Co-Stanza (Jack Costanza & band) formed in his home town of Naperville, Illinois. Since then, he has experimented with many different genres before finding the alternative/indie rock sound they have. Pulling from folk, pop, and R&B, Co-Stanza has created a unique sound. At 20 years old, Co-Stanza’s music is intensely relatable with lyrics and moods that capture the ups and downs of life.
Wilder Sons was created on a humid back porch in South Florida in 2013 by indie scene veterans Brian Blount (Vox/guitar) and Jake Rubington (Vox/Guitar). Both experienced front men of previous touring bands, the two joined forces to construct a beachy alt-rock style that is stimulating the senses of the progressive alternative scene. Transcendent guitar riffs weave effortlessly between catchy melodies, upbeat bass lines, and complex drum progressions; all of which paint a captivating backdrop to Brian’s reminiscent lyricism.
Their 2014 self-titled EP created a strong local following helping the group land opening gigs with bands like The Story So Far, Copeland, Turnover, Further Seems Forever, and Mewithoutyou to name a few. In 2016, Wilder Sons, along with the help of their devoted fans, ran a successful Kickstarter campaign to fund the release of their second EP, “Scatterbrain”. Since it’s release in November, Scatterbrain has been rapidly gaining the attention of Spotify listeners and Pandora playlists alike. It was also around this time that the group rounded out their line up with the addition of Dan Springs (Bass) and Nic Viens (Drums), both seasoned musicians who add a refreshing dynamic to the foursome. Wilder Sons continue to push the boundaries, creating a new sound that is pulsating through the prism of the Southwest Florida scene and beaming out to a national audience.
Mitch
Duncan
Justin
Vince
Guitar/Vox – Clay
Guitar – Joe
Bass – Carlos
Drums – Dave
Aethere is a 4 piece metal band from the Bay Area in California. Throughout their career they have endured changes that would eventually shape them into the band they are today. Founded by their drummer Josh Slater in 2009, they went through various members before solidifying the current lineup consisting of: guitarist Chris Tognetti, vocalist James Patton, and bassist Evan Yoshino. Crushing music accompanied by heavy lyrics dealing with dissociation and depression , the band brings something new and honest to the realm of heavy music they fall into. Elements of blackened deathcore, syncopated breakdowns, technical death metal, and nods to hardcore; Aethere’s sound is fueled by raw emotion while refusing to follow any genre guidelines that may be presented.
Bodysnatcher is an American deathcore band from Melbourne, Florida. The band currently consists of vocalist Kyle Medina, drummer Chris Whited, bassist Kyle Shope and guitarist Kyle Carter.
Mancunian slam crew INGESTED have built a reputation as one of the most savage death metal acts to come out of the UK for a long time. Punishing beat-downs, epic riffage, guttural vocals and blistering speed are just some of the weapons in Ingested’s musical arsenal.
“This EP is ridiculously awesome. It’s like a combo of hardcore with some post(-) stuff thrown in. The vocals are like classic hardcore style a la Modern Life Is War but the music is very rich with detail and has some great depth to it. This Chicago act has impressed me thoroughly with such a strong release…” – Heavy Blog Is Heavy “Chicago, IL’s Mine Collapse are bound to cause a cave in or two with their raucous blend of punk, sludge and noise rock. Take for instance their song “Zeroed” from the band’s pending July 22nd release via Nefarious Industries, Mine Collapse, it’s as chaotic as it is organized, as jarring as it is soothing. ” – PureGrainAudio “…this four song EP by Mine Collapse is a compelling and interesting listen. Perhaps more angry than dark, it’s worth checking out if you’re into that kind of thing.” – Mosh Pit Nation
Coming home to an apartment across the street from Morningside High School in Inglewood, CA to a pair of teenage parents, being a rapper was something that was normal in Gino Haze’s household. Growing up, his grandmother held local talent shows with local acts around the city including Tyrese and the artists would come out & give Young Gino the courage to go up there himself. With a divorce that struck his family, Gino & his mother moved to her hometown of Chicago,Il when he was 9. Gino fell in love with Hip-Hop mainly after watching & collecting Smack DVD videos at the age of 12, around the same year he recorded his first record. After middle school, Gino moved back to Inglewood with his father in which he attended Inglewood and El Segundo High Schools.
