STONECUTTERS
Punishing, brutal, beautiful, soothing & primal music for these uncertain & turbulent times.
Punishing, brutal, beautiful, soothing & primal music for these uncertain & turbulent times.
NO RAZA is a death metal band, formed in 1997 in the town of Bello – Antioquia (Colombia – South America).
Its ideology is based on social and political issues that make us reflect, with great technique and characteristic rhythms evinces the pain of a sick world that demands justice and peace, to those who bring us under a power snatched from our hands.
Its amazing staging recreates the desolation of a world at war and the disposition to struggle of those who guard the truth to defend our ancestral cultures.
NO RAZA has shared stage with world known artists and has participated in major festivals.
With some international tours “Misantropia Mexico Tour 2013” , “When Chaos Reigns North American Tour 2014”, and “Blood Infection México Tour 2016” also NO RAZA has participated in the last version of 70000Tons Of Metal, The World’s Biggest Heavy Metal Cruise representing the South American Death Metal, in july will be playing in the biggest south American open air festival called Rock al Parque with some bands like Sepultura, Napalm Death, Decapitated, Aborted, The Black Dahlia Murder, and was invited to the Festival Internacional Altavoz 2016 in Medellìn Colombia to play with bands like Deicide, Municipal Waste, Sworm Enemy, A.N.I.M.A.L.
The latest album is called “When Chaos Reigns” it was mixed and mastered by Chris Harris “Zeuss” who has worked with important artists such as Soulfly, Rob Zombie, Six Feet Under, Kataklysm and many others. This album is listed as one of the most important albums in South America and it was edited in USA, Russia, Spain, Chile, Colombia.
Through the years it has become an icon for the South American Death Metal and one of the bands with the most international projection.
Rapper/vocalist Mir Fontane was born Jamir Daaliya in 1994. He grew up in Camden, New Jersey, spending a lot of time drawing and listening to a mix of classic hip-hop and ’90s R&B, informed by drives to school with his grandfather listening to R&B radio
With their records reaping platinum and their concert tours packing ‘em in all across Europe, Australia, Asia, and the Americas, Blink 182 has become a worldwide phenomenon. After a decade-plus career, the band announced they were going on an “indefinite hiatus.”
Because of this hiatus, three Blink fans united to form Blank 281 – A tribute to Blink 182.
Maybe you never had the chance to see the Blink ‘rock show’ live?
Now you can, as Blank 281 recreates the live shows that Blink fans have come to love! Blank 281 plays all the catchy but angsty radio hits, imitates the goofball videos, as well as the stand-up comedy stage banter, ultimately capturing Blink’s energetic live shows!
Blank 281 is the ULTIMATE Blink 182 Tribute Band!
Irata is loud, heavy rock from Greensboro, NC.
Rips’n’riffs.
Leviathan worshiping fuzz
2018. Chicago’s Inebrium gathers to lay down ear splitting, noisy, slack tuned riffs, catapulted by tones of massive volume while paying homage to such proto-metal predecessors as Sabbath, Stooges, and Thin Lizzy while blending early thrash guitar chuggery a la early Metallica with sludge/stoner/noise influences such as Kyuss, Melvins, and Suplecs…
Inebrium began in late 2017 when long time stalwarts in the Chicago metal scene vocalist/guitarist John Almonte (formerly Witchbanger, Wickerman) and bass player Kyle Tuggle (formerly Bloody Spades, Antioch Secret Society) actualized a long time musical vision they had been discussing. They recruited local hard hitting drummer Colin Tahi (Propane! Propane!) and got to work writing. Then in early 2018 solidified the line up with newly relocated Oakland, CA guitarist Jason James (former Damnweevil, Secret Order of Tusk).
Currently in pre-production on their first EP, look for Inebrium to be leveling venues throughout Chicago and beyond throughout 2018.
For over a decade Pennsylvania’s Pale Divine have been the torch bearers for traditional doom metal.
Dusty, Dirty, Rock’n Roll.
