Scary Lady Sarah is a nightclub DJ & party promoter (winner of Chicago Nightlife Awards’ “Best DJ 2016.”) Primary musical focuses are: goth, industrial, EBM, shoegaze, deathrock, ethereal, synthpop/wave, darkwave. Her club event Nocturna has been running continuously since 1988. She also plays rhythm guitar & sings with The Bellwether Syndicate.
GSA Midwest Club Dj of The Year:: Shadyville Dj † Nike Dj † Tastemaker † Designer † The Academy † Coors Light Ambassador † Party Rocka † God 1st
Currently Based in Chicago, Diagon Alley is a Wizard Wrock Band with strong punk rock influences and a controlled wrecklesness. We enjoy broadening our musical horizons and encompasing different styles and flavors into our music (like a giant tasty potion of audible goodness). So if your interested in what you hear, stick around, you might just hear something familiar, and yet completly different….
DIAMOND PLATE formed in 2004 in the southwest suburbs of Chicago. DIAMOND PLATE unknowingly arrived at the right time, just as thrash-metal was beginning to make a huge comeback worldwide. Due to the ferocity of their music, coupled with a revived hunger for thrash, DIAMOND PLATE quickly established themselves as one of the top forces in the emerging U.S. thrash metal scene.
Singer Nasti Habits created the original four-member lineup in 1985. Four months after their first live show the band signed a management deal with Mark Nawara and Jim Sperandio who then got the band signed to Island records, and with the addition of bassist Andre and drummer Johnny Cottone they released their debut album Land of the Damned in 1986. In 1989, the band signed to the independent Red Light Records, where they released their second album Rated Rexx in 1990. The band went on hiatus in the 1990s, but Habits formed a new line-up in 2001, now with S.S. Priest on guitar, Basil Cooper on bass and background vocals and Billy Nychay on drums, the band’s now influenced by alternative metal. This line-up recorded the Rexx Erected album, released on the Diamond label, after which Cooper left to be replaced by Tommy Hanus. The Evil was released in 2002 on Crash Music. In 2006 bassist Tommy Evans joined the band, and the following year, original drummer Johnny Cottone returned on drums. The band then went dormant and remained quiet over the next few years. In 2009 the original line-up of Habits/Andre/Priest/Cottone reunited for a twenty-year anniversary show.
Fuck those Beatles squares: New Jersey’s DEP are incontrovertibly the greatest band the world has ever seen. The evidence is threefold. One: they mash together squiddly jazz guitars, death metal and ‘challenging’ time signatures into a huge spiky ball of noise. Two: on their new EP, Faith No More/Tomahawk nutjob Mike Patton runs around in a gas mask screaming how much he hates Hollywood. Three: herein is a version of Aphex Twin’s ‘Come To Daddy’ which makes the original sound like Charlotte Church.
Known for his deep voice, witty improv raps and anything goes stage presence, Grammy nominated MC/DJ Dirty MF is a one man show who brings hot lyrics, laughter and his love for music to every performance. Not afraid to say what’s on his mind, Dirty will rhyme about any topic that gets the party started. Whether its sex, social issues, politics or just having a party, nothing is off limits.
Known for his deep voice, witty improv raps and anything goes stage presence, Grammy nominated MC/DJ Dirty MF is a one man show who brings hot lyrics, laughter and his love for music to every performance. Not afraid to say what’s on his mind, Dirty will rhyme about any topic that gets the party started. Whether its sex, social issues, politics or just having a party, nothing is off limits.
Dissona is a progressive metal band from the South Suburbs of Chicago. Formerly know as The Vision, Dissona has spent much of their time carefully carving out their desired sound by writing songs that embody various styles and emotions.
In 2018, rapper Del The Funky Homosapien and producer Amp Live are on guard at Gate 13. The new album marks the first full-length collaboration between the acclaimed Hieroglyphics MC and co-founder of Zion I and Unified Highway, respectively. The 15-track LP finds both highly respected creatives stepping out of their zones and redecorating the sound and substance.
Destructor, Cleveland, Ohio’s legendary premier power/thrash band, return to Auburn with their new 2003 “Sonic Bullet” release. The extended EP contains 46 minutes and 9 tracks of ripping, over-the-top, pounding Destructor-style molten heavy metal!