He finally finished off at Westchester High where he shared hallways with some of the biggest names in sports at that time & even Odd Future leader “Tyler, The Creator” & several other members of the group. After high school, he went back to Chicago to attend school at Columbia College Chicago where he met rising producer C -Sick who helped Gino craft his own sound. Gino’s first album, titled Confident did really well on the streets of Los Angeles and featured Roc Nation artist Casey Veggies, Dom Kennedy, Niko G4, C-Sick & even platinum selling producer Mike Free. However, being a kid trying to rap & go to school doesn’t always work. He later stopped attending school to focus on his music and is now back prepping his second album Reality Replacin’ for release. The project is pretty much Gino & C-Sick coming back around with something fresh and different yet again.
Crime Nite is a Synth-Pop duo based in Chicago and Nashville. Judah Dylan and Andy Mars created Crime Nite in 2013 under the name “Pretend” and were later known as Time Machine Death Squad. Motivated by the release their debut album, the duo renamed the project yet again to Crime Nite – a name that truly fits their music and energy. Since 2013 the duo has refined their craft and developed their style into a unique blend of 80’s inspired Synth-Pop and Modern EDM. Drawing from their fucked up life experiences, both good and bad, and diving into their love of sound creation, Crime Nite has sculpted a unique sound and compiled all of this into their debut album “Can’t Kill The Beat”.
Red-bearded viking and pop auteur David Berndsen mines the 1980’s for inspiration in his retro-futurist analogue-feeling sound. Conjuring influences from Michael Jackson to Kraftwerk to The Eurythmics, and fellow revivalists like Glass Candy, Dreamtrak and Chromeo. World renowned master beat maker Hermigervill blends driving beats, samples and jagged electronica, woven into occasional hypnotic analog theremin solos that transfix the room. Lead axe man PAPPA Sigurðarson thrashes complex leads while simultaneously backing them up with deliciously dastardly complementing rhythms. Famous for a sound that recreates an era and a distinct moment in time when music, costumes and aesthetics triumphed worldwide.
This is Gozu’s world, we’re just living in it. Given that it has been five years since the Boston quartet dropped themonstrous Equilibrium, returning with Remedy is one hell of a way to make sure that everyone — whether previously familiar with them or otherwise — realizes that they are perhaps the most badass of American rock bands, for they have taken everything to the next level.
Boston’s harshest and most furious export, Great American Ghost, will release their self-titled manifesto in March 2013. This initial offering, poignant yet violent, angry yet intelligent, solidifies Great American Ghost as the bastard children of the Boston hardcore scene. Recorded and produced by Jay Mass (Defeater, HH, TF) Great American Ghost unleashes a sadistic explosion of anger and thrash.
Wraith is a blackened speed metal band that hails from Northwest Indiana. Matt Sokol, the founding member, on guitars and vocals. Mike Szymendera on drums, Chris Petkus on bass and Jason Schultz on leads.
Progressive metal from Chicago, IL.
“In typical Reggae style the audience swelled as the evening progressed which is unfortunate if they missed the early warm opening act, a young lady by the name of Onesty whose name should be remembered. Currently on tour with Black Uhuru, the Reggae songstress had a captivating flow and did an amazing job as she gently lead an anxious audience eager for the main act, right into the palm of her hands. A true singer with a beautiful voice, Onesty belted out several selections intermittently chatting lightly in-between songs bringing focus to her message. Her set totally complemented what was to come and in appreciation, the audience responded with passionate applause. See more at: www.reggaereflection.com
Derrick “Duckie” Simpson the “Gong Gong Gullie” is the founder and leader for reggae’s BLACK UHURU. Although going through numerous lead singers and musicians they have remained to be one of the most recognized and prolific reggae band for over 50 years.
The roots of BLACK UHURU were formed in Kingston Jamaica’s Waterhouse district also known as “Firehouse” in the early 60′s. Though considered to be one of Jamaica’s toughest neighborhoods it’s home to several other reggae singers and musicians. It was where Duckie Simpson grew up and learned to sing from boyhood friends Winston “Pipe” Matthews and Lloyd “Bread” McDonald of Wailing Souls and Bob Marley. He recorded four tracks with Wailing Souls before forming his own group.
