Lost Pyramids Band is an improvisational, psychedelic jam band that keeps it fresh on stage with dynamic grooves and spacey jams.
With an eclectic mix of originals heavily influenced by the music of Phish and the Grateful Dead with a hint of jazz fusion, you never know what you’re gonna get.
Our debut album, “Monsters Under My Bed”, is OUT NOW!
Current Members:
Chuck Wilson- guitar & vocals
Larry Sheridan- bass & vocals
Andrew Stump- keys & vocals
Nate Hockenberry- drums & vocals
Work in silence let success be your noise
The Everly Brothers is the 1958 eponymous debut album of close harmony rock and roll duo the Everly Brothers.
Performed by Everly Brother and Sister.
4 Musicians with a resume worthy of calling this a Super Group Death Thrash Line up.
Luna In Sanguinem formed in 2018 with founding members Patt Maxwell (MINERS) Behind the drums and Michael Eisenhauer on Guitar ( Evil Incarnate). It wasn’t long until Rod Valdez Joined on Bass( Ex-Dementox) Micheal Handling Vocals til better came along.
Enter Luna’s current Vocalist Skip Mcgullam (Ex-Num Skull}
Scottish punk band of one, signed to Red Scare Industries.
Members:
Neil Wayne – Bass
Poli van Dam – Guitar & Vocals
Jen Razavi – Guitar & Vocals
Josh Lewis – Drums
We put a lot of thought into being able to tell stories with these songs,” says Jen Razavi who, along with Poli van Dam, founded The Bombpops in 2007. Together, Razavi and van Dam became the band’s backbone, writing songs that highlighted their dual guitar attack and were carried by their pitch-perfect vocal harmonies. It’d take the band a decade to release their first full-length album, but 2017’s Fear of Missing Out was a perfect distillation of everything they’d been working toward. And now, with the Dear Beer EP, they’re proving that there’s plenty more where that came from.
The four new tracks that make up Dear Beer are as distinct as they are powerful. “The song ‘Dear Beer’ was collectively everyone in the band’s favorite song,” says Razavi, and it’s easy to see why. Where Fear of Missing Out saw Razavi and van Dam throwing out pointed lyrical jabs, Dear Beer ups the introspection. Make no mistake, there’s still a bit of bile getting spit up, but there’s just the right amount of levity mixed in. It’s what allows these songs to work as stories, ones that are resonant for the band members, and will surely hit home for anyone who plays Dear Beer all the way through.
“I love a song where the lyrics tell a story, and although I may have never experienced anything like what is happening in that story, the song allows me put myself in that person’s place,” says Razavi. The Dear Beer EP finds unity in the thematic elements of each song, as each one sees The Bombpops offering up personal anecdotes and crafting songs that have, as Razavi and van Dam intended, a narrative arc. It’s seen in “Dear Beer,” where they swear off drinking alone and vow to stop being “a fucking downer,” a mantra that enables them to cut out the source of the toxicity without a second thought. But even when it gets a little heavy, The Bombpops find ways to make it all feel uplifting.
“‘Dear Beer’ and ‘Turn up the Thermostat’ are particularly dark,” says Razavi, “They’re a bit self-loathing and reflect on negative experiences.” While the lyrics on Dear Beer are culled from difficult experiences, The Bombpops use their buoyant music to push back against the things weighing them down. And of course, it doesn’t hurt that they throw in just the right amount of self-deprecation to keep themselves from ever making it too much of a bummer. “We intentionally put those lyrics to playful, poppy melodies. It weirdly has a therapeutic effect in the long run,” says Razavi. “Making them light and playful makes the thing that seemed so dramatic to us at the time something to laugh about now.”
That balance between the series and the lighthearted is what makes Dear Beer not just the logical evolution of The Bombpops sound, but also the start of a new chapter for the band. It may have taken them a decade to release their first album, but as Dear Beer proves, the wind is at their back, and nothing is going to keep them down.
