. “That’s why people sing. It’s supposed to make you feel something.” The empowering, “She Shines,” which Sampson says is about “knowing your self worth and holding on to your power in the face of rejection,” tips its hat to Fleetwood Mac’s “Landslide,” before soaring into new territory on the back of a lush string arrangement. The haunting “Come Back to Me,” about an ex-lover who died tragically in a car accident while Sampson was at sea, emotes as strongly as The Animals’ 1964 classic “House of the Rising Sun,” and features powerful swells recalling The Beatles’ “A Day in the Life.”

The 10-song Wild Heart is set for a late summer 2017 release, but already Sampson’s reputation for her live performances has landed her steady bookings in Nashville’s most popular clubs, including trendy East Nashville’s largest venue, The Basement East, where she was invited to sing with a group of standout Nashville acts at a packed Linda Ronstadt tribute concert. She may appear to be the new kid on the block, but Sampson’s mature artistic vision and embrace by one of the world’s best music scenes is not surprising, considering that she’s been around much more than the block, and she is no kid. “At sea, it was three years of performing every night for a live audience,” she said. “When I left California, I was a girl. And when I returned home from the ships, I was a woman. I just matured. I grew up.”

-Jack Evan Johnson

STU HAMM

STU HAMM

 

Through his innovative work as a solo artist and his contributions as a sideman to Joe Satriani and Steve Vai, STU HAMM has firmly established himself as one of the most influential electric bassists of the past half-century. Extending the non-traditional function of the electric bass previously revolutionized by Jaco Pastorius and Stanley Clarke in the 1970s, Hamm helped to reshape the contemporary concept of the bass guitar as an unaccompanied instrument with the utilization of polyphonic, two-handed tapping, slapping and popping techniques, chords, and harmonics. Although Hamm certainly wasn’t the first bass player to debut during the 1980s and employ an unorthodox approach to playing the electric bass, he was undoubtedly at the forefront of his generation who effectively fused the application of these unconventional techniques.
STU HAMM is a world class, utterly entertaining story-teller, legendary bass guitar icon, known also for playing and recording with some of the greatest guitarists of the recent decades: Steve Vai, Joe Satriani, Greg Howe, Alex Skolnick, Richie Kotzen, Mike Keneally, Allan Holdsworth, Frank Gambale, Michael Schenker, Richie Kotzen. and many others. Stu has been a monumental influence in jazz/rock style for many bass players worldwide.
STU HAMM is endorsed by Warwick basses, MarkBass amps and GHS strings.
blackalicious

BLACKALICIOUS

In a hip-hop career that has stretched past a decade, Blackalicious has earned respect the old-fashioned way–rising through honesty, commitment, and artistry. Blackalicious is an American hip hop duo from Sacramento, California made up of rapper Gift of Gab (born Tim Parker) and DJ/producer Chief Xcel (born Xavier Mosley). They are noted for Gift of Gab’s often “tongue-twisting”, multisyllabic, complex rhymes and Chief Xcel’s “classic” beats.

Like a few other West Coast rap acts, including the Pharcyde and Jurassic 5, Blackalicious has generally favored what hip-hoppers call the “positive tip”; in other words, its lyrics have often been spiritual and uplifting rather than violent or misogynous. Like a lot of experimental alternative rappers, Blackalicious can be quirky and eccentric; nonetheless, spirituality is a big part of the group’s music. Although Blackalicious wasn’t formed until the early ’90s, its members had known each other since the late ’80s. Founding members Gift of Gab (Timothy Parker) and Chief Xcel (Xavier Mosley) first met in Sacramento, CA, in 1987 when they were students at John F. Kennedy High School. Neither of them was originally from Sacramento; DJ/producer Xcel (who was going by DJ IceSki at the time) was a native of the San Francisco Bay Area, while rapper Gift of Gab was from Los Angeles’ suburban San Fernando Valley.

