THE LORIMER SOUND

LOST CARTOGRAPHERS

With their songs of traintracks and setbacks, leaving and longing, the Lost Cartographers fit well into Chicago’s always vibrant alt.country and Americana scene. But check out one of their shows and you’ll discover a sound that lives in the margins of half a dozen genres, from the melancholy beauty of “Metronome” and “Killing Time in Nashville” to the hillbilly stomp of “Goodbye Ohio” (on which drummer Jason Haaheim plays a metal washtub), and from the retro folk-rock of “Walk On” to the the feedback-soaked psychedelia of “Golden Record.”

THE LOVED ONES

THE LOWDOWNS

THE LOWER 48

THE LOYAL DIVIDE

THE LUMINOUS

THE LUSTIES

THE LUSTKILLERS

A contributing member of such notable acts as The Heartdrops (NYC), American Heartbreak (SF), and The Black Halos (BC), Adam Becvare has lived and died across North America to tour the earth, all the while revisiting the self indulgence of his own band The LustKillers.
As the frontman and guitarist for LK, Becvare revels in it’s cast of rogue friends and players.
The LustKillers songs stand as a testament to Becvare’s influences and Rock ‘n Roll life story.
Becvare moved to Hollywood at age 18 only to lose it all by 21 in Chicago.
“Everyone hears something different in The Lustkillers. Familiar but fresh, it’s really just Rock ’n Roll and that’s all the punks were trying to recreate in ’77. Everyone’s too fragile and suspicious now. The Lustkillers aren’t afraid to be serious while letting go. It’s about being yourself, honouring your heroes and spreading that Blank Generation/Post Punk Gospel.”
-Giselle Harvard (Harvard Journal of Rock)
The LustKillers songs are edgy, moody, witty and sometimes even charmingly sassy.
…Fast ‘n Deadly like The Damned,
…Cool ’n Creepy like The Cramps,
…Dark ‘n Lovely not unlike…. The Lords??
In 2003, a series of unreleased LK recordings The Black Sugar Sessions began circulating and Becvare was enlisted by founding members Brian James (The Damned) and Dave Tregunna (Sham69) to front their Lords of the New Church Reformation across Europe.
The Homepage at www.LustKillers.com simply read,
“Although, No One can ever replace Stiv Bators, for me this is a great honour to serve a band I owe so much of my youth to.” – Lust n Daggers, Adam Becvare
8 songs from The LustKillers Black Sugar Sessions are available from Royal Crowne Records.
& Itunes at
http://itunes.apple.com/us/album/do-i-love-you/id336440308?i=336440537&ign-mpt=uo%3D6%2522
The LustKillers.
Not afraid to get serious.
Not afraid of fun.
And not afraid of serious fun.

THE MAD HAT MEN

THE MAG 7

The Mag 7 is a rock band from Chicago,IL. Hawk Colman (vocals), Rob Elrick (bass), Ed Ludwig (drums), and Tony McQuaid (guitar).

MAJOR LEAGUE

Following an incredibly busy year of shows in support of their debut record Hard Feelings, Major League has returned with a sophomore album that defies any pre-conceived notions and defines their next evolution as a band. With guitarist Brian Joyce now helming vocal duties, backed by Matt Chila (guitar/vocals), Kyle Bell (bass) and Luke Smartnick (drums), the band emerges with a new sense of identity, a renewed focus and an abundant amount of energy for their most personal recording to date.

THE MASSACRES

In 2007 The Massacres did a 2 day stint with Mad Sin, hitting up Chicago and then New Jersey at Asbury Lanes, as well as a few shows with Micheal Graves of Misfits fame. …. In 2008 The Massacres released what would be their final studio EP, “Redemption”. 2008 also marked The Massacres first show at the Metro playing with the Horrorpops, The Cute Lepers, and The Pink Spiders, killing their set with a great response from a mixed crowd of punks, rockers, rockabillies and psychobillies. …. The last time you may have caught the Massacres was in March of 2009, headlining the first annual Psychobilly Spring Fling with Al & the Blackcats, and The Arkhams. …. In short, that brings us to 2010, and August 7th will be your last chance to catch The Massacres. Not once, but twice in one evening! Coming a bit full circle in some ways, The Massacres have been there done that, and are grateful for all of the opportunities they have been given, and thankful for all the friends they have made along the way. …. As always…FUCK YOU! We’re from Chicago!- …… Satan (impatiently) to Newcomer: The trouble with you Chicago people is, that you think you are the best people down here; whereas you are merely the most numerous. .. ~Mark Twain “Pudd’nhead Wilson’s New Calendar,” 1897 .. ….

THE MATICS

THE MATT KURZ ONE

THE MAUNDER MINIMUM

THE MEDULLARY RAY

THE MEEKS

THE MEGABANGERS

THE MEMPHIS MURDER MEN

“50’s rock ‘n’ roll bastard child” – that just about sums up The Memphis Murder Men. Originally hailing from Pittsburgh, PA, the band evolved from the Steel City’s first horror-punk outfit – The Brain Invaders – and now call Oakland their home. These guys have fired up the stage with The Misfits, Tiger Army, The Murder Junkies, The Quakes, The Guana Batz and just about every legendary psychobilly band there is.