Elliot Heerman on Bass and Lead Vocals
Patrick Irwin on Guitar
Jane “Damage” Halldorson on Drums
If you didn’t know these guys were from Chicago, you’d assume they’re a bunch of Brits, with their insanely Britpop-influenced sound and their unusual spelling of Colours, but the Windy City exports manage to capture the soul of the UK in the late ’90s/early ’00s and mix in a good amount of 70’s Psychedelia for a sound all their own. Ample amounts of fuzz and pop combine to sound something like if The Stone Roses and The Black Angels decided to mate, and their offspring is something to be cherished.
SPINDRIFT is a cinematically-driven, psychedelic “western” rock band based out of Los Angeles, CA, led by singer-songwriter-producer-composer Kirpatrick Thomas. Among many various EP/Single releases, they’ve produced and released two feature films with soundtracks available on Teepee Records, (The Legend of God’s Gun, Ghost of the West), in addition to two full LP albums on Xemu Records, (Classic Soundtracks Vol 1, The West). SPINDRIFT has contributed to several film scores and soundtracks, most notably HBO’s “East Bound & Down”, Quentin Tarantino’s “Hell Ride”, and Viceland’s “Hamilton’s Pharmacopeia.”
The band has actively toured the U.S. and Europe since 2004 while performing with acts such as X, The Dandy Warhols, Black Rebel Motorcycle Club, Dead Meadow, The Black Angels, and Kurt Vile. They’ve helped ignite the psychedelic revival of the 2000’s, with highlighted performances being Austin Psych Fest, Roadburn Tilburg, Levitation, Liverpool Psych Fest, SXSW, and film screenings accompanied by performances at Park City’s Slamdance Film Festival and Spain’s Almerian Western Film Festival 2014, 2017. Members of the band have crossed over with other acts such as The Brian Jonestown Massacre, Psychic TV and have had strange collaborations with punk legend Jello Biafra on tunes such as “Ghost Riders in the Sky” during their Ghost Town Tour of 2012. A ambitious tour which was documented in the film “Ghost of the West”(Directed by Burke Roberts).
While in their formative years in the 1990’s, SPINDRIFT slowly developed their own mixture of sounds reminiscent of 60’s psychedelic rock like The Doors and 90’s shoegaze similar to My Bloody Valentine, however, while relocating from Newark, DE to Los Angeles in 2001, Thomas & Co. were captivated by the wide, expansive, unfolding western landscape and began to develop a more mature, conceptual approach to songwriting. Utilizing Ennio Morricone influenced chord progressions, spacey soprano vocals, twangy doubleneck bass/baritone guitar, and string section like guitar effects, their sound has evolved into that of a psychedelic, spaghetti western rock orchestra which continues to evolve with each film they score.
Most recently the band collaborated with Hollywood/Bollywood actor Bivas Biswas and actress Sapna Gandhi on the Hindi sung “Dil Gera Na De (Don’t Fall For Me)”. The new single is set to be released by Divine Droid Records in the United States and India with a new video directed by Mike Bruce (Noel Gallagher, The Legend of God’s Gun). The original East Coast lineup recently reunited to celebrate the release of the first 8 songs the band recorded (in Newark, Delaware) from 1991-1995 with a newly added studio tune “Cabin Fever,” through SDS distribution. Currently, the band is actively working on finishing the next studio release and continue to book US and European tours for 2018.
The Dead Licks are an alternative rock band that met at the University of Dayton. Bands like Led Zeppelin, Radiohead, The Strokes, and Pearl Jam have heavily influenced them, and you can hear that in their sound.
The band met in 2015 at UD, when Jack Grbac (guitar) sent an email to the recording studio on campus. Lucky enough, Tom Inzinga (guitar, vocals) was the only one to respond. Soon after, Jimmy Gallagher (drums) joined the duo, creating The Dead Licks. After about a year of writing and recording, the group managed to release a three-song EP in August 2016. The band showed a lot of potential, yet still showed room for improvement. For a long period of time, the group was struggling to find a bass player. Lucky for them, Tom met Johnny McNamara (bass) in the fall of 2017. After about a month, the newly formed four-piece played their first show in October 2017.
