


DJ TWINBEATZ
Knowledgeable in multiple genres (Bhangra, Bollywood, Hip-Hop, Top 40, EDM, & more) DJ Twinbeatz brings together a vast skill-set, extensive music knowledge, & creativity to far exceed all expectations.
DJ Twinbeatz are heavily recruited & demanded throughout the world, performing at numerous weddings & sold out shows in different cities coast to coast each month. While performing live, the duo brings forth extreme professionalism, high energy, & a natural chemistry with the crowd. DJ Twinbeatz have proven to showcase an exclusive & innovative style that cannot be matched.
Aside from the game changing remixes/mix-tapes, Twinbeatz have now stepped foot into the world of original production. In late August 2017, Twinbeatz released their highly anticipated original debut album titled “Dream Big” on all major music platforms worldwide.
Get to know your DJ’s
Harinder & Varinder Singh also known as DJ Twinbeatz, are versatile & internationally known DJ’s based out of Chicago, Illinois. Although the twins grew up around a father who had an extensive music library along with being a part-time Bhangra DJ since ’95, they only decided to pursue a career in music at the age of 19. Just in a short span of 5 years, currently at the age of 24, DJ Twinbeatz have managed to put forth a unique style to successfully attract a worldwide fan following.
In their personal lives, Harinder & Varinder graduated from the University of Illinois at Chicago in Spring 2016 each with a degree in Bachelor of Science in Management. Being full-time students as well as full-time DJ’s became a time consuming task, however with the love & passion they have for music along with the continuous support from their fans, DJ Twinbeatz always remain driven to succeed in all aspects!
With DJ Twinbeatz in action, guests are assured satisfaction, fulfillment & a night they won’t forget!

BROKE N UGLY
Originally formed by Motor as a side project on break from High Plains Drifter, Broke N’ Ugly is now a full-time project with a new lineup
Tom McDonagh – Vocals (Everybody’s Dead)
Rob Lanam- Guitar (Bottles Flyin, Impulse Manslaughter, Gutterhead, Warbound, Everybody’s Dead)
Ron Lanam- Drums (Everybody’s Dead, Warbound, Painful)

STAVO
“These guys are on a different level.”
– Love For Local Bands –
We are just regular people. We are dads, have regular jobs, have families and are pursuing a dream. We are living proof that focus, hard work and surrounding yourself with the right people will take you to heights once thought unreachable. We hope our journey will help inspire you to follow your dreams as well. #whynotus #whynotyou
We are an entertaining progressive-pop rock experience, fusing musical intelligence and pop accessibility. Our musical genre covers a wide spectrum and we understand our job is to promote the business of fun to every audience we are fortunate enough to perform for.
S T A V O are:
Dan Staversky – guitars & vocals
Darren Pilato – bass
Rob Masterman – drums & percussion
Ian Mutch – keys & vocals
Brandon Pafk – sax, flute, synths, vocals & percussion

PAT TRAVERS BAND
Canadian born Pat Travers may be best known for his hits “Boom Boom (Out Go The Lights),” Snortin’ Whiskey” and “I La La La Love You” from the “Valley Girls” film soundtrack. But it’s his live show and superior guitar work that earned him legions of loyal fans since he burst onto the international rock scene in the late 1970’s.
His current touring band includes Tommy Craig (drums) and Jaco’s nephew David Pastorius (bass/vocals).

CAPTURED! BY ROBOTS
2 kick ass robots, 1 stupid human. Brutal pummeling music. End of story.
But you wanna read more stupid crap? Ok, idiot human. C!BR has been touring the world since 1997, playing thousands of dive bars for millions of drunk humans.
In 1996, Jay Vance made the robots because he was extremely unlikeable, and wanted to play in a band after all his past human bands hated him. He got to work. Shortly after, GTRBOT666 and DRMBOT 0110 were born. After a horrible accident involving many drugs and a chemical spill, the Bots became self aware and captured the human, now renamed JBOT. It was decided that they would travel the country, rocking out while bent on world domination and humiliating the masked and chained idiotic human in front of his human peers.
As well, JBOT’s mask was removed, after 15 years of captivity removal of the mask serves to show how ugly and disgusting the human JBOT really is.
The Bots and JBOT’s relationship has changed, now they are much more united in hating humanity. Stockholm syndrome? Maybe… Or maybe you all just suck really really bad.
C!BR’s newly found united aggression towards humanity has been channeled into fast n loud music, designed to deafen and destroy, to pound and pummel, breaking your bones with brutal tones.

HANDSOME DAVE AND THE RAVENS
Handsome Dave & the Ravens have been a stalwart presence on Chicagoland’s bar, club, and festival stages. They are dedicated to preserving the integrity of raw rock and blues in the tradition of legendary power trios such as the Jimi Hendrix Experience, Cream, Mountain, ZZ Top, and Stevie Ray Vaughan & Double Trouble. With a focus on tight rhythms and muscular guitar riffs, they unleash a visceral assault on the senses. Their music has heart and soul, but no shortage of power and grit. It truly is blues rock at its finest.