The original Uhuru’s (Swahili for freedom) were Derrick “Duckie” Simpson, Euvin “Don Carlos” Spencer and Rudolph “Garth” Dennis. They only recorded a few singles “Folk Songs” “Time Is On Our Side” and “Slow Coach” before separating. Don went solo and Garth joined Wailing Souls.
Duckie reformed the group adding Michael Rose & Errol “Tarzan” Nelson, both from Waterhouse. They recorded their debut album “Love Crises” in 1977 at Prince Jammy’s famous studio in Waterhouse on St. Lucia Road. It was later re-released as “Black Sounds Of Freedom”. Errol later left to join The Jayes. He was soon replaced by American female singer & dancer Sandra “Puma” Jones. They teamed up with drummer Sly Dunbar and bass player Robbie Shakespeare. Together they developed a musical style full of deep bass thumps, loud drum slaps, sharp keyboards, long instrumentals with guitar riffs, whirly back round noises, echos and the signature”woh oh oh’s” creating they’re “classic” sound. Producing hits like “I Love King Sellassie, “‘Shine Eye Gals”, “General Penitentary” and “What is Life”.
BLACK UHURU released the albums Red, Chill Out, Sensemila and Guess Who’s Coming To Dinner and began to tour the world bringing them to international audiences. It was during this period they started to gain rapid popularity. They opened live shows for the Rolling Stones and the Police. They began to work with other well accomplished producers and musicians. Keith Richards played guitar for the “Shine Eye Gal” track. Dennis Brown “The Crown Prince of Reggae” produced the tracks “Rent Man” and Wood For My Fire”. The track” Spongi Reggae” appeared on an episode of The Bill Cosby Show and “Party in Session” in the movie 1980′s North Shore. BLACK UHURU made reggae history when they won the first ever Grammy Award for reggae music in 1984 for the album Anthem Shortly after the grammy Michael Rose went solo.
Another Waterhouse resident named Delroy “Junior” Reid became the new lead singer. They released two albums Brutal and Positive. The Brutal album was nominated for a grammy. They filmed three music videos for the tracks “Fire City” “Brutal”, and “Great Train Robbery”, that track also played on a popular video game Grand Theft Auto. Sadly in 1990, due to ill health, Sanda “Puma” Jones passed away of cancer. Junior Reid shortly went solo.
Then the original three re-united. They released four albums Now, Iron Storm, Mystical Truth and Strong. Each album was nominated for grammy. They made an award winning music video for the track “Tip Of The Iceberg” featuring rap star Ice-T in 1992. Eventually splitting up again. Carlos & Dennis left again & Duckie stayed again. This time there was a lawsuit brought amongst the group over the band’s legal rights in Los Angeles county court. Derrick Simpson won.
As the new melenium approached there came a new lead singer yet again from Waterhouse named Andrew “Bee’s” Beckford. They released two albums. Unification was produced by King Jammy & Dynasty was produced by Fitzroy Francis & Duckie. They went on a worldwide tour featuring Sly and Robbie and had the famous producer Scientist as its road engineer. Andrew Bee’s then went solo.
In 2007 Duckie & Michael Rose reunited after twenty years. They performed in Jamaica and did one international tour and released the single “Dollars”. In 2011 Duckie reunited with Andrew Bee’s after ten years. He added female backing vocalist Kaye Star and began touring again performing in South America & America.
BLACK UHURU recently performed in a Broadway Musical. The red carpeted event “Loving the Silent Tears: A New Msuical” premiered October 27th 2012 at the Shrine Auditorium in Los Angeles Ca. They were invited to represent reggae music and performed a new track “Make A Deal”. And in Las Vegas Nevada BLACK UHURU was recently honored for its contribution to the entertainment industry. August 31st if now officially “Black Uhuru Day” in the city of Las Vegas.
BLACK UHURU’s long success has allowed them to become ambassadors of reggae while earning several achievements in the music industry. With 14 full length albums, 7 instrumental dub albums, and 4 live albums they have the highest record sales in reggae music behind Bob Marley. The album Red was voted #23 for Rolling Stone’s list of “100 Greatest Albums of the 1980′s. Aside from winning the first reggae grammy they have been nominated 5 more times. They are the only reggae group to have won the Diamond Awards of Excellence in 1994.