Lyrically biting, politically raucous, and raw undefined energy, Torch the Hive is Mike Fruel, Tyler Sanders, and Sergio Apanco. Their first two releases touch on the struggles of growing pains, financial hardship and navigating through a politically divided world. After several self-funded national tours, group members were served with an unhealthy dose of reality when presented with issues of addiction and financial losses as a direct repercussion from the pandemic. As a witness to racial and systematic injustice, Torch the Hive gained a new perspective on which direction their music should take. ‘Flamingo’ serves as a proponent to challenge these opposing viewpoints and aims to allow the listener to form their own view.
Enigmatic North Carolina native Nascar Aloe has placed himself firmly at the forefront of the underground rap scene with his unique and captivating blend of punk energy, raw 808s and terrifying visuals. Originally from Lexington, North Carolina, Nascar began cultivating a die-hard fan base in 2018 by self-releasing music on SoundCloud and consistently playing shows in LA’s underground circuit. In early 2019, his groundbreaking EP and subsequent music video, “FED UP!”, along with an appearance in his close friend Jasiah’s music video, “Crisis” (directed by Cole Bennett) drove the hype around him into a fever pitch and attracted the attention of Travis Barker, Lil Tecca and other trendsetters online.
This summer, Nascar’s momentum has continued to build thanks to a standout performance at Lyrical Lemonade’s Summer Smash Festival, his recent single “AMERICAN WASTELAND” and a sold-out merch collaboration with Section8. His debut full-length project, SH!THEAD will undoubtedly win over new fans and solidify his role as as a leading voice in the underground.
Intrepid black metallers Borknagar, in partnership with Century Media, mark their return with resplendent new album, True North. The Norwegians spent the better part of three years writing and rebuilding the lineup—Borknagar are now Øystein G. Brun (guitars), Simen “I.C.S. Vortex” Hestnæs (bass/vocals), Lars A. Nedland (keyboards/vocals), Bjørn Dugstad Rønnow (drums), and Jostein Thomassen (guitars)—to make their 11th studio album a reality. The reasons are plenty but the main driver for space between and change within Borknagar’s repertoire and membership was calibration. Chief songman Brun needed to refocus his labor of love after the assiduous Winter Thrice album cycle. Indeed, that’s exactly what he’s done on True North. While Winter Thrice was a celebration of time spent and bonds made, True North is the vanguard forward, clear-sighted, refined, and full of power. Truly, there’s no holding back now, but with year 25—the band’s silver anniversary—approaching next year, small wonder that Brun and Borknagar are still with us. Fortuitous, or part of the plan all along…
“Absolutely not,” Øystein G. Brun says [of the plan]. “Back in the day when I starting to play around with the ideas about the band I had no goal aside from making music I love myself. At that time, the whole concept of making money, doing big festivals and traveling around the world was so far off that I wasn’t even thinking along those lines. But that said, I have always had the belief that genuinely good music can move mountains.”
VARGBYTE is the youngest and hottest new metal band in Chicagoland! Founded in 2017, the four piece has been melting faces with it’s thrash melodic death metal inspired by the likes of Death Angel, Children of Bodom, Gojira, Metallica, Exmortus, The Black Dahlia Murder and Amon Amarth. Featuring Oscar Carlson (guitar/vocals), Brendan Bahan (drums), Nick Mastrapa (vocals), and Bennett Blake (bass), the group is on the verge of releasing its first release EP “Northbound.”
Forming in 2004, Monotheist is a progressive extreme metal band from Orlando, Florida who play a mix of brutal technical death metal reminiscent of bands like Suffocation, Death and Immolation, with progressive influences ala Cynic, Extol and Opeth. However, Monotheist manages to create a sound all their own. With their unique riffing and composition, Monotheist is a force to be reckoned with.