HELLION

THE WIZARDS OF WINTER
Wizards of Winter was originally formed in the winter of 2009 as a way to give back to their hometown community. The local town’s food pantry was in severe financial straits and in response, band leader Scott Kelly was looking to hold a holiday concert event to support the cause. Kelly was keenly aware of the success that symphonic-rock monolith Trans-Siberian Orchestra had acquired with their perennial Christmas pageantry. Kelly, multi-talented keyboardist took it upon himself to create a TSO tribute project, one that featured world-class musicians to emphasize his deep love for the arena-level prog-rock avatars that inspired him as a player. He approached his wife Sharon Kelly (Lead Vocal/ Flutist) and Bassist, Steve Ratchen regarding the concept, and both liked the idea. With the three of them as a nucleus, they scoured their personal address books and convened a team of stellar musicians from seasoned professionals to well-respected locals whose capability for excellence filled the projects needs. Under the banner Wizards of Winter, the ensemble was able to give back to the community with several performances of holiday music of The Trans- Siberian Orchestra in late 2010.
As expected, the events were a success and the Wizards were able to help the struggling food bank. But in the process, something else happened. “We did a couple of shows that first year and people wanted to buy our album,” says Kelly. “We didn’t have one.” The seed was planted. In 2011 the band embarked on writing their own holiday rock opera, “Tales Beneath a Northern Star”.
What was once a tribute group created solely to call attention to a charity in need has now turned into a musical force of its own design. “For many, Christmas rock music is associated with TSO or even Mannheim Steamroller” says Founder, Scott Kelly. “There is room for something in between the extravagant production of TSO and more reserved presentation of Mannheim.” Kelly continues. “It is “here” that I see the Wizards fit”.
In 2013, Kelly became friends with original TSO member Tommy Farese (“The face of TSO”), who introduced him to several other former members of that ensemble, Guy LeMonnier, Michael Lanning, and Tony Gaynor. Tommy and the others listened to The Wizards original material and really liked what they heard. The Wizards and former TSO members decided to join forces and tour together that holiday season.
The band’s decibel-laden philanthropic acts gave back to the community, but maintaining a constant, stable lineup proved difficult in the beginning.
Eventually, the Kelly’s and Ratchen were able to put together a lineup, one Scott describes as “musicians with Masters degrees to regular self-taught rock guys that can play at the level that is required.” The WOW lineup is now fortified with vocalist Vinny Jiovino, guitarists Fred Gorhau (formerly of heavy-metal outfit Explorer) and TW Durfy, drummer Tommy Ference, bassist Greg Smith ( Ted Nugent, Alice Cooper, Rainbow), pianist/vocalist Mary McIntyre, violinist Ellie Krasmer, as well as former TSO members Guy LeMonnier (vocals), and Tony Gaynor (narration) .
Wizards of Winter’s 2014 self-titled debut was a startling holiday prog-rock throwback that simultaneously conveyed optimism and wonderment (“Just Believe”) and flooring metal crunch (“The Journey”). “It’s a Christmas rock opera,” Kelly enthuses. “You travel on a musical journey aboard the metaphysical Arctic Flyer inside a snow globe in search of the meaning of Christmas. If you’re a science-fiction fan, it’s like Dr. Who, where you board his Tardis and travel anywhere in space and time. Some spaces are happy, some are melancholy; our music encompasses the vast range of feelings people experience during the holidays. We take you on a two-and-a-half-hour emotional roller coaster, from ballads to prog-metal.”
The Wizards released their second album in November 2015, titled ” The Magic of Winter”, to rave reviews globally. One reviewer went so far as to call it a masterpiece. A third album is planned for 2017.
Indeed, the 12-strong Wizards are starting to make heads swivel with their synergy of the symphonic and the serendipitous, touching hearts and raising a psychic goblet to the roots of progressive rock. Co-founder, Lead Vocalist/ Flutist, Sharon Kelly states, “I never anticipated writing and performing our own songs would be so emotional. They are like one of your own children. You create it, nurture it, protect it and then when ready, you let it fly on its own. People in the audience, feeling the same raw emotion that inspired us to write the songs is very moving.”
Sharon adds, “The whole experience of bringing music to people is very rewarding. Especially since we see such a wide range of age in the people that attend our shows.. Our music crosses generational boundaries. “I personally find our young audience so inspiring. Reaching out their hand to me when I am singing in the audience, seeing them smile, it’s very humbling. I have had countless school age children come up to me after the show, excited to share with me that they play the flute too. “It’s not just a concert/marching band instrument” I joke with them. They usually leave saying they hope to get the opportunity to play flute in a “cool” band like the Wizards some day. Those young people are why this is so meaningful and rewarding to me. “
Says Kelly about his group’s creative trajectory, “during a Wizards performance, there are many interesting highlights. We like crowd interaction; members go out into the audience, which really makes for a great performing dynamic. In the early years of TSO when they were playing theaters, there was a very relaxed, touch-the-band atmosphere. When they moved into arenas, they emphasized the light show and the show became so rehearsed and rigid”. He continues “Our audiences love the interaction that we have with them.”
Lead Guitarist, Fred Gorhau explains, “There are moments every night, at every show, where things are really firing on all cylinders. It’s like lightning in a bottle. This show is very much about the fans and the audience and we feed off of their reaction that we get – both during & after the show”. Gorhau adds” For me there is probably no better feeling that I get from the fans as, when they tell me, that we are their “new yearly tradition. That shows me we earned a fan for life.”
Co-Founding Bass player, Steve Ratchen notes, “Having a theater full of people on their feet, knowing the lyrics to songs you’ve written or arranged is quite humbling”. Ratchen adds” We make it a point to stay as long as necessary after every show until we’ve met, chatted with and accommodated every person who’s kind enough to have waited for us. I believe I speak for the entire organization when I say none of us consider it an obligation, but rather a privilege.”
Co-Founder, Composer, and Music Director Scott Kelly, realizes, “To watch the band grow from its humble beginnings to what it has now become today, brings a huge unending smile to my face. WOW has grown beyond our dreams and based upon the audience reaction to our original music, this is only just a start. There is a magical feeling that comes over me when I see and hear the audience sing along to our songs”. Kelly adds “Throughout my musical career, I have never performed with such a collectively talented team of people than the group of musicians that currently comprises the Wizards. I am proud to share the stage which each and every one of them.”
While Team Wizards has helped make a difference through both charitable gestures and passionate performances, there’s also a greater cultural arc at play. Rock music has been through a lot of permutations over five decades: Technological advancements and the internet have allowed fans to interface with all of that musical history. To that end, Wizards Of Winter are simultaneously recalling a heyday of classically tinged rock that’s part and parcel of older listeners’ mythology, while also amping it up in aggressive ways appealing to young rock fans. Kelly hopes that WOW will continue to bridge generations—and their attendant tastes—for something that is both commercially viable and honest. But more importantly, to make some gesture toward how music should be respected than merely “browsed,” a stance Kelly keeps a hard-line on.
“I do feel that way,” he says. “You can feel it in the audiences that come to our shows. They range from eight to 80. We try to create music that has the pageantry of the late-70s, early-’80s rock shows and present ourselves accordingly. You’re not going to find us showing up to play in jeans and a T-shirt. Then again, I don’t want to get on the gratuitous prog side of things where you’re changing time signatures just for the hell of it and making things prog madness. I want things to be accessible without being a mindless pop band.”
If the next year is any indication, Kelly and his team will be putting new meaning to the term “WOW factor.” Sure, the pun is trite, but it’s the best way to describe Wizards of Winter’s determined drive. There’s the new Christmas album coming later this year, as well as several projects that fall outside the realm of holiday commemoration, from a full-blown rock opera to an album of rock songs free from any narrative. Kelly’s primary concern is for WOW to execute good work on terms they can be comfortable with.
“I listen to a lot of things from Metal to Broadway shows to Drum line /Marching music,” says Kelly. “I still have a soft spot in my heart for classic prog-rock, as well. I want our music to reference all those things and reflect both precision and passion.” He starts to laugh. “Now that I’m thinking about it, this is one weird band!
Additional band quotes:
Guy LeMonnier (original TSO member)
“I am so excited for the band’s future. They have gold on their hands, whether they realize it or not and I am thrilled to be a part of the growth. I am in love with the music and really enjoy performing it”
Tony Gaynor (original TSO member)
“Performing with the Wizards has renewed my faith in the spirit of Christmas, and reminded me just how much great music and great musicians, touch the very souls of people…..
Standing on the stage with the Wizards, as the audience erupted in applause, takes me back to my early days with TSO, just before they exploded and became a holiday tradition for family’s everywhere…. I’m glad to be doing it again… Here comes the Wizards of Winter “