The two went their separate ways after Gift of Gab (also known as Gabby T) graduated from Kennedy High in 1989, but they were reunited in Davis, CA, in 1992. By that time, Xcel had become a student at the University of California at Davis and the Gift of Gabhad moved to Davis to form Blackalicious with him. UC Davis was where Xcel had started working with a hip-hop crew named SoleSides, whose members included DJ Shadow, Lateef the Truth Speaker, and Lyrics Born. SoleSides Records was the name of the SoleSides Crew’s Northern California record company and in 1994, that label released Blackalicious’ debut single “Swan Lake.” Although not a triple-platinum smash, the single was a small underground hit that fared well among alternative rap audiences. The following year, SoleSides Records released a Blackalicious EP titled Melodica. By late 1997, SoleSides Records had transformed into Quannum Records, and in 1999, Quannum put out another Blackalicious EP, A2G.

In 2000, Quannum released the group’s full-length debut Nia (whose title is the Swahili word for purpose). After being together eight years, Blackalicious finally signed with a major label when, in late 2000, the Californians were added by MCA. In April 2002, Quannum/MCA released Blazing Arrow, which boasted guest appearances ranging from vocalist Zack de la Rocha (of Rage Against the Machine) to the Roots’ ?uestlove to veteran soul singerGil Scott-Heron. After the requisite tour, both Xcel and Gab began developing solo material; Quannum released both Maroons’ Ambush (Chief Xcel with Latyrx’s Lateef the Truth Speaker) as well as a Gift of Gab solo LP, Fourth Dimensional Rocketships Going Up. The pair returned in 2005 for their third album, The Craft, with a contract in hand from the Anti- label. By Alex Henderson – All Music Guide.

DEAD WOLF

Established in early 2017 by Deyv Dee and Mike Rongo. Dead Wolf was looking to bring an old sound back to current times. With power packed lyrics and catchy guitar licks Dead wolf needed a strong back bone drummer, and Paul Mancuso fit the spot perfectly. After recording the 6 song EP at Populist studio in Wheaton, Illinois, in two days. Dead Wolf released their first single “Trendy” as a music video on Friday October 13th in 2017. Directly after that Dead wolf made a FM debut with the same song “Trendy” a week later. With the addition of Daniel Miller on additional guitar, Dead Wolf now carries the full pow, blow for blow at every event/concert/backyard party alike.

CHX COLLECTIVE

New music from Robert “Chicken” Sulzmann of She Likes Todd. More coming soon.

I have been involved in many music projects in the Chicagoland area, including SET FIRE TO REASON, MACGYVER, DICK’N YER FACE, and SHE LIKES TODD. SLT was my passion project, and it did pretty well. We toured the country a few times, played with so many great bands, and put out some of the music I’m most proud of. While we still play shows, we are not nearly as active as in the past, and we’ve all spread out to other projects. I continued to write solo music under the name DOWN SOLO, and while that kept me sane, it’s still not the same as getting on a stage with a few friends and rocking out. So, in the eternal quest to brand myself, I decided to use CHX, short for Chicken, as my name and get as much help from my fellow musician friends to put out new killer music for everyone to enjoy. And with that, CHX Collective was born.

CRAZY HEART

Don Flamingo

DON FLAMINGO

The SHOW must go on. Being resilient in any undertaking is a talent that few may know but has become a moniker and inspiration for Donald Allen III, previously known as, the SHOW of New Orleans, Louisiana, emerging as DON FLAMINGO. Coming from a city such as New Orleans, which is known for genres such as jazz, zydeco, blues, brass bands, and hip hop forming a musical legacy as unique as the soup this treasure is known for. When a southern rapper boasts of a resume that includes being associated with acts such as T.I., Scarface, Mannie Fresh, BG, and Lil Wayne while being named a BET Music Matters featured artist opening the BET Awards Music Matters Showcase as a part of the New Orleans super group, The Rap Pack, you would expect that artist to be a household name. Factor in cosigns from projects with other local staples like The Chopper City Boyz, Juvenile, C-Murder, Ace B and the New No Limit, and DON FLAMINGO should be the face of the business of music in New Orleans, but there’s no business like SHOW business and the SHOW must go on!

