Genevieve Libien is a singer-songwriter and guitarist from Denver, Colorado. She writes in an indie pop/pop alternative style about lesbianity, mental illness, and other musings, taking lyrical inspiration from literature and real-life experiences. She is influenced by Hozier, King Princess, and Taylor Swift.
Sad House Guest makes music because nothing else makes sense.
We are an indie-rock band based in the midwest with roots in Fargo, Minneapolis, Eau Claire, and Chicago. After gigging for a number of years as “Samuel Stein”, the name Sad House Guest was born about year into the pandemic to encompass our new fuller and ambitious sound. Our inspiration comes from popular bands such as The Front Bottoms, Death Cab for Cutie, Hippo Campus, Pinegrove, and Slaughter Beach, Dog as well as influences from jam bands, blues, and indie-folk/bluegrass. Our lyrics revolve around topics such as anxiety, hanging out with friends, and everything in-between. We have released two EPs since the birth of our new name (inspired by a line in “Fantastic Mr. Fox”). The first is Bugs in My Brain which was recorded during the pandemic and features 3 basement pop tunes followed by 2 slow folksy tunes. The second EP, Electric Veins, features the full band on 5 representative songs. Our live shows feature energetic playing, improvisation, and covers of 2010s anthems at any dive bar, basement, porch, brewery, winery, or garage.
In fall 2022 we toured both EPs all over the midwest from Chicago to Fargo. During this tour we also performed a collection of songs which would eventually become our first full-length album “Can I Make This Lighthearted?”
“The question that always comes up no matter what mood arrives and what I’m writing about is “Can I make this lighthearted?”. Half these songs are about love, whether it be romance, jealousy, infatuation, or just being with friends. Can I make love lighthearted? Well, yes. It seems obvious but I’ve had to learn to accept the goodness in these things rather than dwelling on the anxiety of them. A few songs, like tracks three and five, are a lot darker and deal with heavier topics. Can I make those things lighthearted? Well, no. Not right away. First I have to deal with them head on and come to terms with the feelings they bring. Only then am I able to sing about them while maintaining an overall sense of lightheartedness. We hope these ten songs strike some sort of chord with you, whatever that chord may be… probably a G chord, half these songs are in the key of G.”
-Samuel on the album concept, more about individual songs below.
Thank you for listening.
Faster Pussycat rose from the depths of the mid-‘80s Hollywood rock scene, taking the Sunset Strip by storm with a sound that wasn’t glam and wasn’t punk, but blistered somewhere in between. With an attitude and swagger all its own, their self-titled debut featured the instant classics “Babylon,” “Bathroom Wall,” “Cathouse” and “Don’t Change That Song,” and its follow-up ‘Wake Me When It’s Over’ climbed even higher with the radio hit “House Of Pain,” “Poison Ivy” and “Where There’s A Whip There’s A Way.” Despite their successes, Faster defied the mainstream mold and always followed front manTaime Downe’s underground sensibilities. The gold and platinum records are nice, but Taimeconsiders his greatest accomplishment to be longevity. “The only number that really matters to me is the number 35. Three and half decades later, Faster Pussycat are still rocking, and it feels as fresh as it did in 1986.” Look no further than their 2021 releases “Nola” and the Johnny Thunders cover “Pirate Love” –Faster Pussycat are as virile and tenacious as ever… and won’t have it any other way.
Retina Sky is a dreamy Emo / Alternative / Post-hardcore band from Chicago that crafts ethereal soundscapes to envelop listeners in a dreamlike state. For fans of artists like Circa Survive, Movements, dredg, Balance and Composure, and Turnover.