THE PRIZEFIGHTERS
The Prizefighters are back in action with a brand-new LP of the heaviest-hitting ska, rocksteady, and reggae in town. With a critical eye on the future and grooves that echo the Kingston dancehalls of the 1960s, Punch Up cements The Prizefighters as top contenders in the worldwide reggae game.
The Prizefighters have honed their reggae bona fides, having teamed up with heavy hitters of ’60s Jamaica, playing as the backing band for artists such as the “King of Ska” Derrick Morgan, legendary duet partners Stranger Cole & Patsy Todd and Roy Panton & Yvonne Harrison, and most notably harmonica player and vocalist Charlie Organaire, whose playing can be heard on hundreds of early Jamaican ska and rocksteady hits. The Prizefighters and Charlie Organaire released a trio of 45rpm singles on Jump Up! Records, and toured Europe together in support of Charlie Organaire Meets the Prizefighters.
Punch Up is The Prizefighters’ third full length LP released on Jump Up! Records, following 2010’s Follow My Sound and 2019’s Firewalk.

SWAG HOLLYWOOD

DEPTHS OF HATRED
DEPTHS OF HATRED are a 5 piece death metal band from Montreal, Canada.

PSYCHOTIC REACTION
High Energy Rock and Roll band from Norman, OK. est. 2007 heavily influenced by The Stooges, MC5, Radio Birdman, 13th Floor Elevators, The Yardbirds, Black Sabbath, Pink Floyd, early country blues music, H.P. Lovecraft, George Orwell and Lucid Dreams.

BRUISER QUEEN

FEA
Fea is the continued ferocity of Girl In A Coma’s Phanie Diaz and Jenn Alva, joined by lead vocalist Letty Martinez and guitarist Aaron Magana. Their melodic brand of riot grrrl chicana punk immediately caught the ear of many iconic collaborators, such as Joan Jett who signed them to Blackheart Records. Producers on their debut LP (self-titled) include Lori Barbero (Babes In Toyland), Laura Jane Grace (Against Me!), and Alice Bag (Bags), all of whom perfectly compliment the band’s fierce exploration of societal, cultural and gender-related issues. Mixing humor with abandon and English with Spanish, Fea empowers listeners and inspires dissidence. Those whose aim to oppress are in FEA’s crosshairs, and resistance has never sounded so infectious!
DOMO
PHNDI

LOREN

RITCHIE BLACKMORE’S “RAINBOW”
Ritchie Blackmore’s Rainbow (sometimes stylised Ritchie Blackmore’s R-A-I-N-B-O-W) is the first album by British rock band Rainbow, released in 1975.

SACROCURSE
SACROCURSE
Ravishing Old School Metal Madness, No Fucking Compromise… Expect No Mercy!

CHERRIE

SiR
SiR is an up and coming singer/songwriter out of Inglewood, CA. Known for his soulful sound, lyrical delivery, and technical savvy, Sir has been working among the music industry’s best since his career began. He has written songs with the likes of Stevie Wonder, Jill Scott, Anita Baker, Robert Glasper, Tyrese, and more. Sir recently confirmed his signing to the west coast powerhouse, Top Dawg Entertainment. This solidifies him as someone to watch for in 2017.

DANIEL CAESAR
Daniel Caesar is a Canadian R&B and Soul singer-songwriter.
Daniel Caesar has received widespread critical acclaim for his debut 2014’s EP “Praise Break”.”Praise Break” was ranked number 19 in the ‘20 Best R&B Albums of 2014’ by Rolling Stone. This body of work discusses religion, which he was heavily influenced by, being as though it played a large role in his upbringing and unrequited love. Some of his most popular songs are “Get You,” “Violet” and “Japanese Denim.”
His breakout single “Get You” amassed over 10 million streams on Apple Music since its October 2016 release; According to his management, the singer’s catalog has garnered over 20 million global streams on Apple Music and 12 million streams on Spotify, with a listener-ship of over 740,000 per month.