REPLACIRE is the brainchild of guitarist Eric Alper, who founded the band in 2010. The American tech metal prodigies hailing from Boston, Massachusetts self-released their debut full-length ‘The Human Burden’ in 2012. The album’s unique and wide-ranging material was an ambitious statement of intent that quickly established the New Englanders as a must-follow heavy act in their corner of the US.
With a violent attack on the human condition, Cleveland legends In Cold Blood let you know they have returned to settle unfinished business.
special guest appearance
KCL, the iconic, genre-bending powerhouse trio led by visionary guitarist Wayne Krantz and featuring drummer Keith Carlock (Steely Dan, Sting, John Mayer) and bassist Tim Lefebvre (Tedeschi Trucks Band, David Bowie), held a Thursday-night residency at NYC’s 55 Bar throughout the first decade of the new millenium. Cutting live recordings from the club and posting them online in the early days of the internet and touring only sporadically, KCL developed a thoroughly original style of interactive group improvisation inspired in part by the great Miles Davis Quintet of the 60s, but played out in spontaneously generated contexts of heavy funk, rock and electronica instead of straight-ahead swing.
As other instrumental bands of the day dabbled in derivative fusion and retro-jazz, KCL became an underground phenomenon, cultivating an international following of devoted fans of every stripe looking for an alternative creative music that served the mind, body and spirit. Relentlessly grooving, always innovative, never complacent – KCL made contemporary music that resonated beyond category.
Other sideman obligations sidelined the band soon after their Abstract Logix release, “Krantz Carlock Lefebvre,” in 2010, but their reputation continued to expand globally through fan circulation of the band’s many live videos and recordings. Now, in 2020, KCL re-ignites to tour with incendiary shows throughout the USA, Europe and Asia.
http://www.waynekrantz.com/
https://keithcarlock.com/
https://www.timlefebvremusic.com/
Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual ‘Shoo-B-Doop and Cop Him’ (later sampled by Ice Cube). Light in the Attic.
Performed by Get Up With The Get Downs
Started in the Spring of 2009, Markit 8 is a Chicago rock band built around strong rhythms and an ability to incorporate a number of influences. Markit 8 has the ability to sound like many of your favorite bands, while creating their own musical identity. Having spent 5 years hanging out and playing live shows, the band sounds crisper and tighter than ever…
Centered around the voice of Adam Boor, the band has the ability to reach a large variety of audiences. On any given night, you might here Boor sing blues, rock, rap or folk, flowing seamlessly between varieties. Adam adds a nice rhythmic layer to the music with his acoustic guitar and harmonica riffs.
The band’s foundation comes from rhythm guitarist Josh Kotowski and bassist Rick Davis. Josh has been playing piano and guitar for two decades and is the driving force behind many of Markit 8’s rhythms and melodies. Rick has the confident ability to stay in the pocket and hold it all together, while adding his own personal touch to each melody. Davis has a great ability to adapt to new styles and genres, giving him the proper goods to be a solid backbone for the band.
Lead guitarist Mike Gedraitis is the glue that keeps the band sounding great. His tone and originality are unmatched. Mikey can solo seamlessly between styles, genres, and melodies and never miss a beat. Gedraitis has been playing for over two decades with much dedication, the man can jam!
With the recent departure of founding members Tony Wei (Keys/Guitar) & Billy Burke (Drums), Markit 8 has a new look and a very fresh new sound. You can see Markit 8 playing as quartet all across the city.
The future looks bright for Markit 8 as we are writing great new tunes and playing with some really talented new musicians! Stay tuned!
Chicago-based rock band in search of stages to melt and crowds to blow away.
Listen to The War Inside
https://store.cdbaby.com/Artist/TheWarInside
ALxJONES – Vocals
Owen Deshroyer – Guitar
Robot Jones – Drums
Melodic death metal brimming with speed and aggression.
Hardcore Punk Rock from SW Ohio
Making fast, evil, and aggressive thrash metal the way it should be.
Nemesis is a 3 piece Thrash band, hailing from Charlotte, NC. formed in 2008, Nemesis brings you fast, raw, and loud, relentless Thrash Metal!