“Retina Sky is a Midwest emo band based in Chicago that is not afraid to experiment with its sound. They primarily stick to dreamy emo traditionalism, but occasionally, they break away from these sonic barriers and deep dive into elements of shoegaze and top 40 alt radio. This creative energy transpires into their newest ep, ‘Without Hope We Wither, which is sure to satisfy your ears for its approximate 20-minute duration.” – GetSome Magazine
Khaya Osborne is a multidisciplinary performance & visual artist with credits including Celebration Arts, Black Ensemble Theater, Button Poetry, Tupelo Press, & Laugh Factory Chicago
Comedian Alex Tsakanikas hails from the windy city of Chicago. Alex brings his observations on life, love, and the absurdness of reality front and center. Classically trained as an actor and later in life finding his place in stand-up comedy, he brings his impeccable stage presence and infectious energy to every stage he can perform on. Having opened for the likes of Angelo Tsarouchas, Pantelis, Jeremy Hotz, and many others Alex brings his style of adult absurdism and storytelling to crowds all over North America. You can find him regularly touring the Midwest, or listen to his podcast B.A.D. Shorty. He recently recorded his first comedy special “Motions” available this summer.
Zaid Fouzi is a 27 year old, Syrian-American comedian based in Chicago, IL. Known for his animated storytelling and observational humor, he performs all over the country. Zaid dedicates his comedy to advocating for the Arab-American identity. He has worked with some of the top Arab-American comedians including Bassem Youseff, Sammy Obeid, Ahmed Ahmed and Amer Zahr. His work and story have been featured on NPR, and AlAraby TV.
Chanel Ellis is a rising R&B star from Chicago⭐️ Check out her single Chocolate Dove on all platforms🏆 Ep Coming Soon🔥🔥🔥🔥
From the dangerous Englewood Neighborhood of Chicago, Lawman Dia, better known as LMD, is cut from that old school cloth with his upright, independent and fearless persona, representing the hood in ways that captivate hip hop intellectuals. It’s no secret LMD has faced his near death experiences and multiple years in prison, but with experience comes a story to uplift the youth and inspire those around him to be greater than expected. With 3 classic Chicago mixtape releases, Lawman Dia remains in his own lane with his gritty metaphors and street stories. Cultured, creative and socialized, LMD possesses all the talent and independent drive that many Major artists have.
Independent recording artist Brandon Bishop AKA Cyphersick has finally returned to the music scene in Chicago after a 7-year hiatus. Most people in the music business will tell you that “consistency is key and stopping momentum for even a moment can be fatal to one’s career”, but what is even more important is to never let the fire for your dreams die. Cyphersick started in this business at the age of 14, had an agent named Reginald Scott aka Quest by the age of 16 and was signed to Chicago based independent label D.U.B. L.I.F.E. Entertainment by the age of 17, but has since parted with the label and returned to being a free agent. Cyphersick is a lyricist at his core, and this is reflected in his style of Rap/Hip-Hop. Growing up in Chicago in the area that is broadly known as the “Low End” to Chicago natives has heavily influenced him as a person as well as an artist, which is translated throughout his music.
During his lengthy hiatus from the music scene, his love and passion for both music and being a voice for the voiceless has intensified and he is now back to make sure everyone remembers his name. While traveling, he has had the opportunity to network with major talent artists from both the East and West coast and is building organic relationships with people who have inspired him his entire career. Without a doubt Cyphersick will be one of the next breakout artists in the music industry, so stay tuned and keep watching because the comeback season has just begun.
Rural punk since 2009
Half Indigenous, half without papers.
Toronto post-everything collective Respire has been a pioneering force in the Canadian underground scene for ten years, building a cult-like following over three critically acclaimed LPs and four international tours. Drawing inspiration from the expansive soundscapes of iconic Canadian bands like Godspeed You! Black Emperor, Respire pushes the boundaries of heavy music, intertwining intricate, uplifting orchestral arrangements with the intensity and urgency of emotional hardcore and the desperation of black metal. The seven-member collective’s DIY ethos has remained unshakable, the fruits of their dedication to self-reliance, creative autonomy, and community-building ever present in the Toronto musical landscape through New Friends Fest, co-founded and co-organized by two of its members.
Following the storming intensity of 2020’s Black Line, Hiraeth finds Respire returning to a more introspective and melancholic sound, punctured by triumphant and anthemic moments, standing as a testament to the collective’s ambition, genre-defying style, and maximalist approach. The album is a tribute to those who have uprooted their lives in search of hope and a cautionary tale to those who remain falsely secure in their illusory societal positions. It is a manifesto of the immigrant experience; a call for all of us to embrace our shared humanity, awaken to the fragility of our existence, and confront the crises we face collectively before it’s too late.