NO DEAD HEROES
We’re here to fuck shit up.

LOW END THEORY DRUM ENSEMBLE

SIMON PHILLIPS
Simon Phillips is by far one of the world’s most renowned and respected drummers, whose style not only reflects his technical gift but also his distinct musical sensibility. Whether it is Rock, Fusion or Jazz, Simon applies the same precision and intensity to his drumming, which is never lacking in emotion and feel.
Simon’s professional musical career began at the early age of twelve, performing and recording with his father’s – Sid Phillips – Dixiel and band until he turned sixteen. With an offer to play in the musical Jesus Christ Superstar, his path was marked and his career in full bloom. Simon soon became one of London’s most celebrated session drummers. In his early twenties he was well on his way to having a musical career nothing short of brilliance. To date he has toured and recorded with many bands and artists, including: Mick Jagger, The Who, Jeff Beck, Jack Bruce, Peter Gabriel, Joe Satriani, Tears for Fears, Judas Priest, Roxy Music, Michael Schenker, Nik Kershaw, Phd., Al DiMeola, 801, Pete Townshend, Russ Ballard, Robert Palmer, Stanley Clarke, The Pretenders, Jon Anderson, Whitesnake and Dave Gilmour… to name but a few.
In 1992 Simon decided to move to the USA, coinciding with being asked to join Toto for their world tour. He has remained a full time member ever since. After recording the Toto album “Tambu” in 1995, another year of touring followed in 1996, covering Europe, Japan, SE Asia and South America.
In 1997 Simon took a break from Toto in order to reach a personal milestone: He took his own band on tour, and for the first time he was the bandleader, and it was his music. This great year included tours of Europe, Japan and The United States, and a performance at The North Sea Jazz Festival.
1998 saw the recording of another Toto studio album entitled” Mindfields”, followed by 2 years of touring around the world of which the live CD “Livefields” captures. The most recent Toto record “Through the Looking Glass” took the band in 2002/03 on extensive concert trips to Europe and Asia.
Expanding his career from drumming to writing solo projects, Simon recorded his first album “Protocol” in 1988, followed by “Force Majeure” in 1992. “Symbiosis”, which he recorded in 1995, was as spirited but more inspired than ever, and showed a change of direction in the compositions. Simon likes to link his growth in songwriting and new artistic depth to his move to the States. The 1997 record “Another Lifetime” shows yet another layer of his tremendously resourceful playing and an even more motivated composing. “Out of the Blue”, a live album, followed in 1998 and in 1999 another complete change of style took place in his latest record “Vantage Point”, which is a pure, straight ahead jazz album.
Yet another expansion to Simon’s musical career is producing and engineering, which he first started back in England with British composer Mike Oldfield, working on three albums with him. Aside from his solo projects, Simon also co-produced Toto’s “Tambu” in 1995,followed by “Mindfields” in 1998. Simon was asked to engineer the latest Toto album, and spent a couple of months during the winter of2001/02 recording “Through the Looking Glass” in his own studio. Simon is currently back in his studio mixing a recently recorded show for the next Toto DVD.
In 2000 Simon took a break from Toto and recorded with Derek Sherinian, formally of Dream Theater, as well as produced and engineered “Inertia”. The following year included the recording of progressive band Planet X, “Moonbabies” and mixing a live CD “Live From Oz”.
Simon’s sympathy to the various styles of music and his interest in sound and arrangements will always drive him to expand his career.

ALLEGAEON
A lot has happened with Allegaeon since the 2022 release of “Damnum”, a record called a “triumph” of maximalist modern metal and “technically dazzling yet always in thrall to the uplifting power of melody.” First, the Colorado-based band–who formed in 2008–welcomed back original singer Ezra Haynes as permanent vocalist in November, 2022. Then, after re-signing with Metal Blade Records, the quintet wrote and recorded two blistering brand-new songs–“Inhumation” and “Iridescent” –with longtime producer Dave Otero.
The killer new tracks are precursors of what’s to come when the band enters the studio in 2024 to record its seventh album for Metal Blade. The two new stand-alone singles act as a bridge in Allegaeon’s musical history. “Inhumation” has more of a Damnum vibe, whereas “Iridescent” is more reminiscent of Elements Of The Infinite. Musically, both songs were written with an overwhelming sense of anger; Inhumation in soundscape form, and Iridescent in a pure, frantic guitar-driven form.
If Damnum is what happens when “absurdly gifted musicians reach a state of unwavering confidence” as one journalist raved, the band’s next chapter, back with Haynes, and with an unbounded, refreshed creativity, will be unstoppable. “It feels like Allegaeon is becoming the band we were always meant to be,” concludes bassist Brandon Michael. “The chemistry is incredible. Overall, we’re in a very good creative space together.”
Ezra Haynes: Vocals
Greg Burgess: Guitar
Michael Stancel: Guitar / Vocals
Brandon Michael: Bass / Vocals
Jeff Saltzman: Drums

THIN LIZZY “JAILBREAK”
Jailbreak is the sixth studio album by Irish hard rock band Thin Lizzy, released in 1976. It proved to be the band’s commercial breakthrough in the US, and the only Thin Lizzy album with a certification in that country.

THE DRACU-LAHS
Swoony crunchy vampire drunk n roll. Skulkin’ around for a year now. Hard to keep a good vamp blacked-out. Will probably wake up with your blood stained on our teeth.

CORY CALL

MATT WOODS & THE NATURAL DISASTERS

SMOKO ONO

ASAP NAST
Tariq Devega, better known by the stage name ASAP Nast, is an American hip hop recording artist and songwriter from Harlem, New York.