Irreverent Grindcore
Jim Kahmann
Guitar/Bass/Vocals
Joe Kahmann
Drums
The band “Paralysis” started out in the year 2010. They went through multiple line up changes over the years. They released their first EP “No Turning Back” on September 4th of 2015. A year later their second EP was released on May 20th of 2016 titled “You Can’t Win”. Over the course of 2016, the band traveled the U.S. supporting that EP. The “U.S. Can’t Win Tour” consisted of 9 dates going down the east coast and the “Systematic Apostatic Transgressions On The Midwest Tour” consisted of 7 dates going from New York City to Chicago. The band then released their first full length album titled “Life Sentence” on June 30th of 2017. In support of that album they concluded the “Life Sentence Tour” which was their first coast to coast U.S. tour consisting of 22 dates. The “Civil Execution Tour” consisted of 7 dates going from New Jersey to Chicago and ending in Cleveland, Ohio. They started 2018 with a two week east coast tour. They are planning to consistently tour and release new music in the near future.
Punk / Hardcore from Cincinnati, OH
DOWN-TUNED DRUG DEATH
Cameron Boggs – Axe
Cody Davidson – Drums
Steph Barnes – Bass
Devin Swank – Barfs
I am starting to encounter more situations in which I am asked by industry professionals how to “describe my sound”. I realize the importance of doing this; not solely from a professional standpoint, but for my own self-understanding, so that I might have a firmer grasp on what kind of music makes me come alive.
When creating music, I am honest, emotional, intimate, and sensory focused. Every instrument is saying something and every sound is clear and pointed. I am simply relieving the weight in my chest and it can come out as a complicated as a cryptic metaphor or as simple as a 3 word repeated hook. Sometimes my words can be laced with satire like Vonnegut’s “so it goes” and sometimes they can be as fiery and desperate as a captured dragon. And if the work doesn’t have a point or purpose, scrap it. I cannot create without intention. If I am angry because someone seemed to understand what it means to love deeply and then fled the responsibility, I’ll write about that very thing. If I am happy because Mom told me something beautiful about living, I will write about that very thing. It’s really a simple task and yet sometimes I am afraid of it because I don’t want to create something silly that listeners can’t relate to. But I think I am actually pretty relatable, just as you are, just as everyone on this planet is, no?
“Ooh, there’s a little bit of me inside you, gathering what you lost. Ooh, there’s a little bit of you in everyone, can never keep a secret.” – Me In You by Kings of Convenience
Originally from Dayton, Ohio Leah Jean brings a fresh perspective onto the Chicago music scene. Her classical and jazz guitar training is an essential tool to her songwriting as her songs are decorated with unique riffs, solos and chords. Her jazzy, warm vocal style is reminiscent of singers like Norah Jones, Corinne Bailey Rae, and Gretchen Parlato. She incorporates elements of soul, pop, jazz, and rock in her music. Lyrically honest, dense, and heartfelt, Leah’s haunting melodies and emotion-packed sound will leave the listener wanting more.
Leah has played at many venues in Chicago including The Metro, PRYSM Nightclub, TEDx Columbia College, Beat Kitchen, Martyrs, The Gala, Emporium, The Foxhole, Playground Theatre, Elbo Room, The Gwen Hotel, The Intercontinental Hotel, The Renaissance Hotel, and Lacuna Lofts. She is currently working on her second studio EP…
Local rock band from Chicago’s South Side.
listen and think
MAKING SLAM GREAT AGAIN
Signs of the Swarm is a five-piece death metal horde hailing from Pittsburgh, Pennsylvania. “With the release of their debut album Senseless Order earlier this year, they’ve already begun to gain national attention. The mood and ambience are consistent and the breakdowns and build up to them are flawless. Vocals are absolutely incredible.” – Sputnik Music
Shadow of Intent was formed in 2014 as an internet-based project between vocalist Ben Duerr and instrumentalist Chris Wiseman. The band released their first EP called “Inferi Sententia” on July 18, 2014 and continued writing more music for the album that would be called “Primordial”.