Corn on My Dinner Plate is a six piece band from Chicago influenced by psychedelic, jazz and rock music. The group is made up by members Colin Kolasny (keyboards/guitar/vocals), Roan Quinn (bass), Jack Harris (guitar), Chris Sánchez (drums/percussion), Weber Anderson (tenor saxophone) and Branden Ma (keyboards). The group formed in 2017 when the members were in high school in Chicago.
Turning out their debut releases with Platinum-Awarded producer Dan Dixon and amassing tens of thousands of streams and followers across platforms over the past year, The Great Indoors are bringing forth a melodic and immersive blend of Pop Rock. International publication Atwood Magazine writes that the group’s “..suave indie-pop melodies, combined with smooth, soulful singing, recall Steely Dan and The Long Run-era The Eagles.” The Great Indoors have opened 2024 with the announcement of their own North American headlining tour, featuring support from artists like Nashville’s The Band Light and American Idol alum, WALKNEY, as well as festival performances such as at the Shakori Hills Grassroots Festival and headlining slot at Greenfield Lake Amphitheater’s Tunes And Blooms Festival. As Star News puts it, these “..indie rockers (who) bring their jangly, dynamic tunes to town.” are set to make their mark in the landscape of modern music.
Five people, five towns, and a few hundred miles in between…none of this should have ever worked. Still, fate has a funny way of bending the rules. CLIFFS represents a leap of faith. A departure from the safety of the wheel they all found themselves stuck spinning in. Like yarn-linked thumbtacks on an evidence board, there was something undeniably connective from the first time. With passion at the forefront, their music floats atop the pool of category. It is abstract, but familiar. It’s wherever you want to go. It’s echoes of old, and glimpses of new, an homage to the sounds that raised them.
Sam Lachow is a producer, songwriter, rapper, videographer, and director. Raised in both Seattle and New York City, he’s been creating videos since elementary school and as a seventh-grader started a group called Shankbone, which he began directing and producing music videos for as well as for various other artists. In 2011 Sam released his debut project as a solo artist titled “Brand New Bike”, which he produced entirely himself. In 2014, his second full length album “Huckleberry” independently debuted at #5 on the iTunes Hip Hop charts. He then unexpectedly released a free project titled 80 Bars, which surpassed a million plays on Soundcloud and YouTube for multiple songs. Riding that momentum, Sam became the first local headliner to sell out Seattle’s 1,000 cap Neptune Theater and in 2015 he played the main stage at Washington’s biggest music festival, Sasquatch. In the years following, Sam has continued touring, writing and producing music with his signature genre-blending style and collaborating with artists from a wide variety of musical backgrounds. In 2020, he released his most polished album to date, “Corduroy” which features Watsky, Dave B and Travis Thompson as well as many other up and coming artists. Sam currently lives with his dog Devin in Seattle, WA and continues making music and touring the country.
The B-52’s is the debut album by American New wave band the B-52’s. The kitschy lyrics and mood, and the hook-laden harmonies helped establish a fanbase for the band, who went on to release several chart-topping singles. The album cover was designed by Tony Wright (credited as Sue Ab Surd).
The Cars is the debut studio album by American new wave band the Cars, released in May 1978 by Elektra Records. The album was managed by longtime producer Roy Thomas Baker, and spawned several hit singles, including “Just What I Needed”, “My Best Friend’s Girl”, and “Good Times Roll”, as well as other radio and film hits such as “Bye Bye Love” and “Moving in Stereo”.
Tried and true Texas troubadour Tom McElvain is a culmination of years of bars and road joints mixed with songwriting cliches, bad life choices, regret, and heartache. Co-writing the songs “Grey” and “Rock and Roll” with Cody Jinks, his sustaining vocals about stories of life, redemption, and survival leaves the listener with an intimate memory of his life experiences.