Despite all of BLACK UHURU’s change of different singers and musicians the one thing that has always remained is Derrick “Duckie” Simpson. Much respect to a legendary figure for Reggae Music. The group is presently working on releasing a new album soon to come. It features Duckie on lead.
Richie performed in over 500 shows around the world with the Ramones and wrote several critically-acclaimed and fan-favorite songs for the albums Animal Boy, Too Tough to Die and Halfway to Sanity. Punk rock icon, Joey Ramone, remarked that “[Richie] saved the band as far as I’m concerned. He’s the greatest thing to happen to the Ramones. He put the spirit back in the band.”
Richie is notable as the only Ramones drummer to sing lead vocals on Ramones songs, “(You) Can’t Say Anything Nice” as well as the unreleased “Elevator Operator.” Richie was also the only drummer to be the sole composer of Ramones songs including their hit “Somebody Put Something in My Drink” which remained a staple in the Ramones set list until their last show in 1996 and continues to be covered by new generations of bands worldwide. “Somebody Put Something in My Drink” was included on “Ramones Mania,” the only Ramones album to go gold as well as “Loud, Fast Ramones: Their Toughest Hits,” an album comprised of songs hand picked by Johnny Ramone as the Ramones’ best works. Richie also wrote “I’m Not Jesus,” “Can’t Say Anything Nice,” “I Know Better Now,” “Humankind” and “Smash You” which became the title track for one of the Ramones’ most successful re-releases, Smash You: Live ’85. Richie’s “I’m Not Jesus” took the Ramones in a heavier direction and has become a frequent cover tune for innumerable heavy metal bands. Richie’s songwriting contributions were supported by Joey Ramone: “I encouraged Richie to write songs . . . we never let anybody else write our songs.”
In 2007, Richie Ramone introduced his virtuosic drumming to the symphonic world with his “Suite for Drums and Orchestra” based on Leonard Bernstein’s West Side Story. He debuted his arrangement with the Pasadena Pops Orchestra as the featured drum soloist and was an immediate hit with critics and patrons there and in other cities. He is currently working on another innovative “Suite for Drums and Orchestra” comprised of classic James Bond movie songs.
In 2011, the Recording Academy gave the Ramones a Grammy Lifetime Achievement Award in Los Angeles, where all three of the band’s drummers (Tommy, Marky and Richie Ramone) stood beneath the same roof for the first time ever. In 2012, Richie was the only surviving Ramone featured on the second Joey Ramone solo album, “Ya Know?” On October 8, 2013, Richie released his first solo album, “Entitled,” which features new songs written by Richie as well as new recordings of songs he wrote for the Ramones. Billboard notes, “Richie’s 12 freshest cuts aim to please fans of both rock and metal with its blend of power chord-chugging simplicity and guitar hero virtuosity.”
Capturing the Spirit of the Allman Brothers Band
Back to the Woods Metal
Sanford Parker is a musician, producer and recording engineer from Chicago, IL, USA.
As an engineer, he worked at Volume Studios, Semaphore Recording, and Engine Studios
No Warning is a hardcore punk band from Toronto, Canada. They broke up in late 2005 and reunited in 2013.
At first, there was mystique. Lil Ugly Mane started generating attention six years ago via his work with Raider Klan, the youthful Miami rap collective that helped make ’90s Memphis hip-hop stylings fashionable again. But while ringleader SpaceGhostPurrp signed to a label and started popping up in the music press, Lil Ugly Mane rarely granted interviews or performed shows. “I don’t feel the need to have a physical presence. It’s secondary to me, it’s not important,” he once said.
The Richmond, Va., producer/rapper—most of his production is credited to Shawn Kemp, which isn’t his real name, but another alias—remains elusive. Yet as of late, he seems more omnipresent than ever.
While his earliest verses are characterized by an undeniable sadness (“I’ma slit my wrists, no tourniquet, I’m murderous / My crib got more burners than furnishing / got a lot of haters, not concerned with it”), on recent releases, his penchant for self-deprecation has curdled into self-loathing. Throughout his new album, volume 1: flick your tongue against your teeth and describe the present, Mane wrestles with overwhelming feelings of helplessness, and his attitude toward himself is relentlessly unforgiving.