In 2015 the band started releasing more songs and followed up with full length album “Primordial” on January 10, 2016 which rapidly started gaining traction on the internet. Over the next year the album “Reclaimer” was written and the lineup changed gears adding live members to perform in the music videos and eventually live shows.
The second studio album “Reclaimer” was released independently in 2017, selling 1,300 copies in its first week, and to this day has amassed over a million streams. In October the band announced its debut performance in December which would sell out the Webster Underground in Hartford, CT. Shortly after, the band was recruited by JJ Cassiere of the booking agency 33 and West. He started putting the band on national tours with metal acts such as The Black Dahlia Murder, Whitechapel, Carnifex, Oceano and Fleshgod Apocalypse.
Up and coming rapper Adam Renetzky, stage name girldust, draws lyrical inspiration from sad alt rock and combines it with gothic style rap to express the raw human emotions and to create his own art.
An up and coming rapper by the name of Lance “Elgie” Gasher. Music is heavily focused on lyricism, flow, and wordplay. Pushing boundaries until there are none left.
That place you go to where you realize you don’t belong in your own skin.
Madison-based cover band
90’s Grunge/Alternative and more
Fantastic Planet is the third studio album by the American alternative rock band Failure. It was the last album released on Slash Records as distributed by Warner Bros. Records. The album failed to chart on Billboard’s Top 200 albums, but did produce a charting single with “Stuck on You”, which reached #23 on Billboard’s Alternative Songs Chart. The album was produced by Failure themselves in a process that took longer than their previous two albums, with one song being recorded and produced soon after being written, and repeating this process. Space-rock themes course through the album’s lyrics, as well as various indirect references to drug addiction, drug-related experiences, and prostitution. Seven of the album’s songs were also included on Failure’s Essentials, a best-of collection from 2006.
In 2009, JustPressPlay named Fantastic Planet the third best album of the 1990s. They also ranked the song “The Nurse Who Loved Me” at #10 in its list of the Top 100 Songs of the 1990s.
The melding of Rock and Rap is a concept that’s existed within the underbelly of music for decades, yet few have done what City Morgue is about to do. When upstarts SosMula and ZillaKami come together, their fusion is seamless—oozing true skill with a reckless lack of fucks left to give. As the supergroup readies their collective debut mixtape City Morgue Vol. 1: Hell or High Water, the dynamic duo delivers a new and exciting vibe for any fan of true music—from hip-hop to metal. It’s City Morgue season. Get ready.
Their collective story begins in 2016, though their respective paths in music happened long before that. Growing up in Harlem, SosMula lived at the intersection of hip-hop and ink culture, as his mother owned a tattoo shop that became his second home. Listening to artists like Eminem early on, Sos quickly found his way to music. “I’ve been rapping since I was kid. I never really took it seriously,” the 24-year-old says. “I had the talent, I just didn’t know what to do with it.”
Eventually the streets came calling and budding Trap stars like Jeezy would provide the soundtrack to his real life. “The numbers, the details…everything Jeezy was talking about? I was doing that shit,” Sos recalls. “I’m baggin’ up, listening to Jeezy while I’m cookin’ crack.” After a few bids, he landed a 15-month one in 2015 over a house raid, and during that time would correspond daily with Hikari-Ultra co-founder Peter “P” Rogers, who was working at his mother’s shop at the time. When Sos was released, he learned that not only was P building a new movement, but his little brother ZillaKami was now a part of it.