Country mixed with Rock and Roll Blues best describes Tom’s Americana sound. He is currently writing with other artists and soon to be releasing a book, collaborating music video, and a prequel album “Drifter” leading up to to his newest project “Lady In Red” . With his album “Empty Bottle”, “Redemption” and 2 other EP’s in his portfolio , Tom is striving to tell his story his way in hopes that it will help listeners in similar circumstances find the courage to love, fight, and heal.
Tom’s Texas radio hits “Whiskey Angel and “Favorite Beer” introduced him to a broader and more national audience as a performer. His forthcoming releases on Sol Records will continue to shine a light on this Texas troubadour where he will finally get to tell his tales in song form.
In a dusty corner of the American Southwest, a band rose from the ashes of heavy metal to claim their stake in the world of country music. This is the story of Last Train to Juarez, a band that embodies the grit and soul of the modern outlaw spirit. Formed in 2019 by Dejan Knezevic, a man whose roots were once steeped in the thunderous roar of metal, the band has carved out a unique sound that melds the raw energy of its past with the soulful twang of country music.
Their performance promises to be a journey through the highs and lows of human experience, guided by the authentic and unfiltered sound that Dejan and his bandmates bring to every show.
Dejan Knezevic leads with his unmistakable voice and acoustic guitar, a blend of power and vulnerability that tells stories of life’s harsh truths and fleeting joys. Beside him stands Mark Tomeo, whose mastery of the pedal steel and dobro adds layers of melancholy and resonance, while his backing vocals create harmonies that linger in the heart. The steady, driving force of Brian Teille on drums, combined with his vocal contributions, grounds the band’s dynamic range, while David Yoder’s bass lines weave a foundation that is both sturdy and intricate. Completing this ensemble is Stephen Dietrich, whose lead guitar work provides the electrifying edge that sets the band apart.
Last Train to Juarez is not just a band; it’s an experience. Their music is a testament to the resilience of the human spirit, with influences that trace back to the likes of Jamey Johnson, Cody Jinks, and Hank 3. The transition from Dejan’s metal roots to country was sparked by these modern outlaws who dared to redefine what country music could be. The result is a sound that pays homage to tradition while breaking new ground—a sound that is as raw and real as the desert landscapes they call home.
Their live performances are a testament to their commitment to authenticity. There are no backing tracks, no auto-tune—just the pure, unadulterated sound of musicians pouring their souls into every note. The audience is taken on a ride through songs that are as diverse as life itself: dance tunes that get feet moving, ballads that stir the heart, and lyrics that provoke thought and introspection.
With an EP titled “Dirt & Stone” and a full album, “Some Road,” Last Train to Juarez has already laid a solid foundation in the music world. They are known for their relentless touring schedule, playing around 175 shows a year, each one a testament to their dedication and passion for the craft.
This is a band that brings something more than music; they bring a piece of themselves, a slice of life that is honest, raw, and deeply human. Feel the rhythm, embrace the stories, and let Last Train to Juarez take you on a ride you won’t soon forget.
Just a man who takes signs from the universe and transforms them into sound
Most artists will tell you that they sing about what they feel. Jeshua Marshall lives the music that he sings. From the time he was nine, when he was first inspired by a visit from Jimi Hendrix in a dream and subsequently gifted his first guitar, through to the formation of his band Larry and His Flask and now, some 20 years later, music has been a mainstay of his life, the thing that’s inspired him, driven him and now, brought him to the precipice of the recognition he so decidedly deserves.
He’s worked tirelessly to get to this point. He and his band toured relentlessly, performing in all 50 states in the U.S., every providence in Canada, no less than 15 European countries, and in parts of the Middle East. A multi-instrumentalist, singe,r and songwriter, he conveys both passion and purpose in equal measure.
His efforts paid off. He garnered over 100,000 streams on Spotify and YouTube, before receiving an ultimate honor, the ‘Best New Artist’ award from People’s Choice Award in his hometown of Bend, Oregon. It also found him sharing stages with artists such as Dirtwire, Fishbone, Willy Tea Taylor, Beats Antique, Joshua Ray Walker, Possessed by Paul James, Danny Attack, Bridge City Sinners, and more.