“Can’t stop thinking, that’s my mind on liquor/Mind on liquor, now my mind half gone/Mind half gone ’cause I wish I had a family/Family ain’t here ’cause I been living wrong,” he raps. Mane offers no explanation for why volume 1 was released under yet another moniker, Bedwetter. But considering the album’s vulnerable lyrics, in which he confronts his own misery head-on, it makes sense that Mane might want to deflect the inevitable scrutiny by hiding these brutal confessions in a childish name.
—Christina Lee
Tales to Astonish-Chicago Jazz/Rock from multiple dimensions simultaneously. Elements of rock, jazz, pop, funk, hip hop, experimental. Sci fi instrumental groove music.
Soft Rain Airplane is a Chicago based DIY band, playing folk and jazz influenced alternative rock. The band was formed in 2016, when founding members Jason Gassel, Ryan Callis, and Max Kleinberg began writing, recording, and producing their debut album Feast of Frenzy. Characterized by catchy melodies, clever lyrics, and dynamic instrumentals, Soft Rain Airplane incorporates contrasting styles and moods to shape their unique sound.
“I think that I’ve watched the best night of burlesque and entertainment ever” — Allison Henthorn, City Examiner
Super Happy Funtime Burlesque is a Michigan based troupe that defies explanation. Calling itself ‘Burlesque’ for lack of a better term; SHFB is a genre spanning theatrical rock opera outfit, a sexy and bawdy musical comedy, a mix of Rocky Horror and Saturday Night Live, a night spent on mega doses of Codeine tied to the underside of a roller coaster while a circus monkey roots around in your pants for that missing peanut. SHFB is a nationally touring act, staging on average 175 productions a year, in its big red converted school bus, bringing the word of the new musical experience to America.
Some easily chalk it up as mere entertainment. But, at the end of the show, for every pair of hands that come together as result of being satisfactorily entertained, there is another whose clap is a thank you for provoking liberation of thought; a dissection of convention.” — Drew Storey, The Rapidian
Born and raised in the South Shore neighborhood of Chicago, LaJe has had a plethora of influences, and it shows through her music. From grungy rap tracks to sultry R&B ballads in which her vocal talents are undeniable, she leaves you wanting more.
Influenced by the style and swagger of hip-hop as well as the soulfulness of R&B and singer-songwriters like Bob Marley and Tracy Chapman, soul hop is a new genre of music unlike any you’ve heard before.
But soul hop as a genre is fairly new and Tulani, who began working full time as a musician two years ago, had a long journey toward the sense of purpose he now feels in his work.
Tulani was born in Kenya and came to the United States at age 4. His mother is Kenyan but his father is from Chicago, so his family eventually moved here. Tulani grew up in the Roseland neighborhood before moving to the south suburbs at 15
Music has been a passion of Tulani’s for most of his life. His father was a percussionist and Tulani largely grew up listening to music from the Congo. Tulani’s parents wanted him to play piano to acquire a variety of music-making skills beyond guitar or voice. Tulani took the leap to a full-time music career in 2014 at 19, after receiving approval from his parents. He’s now 24. “I hate doing the same thing every day, but I do like the adventure of being an artist,’ he said. His diverse musical and cultural background led Tulani to create soul hop, a name that came to him a year into his career.
“I would often get the question, ‘How would you describe your music?’ And I had the hardest time describing to people what it was,” Tulani said. “It made me want to make up a name for it instead of having that generic answer in which I kind of rap or kind of sing.” He calls it Soul Hop. (Chicago Tribune)
Put on your boots!
We’re fuckin here!
Accepting bookings for Friday and Saturday night shows! Hit us up!
Joe /Vocals
Zac /drums
Boe /bass
Joey /guitar
We’re musicians being musicians & loving it! We’re aware that as a band we can go nowhere without you, the amazing listeners & for that, we are greatful. With 4 songs from our album Alethephobia & counting, support from friends, family & fans we’ve gained exposure in North Texas by achieving mainstream radio airplay on iHeart radio’s 97.1fm KEGL The Eagle, internet radio & more! We greatly appreciate you, your time with us & thank you for joining us on this musical journey. Enjoy the ride! – A.T.R.