Releasing his ambitious Neva Say Die Series scheduled to release an EP of new music every month throughout 2016, Don Flamingo is no stranger to standing out amongst a crowd. This project is reminiscent of 2011’s EGMG Saturdays where a new freestyle was released every Saturday throughout the summer in anticipation of the final installment of the Downman on Back mixtape series. This time around, DON FLAMINGO isn’t getting ready for another major release through the independent East Gang Music Group, but merely showcasing his never ending resolve. 80s babies will appreciate the invocation to the 1985 classic the Goonies. The EP series will also boast of being composed entirely of songs with no names purposely done to focus listeners on the music. Future video releases will have titles for the showcased tracks, but which songs on which volumes EGMG is being very tightlipped about. This is the two time NOLA Hip Hop Awards Lyrist of the Year at his best, allowing his content and delivery to speak to listeners and encourage a scavenger hunt that may garner attention to hidden gems throughout the series.

DON FLAMINGO explains his mission in hip hop by stating “every rap artist has a similar story; growing up with no father, mom was a single parent so you learn from the streets, but when I put my twist to it, I create a variation of that story and make it my own.” Even the steps that DON FLAMINGO has taken to get to this point create a variation furthering the point; there’s no business like SHOW business. From his introduction to rap in 1995 via a poem dedicated to the memory of his deceased father, it was always the reception of his projects that kept DON FLAMINGO going. This reception allowed a joy to become a hobby, a hobby to transform to a talent, and a talent into a business. Now the business has come full circle back to a joy and because the SHOW must go on, the emergence of DON FLAMINGO is a friendly reminder to #NevaSayDie.

GQ

GQ

GQ, who Grammy Award winning producer, 9th Wonder, coins his “secret weapon” is not only a former NCAA basketball champion, but in fact Oakland’s next Hip Hop hero.

Born and raised in Oakland, California, GQ (also known as Quentin Thomas) found his passion for music at an early age; nine to be exact. Influenced by a wide array of music genres and artist, the young GQ became a fan of lyrics and started to pen his first rhymes; all while training to be a college hoops star. In 2004 he was recruited to play for UNC Tarheels head coach, Roy Williams, and was a member of the 2005 National Championship team his freshman year. Some years later, already a champion of one, he was well on his way to being a champion of the other – rhyming.

GQ signed with 9th Wonder in 2009, one of the last artist to join the budding Jamla roster, which has grown to be one of the most buzzed about indie labels today. Of the multi-talented emcee, 9th Wonder says, “he isn’t a basketball player that can rhyme, he is a rapper that can ball.”
His style is passionate, controlled, lyrical and he is a master of telling the gritty, dark tales of the place we know as “OakTown”.

In 2010, he was featured on EA Sports’ NBA Live 10, alongside Mississippi’s own, David Banner. The following year, the Oakland emcee released a few singles, and a three part mixtape series, entitled “Blended”, before unleashing his first project under the Jamla imprint, ‘Trouble Man’.

‘Trouble Man’ is a 16 song EP of original cuts, featuring production from 9th Wonder and The Soul Council, as well as guest appearances from labelmates Rapsody and Heather Victoria, and 6th Street Records’ Bluu Suede, and more.

Currently, GQ is setting up for a big 2013 introduction with his two part release, “Death Threats and Love Notes”, the prequel and debut album.

Like so many of his hometown predecessors such as Too Short, Digital Underground and the Hieroglyphics, GQ looks forward to being another example that there is light at the end of the tunnel, or bridge for that matter.

When asked how he wanted to be remembered when it’s all said and done, he humbly said, “I want to be an example, it doesn’t matter where you come from, all that matters is where you’re going. And, I just want to be remembered for how I carried myself, how I helped and motivated others to live right and reach their goals in life.”.

They say it’s different across the bridge, and there is something definitely different about GQ. In the words of 9th Wonder, simply put, “he’s a star”.