Now, on the verge of making the next significant step in his career, Jeshua remains more committed to his craft than ever. “Music, for me, is medicine, therapy and connection,” he says.
With The Flood, that wave of inspiration is as awash as ever.
Chicago’s Blink 182 Tribute Band!
3 piece punk band outta Milwaukee, WI
Zack Biernat – vocals, guitar
Ed Michor – vocals, bass
Ed Dorn – drums
Fresh new indie pop/rock band based in Chicago.
Tala Silva is a Filipina-American indie artist/producer based in Chicago, exploring the new fusion sound of Indie, Alternative Bedroom R&B, Indie Pop, House, and Neo-Soul, inspired by the likes of Men I Trust, The Marías, Steve Lacy, UMI, and Kali Uchis. Her soothing vocals, relatable lyrics, emotive guitar melodies, and dreamy production are perfect for sunset drives, falling in love, vibing with friends, and late-night parked car convos. Her ability to create a variety of sounds and blend genres is a reflection of her individuality and talent. Tala Silva’s ultimate goal is to help show others that anything is absolutely possible, regardless of one’s resources and circumstances.
Despite her humble at-home, make-shift recording studio, she has been recognized by outlets such as Fashionably Early, These Days Mag, and more. As well as Spotify, where her single, “Call Back” landed on Spotify’s New Music Friday editorial playlist, proving her to be the epitome of the saying “if there’s a will, there’s a way!”
Within only a year, Tala Silva has already proven to be a potential indie force to be reckoned with.
“just a girl from the chicago burbs who likes to make music in her bedroom 💜✨”
Caleb Ramos is an exciting new voice on the Chicago soundscape with the release of his first album, Headlock Hotel. The collection of eight songs highlights Caleb’s unique and recognizable approach as a composer, multi-instrumentalist, and engineer. Characterized by thick vocal textures, deliberate harmonies, and a raw emotional undercurrent, Headlock Hotel finds listeners in the space between Americana and the edgier alternative sound of the 90’s and early-2000’s.
He enjoys Blade 2 and broccoli.
Kenchris is an artist who believes everyone deserves happiness. She believes her music brings joy
Southside 🚀 Worldwide 🆙🔝🔜
Enoch 7th Prophet is an artist and the owner of Chakra Music, LLC who has also organized tours and shows around the U.S.
British dancehall/rap artist Stephanie Allen (aka Stefflon Don) switches between Jamaican patois, grime verses, and honeyed vocals with ease and confidence. She broke through in 2017 with the Top Ten hit “Hurtin’ Me,” and won MOBO and NME Awards before her 2018 mixtape Secure charted in the Top 40. She appeared on Wiley’s 2019 hit “Boasty,” and subsequent solo singles such as 2020’s “Can’t Let You Go” and 2022’s “Like That” ventured into styles such as Afrobeats, trap, and R&B. The assured dance-rap single “Move It” appeared in 2023.
Originally born in Birmingham to Jamaican parents, Allen moved to the Netherlands when she was five years old. Her family remained in Holland for nine years before moving to Clapton, East London when she was 14. As Allen grew older, she knew she wanted to pursue music, taking on the initial strategy of covering other artists’ work and spinning it in new directions; the first two efforts that gained traction came in 2015, when Allen covered Wretch 32’s “Six Words” and Section Boyz’s “Lock Arff.” As Allen became more popular, she collaborated with a number of prominent artists including Lethal Bizzle, Sneakbo, Jeremih, and Wretch 32 on his 2016 album Growing Over Life. That year also saw the release of her debut mixtape, Real Ting, which featured Jeremih returning the favor as a guest artist. As 2016 drew to a close, Stefflon Don was highlighted on the BBC’s Sound of 2017 list.