EGI
Melding these jamscapes with fun, funky songwriting and lyrics that range from contemplative and aware, to tongue-in-cheek goofiness has been EGi’s signature formula over the last decade. Utilizing multiple lead vocalists and a diverse background of influences and experiences between the members, the band constantly expands the boundaries, both stylistically and sonically, of what a quartet of 2 guitars, bass, and drums can create. Be sure to check out official realizes (2016s “Plyatron”, 2018s “Vessel”, 2021s “Sajak Mande Tiado”, and 2021s “Joget Bagurau”) on all streaming services, and bring your friends out to a club or festival near you to hear and see one of the most energetic and original bands on the circuit.

SATSANG
Satsang is a Conscious Music Collective blending world conscious lyrics with a unique blend of Folk, Soul, Indie Rock, and Hip-Hop. Satsang seems to have something for every musical palate. The lyrics come from and are rooted in change, growth, awareness, and imperfection, and are used as a mission statement for reflection, growth, and activation. Touching on everything from the bliss of traveling and the growing pains of change: to societal ills and civil rights. The live show is everything that the band name suggests: A gathering of people to assimilate and share their truths. The rhythms and energy put forth by the band keep everyone on their feet, and the lyrics leave them craving active and immediate change. Satsang has toured all over the country and has shared the stage with the likes of Steel Pulse, Nahko and Medicine for the People, Trevor Hall, Wookiefoot, Mike Love, and many more. “It still amazes me how far they have come in such a short period of time. With a very dedicated fan base and a lot of respect in the music community amongst other artists, Satsang is a band to watch closely. ” – GratefulWeb

THEM VIBES
Them Vibes bleed rock n’ roll.
Formed in East Nashville’s underground rock scene in 2013, the band quickly shook the foundations of Music City with their blitzkrieg live show and soulful songwriting. Influenced by the rhythmic sway of The Faces and T-Rex and infected with the raw energy of the Rolling Stones and the Black Crowes, Them Vibes have injected new life into the anemic arm of what currently passes for mainstream rock n’ roll.
Co-founded by singer-songwriters Brother Love and Alex Haddad, Them Vibes released their debut record, Shine On, independently and began hitting the Nashville and Austin scenes as a five-piece band playing coveted gigs at the High Watt, The Basement, The Mercy Lounge, The Continental Club, the Blue Bird Café, to name a few. Their wild, high- voltage revival of a live show was brought to festival crowds at Austin’s SXSW; they were the headliner at The Tomato Music And Arts Fest; opened for the Flaming Lips at the Sound Harvest festival; and, in front of thousands of onlookers, they have opened for such classic artists as Lynyrd Skynyrd and Molly Hatchet.
Them Vibes’ sophomore release was the heavy hitting EP TV. Grammy award-winning producer and engineer Richard Dodd (Tom Petty, George Harrison, Counting Crows, The Civil Wars, Kings of Leon and Wilco) took the helm as producer. The result was a five song cliff dive of psychedelic, hard driving, slinky grooving, swamp-howling rock n roll.
The single “Mammas Gotta Secret” took radio by storm, with national radio play on over twenty stations nationwide. Network television began to taken notice, as well. Both album’s respective cuts garnered placements on ABC’s Nashville, NBC’s Grimm, Fox’s Cooper Barrett, and CMT’s Redneck Island and Dude Perfect, and the Netflix Original series The Ranch. Their biggest commercial success was led by their raucous song Crying Shame, which was chosen by T-Mobile to lead their spring campaign.
Off the heals of their strides stateside the band turned their attention across the pond embarking on a month long European tour. Playing sold out shows in Germany, France, Belgium, Slovakia, and Spain, gaining critical acclaim, radio play and most importantly throngs of new fans.
When they returned to the U.S the band went right to work writing and recording their new album Electric Fever. Larry Florman (Brother Love), Alex Haddad, lead guitar player Kyle Lewis, and the prodigious, up and coming Nashville producer Bobby Holland wanted to make the most ambitious rock n roll record to come out in the last decade. With the help of the rhythmic fury of drummer Sarah Tomek (Steven Tyler, Maggie Rose, Loving Mary, Raelyn Nelson) and bassist Judd Fuller (Rodney Adkins, Buck Johnson of Aerosmith), Them Vibes did just that. Recording everything full band and live at Addiction Studios in Nashville, Electric Fever is a kaleidoscope of sound and sonic ecstasy. The twelve side LP is colored in Muscle Shoals soul, hip shaking beat break funk, southern rock harmony guitars, tribal heavy rhythms injected with rock n roll ferocity, broke down acoustic delight, and all and above driven by harmony and groove full speed ahead.
The self titled single Electric Fever has already been leaked to the number one independent radio station in the United States Lightning100, and in its inception has caught quite a buzz. The single, due to popular demand, has been officially released on iTunes and every major music streaming platform, and the album Electric Fever is due out late spring.
The band will be hitting the US interstate in support of their new record.

NEFARIOUS
A Death Metal Band from Illinois.
Julian Walter – Electric Guitar and Vocals
Aaren Pantke – Drums
Ramón Garcia – Bass Guitar
E-MAN

ASHLEE BANKZ

PREMO KTM

MAUIE THE KING JR.

LIL RAY OF NEX2KIN
Lil Ray is no stranger to hard work. He has had some experience within the music industry. His father, Big Ray, worked with a number of rap artists that include Chicago’s own, Do Or Die. Although he was exposed to the industry and the politics of it all, Lil Ray didn’t get bite by the rapping bug until he was 14-years-old. But when the desire hit, he saw refuge in it. He looked up to LL Cool J, P. Diddy, Jay-Z, Biggie and his idol, T.I. as inspirations.
Lil Ray writes his own music and loves the creative aspect of it all. Making “party” music is what he’s known for and in a very short time, have garnered a lot of respect for it. Coining himself as “undefinable,” Lil Ray would consider himself musically versatile. Having many career highlights already, he shared a song with a longtime friend and respected colleague, Twista, on their song “Bad Than A Mutha,” was a dream come true. Lil Ray headlined his first tour “Hella of Laughs & Hip Hop Tour” with comedian Kenny Howell and it became a huge success in 10 cities across America in venues seating approximately 4,000 people. All the love across the country feels great but it’s nothing like receiving the love from your hometown. That’s why it’s no surprise that Lil Ray is a mainstay on Chicago’s radio station WPWX Power 92 (92.3FM).
Lil Ray envisioned endorsements, clothing lines, and even owning his own record company to sign other up and coming artist in the future. The sky is truly the limit for Lil Ray who will one day take over the rap charts.