ALICE IN CHAINS “DIRT”

Dirt is the second studio album by the American rock band Alice in Chains, released on September 29, 1992, through Columbia Records. Peaking at number six on the Billboard 200, the album was also well received by music critics. It has since been certified four-times platinum by the RIAA and gone on to sell five million copies worldwide, making Dirt the band’s highest selling album to date. It is the band’s last album recorded with all four original members, as bassist Mike Starr was terminated from the band in January 1993.

Flint Eastwood

FLINT EASTWOOD

Much like the city that shapes her work, Detroit-based Jax Anderson, aka Flint Eastwood, wakes up everyday confronting a world that tells us that we are not good enough, not unique enough, not rich, beautiful or smart enough; not the right color; not the right gender. Success is as subjective as it is elusive, but if the debut single “Queen” from Anderson’s Broke Royalty EP reveals anything about the songstress, it’s that she’s everything she needs to be.

“Queen was written about the first time I was asked what it was like being a woman in music. I’ve always been the boss of my art– I write my own songs, I play shows, I design a lot of my own graphics, make my own videos, craft my own photos, and I hustle alongside an amazing group of people just like every artist does. I had never considered myself different for being a woman. I have always set the standard with my team that I am the boss, regardless of my gender identity.”

It’s more than a gender thing for the Detroit-based artist though. It’s about overcoming feelings of uncertainty and forces of disempowerment; it’s about realizing your self-worth and carving your own path. The powerful indie-pop record is filled with urban percussion and orchestral instrumentation, and is a fitting lead single for Flint Eastwood’s 2017 EP.

Crafted entirely at Assemble Sound, an 1870’s church repurposed into a recording compound and creative hub for musicians founded by Anderson in 2015, the project has production support from fellow Detroit-native GRiZ & MUTEMATH’s Paul Meany, as well as a track with principle BØRNS collaborator Tommy English, and a home with Neon Gold Records (Christine And The Queens, Charli XCX, Marina & The Diamonds, et al). Out now, Broke Royalty brings Flint Eastwood’s artistic vision and story to a national audience at a time when it’s needed most.

Silhouettes

SILHOUETTES

Rocky Garibay – Guitar, Vocals
Lawrence Mak – Bass, Drums
Dan Meyer – Guitar, Bass, Vocals

The Last Great Riot

THE LAST GREAT RIOT

Born in Chicago, melodic punk rock with hints of garage rock, hardcore, and riff-rock. Simple songs about life and the good and bad times. Guitarist/vocalist John A Beavers, drummer Scott Durand, and bassist Mario Mazzone just want to make noise and drink the beer you buy for them.

Bad Sons

BAD SONS

TWO RULES: LOUD, FAST. BAD SONS, filled with frustration and sick of sensation, set out to wake up Chicago’s music scene. The members came together and combined their influences to create a unique sound of their own. BAD SONS “puts on a severely entertaining live show with great music to boot.” (The Bad Copy). Mix equal parts punk rock, rocknroll, power pop, and hardcore with a lot of attitude and you’ll get BAD SONS. Now with their debut EP, HOT FACE, BAD SONS are ready to spread their chaos to the rest of the world. Music to get evicted to.

Sincerely,
Worst Sons

DJ Manti

DJ MANTI

Keeping the party rocking on the 1’s & 2’s is none other than DJ Manti. Having DJ’ed for brands such as Nike, for comedian T Murph who is seen on “Kevin Hart Presents”, and as the official DJ for Be Powerful which is owned by NBC “Chicago PD”’s own LaRoyce Hawkins, Manti is a sure bet to provide nothing but good vibes only.

Mr. Bonkers

MR. BONKERS

Mr. Bonkers is a jazz-rock band from Chicagoland.

SPACEDOUTGUALABOYZ

Future Rootz

FUTURE ROOTZ

Future Rootz is a collective of Chicago based mix media DJ’s playing and remixing global roots, tropical bass, world electronic, and latin house music. The collective produces events in Chicago highlighting local and international artists and DJ’s from all over the world.