She kicked off 2018 with the release of the Hurtin’ Me EP (Polydor), which featured “Instruction” with Jax Jones and Demi Lovato, as well as the U.K. Top Ten title track, and in 2019 she issued the single “Phone Down,” a collaboration with rapper Lil Baby. The following year saw the release of the Afrobeats-tinged track “Can’t Let You Go.” 2021 singles included “Toxic Love” and “The Don.” “Bun Fi Bun,” “Juice,” and “Like That” all appeared in 2022, as well as “The One” and “Daily Duppy (Dem Dead).” Stefflon Don was featured on singles by Jim Jones and Sigala in 2023 before issuing her own club-ready track “Move It.” ~ Liam Martin & Paul Simpson
Dan Lieber, Kevin Miller, & C. Ezra Lange have played together for almost a decade with Esso, the afro-carribean inspired funk collective that has represented Chicago’s music & culture in cities across the U.S. and Mexico. Celebrating the pure joy of grooves peppered with instrumental diversions & conscious rhymes, Scrub League is a type of experiment; a question that gets answered in performance, 3 musicians trying not to think too much, get the ego out of the way, & play.
Emerging from the rich Austin, Texas heavy rock scene, High Desert Queen are a one of a kind heavy rock force. Helping brand “Texas Desert Rock,” the band draws from an eclectic backdrop of influences ranging from Kyuss and Alice In Chains to Queens of the Stone Age by way of Tom Waits and The Allman Brothers Band. This has led to a sound that takes listeners on a journey across the open road, from the badlands of Big Bend all the way to Joshua Tree. Having started with the goal of writing the type of music they wanted to hear, High Desert Queen have become the sound of “Texas Desert Rock” on the rise.
Formed in the mid-’90s in the sleepy town of Borlänge, Swedish foursome DOZER spearheaded the first wave of European-style stoner/desert rock, an impactful fusion of proto-metal, riff-rock and punk that blasted forth in response to the tectonic heft and sun-baked fuzz of American bands Kyuss and Fu Manchu.
Now, more than a decade since their last outing, Dozer return with an impassioned, amp-splitting rumble of a record that will righteously invigorate a scene and style that’s more vital than ever, and which they themselves were instrumental in helping launch.
On their preternaturally confident earliest releases, which included albums In the Tail of the Comet and Madre De Dios on the legendary Man’s Ruin label and a split LP with John Garcia’s short-lived yet bright-burning outfit Unida, the fuzz-rock hypnosis was at cosmic levels, thanks to guitarist Tommi Holappa’s rolling riffs and fried psychedelics and singer/guitarist Fredrik Nordin’s blistering vocal power.
Third album Call it Conspiracy was a milestone in perfectly crafted high-energy anthems, as the lockdown grooves of rhythm section Johan Rockner (bass) and Erik Bäckwall (drums) along with heaping helpings of ‘70s hard rock heroics saw the band establish themselves as a live force, leveling audiences across the UK and Europe with their white hot eruptions.
Even as Dozer achieved greater recognition on European, US and Australian tours supporting the likes of Clutch, Spiritual Beggars and Mastodon, Holappa also started side project Greenleaf as an outlet for jammier, less-structured digressions.
An inflection point came with Dozer’s fourth album Through the Eyes of Heathens, which saw them drive the intensity into the red and push the tempos to match. Their fuzz-groove attack now infused with heightened aggression and crush, the shift was consecrated by the appearance of Mastodon’s Troy Saunders lending vocals to the song “Until Man Exists No More.”
Dozer pushed ahead in this vein with 2008’s Beyond Colossal, which All Music called, “arguably their heaviest and darkest song cycle yet,” and which included a career watermark in the form of mini-epic “Empire’s End” featuring guest vocals from Neil Fallon of Clutch.
But, although the album was a triumph in channeling the various tributaries of the members’ decade-plus growth and influences, it would also be their last proper album for quite some time. Nordin returned to school to earn his Master’s degree, Holappa turned Greenleaf into a full-time band, and Dozer went on indefinite hiatus.
If the band seemed to sleep while Greenleaf roamed, Dozer has now reawakened with a vengeance. With the reactivation of live activities and a new home on the impeccable roster of Blues Funeral Recordings, Dozer’s new album Drifting in the Endless Void is an undeniable affirmation of their status not just as forefathers of a movement, but as champions of volcanic energy and pure riff worship.