Black Pantera surgiu em abril de 2014 e desde então a banda tem tocado por vários festivais pelo Brasil e Europa, entre os principais estão o Afropunk em 2016 em Paris, o Download em 2017 em Paris e o Porão do Rock em 2017 Brasília, a banda tem um álbum de estúdio lançado em 2015 e dois ao vivos gravados em 2017 pelo Audio Arena Originals e Estúdio Show livre, e se prepara para lançar seu segundo álbum de estúdio em breve
Tony Famous (Kendall Delashment) is a Roseland, Chicago native who allows his creativity and storytelling ability to showcase his skills as a wordsmith. His love for writing and producing hip-hop music is a direct reflection of his past experience as a poet. His lyricism narrates the multi-faceted life of living in Chicago; his sharp lyrical observation focuses on the violence grappling his hometown, confidence in his musical passion, and life experiences as a college graduate. Never settling for recognition as just a great hip-hop artist, the Donda’s House affiliate received his Master’s degree in Interdisciplinary Arts from Columbia College.
BANE is a Black/Death Metal band originally from Serbia (Europe), now based in Montreal, Quebec. The band has toured extensively in Europe and North America, having shared stages with many international bands such as Sodom, Malevolent Creation, Insomnium, Decapitated, Inquisition, Wolfheart, Svart Crown, Bloodshot Dawn and many more. They have been published in several influential Metal magazines such as Metal Hammer, Terrorizer, Zero Tolerance, Decibel Magazine and No Clean Singing just to name a few.
Bay Area Blackened Hardcore. Our new album ‘Loyal to the Soil’ out April 27th on Prosthetic Records.
Slamming deathcore from Slovenia, Europe.
AngelMaker is a 6 piece (Melodic/Deathcore) band based out of North Vancouver, BC, Canada.
Singer songwriter Jazz fusion and r&b soul influenced I write what I feel, I’m an artist. . . sharing inner most thoughts with complete strangers
D.V.T. was founded in Murrieta, CA. Throughout the years we have developed the heavy, energtic, and aggressive sound of what we call, Crossover//Hardcore; which consists a variety of musical influences made into one. A powerful album is currently in works and is expected to be finished by the end of this year. Never shred lightly.
Two homies playing FAST!
Axxios. Derived from the Greek word meaning “worthy of”,
these young, talented, up-and-coming thrashers are just that. Hailing
from Northwest Indiana in 2014, the five piece band comprised of
Dan Baggarly (vocals), Dave Matthews (Lead Guitar), TJ Fernandez
(Rhythm Guitar), Alex “Chucho” Barrios (Bass), and Aaron Grove
(Drums).
Unleash The Archers were formed in 2007 by front-woman Brittney Slayes, together with her partner and the band’s drummer Scott Buchanan, while attending the University of Victoria on Vancouver Island in British Columbia. After moving to Vancouver in 2010 the band underwent several lineup changes, but were finally able to cement their unique, genre-blending style of heavy metal with the addition of Grant Truesdell in 2011 and Andrew Kingsley in 2013. By weaving the aggression of the more extreme genres into the intricacies of traditional heavy metal, UTA have created a sound unlike anything else in the industry. They embrace a commercial appeal that attracts music lovers of all types while maintaining a heavy edge that remains true to their death metal roots. Since their inception UTA have always put an emphasis on touring, and travelled the roads by van booking their own North American tours for years before being picked up by an agent in 2016. Their persistent, hard-working, down-to-earth attitude has garnered media attention all over the world, and their constant engagement on social platforms of all types has allowed for consistent growth and a dedicated, positively engaged fanbase that spans continents.
UTA have been described as “show-stealers” and “wildly entertaining” by fans and peers alike, and they strive to put on a show that will stick with you long after you’ve left the venue. Playing music is a passion for the band and this can be seen in their live performance as well as their music videos and writing style.
UTA are currently signed to Napalm Records (Worldwide) and Ward Records (Japan).