Over the course of the next year, the band put a focus on live performances. After playing shows at local venues, word about the band started to get around the Dayton area. The band finally was able to venture out into new cities, including their biggest show at one of Cleveland’s most legendary venues, the Grog Shop.
With more than a year of experience as a complete band, their focus shifted to recording new music. In the spring of 2018, they were ready to record. With the help of Ron Pease at Refraze Recording Studios, the band recorded their debut album “Stay Away from the Aliens.”
“Stay Away from the Aliens” was released April 6th, 2018. The album consists of eight songs all written and recorded in Dayton, Ohio. The album art, wide variety of sounds, and overall theme of the record signify an important time in the band’s short history. The album as a whole paints a vivid picture for the listener as to who the band was during their time at school. This record truly shows what The Dead Licks can do and gives way into where they might go from here.
Stay tuned.
There’s no harder hitter than frontman Barrence Whitfield of Boston, MA. When he hits the boards with the Savages, you’re either gonna ride the energy or be crushed by it. We’re talking Joe Louis, Howlin’ Wolf, Wilson Pickett, Smokin’ Joe Frazier. Barrence has what these greats all possessed, the one thing a trainer cannot teach a fighter: a lust for mayhem. The wilder, louder, more insane the Savages bring it, the more BW is ready to attack the mic, to bring it high, to bring it low, to wear you down on the ropes, and eventually drop you.
Backing Whitfield are the best cornermen in the business, led by garage/punk guitarist Peter Greenberg, the visionary who started the Savages after a legendary stint with the Lyres, and his sidekick Phil “Mr. Tenacious” Lenker on bass. Greenberg works his guitar with the ruthless intricacy of a chain saw ice sculptor. Lenker meshes with drummer Andy Jody for an unrelenting sequence of haymaker beats. Tom Quartulli’s saxophone rips like a foghorn through the mist.
– John Swenson
Relic as a band was formed in 2015 as a studio project by Jordan Davis in Cincinnati, OH. The addition of Dan Dickershied on drums brought visceral energy to the live performance and studio alike. Channeling influences from early 90’s industrial rock, the duo manifests the sonic power of their self-described sound as industrial-cyberpunk.
Designer, performer, makeup product developer, professional party goer.
Kanga is a solo project of a Los Angeles based composer, artist, and music programmer.
Experimental whirlwind with roots in metal, industrial, urban, EDM and digital-hardcore.
Pure Maryland doom for the brotherhood of music.
Midnight Hour are one of the Chicago’s finest and most authentic Soul Bands. The 9-piece band plays the best of Stax/Atlantic Soul and Muscle Shoals R&B from the golden era of soul music. They play the hits of Otis Redding, Sam and Dave, Wilson Picket and more.
Black & Blue plays Rolling Stones tunes from the 70s—not just Exile or Some Girls, but hits and deep cuts from the catalog. John Mead and guitar and vocals, Jimmy Tomasello on guitar, and John Abbey on bass have played (and taught) these tunes their whole lives, and they’ll be joined by Alton Smith on keys, Zoey Witz on guitar, Peter Manis on drums, Mani Bances on percussion, and the Midnight Hourhorns.
Lavish Lashes blend sequencers and electronic dream machines with lush ambient guitar and keyboard effects. They do this to make you want to dance, to sing along, and to make your own art.
Heavy.
Dank Evil from South-East Iowa.
Dyers eve is the most authentic sounding Metallica tribute band in the world! Dyers Eve is from Chicago, IL and features Ken Becker, the former guitarist and lead singer of Battery (who opened for Metallica on the Garage inc. tour), Kevin M Buck well known area guitarist from Blizzard of Ozz, Kevin M Buck band, and the former lead guitarist of Battery and Blackened (…played onstage with Metallica for their 30th anniversary show). With John Rix of Air Raid on bass and Jack Michener of End of Anarchy on Drums.
Dyers Eve plays the actual parts that the original band members played!