Drifting in the Endless Void is packed to the rafters with dense instrumentation, arena-ready melodies, and contemplative restraint. Dozer still brings the tumultuous churn that longtime fans expect, but their sound has become a gravitational mass that also pulls in massive sludge, fuzzed-out doom, space-tripping grooves, red-eyed psychedelics, and whatever else they find floating in the vast cosmic expanse.
Although mined from from the same bedrock as Beyond Colossal, Drifting in the Endless Void is awash in surprising dynamics. When Holappa and Nordin lock into a tandem riff, they whip up unstoppable, pummeling storms of perfect rock and roll. Nordin’s vocals wail, whisper and roar, leaping from haunting falsettos to guttural rage to wide panoscopic hooks. With the addition of drummer Sebastian Olsson (also of Greenleaf), the moody and atmospheric elements crackle with taut electricity, and the breakdowns thunder with renewed ferocity. Rockner’s bass carves massive grooves for the band to swing through, and Holappa’s leads are as supple, melodic and infectious as ever.
Across the record’s seven songs, Dozer moves seamlessly from furious whirlwinds to spaced-out dirge, from deceptive simplicity to polyrhythmic complexity, and from pastoral prog to immense yet catchy modern metal.
Dozer’s return to the musical landscape they helped shape is cause enough for celebration, but the explosive playing and fiery purpose is what makes Drifting in the Endless Void a truly unmissable experience. With age and time come wisdom and pain, and you can hear both screaming through in the grit and determination of every rough-hewn riff and tumbling fill. Dozer continues to sketch a desert that is entirely their own, and we are lucky to walk in their wake.
KAYKO is an alternative pop artist with influences from pop punk, synth pop, and musical theatre. Eyed by Katy Perry for his star quality, he accidentally found his way into the Top 10 on Season 22 of American Idol where he wowed America with his original songs. A combination of interesting melodies, introspective lyrics, and an energizing stage presence creates “happy songs with sad words” that leaves listeners dancing and crying at the same time.
WITH PATIENCE is a rock band in Chicago featuring former members of Douglass Kings, Careful and hose.got.cable
WELCOMING ALL CREATURES OF THE NIGHT. We are a progressive blackened death metal band born from the depths of the Chicago south side area.
Ancient Entities is a band consisting of members Alex Rausa, Jake Falk, luke Veranth, and Brian Gulliford. Our lyrical content focuses on ancient civilizations, folklore, and mythology from all around the world. The band’s style consists of powerful technical death metal riffing mixed with catchy and titanous rhythm sections, proving for a massive sound.
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by English musician David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust.
Performed by American Hustle American Hustle
BURNOUT SYNDROMES is a Japanese Rock Band from Osaka, formed in 2005.
They always challenge the limit of a 3 piece band with their poetic lyrics, emphasizing the beauty of the Japanese sound and original sound, which colorizes the worldview of songs.
In 2010, they won the 2nd Grand Prix at “Senkou Rionette” the band audition for teens held by TOKYO FM. In March 2016, they debuted with single “FLY HIGH!!”, which was used as the OP theme for the anime “Haikyu!! Second Season”. After debuting, their song “Hikariare(ヒカリアレ)” and “PHOENIX” was chosen as the opening theme for the anime “Haikyu!!” three times in a row for the first time. Until now they made OP/ED songs for popular anime such as “Gintama“, “Dr.STONE“, and “Those Snow White Notes”. In 2023, they released best album “The WORLD is Mine”, and ventured out on a world tour across US, Europe and Asia. Their new project is the OP theme song “Maou” for anime “The Misfit of Demon King Academy II” featuring Nao Toyama.
Chicago Based House, Deep House, Deep Tech, Hardgroove DJ/Producer
Keep it locked.
Parker Barrow, the blues-infused Southern rock band led by Megan Kane (vocals) and Dylan Turner (drums), supported by the formidable Alex Bender (guitar) and Michael Beckhart (bassist), is a powerhouse group, boasting a distinctive musical style. Forged from an immediate connection, the band finds inspiration in the infamous duo of Bonnie Parker and Clyde Barrow. Kane and Turner aim to infuse their music with the iconic energy of a dynamic duo, portraying a narrative where, instead of evading the law, they are a dynamic pair in pursuit of their rock ‘n’ roll dreams.