Vocals / Brittney Slayes
Drums / Scott Buchanan
Guitar / Grant Truesdell
Guitar / Andrew Kingsley
Bass / Nick Miller
You know you’re doing something right when Bruce Springsteen’s right hand man decides your song is the coolest track in the world. That’s exactly what Steve VanZandt did this June –picking ‘Trip Into The Light’ for that very accolade on his Little Steven’s Underground Garage radio show. It’s easy to hear why – the opening song from Jeremy And The Harlequins’ debut full-length, American Dreamer, it sparkles and shimmers with the glamor of rock’n’roll’s past while simultaneously forging forward into the future with confidence. Channeling the influences of 1950s and ’60s rock’n’roll through the (cell phone) camera lens of 2015, Jeremy And The Harlequins – Jeremy Fury (vocals), Craig Bonich and Patrick Meyer (guitars), Stevie Fury (drums) and Bobby Ever (bass) – have managed to capture the sound of New York both in the here and now and the there and then. It’s a record about love and loss, tragedy and romanticism, dreams and reality, as well as everything in between, and its ten songs are at once familiar and fresh, a new friend it feels like you’ve known for decades.
“In both the pop music world and the indie music world,” explains Jeremy, “everything’s very electronic and very produced-sounding. In the indie world, everything seems like it’s long songs with no choruses and it doesn’t feel to me like something I’ll be singing along with in 20 years and going back to, and the pop world seems to have lost its human element. Music should make you feel something, and I don’t get that from much music nowadays, so we wanted to strip things down again and get back to the essence of rock’n’roll and pop music.”
That’s precisely what American Dreamer does – from title to the artwork, the lyrics to the melodies and arrangements of these songs, everything has been created with the mythology of rock’n’roll in mind. Yet at the same, these are songs for the modern day, universal tales of living in a digital age but with analogue sensibilities.
D’Zhari is a vocalist/songwriter/performer from Chicago, IL.
Singer/songwriter/composer Asia Monique’s fresh sound and powerful vocals add renewed substance to the true essence of R&B. Asia has been a student of music from early childhood. Her lessons in music theory and Chicago grit solidify her foundation, allowing unrestricted and unconventional creative expression. Her mother has served as her main motivator and source of wisdom. She admires the work of Etta James, John Legend, Chris Brown, Jazmine Sullivan, and Frank Ocean.
For the past 5 years, Asia Monique has partnered with several artists on the Chicago scene, gearing up for her solo career. Her passion for and dedication to her craft, along with her larger-than-her-hair personality, have propelled her music to the forefront of up-and-coming vocalists. With an unrelenting drive, Asia strives to create classic tunes that people can relate to today or 20 years from now.
Asia’s debut EP, Looking Glass features a thoughtful and inner-focused approach to story telling. From single “Heroin,” which features the gutsy play on words with a central focus around love, to that of a broken and uneasy conversation with “Solitude”. Up-and-coming producer, iProduceWNDRS shared Asia’s vision of depth and passion with her first project, taking her soulful, sultry sound and coupling it with the a fusion of distorted synths, speaker knocking bass and ethereal effects. The EP was recorded and mixed at Soundscape Studios under the direction of Jabari Rayford, with whom she credits her confidence in experimentation.
Occasionally, an artist comes along and reaches people in a way that you just can’t fake – that is certainly true of Jack Red. A Chicago native and second generation entertainer, Jack has been onstage since the age of 7. He started singing in his grandfather’s church, which led him to stages all across his hometown, singing alongside his brother and in various ensembles.
As a singer and producer, Jack has captured the attention of several prominent artists and industry tastemakers. As a producer, his work has been commissioned by international brands such as McDonalds, EA Sports, ESPN and most recently, NIKE and the 2016 Olympics. As a collaborator, Jack has performed on elite stages such as Lollapalooza, Pitchfork and the iconic Saturday Night Live. Jack and hometown hero Chance the Rapper, took to the studio and created what Adweek calls “…a new kind of national anthem” for the USA. Jack’s versatility to command the stage, as lead and supporting member, is both impressive and indicative of his character. All of which has nurtured Jack into his own with a very impressive set of accomplishments.
Outside of his explosive work as an artist and collaborator, Jack understands the importance of serving the community, the youth in particular. He runs a songwriting and recording workshop, called Rhyme Room, in partnership with After School Matters. As a native of Chicago’s South Side, Jack recognizes the need for more positive outlets in the city. Jack believes that music should be viewed as a method of self-expression and is a positive alternative to the violence that plagues the inner city streets of Chicago. In his words:
“Music definitely saved my life. The level of vulnerability that being creative brings is both intoxicating and enlightening. Having music as an outlet offers a therapeutic form of expression instead of embracing the grim side of my city.”