Fury

FURY

FURY is a hip hop artist from Chicago. Inspired by rappers such as Queen Latifah, Left Eye, Eve, and Lauryn Hill FURY has embodied the spirit of the strong black woman. She mixes rock, funk, soul, and jazz with a 90s hip-hop flow. She is best known for her powerful lyrics and explosive stage presence. FURY is a force to be reckoned with and commands the attention of all those who listen.

U.S. BOMBS

U.S. Bombs are an American punk rock band, formed in 1993 in Orange County, CA. U.S. Bombs consist of vocalist Duane Peters, guitarists Kerry Martinez and Jonny “Two Bags” Wickersham, bass guitarist Wade Walston and drummer Chip Hanna. Vocalist Duane Peters is a professional skateboarder from the late 70’s and early 80’s skate explosion in Southern California. Well known as “The Master of Disaster” and the first person to do a full loop on a skateboard, as well as the inventor of many tricks and an innovator in the pool skate realm. Duane as well as all other members of the US Bombs have played in many previous OC punk bands throughout the years, notable ones being, Political Crap, Shattered Faith, The Dischords, and The Exploding Fuck Dolls.

NATIVE TONGUE

In September of 2012, in Carbondale, Illinois, the thoughts and ideas that would soon become Driftwood Head began to take form. Two years later, the musicians who would form Native Tongue came together for the first time. With each member of the band carrying with them years of experience playing and performing regularly in local and regional bands, the winter of 2014 was spent writing and re-shaping these ideas. In March of 2015, the band traveled to Forty-One Fifteen Studios in Nashville, TN to record with producer Tate Mercer. On September 25, 2015, these ideas finally came to fruition, and their debut EP Driftwood Head was released to the masses. With an energetic live performance as unique as the music implies, Native Tongue is sure to catch your attention in one way or another.

“Vocally and instrumentally, Native Tongue brings it all to the table. Vocalist Jon Emling commands a vulnerable, at times conversely delicate or powerful, croon that lies somewhere between Kyle Durfey (Pianos Become The Teeth) and Jesse Lacey (Brand New). The rhythmic backbone is as solid as needed, and pushes the atmospheric guitar work to the forefront. Whether it’s the booming riffs in “Rorschach”, fragile arpeggios in “Prism”, or the euphoric post rock climax in exemplary closer “Strange Light”, the music shifts as needed to get just the right mood. There’s an unpredictability to the EP that keeps each moment tense in anticipation for what might come next, an unpredictability that rarely fails to pay off across Driftwood Head’s run time.” -Brett Tharp, sputnikmusic

TOGETHER IN DUST

Together in Dust is a band existing for your listening pleasure – that is, if you take pleasure in these types of things. If not, feel free to patronize another sonic sensation.

Post-hardcore from Evansville, IN ++ ‘Alive In The Valley’ out now!

Vox Kakumeika

VOX KAKUMEIKA

Barry J. Fontenot is a Louisiana-born, Chicago-based soul musician with a love of pushing boundaries and a flair for the dramatic. Raised in the “Deep Soul” and “Delta Blues” musical traditions, Barry’s vocal style brings to mind the strong, rich tenor notes of legendary singers such as Sam Cooke and Otis Redding. In his original compositions, however, Barry reveals the eclectic influences that have followed him throughout his musical journey—he strives, in his own words, to “write em’ like Jazz songs, play em’ like Rock songs, and sing em’ like Soul songs.”

Originally a Classical Tenor specializing in choral music, Barry decided to return to his musical roots in 2013, forming a Soul Band called “Barry Fontenot and the Hurricanes,” which performed mostly covers of the great Motown performers who had so inspired him in his youth. In 2014, while drunk and bleeding in Mexico, Barry wrote his first original song, “Desiree.” While the circumstances surrounding the song’s writing were less than glamourous, as Barry himself often explains (at-length) on stage, the experience of writing and performing original music was one that affected him to the extent that he now performs primarily his own songs, and has written upwards of three hours of performance material.