Unleashing their full creative force, the band poured everything into their inaugural 10-track album, Jukebox Gypsies, released on August 11, 2023. This collection of songs chronicles the couple’s four-year journey, from a serendipitous meeting to navigating life on the road in an RV, capturing both the highs and lows. Each song serves as a reflection of their emotions and experiences, discovering a harmonious balance amid the chaos. “One of the best parts of releasing this album was getting to hear that people are connecting with our music and hearing people talk about our music the way we talk about some of our favorite bands,” Kane and Turner gushed. “It’s been an awesome ride with this record and we’re still enjoying the wave till we reach the shore and can paddle back out for round two!”
Drawing significant inspiration from The Black Crowes, The Allman Brothers Band, Tedeschi Trucks Band, and Whiskey Myers, Parker Barrow seamlessly incorporates blues into each arrangement. The band’s true brilliance emerges in their live performances, marked by lively flights and a showcase of their grounded charisma. Turner and Kane, bound by a shared vision, genuine passion, and a love for life on the road, hold their relationship in high esteem through music and faith. As kindred spirits, they eagerly anticipate continuing to create and perform together in this next chapter of life. Whether in intimate acoustic sets or impactful full-band shows, it’s clear that the couple is precisely where they should be.
Starting 2024 with a bang, the band is set to unveil the official music video for their track “Back to Birmingham” from Jukebox Gyspies on Friday, February 16. “From the moment we penned it, we sensed that this song deserved more,” Turner explains. “It was the initial song we crafted together after a few weeks on the road back in 2019. We approached it from Megan’s perspective, drawing from my own experiences of being away from home during that period. During the recording, I unexpectedly lost my grandmother. Then, just a week before shooting the music video, while performing at a dive bar in Missouri, we received the news that Megan’s grandmother had lost her battle to breast cancer. Suddenly, a song written four years ago came to life, a bit too literally, in just a matter of months.”
Dr. G, Stephen McKnight, Tony Mancuso, and Mike Truehart of Rambunctious Productions all played a pivotal role in making this song, story, and cinematic video come to life. “Fast forward 4 years, it’s crazy how one song, even after sitting on the shelf for a while, can come back around and mean so much more now than it even did back then,” Kane and Turner reflect. “So, the vision for the music video honestly wrote itself, as a dedication and a memorial to those we had lost while out on the road trying to make our dreams come true. It was truly a way for us to heal, which isn’t that what music is all about anyway?”
Jukebox Gypsies, a record with high praise, catapulted Parker Barrow throughout the year 2023. Rock & Blues Muse journalist Mike O’Cull applauded the album saying, “Parker Barrow absolutely swings for the fences on their 10-track debut album Jukebox Gypsies… this much-anticipated record over-delivers on all levels and should do much to jump Parker Barrow up to the highest realms of the roots rock scene. The band combines power-hungry beats, nail-tough guitars, all-pro vocals, and an impossible-to-ignore emotional fire into new rock music that comes across as genuine and true.”
The lead single from the album, “Count Your Dollars” (June 14, 2023), exemplifies the group’s energy. Bursting onto the scene with vigor, the track is a classic Southern rock hit featuring Kane’s powerful vocals and the band’s rock expertise, setting the tone for the entire record. The second single, “Desire,” (July 12, 2023), unfolds seamlessly with electric guitar and Kane’s raspy vocals, providing a subjective and passionate take on life.
Jukebox Gypsies marks a significant milestone in Parker Barrow’s musical journey and there’s nothing but greatness in store for their future.
Tom Holland & the Shuffle Kings have been playing the blues worldwide for over 25 years, regularly appearing at clubs and festivals worldwide. Years on the road with blues legends such as John Primer, Eddy Clearwater, and most recently James Cotton have made Tom Holland one of the most in demand blues artists on the scene today!
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