Auburn president Bill Peters’ first encounter with Destructor was seeing the band perform their very first ‘live’ show in 1984 at The Pop Shop, a club managed by Chris Andrews and located beneath the historic Cleveland Agora. Already working with bands such as Breaker and Shok Paris at the time, Peters fell in love with the band’s untamed energy, great songwriting, wild spirit and charismatic stage presence. The Cleveland metal scene was dominated at the time with ‘technically’ great sounding bands. Many questioned why Peters would choose to work with a band such as Destructor and how he could possibly record and capture the band’s energy in the studio. After all, Destructor were considered to be one of the area’s most ‘anti-technical’ of bands at the time. Despite the rough edges and regardless of the criticisms, Peters had a vision that Destructor could develop into something special and saw something in them most of his industry peers did not. He took a chance and moved forward, signing Destructor to his Auburn label in 1984. The band entered Suma Recording Studios to begin recording their debut album with engineer Paul Hamann at the helm. Destructor’s “Maximum Destruction” album, released the following year in 1985 on Auburn Records, is considered by many to be an underground metal classic and quickly silenced the critics. It became Auburn’s biggest seller and catapulted the band to international success in the metal underground. The album was licensed to Roadrunner Records in Europe several months after the initial release and later reissued by Listenable Records in 1999. Destructor’s crushing ‘live’ performances in the area, both headlining and opening for national acts such as Anthrax, Slayer and Megadeth, became legendary. The band received rave reviews and full features in prestigious metal publications like Metal Forces, Kerrang!, Hit Parader and Metal Hammer. In 1987, Destructor entered Beachwood Studios with engineer Jim DeMain to begin recording their second album “Decibel Casualties”. The album, along with Jag Panzer’s “Chain Of Command”, was going to help launch a joint venture between Auburn and major label Island Records. Unfortunately, both projects never saw the light of day. Several months into the Destructor recording sessions, bass player Dave Iannicca was innocently murdered on January 1, 1988. The incident devastated both the band and Auburn president Bill Peters, who had been a good friend of Dave’s over the years. Coping with losing a ‘family’ member was very difficult for everyone to overcome. Destructor needed time to recover from the tragedy and were in no condition to begin playing music again. Peters struggled with his emotions and his dealings with Island Records, who took more of a business stance on the whole situation. Peters eventually decided to walk away from the entire 3-year label deal. It was a tough decision but the right one he felt to make at the time.
Over the next several years, Destructor struggled to keep things going. They went through several bass players trying to move forward but the chemistry continued to be missing. During these years of uncertainty, the band did manage to go into the studio and finish one song from the “Decibel Casualties” sessions, “Storm Of Steel”, for Auburn’s 1990 “Heavy Artillery” compilation. The compilation was dedicated to Dave Iannicca. Unfortunately, the revolving door of bass players continued to take its toll, forcing the band into hiatus in the early 90’s. Destructor resurfaced in 1999 when Listenable Records reissued the “Maximum Destruction” album. Inspired by the rejuvenated interest from the reissue, Destructor entered the studio in 2000 to begin recording new material. After hearing the final mixes, Listenable expressed no interest in releasing the album and decided to drop the band from the label. Bass player frustrations continued to haunt the band and the album was never released. A song from those sessions, “The Triangle”, appeared on the Heavy, oder was!? “Metal Crusade-Vol. IV” compilation.
Finally in 2002, Destructor connected with Boulder bass player Jamie Walters. Although several years younger than the band members, Jamie had been a long time Destructor fan and had seen the band on a number of occasions over the years. Both parties hit it off immediately and Destructor were back on track. Jamie was the missing piece to the puzzle the band had searched for so long and hard. Then in January of 2003, Destructor and Auburn officially reunited. The two parties had been talking for nearly a year and had been unofficially working together since the summer of 2002. Peters challenged the band to write new material and the band delivered with an amazing batch of originals that followed in the same tradition as the “Maximum Destruction” album.
Destructor entered 609 Recording with engineer Don Depew (Breaker) in the Spring of 2003 to record “Sonic Bullet”. The EP, released in the Summer, includes 5 new recordings (“Sonic Bullet”, “Heavy Artillery”, “Silent Enemy”, “Blackest Night”, “Master Of The Universe”), two tracks from the previously unreleased 2000 sessions (“G-Force”, “The Triangle”) and two ‘live’ tracks recorded in 2002 at the Classic Metal Festival (“Pounding Evil”) and at the band’s opening set for Slayer in Cleveland (“Iron Curtain”). The Summer of 2003 has seen a lot of activity from Destructor on the concert front. They performed at two major festivals, the BW&BK “6-Pack Weekend” in Cleveland (headlined by Candlemass and Trouble) and the Bang Your Head in Balingen, Germany (headlined by Twisted Sister and Dio), and opened the Iron Maiden/Dio/Motorhead Cleveland tour date. The band are currently finishing up writing new material and plan to enter the studio next year to begin recording a new full-length.