Upon moving to Chicago, Barry founded a small, flexible musical collective called “Vox Kakumeika,” which serves as his backing band and production team, and includes instrumentalists specializing in guitar, sitar, trombone, saxophone, and more. With this flexibility, Barry tailors his performance to the situation, playing with as many as seven other musicians, or as few as himself and his favorite guitar, Gladys.

The Removers

THE REMOVERS

Freight Train Rabbit Killer

FREIGHT TRAIN RABBIT KILLER

The duo, Freight Train Rabbit Killer, is an American Roots opera – a shaman of the hills and a vigilante bent on justice.

Beer Hippies

BEER HIPPIES

BEER HIPPIES is a rock-n-roll band out of Northwest Indiana formed by Steve Murray, Robert Rolfe Feddersen, Blake Murray, Howie Weisjahn and Adam Conley.  Heavily influenced by Blue Cheer, T Rex, The Grateful Dead and craft beer, especially Burn ‘Em Brewing which three of the band members started in Michigan City, Indiana.  BEER HIPPIES kicked off the band in style recording a 45 at Steve Albini’s electrical audio in Chicago.

Brandon James

BRANDON JAMES

Brandon James is a Chicago based powerhouse vocalist that is not only sultry, but grips you with waves of raw emotions featuring a contemporary soul and R&B Pop sound. Exposing you to tingles of both Stevie Wonder & John Legend, he leaves his own mark with unforgettable performances at venues such as UIC Pavilion, House of Blues, Reggies and HVAC where he’s opened up for acts such as Ryan Leslie, Method Man, Ghost Face, Bubba Sparks & the iconic Earth Wind & Fire.

DJ SELEKTA FYAHOUSE

Subele

SUBELE

Súbele is a Latin Fusion band blending Funk, Soul, Hip-Hop, R&B, House, Psychedelic, Jazz, Disco and Dance. We are a group of friends molding the sounds we grew up hearing at home and on the radio.

Súbele is spanish for “Turn it up”. A phrase we all say when we are enjoying something and want just a bit more of it.

Thank you for following, and remember, when you hear us, Súbele!

Bomber

BOMBER

Bomber plays covers. Everything from classic 70’s era Bowie and Big Star; college rock classics from The Replacements, REM; 80’s classics from Talking Heads and The Cars to 90’s classics from STP, Beck, Cracker,Lemonheads and more. We are 4 friends that play in a variety of original projects ( Elephant Gun, Chicken Happen, Post Child, Morning Bell) that play Bomber music simply for FUN.

Sister Wife

SISTER WIFE

The Patient Zeros

THE PATIENT ZEROS

Formed by life long friends and first time musical collaborators CJ Kjolhede and Joe Schramm, The Patient Zeros came together to create music built on strong songwriting, rooted in experimentation, and forever in debt to FM radio. Shortly after releasing “Sirens Calling” in 2016, Joe and CJ were joined by bassist Michael Raymond. The group has played their brand of rock n roll in over 20 states, covering both coasts and most of middle America en route to or from their home of Denver, Colorado. The group’s latest release, “Born Again”, captures the band’s signature tense and dynamic bluesy-folk sound.
WhiteSoxTalkPodcast

White Sox Talk Podcast

White Sox podcast featuring Chuck Garfien, Ryan McGuffey, Chris Kamka and others.

RAPSODY

Rapsody is a North Carolina emcee signed with super producer 9th Wonder for Jamla Records.  With the release of seven projects in just three years and a critically acclaimed debut album in August of 2012, she is slowly establishing herself as a major player in today’s rap game.

In just a short time she has worked with some of the biggest legends and newcomers in the business, ranging from the likes of Kendrick Lamar, Erykah Badu, Raekwon, Big Daddy Kane, Marsha Ambrosius, Mac Miller and Big K.R.I.T, to name a few.