FASTPLANTS
Fastplants are a punk/skate rock band from Chicago, Illinois. Fastplants formed in 2013 and have been actively recording and touring since 2015. To date the band has released two EP’s, two split LP’s, a tribute 7”, and one full length LP. Fastplants have shared the stage with Agent Orange, The Supersuckers, Zeke, Murphy’s Law, Teenage Bottlerocket, The Stitches, McRad, Angry Samoan, Field Day, Urethane, Radkey and were direct support for D.R.I on their 2019 Southwest/US tour. Fastplants have worked with Beercity Records, NotLikeYou Records and Beercan Records.
Fastplants:
Matt Anzelone – guitar/vox.
Marc Harman – drums.
Abe Linders – guitar/vox.
Steve Sackett – bass.

REPLICANT
Providing the soundtrack to our dystopian tomorrow, today, Replicant is a Chicago based composite of the analog, the organic, and the digital. A visual and sonic imprint blurring the lines between seduction and punishment. Composed of crooning vocals, sensual synths, and battering bass lines, Replicant draws influence from both the dark and the lustrous sides of our modern dystopia.

GROVES

THE STEREO
The Stereo was a pop rock/rock and roll band started in 1999 by former ska/punk band frontmen Jamie Woolford (of Animal Chin) and Rory Phillips (of The Impossibles). The pair was brought together on recommendation of their former bands’ record label Fuele

MARIO JOSE
A San Francisco Bay Area native, Mario Jose is a seasoned singer-songwriter, powerhouse vocalist, and true entertainer.
Mario attended Berklee College of Music in Boston, MA and was a part of the award-winning a cappella group Pitch Slapped. After graduating, he moved to Los Angeles to further pursue his career in music.
Mario has had the privilege to share the stage and studio with music icons including Pentatonix (opening for them on tour), Prince, Justin Bieber, Meghan Trainor (New Orleans Jazz Fest 2017), John Legend (NBC’s Duets), Michael McDonald, Philip Bailey (of Earth, Wind & Fire), John Elefante (of Kansas), Jim Peterick (of Survivor), Bill Champlin (of Chicago), Paula Cole, Lalah Hathaway, Ben E. King, Post Modern Jukebox and many more!
Mario is currently the Emcee & featured vocalist on Post Modern Jukebox’s US tour. He will be returning home for a 4-week Artist Residency at the iconic Hotel Cafe in Los Angeles and a multi-city tour with Travis Atreo & The Filharmonic.

PETE GALANIS/ NATE MANOS BAND
Pete Galanis is best known as guitarist for Chicago Blues/Jam Band, Howard and the White Boys, having joined the band in 2004. Galanis’ tight blues chops—coupled with his natural versatility at handling the funk, R & B, and rock styles that have become Howard & the White Boys trademarks—have magnificently slotted right in with the group’s signature sound and have also lent it an exciting, youthful exuberance, readily apparent on the bands new Evidence Records release “Made in Chicago”. The band is now focusing on touring to support the new CD and working on material for their next one.. As of August 2007, Pete Galanis Band featuring Nate Manos, begins a residendency gig at Rosa’s Lounge every Tuesday at 9:30.Galanis has also shared the stage with John Mayer, Buddy Guy, Dave Myer, Jimbo Mathus, R.L Burnside, Junior Kimborough, Model T Ford, Clarence “Gatemouth” Brown, Lurrie Bell, Eddie Clearwater, Lonnie Brooks, Ronnie Baker Brooks, Hubert Sumlin, Lurrie Bell, Jimme Johnson, Billy Branch, Bob Margolin, Kid Ramos, Carlos Johnson, Albert Castiglia, Mississippi Heat, Nigel Mack, Nick Moss and the Flip Tops, and the Joe Moss Band to name a few…

OMAR COLEMAN
Omar Coleman as a rising star with iron-clad longevity in the national blues scene. Hailing from the West Side of Chicago, Coleman grew up entrenched in soul music and black music that defined the era in the mid-90s. Working as a barber by trade, Coleman recalls being bored at his shop on Michigan & Adams in Downtown Chicago and sauntering to the music shop down the street to pick up an instrument to pass the time. He landed on the harmonica thinking it would be easy to learn quickly and would fiddle around on it between cutting hair and usurping the shoeshine guy’s chair when he went to shine shoes in the back. With many clients being musicians, Coleman would learn about Chicago being heralded as ‘Home of the Blues’ and was tipped off to legends such as Buddy Guy, Howlin’ Wolf, and more. Another world opened up.

COREY DENNISON BAND
Formed in 2013, The Corey Dennison Band has become a favorite attraction at Chicago blues venues, including twice-weekly appearances at Kingston Mines. Led by Corey Dennison’s soulful voice and muscular guitar, the band released its self-titled studio debut for the legendary Delmark Records in 2016 after honing 13 original songs night after night on the bandstand. Corey’s decade-long stint with Carl Weathersby and Gerry Hundt’s tenure with Nick Moss are evident on the disc but blend effortlessly into a dynamic new Chicago sound, anchored by fellow Moss alum Nik Skilnik and drummer Joel Baer. Critics and radio polls responded favorably as the album garnered glowing reviews and constant worldwide airplay, netting chart positions on the Roots Music and Living Blues Radio Reports. Nominations followed suit, with a nod for Best Emerging Artist from the Blues Music Awards, a pair from Blues Blast Magazine, and Grammy balloting. The strength of the band’s repertoire is matched only by the charisma of the stage show; it’s not uncommon to see Corey belting out the blues, unamplified, in the heart of the audience while the band steps in time to the groove. It’s not novelty for these musicians and entertainers, however, it’s exactly where they want to be.