Dyers Eve plays the songs in the original (proper) keys that the songs were first recorded and played in!
Dyers Eve plays over 80 Metallica songs.
Dyers Eve gives the talent buyer a professional concert experience.
Do not miss Dyers Eve live!
post-everything
Will Bennett & The Tells conjure a delicious mix of supercharged country and toe-tapping rock & roll. The result is a sound that will resonate just as well with fans of The Replacements’ literate barroom rock as those of cowpunk stalwarts such as the Old 97’s and Lydia Loveless. At the heart of it all are instantly memorable tunes—infectious without being syrupy, clever without being obtuse—that dig into the marrow of murky, mid-twenties love and loss.
The band’s debut album Wichita, released in 2016, has garnered high praise from a variety of genre tastemakers, ultimately landing at #40 in the No Depression Year-End Readers Poll and earning a spot on Americana Rock Mix’s “Best of 2016” podcast. In the past year, Will Bennett & The Tells have released a standalone single “Tumblin’ Down” and opened for national alt-country acts such as Cory Branan and the Yawpers.
Will Bennett & The Tells formed in 2014 when the singer-songwriter packed up his guitar and left his hometown of Grinnell, Iowa for Columbus, Ohio, where he joined forces with drummer Daniel Martinson. Now based in Chicago, the Tells are rounded out by Ethan Kenvarg on bass and Wilson Brehmer on guitar.
Blind Adam & The Federal League is:
Adam Gogola – Vocals/Guitar, Alex Simotes – Bass/Vocals, Nick Cvijovic – Lead Guitar/Vocals, Tim Schuman – Guitar/Vocals Athen Erbter Drums
Founded in 2017 in Chicago, has developed into something of an anti-fascist punk rock family band. Founding members (Blind) Adam Gogola and Alex Simotes turned a handful of Adam’s acoustic demos into what would become the band’s self titled debut LP before playing a single show. By 2019 the band had played all over the midwest on regional tours, small festivals, and as support for Anti-Flag, Ben Nichols (Lucero), Ever Clear, Bowling for Soup, CJ Ramone, Dog Party, and more.
After several lineup changes and a 7” on Anti-Flag’s A-F Records, the band headed to Pittsburgh to record An Act of Desperation with Chris “2” Barker of Anti-Flag at the helm as producer/engineer. The plan was to release An Act of Desperation in early summer 2020 and spend the year on the road, but plans changed with Covid-19. The band quickly shifted gears to support mutual aid and survival programs, hosting a nine-week livestream series raising over $10,000 for community relief efforts. The band spent 2020 and 2021 in the streets in solidarity with the Black Lives Matter uprisings and mutual aid projects around Chicago. With the fall 2021 release of An Act of Desperation, the Federal League played a handful of shows around the midwest with bands like The Copyrights, The Dopamines, and The Eradicator. The Bouncing Souls invited the band to join their spring 2022 tour alongside Pkew Pkew Pkew, but Covid-19 cases forced both openers to cut the tour short.
After a busy fall playing DIY shows, FEST 20 in Gainesville, and a run with Anti-Flag, The Suicide Machines, We Are The Union, and The Gully Boys, the band is looking forward to a busy 2023, starting the year in Asbury Park to work on a new record with Pete Steinkopf of The Bouncing Souls.
He joined his first band at age 15, although at that stage the music itself may now have been the most important aspect of being in a band. That would come later though. After High school he attended the Dick Grove School of Music in Los Angeles, at first specializing in drums but later switching to vocals, songwriting and music theory. He kept playing the drums though.
In 1992 he encountered fellow musicians Neal Morse and Al Morse at a blues jam, which was the start of what would eventually become Spock’s Beard. One year later he met Kevin Gilbert, and soon became a close associate of him, lasting until Gilbert’s passing in 1996. D’Virgilio had worked close enough with Gilbert to take it upon himself to finish his last album, which Gilbert had merely started working on when he passed. And in 2000 this resulted in the album The Shaming of the True.