Most recently, she was named one of the top female artist to know by both TIME Magazine and USA Today.  She was also named one of the 20 Greatest Female Rappers of All Time by XXL.  She most recently released a ten track EP titled Beauty and the Beast to much acclaim and she is currently working on her sophomore album.
In 2015, she was the only rap feature on Kendrick Lamar critically acclaimed album, To Pimp A Butterfly, on the song Complexion.  The same year Dr. Dre announced on his Apple Beats1 radio show, The Pharmacy, that she was currently his favorite female emcee.  A month later, she performed “Every Ghetto” with Talib Kweli on The Tonight Show with Jimmy Fallon
Her style is polished and distinct, and her wordplay and flow are unparalleled in both delivery and execution.  As she strives to contend with her Hip Hop predecessors, like Jay-Z and Mos Def, Rapsody is already undeniably one of the strongest and most promising forces in today’s Hip Hop culture.
Drew Michael 2017

DREW MICHAEL

Drew Michael is a New York based comedian who has written for Saturday Night Live, guest starred in The Carmichael Show, recorded a stand-up special for Comedy Central’s The Half Hour as well as two full-length stand-up albums: Lovely and Funny to Death.

He has also done many other things, most of which are not relevant in this context.

RICO NASTY

Maria Kelly’s name is in lights. The first thing you notice as the DMV artist walks across the room is “RICCCO”—long for her rap alias Rico Nasty—scrolling across her dark platform boots in LED bulbs. It’s a bold move, and there are far worse ways to make an entrance.
Rico Nasty isn’t a household name but she aspires to be, if her choice in footwear is anything to go by. Her biggest hits to date, like 2016’s “iCarly” and “Hey Arnold,” and this year’s “Poppin’,” sound like Nickelodeon slime dragged through the lean-infused streets of Atlanta before taking a pit stop in Chicago’s drill country. The songs are catchy and forceful, and introduced the world to Rico’s penchant for crafting half-sung, half-yelled bars she calls “yinging.”
What you quickly notice in conversation with Rico is a distinct split between her personas, which she alludes to in the interview. Tacobella is the name given to the saccharine and vulnerable side of Maria. For brief flashes, she shows pride when talking about her father, opens up about the difficulties of being a rapper on the rise, and connecting with UPS women over Fenty Beauty by Rihanna. It is this character that is front and center on the excellent 2017 project, Tales of Tacobella.
However, lurking below the surface is Rico Nasty. Confident, brash, and ready for war at a moment’s notice, she is a rapper’s rapper. It isn’t hard to see that this is the side that crafted “Poppin,” one of her biggest hits to date (and was featured in season 2 of HBO’s Insecure). It’s at her most aggressive that Rico’s most unique flows come into play; she modulates her voice at a moment’s notice to go from sweet to raspy and guttural—think Nicki Minaj with a hint of DMX, but over bubblegum beats.
During her headlining New York show at Baby’s All Right, both versions of these women came together for a blistering performance. By the end of the night Rico asked an adoring crowd what song she should play again, and in unison, the crowd screamed “Poppin.” She then beckoned to the crowd, and a sea of women rushed the stage to perform her soon-to-be hit alongside her. Rico joined Snapchat videos soundtracked by the infectious words, “I’m a poppin ass bitch let me remind ya.” For a moment, Rico Nasty did what very few rappers know how to do: make every single fan feel like a star.

Big Bang Baby

STONE TEMPLE PILOTS “CORE”

BIG BANG BABY is the ultimate Stone Temple Pilots experience, built to perform the most captivating, accurate live show since the real thing. If you never saw the Scott Weiland-led STP, or simply miss them, don’t miss out on the next best thing!

Bill Grady

BILL GRADY

With a voice that feeds the soul, songs that speak to the heart, and guitar playing that will make you move, Bill Grady cannot be ignored. After discovering the lost art of slide guitar while attending Berklee College of Music, he began studying the classic slide masters and well as the great songwriters and composers of days gone by. Between his soulful vocals, slide guitar prowess, and vivid songwriting, his live shows are unlike any acoustic act you’ve ever seen.