Jack’s voice is pure power- reminiscent of the soul singers of the unforgettable Motown era. His sound is two-part, cinematic and nostalgic, carried by Boys II Men style harmony and infectious grooves. His live performances offer an emotional experience filled with laughter, trips down memory lane and all around good vibes. Having had some time to develop as a solo artist and a newlywed to his high school sweetheart, Jack Red is eager to tell his story and experiences through music. His debut project “Homegrown”, is a narrative of Jack’s experiences in love, loss, success, and affliction. The newest single titled “Homegrown” is an anthem of pride for everyone. He says:
“It’s an ode to those experiences that make us who we are. Being homegrown is about embracing who we are at the core and then living our lives from the inside out”.
Jack’s story has been featured in a range of prominent media, including WCIU’s You & Me In The Morning, Chicago Reader, FADER, The CW and many more. Through conscious and heartfelt lyrics, soulful harmonies, and feel good vibes, Jack Red advocates personal growth and positivity from every walk of life.
Welcome to School of Rock Chicago West, where students learn to rock their worlds. School of Rock Chicago West has the best combination of instructors, instruments, and captivating programs to get your student strumming, drumming, playing, or singing their way to rockstar status.
At School of Rock Chicago West, we believe as much in the power of the band as we do in the thrill of a killer solo act. We bring our kids and the community of Chicago West together to create excellent performers who learn from cool, real life experiences in the world of music. Our performance-based approach amps up our students for serious fun and serious success.
Music in a team-based environment is today’s gateway to education, confidence, fun, friendship, and so much more. Visit School of Rock Chicago West today.
SLAVE TO THE GRIND – The first documentary on the history of Grindcore.
Two homies playing fast.
Kill cops, smoke dank, and play fast!
Witchkiss is a power Doom/Sludge trio hailing from the heart of the Hudson Valley in Beacon New York
The Last Bastion of Doom. Those Finnish witchfinders. The ones that won’t let go. The truest of the true. The stubbornest of the stubborn. Cardinals Folly. A groovy trio of which name has been echoing distantly in the metal underground for more than a decade. A wild uncontrollable force moving onwards to another record or another adventure. With relentless riffs, heavy metal hails, ride-or-die attitude and true love for the old school doom and metal.
Hailing from Helsinki, Finland and formed in 2007 by Mikko “Count Karnstein” Kääriäinen (Bass, Vocals) and his back-then compatriots, Cardinals Folly has been captained by Mikko ever since then towards new conquests. After several albums, line-up changes, dramas, label disappointments and tours around the world, the current stellar constellation of “Deranged Pagan Sons” has been ongoing since 2014.
On the upcoming new album “Live By The Sword”, the band takes almost all that it finds good in metal and molds it into a tighter mass of unholy riffs, blasphemous pagan chants & choruses, luciferian & lovecraftian depravity and all in all a fearless ride to where the witching cauldrons boil hot and the brews are cool. Ranging from slow epic doom to galloping heavy metal and apocalyptic rock ‘n’ roll, the band loves to murder the listener with all their might. These past few years of plague and uncertainty have only made them angrier and more determined, resulting in this 42-minute onslaught of doomed heavy metal.
Formed in 2014, Matianak (MAH-TEA-AH-NAH) which means death of a child that is also known as pontianak which is an Indonesian folklore vampiric ghost witch that died from stillbirth, was founded and created by the vocalist Arelys Jimenez. A Black metal band from Chicago with a evil twist and hellish banshee screams and dark evil tunes. This Vision of the band is to express the music through theatrical visuals in our performances and take you into the minds of the mentally insane. We want you to feel our music as a story itself. We use real animal bones, candles, feathers, fire, and dark imagery. The creativity through our dark arts consist of cultural influences, a variety of music genres, horror, tribes, and real stories of the mentally unstable. Our lyrics are based on these types of people and some personal experiences. Our goal is to give you a show into our disturbing world and make you feel uneasy with our visuals, imagery, our performances and music. Catching one of our shows will be well worth it…if you dare.