One year before Gilbert died, Spock’s Beard had gotten their major breakthrough with their debut effort The Light, and they were working on their sophomore effort at the time Gilbert passed away. They continued issuing popular titles for the coming years, which kept D’Virgilio rather busy. And besides his mani band, he was also brought in to be the drummer of Tears for Fears in this period, a task he has continued with to this date. At the same time he was also brought in as the drummer for what turned out to be the last studio effort by Genesis, the 1997 production Calling All Stations.
FM is a Canadian progressive rock music group formed in 1976 in Toronto. The band existed from 1976 to 1996, with a brief return in 2006, although they had a period of inactivity between 1989 and 1994. Their music has been categorized as space rock, and lyrics are dominated by science fiction themes. In November 2011, Cameron Hawkins reformed the band with two new players.
French TV is a Louisville, Kentucky – based progressive band that has been in existence since 1983.
Some of the very first music 2016 Modern Drummer Reader’s Poll Top 5 Progressive Rock Drummer Jonathan Schang (of Chicago’s District 97) ever heard was the 1979 Bruford album “One of a Kind.” His father played it repeatedly in his youth, and the album’s blend of crisp drumming, dexterous bass, lush keyboard soundscapes, and sinewy guitar lines immediately intrigued Jonathan. Having very little point of reference though, he assumed this was just how instruments were played! After maturing and hearing more music, Jonathan came back to this album and realized it was truly “One of a Kind” indeed.
When District 97 bassist TIm Seisser took on organizing an Allan Holdsworth Tribute on the first anniversary of his passing this year, he asked Jonathan and Andrew Lawrence (D97 keyboardist) to participate. Among other songs, the group took on Five G from “One of a Kind.” Having had so much fun with that, the idea was born to play the whole album at Progtoberfest 2018. Come see this special (fittingly) one-ttme only performance! Also featured will be Cleveland-area guitarist Jeremey Poparad.
Axon-Neuron was initially formed in 2011 by Jeremey Poparad as an excuse to play some music one last time with some friends who were moving away from Ohio. In the course of four months, an entire full length album was written, rehearsed, and recorded and a few live shows were put on in Akron. The result was so enjoyable, that Axon-Neuron “2.0” was assembled to continue performing, writing, and recording after the original lineup departed.
Our first album, “Brain Songs,” was released in May 2011, with our second album, “Dreamstate,” following in June 2012. They are both available on CDBaby (http://www.cdbaby.com/Artist/Axonneuron) and iTunes, as well as other digital music services, and at live shows.
Westward, the band from Salt Lake City, Utah. Founders of Cowboy Space Rock. Born from the minds of Andrew Marshall, Matt Morrison and Karl Grimm.
Soft Machine : One of the greatest UK avant/jazz-rock bands of all time.
Their work, from their earliest performances as a psychedelic band who were contemporaries of, and shared stages with, Syd Barrett’s Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe’s best known ‘fusion’ groups, has influenced several generations of bands, and continues to be name-checked by today’s hip experimentalists.
Whilst the line-up of Soft Machine may have changed many times since the heady days of the late 1960’s, the band’s spirit of musical adventure, and the ease with which it freely avoids being pigeon holed and can move from powerful progressive jazz fusion to atmospheric psychedelia to free improvised jazz-rock to ambient loop music continues to make it both unique and totally contemporary.
The Tronosonic Experience is a hard hitting punk jazz band from Norway. In December 2016 the band recorded their debut album at Ocean Sound Recordings, with engineer Henning Svoren behind the recording console.
The band’s eponymous debut album was released by Losen Records in September 2017.
Möbius Strip is an instrumental band formed in Sora (Italy) in 2014 and made of: Lorenzo Cellupica (25) on keyboards, Nico Fabrizi (27) on sax and flute, Eros Capoccitti (24) on bass and Davide Rufo (26) on drums. Möbius Strip was born with the intention of exploring and mixing different musical styles, in particular the sound and the improvisations of jazz with the structures of prog, without disregarding the insertion of strong melodies and searching for its own identity anyway.