His debut solo album “Nothing Runs Free” is a twelve-track concept album that tells the story of The Wanderer, a broken soul from Louisiana looking to find the courage to confront his fears and journey back home. Each track on the record draws influences from a different flavor of acoustic music, including the bluegrass-tinged rhythms of “Feet Don’t Fail Me Now,” the beautiful classical melody of “Annie’s Waltz,” the low-down bluesy swagger of “Train Came Right on Time,” or the New Orleans flavor of “French Quarter Mile.” Musicians on the record include Grammy-nominated harmonica player Billy Branch, violinist for the Infamous Stringdusters Jeremy Garrett, banjoist Wavy Dave of Cornmeal, as well as the amazing musicians that comprise nationally renowned Grateful Dead cover band Terrapin Flyer.

Bill performs both as a soloist and with a full band. He has opened for The Travelin’ McCourys, Karl Denson’s Tiny Universe, and Rev. Peyton’s Big Damn Band as well as sitting in with Robert Randolph and the Marshall Tucker Band. He has graced the stage of the Chicago Blues Fesitval, Shoe Fest, Manifest Chicago, and Blottopia, as well as performing on NBC’s Late Night with Seth Meyers.

Maxwelliam

MAXWELLIAM

We play all original rock and roll.
Drums: Larry Beers
Bass: Mitch Straeffer
Guitar: Ryan Nelson
Keys: Colin Peterik
Vocals: Liam Maxwell

Airstream Futures

AIRSTREAM FUTURES

Members of The Bomb, The Methadones,10 song Album out soon! Produced by Rodrigo Palma, and Derek Grant. Recorded and Mixed by Jeff Dean

Glittergy

GLITTERGY

Glittergy is a Gary Glitter tribute band!
True to the original setup of two drummers, slide A guitar, bass, and sax; plus the Leader of the Gang himself!
All Hell

ALL HELL

All Hell is a horror-influenced blackthrash/metalpunk band from Asheville, North Carolina.
Sonorama

(((SONORAMA)))

(((SONORAMA))) is a Chicago-based Dj collective fronted by Charly Garcia, Eddy Baca & Marlowe Baca and created with the objective of promoting world roots music through our obsessive love of vinyl music culture. More than just djs, we collect, scavenge, and are ever in search of new sonic and rhythmic delights both new, old, or sometimes forgotten, but with the purpose to share our discoveries with the rest of the internet community. Through podcasts and other various media we try and criss-cross geographic borders and genres with ease, and together with our different musical tastes and backgrounds; set out to showcase an eclectic program of rare grooves, musical curios, and Afro influenced dance music, along with any other surprises we dig up along the way.

ABYSSAL

Chicagoland extreme metal artists.

Continually creating and perfecting extreme metal music.
Tricounty Terror

TRICOUNTY TERROR

TRICOUNTY TERROR are five sexy, savage, whiskey shootin’ ladies from Texas. The music closest to their hearts is the fast, heavy, loud roar and punch of Southern-Inspired Punk Rock. Tricounty Terror is the ONLY all woman Southern Punk band and make mincemeat out of many of their male predecessors. The girls are headlining their own shows and kicking ass across the U.S.. Tricounty Terror is leaving audiences in their wake of carnage from their live shows. Tricounty Terror is liquor’d up and heading your way soon….
Spotlights

SPOTLIGHTS

Igorrr

IGORRR

Initially influenced by the likes of Meshuggah, Chopin, Cannibal Corpse, Bach, Domenico Scarlatti, Taraf de Haidouks and Aphex Twin, traces of these artists can be found littered across Igorrr’s discography, but Serre has never been interested in remaining static or merely recycling ideas, and his work has dramatically evolved accordingly. It deeply explains how Igorrr’s music is such an explosion of creativity while keeping a cohesive universe records after records.
In recent years, Igorrr has also become a collective, rather than the work of one man alone, which has brought a new level of intensity into the group live representations.