Raised in Bay Shore, Long Island, ZillaKami was a product of the flourishing Hardcore movement specific to the region—as clubs like Revolution Bar in Amityville were backbones of that niche culture. “I was in a Punk band called Scud Got Quayle,” Zilla adds, starting with playing bass and moving over to vocals. “I wasn’t into hip-hop too much,” the 19-year-old admits, though once he was put onto the gruff vocals of DMX and the Hardcore-adjacent styles of Onyx and the Beastie Boys, his perspective changed. Self-taught in music theory, Zilla would piece sounds together by the familiar work of his idols like Henry Rollins and his work with Black Flag. Having his own take with a skewed rap spin, the product became not only a successful blend of the two art forms, but so unique that when his older brother P took his label to the next level with business partner Mel Carter, they would make ZillaKami a flagship artist.
As soon as SosMula left prison, he hit the ground running as well. “I met Zilla my first day home and we were in the studio every day,” says Sos. Together they became City Morgue, and from the end of 2017, the two erupted Soundcloud with millions of listens. Working with producer THRAXX, the two dropped off “Shinners13,” a menacing cut that’s now clocking in well over three millions streams. Then there was “SK8 HEAD,” which idyllically identifies why this pair works, combining Zilla’s Hardcore upbringing mixed with Sos’s true Trap sensibilities. The visuals are equally intense, as City Morgue is an experience felt with all senses.
Countless cuts on Soundcloud, a successful run at SXSW, plus an aesthetic that unifies the early days of Punk with extensive Ink (the two have anecdotes for every tattoo on their bodies), the time is now to bring City Morgue’s first collective project to the streets. City Morgue Vol. 1: Hell or High Water will continue the movement that two have forged, with more tracks that reach a wider audience. “Downer,” is rooted in melody, with an ambiguous title as Zilla is straight edge, while Sos is the exact opposite. “It’s more mellow than the other songs,” Sos says, “Zilla’s even harmonizing.” Things kick up on tracks like “Black Matter,” which is designed for damage. “I walked into the studio and said I’m making a mosh pit song,” Zilla says with a laugh. Songs like “Grave Hop” and “P.T.S.D.” continue along that similar vein, while “Lamborghini Getaway” and “Snow On The Bluff” turn a corner into mainstream. It’s an experience anyone can appreciate and shows what happens when two worlds meet to form an entirely new planet.
The Hikari-Ultra/Republic Records signees have already shown a significant track record of hits in a relatively short amount of time, and it won’t stop there. Vol. 1 is the first of many City Morgue collaborations, but both SosMula and ZillaKami will be bringing their solo flavors to the forefront in the very near future. “We’re just here to do something different,” Sos says with confidence as Zilla adds, “We didn’t hear what we wanted to in music, so we decided to make it ourselves.”
Here to spread the riff gospel of vengeance, glory and fury.
Beretta plays heavy metal rock n’ roll.
Max Beretta – Lead Vocals
Myles Kent – Guitars, Backing Vocals
Chad Goodman – Bass, Backing Vocals
Sweet n’ Sweaty Ricky J – Drums
The History of Otis Redding is the first of numerous compilations of Otis Redding songs, featuring hits from 1962 to early 1967. Released one month prior to Redding’s death in December 1967, it was the final album (and only compilation album) issued during his lifetime.
DJ CHISOXROX has been spinning records in the Chicagoland area for over 40 years. His discs are ingrained with the likes of YES, Tragically Hip, Rush, and Snow Patrol. Now with a world-class vinyl setup in an industrial loft in Printer’s Row, DJ CHISOXROX ventures out every so often to play a wide range of progressive and alternative rock to fans across the city. Catch him at Reggies or at secret “Drop The Needle” sessions taking place amidst the underground apartment scene.
Kyle Green – Guitar/Vocals
Cris Golan – Bass
Shawn Grib – Drums
Photographs & Memories: His Greatest Hits is a 1974 compilation album (and second posthumous release) by Jim Croce, originally released on ABC Records. The album was released a year after Croce’s 1973 death in an airplane crash. The inner photo jacket includes a tributatory essay on one side and a photo of Jim’s son A.J. on the other. The title track originally appeared on the You Don’t Mess Around with Jim LP as well as the B-side of the album title track single in 1972.
Berwyn based progressive jam band.