Want to hear what Fractal Geometry, Chaos and Non-linear physics sound like when the mathematics becomes music? Climb the Devil’s Staircase…Made up of Ramsés Luna (Saxophone, Midi Wind, Electronics)
Tim McCaskey (Electric and Acoustic Guitars)
Luis Nasser (Bass, Pedals, Holophonics)
Mattias Olsson (Drums, Percussion, Loops)
The “Hypnotic Pandemonium” of Lucille Furs has been alternately described as “poetic rhythm,” “sophisticated and mellow” and “dream beat-pop”. The group describes themselves simply as “baroque pop.” The Music Manual UK describes them as “one of the hottest offerings to come out of Chicago.”
The Knells are an art rock ensemble from Brooklyn, NY. Drawing inspiration from over 1000 years of western classical music and deftly fusing it with the worlds of progressive, psychedelic, and experimental rock, their music “is a must for those seeking untamed new musical hybrids” (The Daily Beast). The New York Times writes, “[The Knells’] lyrics ponder cosmic conditions and cycles — time, space, dissolution, regeneration — and they are sung by three women, often in cascading counterpoint that can invoke Renaissance polyphony or Minimalism. The songs… sweep ahead, through passages of tolling solo electric guitar, of elegiac vocal melodies and harmonies, of note-bending quasi-Indian strings and guitar, of progressive-rock processionals.”
From Jazz (Weather Report), to Rock (Frank Zappa and the Mothers), to Pop (Genesis/Phil Collins) to Gospel (Ron Kenoly), Chester Thompson has surpassed the boundaries of musical genres. Chester’s performance and recording experiences have influenced over three decades of music and musicians. Whether playing drum kit or percussion, Chester’s masterful subtleties and unyielding time create the firm musical foundation for any musical genre.
Bubblemath. Kings of delight.
Valdez is a four piece art-rock band from Philadelphia, USA comprising of singer/guitarist Simon Godfrey, bassist Tom Hyatt, keyboard player Joe Cardillo and drummer Scott Miller. The band released their debut album entitled ‘This’ in the spring of April 2017 and plan to return to the studio to record their follow up record in early 2018.
Farmhouse Odyssey was formed by five college students in a small farmhouse in the fall of 2012 in Arcata, California. Embracing an improvisational writing style and inspired by the natural beauty of the Pacific Northwest, the band quickly developed an organic and undeniably original sound. Songs flow freely between moods and styles influenced by progressive rock, psychedelia, jazz, funk, and world music, while always retaining the distinct musical personality of the group.
New York based guitarist Joe Nardulli‘s self-titled debut CD inspired and intrigued a bunch of local progressive rock musos. After jamming with a few, Joe finally found the right people and put a band together. David Penna on drums, J. Levine on bass and Eric Davis on keys brought Joe’s solo material to life. Harold Skeete and Tony Savasta are now filling the rhythm section duties. Now as a band, AD ASTRA(Latin for “To the stars” – inspired by the title of the closing track of Joe’s self-titled debut CD) has taken the compositional process to another level and have completed a full band recording! With tone and melodic sensibilities reminiscent of Steve Morse and Eric Johnson, the focus is on compositions that are tightly structured, eschewing the bombast and length that progressive rock is known for. Smooth, thematic playing styles blend perfectly with soaring, uplifting melodies. Combined with odd and shifting time signatures, you have songs that always keep your interest and never sound monotonous.
The term “space rock” has been applied loosely over the last decade, but few bands truly achieve that delicate balance between openly atmospheric and crushingly heavy. Complex times, without feeling overly mathy. The Chicago quartet have layered instrumentation reminiscent of 90’s rockers Hum, with powerful vocals that can lead the listener towards Failure, or even the Midwest rock sounds of Shiner. This doesn’t mean Lybria are stuck in 90’s, as their modern approach has the contemporary feel of a matured Thrice, or progressive nature of UK’s Oceansize. Lybria are now focused on supporting their new EP “Cylces” with regional shows throughout the Midwest, and a heavy online presence.