THE STROKES (STORKES) “IS THIS IT”
Is This It is the debut studio album by American rock band the Strokes. Recorded at Transporterraum in New York City with producer Gordon Raphael, the album was first released on July 30, 2001, in Australia, with RCA Recordsas the primary label. The record entered the UK Albums Chart at number two and peaked at number 33 on the US Billboard 200, going on to achieve platinum status in several markets. “Hard to Explain”, “Last Nite”, and “Someday” were released as singles.

MUSE “ORIGIN OF SYMMETRY”
Origin of Symmetry is the second studio album by English rock band Muse, released on 17 July 2001 by Mushroom Records and Taste Media.

DELTA VOLTA
Delta Volta is a three piece band from Chicago. The music is a cocktail of fuzzy guitars, blasting drums, and a splash of spacey, out-of-this-world synthesis. Delta Volta is ready for blast off.

APOTHESARY
Contemporarily old-fashioned Heavy Metal.

EMI
Singer/songwriter from Seattle, WA.

BAD MECHANICS
First show since 2017, first time ever as a full band. Dress shirts. Slacks. Stamp collections. The suburbs. Gardening. LaCroix. These are the calling cards of America’s Baddest Band®, Chicago’s own Bad Mechanics. No strangers to shtick, featuring current & former members of The Eradicator, HeWhoCorrupts, and Chicago Thrash Ensemble, the group takes aim at ‘adult life’ in hypnotizing, rapid fire with their debut LP Precious Moments in the USA on Stonewalled Records.

DISCOVERIES OF THE AMERICAN SCIENTIFIC
BIG LEANO
SWOOSH

MOULDER GRAY & WERTICO
John Moulder
John Moulder is a guitarist and composer whose music has evolved from an assimilation of various musical traditions. His most recent release entitled Earthborn Tales of Soul and Spirit (Origin 2016) features Donny McCaslin, Marquis Hill, Paul Wertico, and many other long time musical companions. Inspired by soulful individuals, it has been described as a contemporary musical narrative. John’s compositions and playing are featured on his CDs entitled Awakening (Mo-Tonal Records 1993), Through the Open Door (Igmod/Mo-Tonal Records 1997), Spirit Talk (NAIM 2003), and Trinity (Origin 2006) and Bifröst (Origin 2009) were both named one of the “Ten Best Jazz CDs” of 2006 and 2009 respectively by the Chicago Tribune. On The Eleventh Hour: Live at the Green Mill (Origin 2012), John collaborated with his long time musical companions, Paul Wertico, Larry Gray, Jim Trompeter, and Geof Bradfield.
Televised feature stories on John and his work have aired on Artbeat (WTTW) and Chicago Tonight (WTTW). He has played nationally and internationally at numerous festivals, clubs and concert halls and has performed with artists such as Eddie Harris, Bob Mintzer, Paul McCandless, Lyle Mays, Paul Wertico, Gary Burton, Niels-Henning Ørsted Pedersen, Arild Anderson, Bendik Hofseth, and Terry Callier.
John received his Master’s Degree in Music from Northwestern University. As an educator, he is currently a faculty member at Northwestern University, Benedictine University, and Roosevelt University’s Chicago College of the Performing Arts. He has lectured, taught master classes, and conducted clinics at universities, high schools, music institutes, and other settings.
John’s official website is: johnmoulder.com
Larry Gray
Bassist, multi-instrumentalist, and composer Larry Gray has enjoyed a career spanning some four decades in which he has collaborated with a long list of many of the world’s most important jazz artists, including Jack DeJohnette, Bobby Hutcherson, Joe Williams, McCoy Tyner, Benny Golson, James Moody, Sonny Stitt, Larry Coryell, Kenny Burrell, Joe Pass, Clark Terry, J.J. Johnson, Steve Turre, George Coleman, Lee Konitz, Benny Green, Eddie “Lockjaw” Davis, and Gary Bartz, among many others. He has five solo recordings to his credit, beginning with Solo + Quartet and most recently, Three Equals One. Among many projects as a collaborator or sideman, he appeared on five CDs during his twelve years as a member of the Ramsey Lewis Trio. Through the years, he toured with many artists, including Joe Williams, Clark Terry, Frank Wess, James Moody, Marian McPartland, and Ramsey Lewis, appearing at many important festivals and concert venues worldwide.
Most recently he appears on the recording on ECM, Jack DeJohnette-Made in Chicago, with Muhal Richard Abrams, Roscoe Mitchell, and Henry Threadgill. He currently tours with Jack DeJohnette’s group and also played in Larry Coryell’s Trio, alongside drummer Paul Wertico. Another recent project, The Gray Wilkerson Ra Trio, features the internationally acclaimed improvisation musicians Ed Wilkerson and Avreeayl Ra. He also serves as an Associate Professor of Jazz Studies at the University of Illinois School of Music in Urbana/Champaign.
Larry’s official website is: larrygraymusic.com
Paul Wertico
Hailed in the press as “One of the most versatile and musical drummers in music today,” Paul Wertico was a member of the Pat Metheny Group from 1983 to 2001. During that time, he won seven Grammy Awards (three for “Best Jazz Fusion Performance,” three for “Best Contemporary Jazz Performance,” and one for “Best Rock Instrumental Performance”), won numerous magazine polls, received several gold records, and played drums & percussion on David Bowie’s hit recording (with the Pat Metheny Group), “This Is Not America.”
He has played with countless artists and has performed in all 50 states and in over 60 countries. Paul has also played drums and percussion on hundreds of recordings. As a solo recording artist, Paul’s recordings have received great critical praise. DownBeat magazine listed Paul’s CD, Impressions of a City, as one of its “Best CDs of 2010.” LA Weekly even wrote, “His recent records, such as 2000s Don’t Be Scared Anymore and the new StereoNucleosis, are stunning examples of the electronic, rhythmic and intellectual directions jazz could be going.”
Paul is also extremely active in the field of education. In addition to teaching drums privately for over 45 years, he is an Associate Professor of Jazz Studies at Roosevelt University’s Chicago College of Performing Arts. For over four decades, he’s conducted drum masterclasses, clinics, and workshops around the world and has written educational articles for numerous magazines. His instructional DVD, Paul Wertico’s Drum Philosophy, was named “One of the best drum videos of the last 25 years” by Modern Drummer magazine, and in July 2017, Alfred Music published his new book, Turn The Beat Around (A Drummer’s Guide to Playing “Backbeats” on 1 & 3), in which Paul even coined a new word for these types of reversed beats: frontbeats.
In 2004, Paul was a Chicago Tribune “Chicagoan of the Year.” In 2010, he was honored with two “Lifetime Achievement Awards”: one from the Cape Breton International Drum Festival for his “Major Contribution to The World of Drumming & Education,” and the other from the Montréal Drum Fest. As Musical Director for the crowdsourced TV video series, Inventing The Future, Paul was nominated for a 2012-2013 Emmy Award in the “Outstanding Achievement In Interactivity” category by The National Academy of Television Arts & Sciences, Midwest Chapter. He also hosted his own weekly radio show for two years, Paul Wertico’s Wild World of Jazz.
In the international press, Paul’s drumming has also been compared to that of an “Impressionist painter,” and he has also been called “an inspired madman,” “a restless innovator,” “a true legend of jazz drums,” “a master of drumming insanity,” “a genius of the sticks,” and a recent review stated, “Wertico simply oozes musicality.”
Paul’s official website is: www.paulwertico.com