The Gabriel Construct is the rock solo project of Gabriel Lucas Riccio, a vocalist, composer and performer from Salisbury, MD. His debut album, ‘Interior City’, is a dark and atmospheric concept album featuring Travis Orbin (Darkest Hour, ex-Periphery, Of Legends) on drums, Thomas Murphy (ex-Periphery) on bass, David Stivelman (ex-Debbie Does Dallas) on guitar, Soren Larson on saxophone, and frequent collaborator Sophia Uddin on violin. The album unites players from rock, metal, classical, and jazz backgrounds to create a sound which incorporates influences from a wide variety of genres, including progressive rock, 20th century classical music, extreme metal, drum-n-bass, jazz, ’90s grunge and space rock, ’80s pop and more. The album’s densely layered vocal harmonies, distorted pianos, dissonant chords, and complex rhythms envelop the listener in a hallucinatory wall of sound.
The journey of Neal Morse has seen three decades of musical accomplishments, the latest being the inception of THE NEAL MORSE BAND. The Los Angeles born Prog-Rocker Neal Morse (Spock’s Beard, Flying Colors, and Transatlantic) has forged many relationships over the years. The most compelling and fruitful efforts have been those with Mike Portnoy (ex-Dream Theater, The Winery Dogs, Twisted Sister, Transatlantic, Flying Colors, and more).
Together the pair has launched four bands. But the band that has endured the longest and thus with the most musical output has been THE NEAL MORSE BAND. Over the years, Neal along with Mike Portnoy and Randy George always assembled musicians as needed to support Neal’s solo music. In 2012, Neal with longtime bassist Randy George held auditions to find the musicians needed to fill out the band as a permanent lineup that would write music collectively. Bill Hubauer (keyboards, vocals) and Eric Gillette (guitar, vocals) joined the band after three days of auditions. They went on to release THE GRAND EXPERIMENT in 2014 followed by the ALIVE AGAIN live DVD/2 CD package in 2015.
Together, the five members are now embarking on THE SIMILITUDE OF A DREAM. This will be the eighth studio album with Morse, Portnoy and George, but the second as a true collaboration with this lineup. Neal’s most recent album is Life & Times.
Dinosaur Exhibit is the brain child of former members of several historic Chicago based Rock bands: The Flock, The Mauds and Aura. These bands exploded onto the music scene during the 60’s and played
through the 70’s and are noted for being an integral part of the birth of American Rock Music! These bands through their creativity and various successes have influenced many generations of musicians to follow in their footsteps!
The Flock were well known for such hits as “Clown” and other cult classics recorded over 3 albums, and headlining around the world. The Mauds produced top hits including “Hold On”, “Knock On Wood” and “Soul Drippin” and were a charting Phenomenon in Japan!
Aura were a more obscure band, that included original members from Four Days and a Night, and not unlike The Mauds and The Flock were signed to Mercury Records and had and have developed a huge following. Dinosaur Exhibit is not a tribute band, but the original musicians playing the music that they created and the music that we have all come to know and love, Live and in person!
*Featured guest legendary violinist Jerry Goodman is recognized as the world’s finest Electric Violinist who was a member of The Flock, Mahavishnu Orchestra, Jan Hammer Group and The Dixie Dregs and has appeared on countless recordings including: Hall &Oats, Styx and Toots Thieleman.
Soften the Glare is what happens when different worlds collide. Ryan Martinie (Mudvayne), Bon Lozaga (Gongzilla, Tiny Boxes) & Mitch Hull unleash an amalgamation of captivating sounds. When Lozaga, Hull & Martinie first met in LA and started talking about getting together to create some music, they didn’t know what to expect. Now, as Soften The Glare, their music is constantly evolving, bringing in elements from all of their worlds. Currently their music is headed in a jazz/rock fusion direction with elements of metal, funk, prog and chaos.
Jeavestone was formed in 1999 by a group of young hopefuls in Western Finland. They developed their style from a more direct approach towards what the band themselves call “prog’n’roll”