OPACIA
Opacia is a Melodic Death/Thrash metal band from Chicago IL who strives to achieve fast and blinding riffs, in combination with melody. Pulling influence from Exmortus, Holy Grail, Ensiferum, Amon Amarth, and Death; the band brings in the speed and ferocity of thrash metal along with the heaviness and brutality of Death/Melodic death metal.

COUSIN STIZZ

PROFESSOR EMERITUS
Traditional metal. Epic doom metal.

GREEN DEATH
“this Des Moines outfit plays a classy brand of classic thrash a la Testament, Heathen and Pantera with a little Type O Negative in there as well as a singer who can sing and everything,” – DECIBEL Magazine
Green Death’s 2nd album, “Manufacturing Evil”-“ The much-anticipated follow-up to the uber-excellent heavy metal melting pot that was 2013’s The Deathening” – DECIBEL MAGAZINE
A way to describe Green Death: Danzig and Peter Steele (Type O Negative) had a baby, and that baby listens to a lot of Slayer!
So Underground…You’ll Need a Shovel!

HILLBILLY LIARS
Band with rockabilly, 60’s garage and blues elements

DECOY PRAYER MEETING
DPM has been playing around Chicago since 2004, doing a variety of tunes from the 40’s through 70’s by such as: Webb Pierce, Faron Young, Carl Perkins, Gene Watson, Ray Price, Eddie Cochran, Gram Parsons, Louvin Brothers, Everly Brothers, Bob Dylan, Charlie Pride, Jimmie Dale Gilmore, Gene Watson, Cindy Walker, the Flatlanders, Marshall Crenshaw, Hank Williams and others of that ilk.

LOCAL MOTIVE
The band Local Motive sounds like Motown got mixed up with Talking Heads. Like Sam Cooke collaborating with Jimi Hendrix. Since 2012, bandleader Mike Vinopal and company have set out to make authentic and passionate music that will connect with people on a deep emotional level while also “shaking butts for thousands of years.” Bringing the vibes of the Blues Brothers into the present, their music is classic and familiar, yet fiercely original. The Local Motive sound is funk, soul, and rock ‘n’ roll for all. Local Motive released two new singles Memorial Day 2022, “Naive + Supposed To Be,” from the forthcoming follow up to the Grams LP, “Slice of Life.” A 3-song collection just dropped on 9/30/2022, teasing the next 3 tracks of the full-length, out 12/23/2022. Keeping with tradition, the new album was recorded, mixed, and mastered by Noam Wallenberg (Alan Parsons, Mac Miller) at Rax Trax Recording (Buddy Guy, George Clinton) and co-produced with the band. The album of all new songs will also be a commemoration of a decade of Local Motive. And they will most assuredly shake butts for a thousand years more. With lyrics like “I need you & you need me too, that’s symbiosis,” this band strives for connection, community, and celebration, keeping it brassy and sassy too. Perfect music to set the tone for a groovy day. Available everywhere. Support the band directly on Bandcamp & Patreon. Follow @localmotiveband on socials for the latest updates.

POST PRIMATES
Rock N Roll from the Burbs to the City.

OLD IRVING (CHICAGO)
Let’s start with a quick roll-call on the Old Irving sound. A firm handle on the soft-loud aesthetic? Check. Chicago working class roots? Check. A modern sound with a nod to the glory days of indie and alt-rock? Check.
Singer/guitarist Steven Elfinger and Drummer Joe Marino began Old Irving in 2012 in the heart of the neighborhood the band name represents. With the enlistment of bassist/multi-instrumentalist, Richard Clark, the trio has chiseled their midwestern punk rock to a melodic art.
Whether channeling the earnest sounds of Husker Du and Jawbreaker, emo punk favorites Saves the Day and Jimmy Eat World, or even the Clash, their pop poetry is filtered through a distorted lens.
Old Irving’s new EP is the true blue sound of long Chicago nights spent with your friends. These are the moments you’d never want to end.
-anonymous

BUMMED OUT
Andrew Jurcak
Jeff Mather
James O’Malley
Frank Wallis