The group completely embodies the rock ‘n’ roll that gave birth to every punk, rockabilly, and psycho band out there and do it without regrets or fear of what “the scene” might think. Love ‘em or hate ‘em, The Memphis Murder Men are putting the last nail in the coffin of bad rock ‘n’ roll and cranking out loud and proud rhythm and blues the way the greats did.

THE MENTHOLS

THE JONESTOWN CHOIR

THE JORDAN YEARS

THE JULIET DAGGER

THE KEY POINT

THE KICKBACK

Familiarizing oneself to The Kickback may seem like an exercise in confronting consistent sets of seemingly opposing ideas: A band that prides itself on its love of Muppet Christmas specials and youthful naiveté but has no problem admitting to a paralyzing fear of death and decline. The group seems to strive for brutal honesty, all-the-while realizing they’re a pop band playing pop music. Even the membership of the group itself may seem odd: one-half brothers from South Dakota, one-half Chicago transplants from Washington D.C. and Mexico.

Comprised of brothers Billy (vocals, guitar) and Danny (drums) Yost, Eamonn Donnelly (bass) and Jonny Ifergan (guitar), Chicago’s The Kickback is a result of the brothers’ emigration to The Windy City from rural South Dakota in late 2009 and the subsequent Craigslist pleas seeking out band members. The group’s music (with songs exploring journalists banding together in the early 1980s to battle the decline of print journalism through sheer ultraviolence to the emasculation of trying to protect the woman you love in a city you don’t understand in a body you know is eventually going in the ground) have earned the group wide praise from Rolling Stone, Sound Opinons contributor Jim Derogatis, You Ain’t No Picasso, the Chicago Tribune, and many more.

After a steady two years of touring and supporting acts like White Rabbits, Smith Westerns, Here We Go Magic, Tapes ‘n Tapes, and Telekinesis (all-the-while earning a reputation as a stellar and explosive live act), the band has released Kill Fee, an EP of live takes and studio recordings. In July, the group announced that it would be recording their debut LP (tentatively titled Sorry All Over The Place, after a footnote in David Foster Wallace’s Infinite Jest) with producer Dennis Herring (Modest Mouse, Elvis Costello, Wavves) at his Sweet Tea studio in Oxford, Mississippi. Following the mastering process (undertaken by Brian Lucey (Black Keys, The Shins, Neko Case), the group will embark on a nationwide tour in support of the release. To document their travels, the band began recording their podcast, Diary of a Disas-tour, in December of 2010 are nearing their 60th episode. The show attempts to address the far-from-glamorized lives of a band on the road and the arrested development indicative of the lives they have chosen.

 

THE KILLER

Kobanes

KOBANES

The kids know what’s up and, all of a sudden, the kids are really into The Kobanes, with T-shirts and other merch cropping up en masse. A split label Japanese release to coincide with one of the band’s infamous Japanese tours, Japan Invasion is a very solid, mainline pop punk album. Taking 1990s silliness to new peaks with songs about loved ones smelling each other’s feces, suburban ghettos, dicks, and drugs, The Kobanes’ lyrics are gleefully apolitical, mean-spirited, and downright asinine. And that’s a compliment! Driving, Queers-inspired riffs dominate the mix, with geek-tinged vocals maintaining a spirited, tongue-in-ass-cheek vibe. A higher end byproduct of a dwindling subgenre, Japan Invasion happily invaded this aging pop punker’s heavy rotation. There’s even a cover of “Fan Mail” included for Dickies fans. Plus, any album that starts with a dialog sample from Class of Nuke ’em High is okay by me. –Art Ettinger

Krank Daddies

THE KRANK DADDIES

Here are the THE WORLD FAMOUS KRANK DADDIES, a Chicago based band always ready and willing to RIP IT UP!! After thousands of shows people have labeled The KrankDaddies music as Raw Rippin Rock n Roll. The KRANK DADDIES deliver a high impact live performance which always leaves the audience screaming for more. Fronted by Chops McClintock, a greasy gritty rock and roll legend, THE KRANK DADDIES rip through their live sets with a “Johnny Cash went to Hell and punched the devil in his balls” vibe. HiTops Farrelli hits the stage with his upright bass pounding out the rhythm like a Brooklyn Brawler. The Krank Daddies have toured the continental USA extensively and have shared the bill with some of the music industry’s most renowned rock artists such as Motorhead, The Reverend Horton Heat, Rob Zombie, Social Distortion and more. THE KRANK DADDIES Have independently released two albums and are currently securing a world renowned producer for their 3rd release. This band has received rave reviews and is on the cusp of conquering the world!

THE LARROQUETTES

THE LAST GOOD YEAR

THE LAST TRUE ROCK ‘N ROLLER

THE LAST VEGAS

THE LAVELLAS

THE LEAVES

THE LEFTOVERS

THE LIFE FORMS

THE LIFELINE

The Lifeline…..Chicago’s most anticipated up -and-coming alternative rock band. They are where “Class meets Sass” and sophistication and beauty are paired with an edginess as well as attitude that would make James Dean proud while Mozart blushes.

THE HYPNIC JERKS

THE IDEAS

THE IMPENDING BEHAVIOR ORCHESTRA

THE INDEPENDENTS

THE INFECTED

THE INJURED

The Injured Parties

THE INJURED PARTIES

The Injured Parties played their debut gig in February 2005. Led by former Post Office songwriter-guitarist, Larry O. Dean, the IP’s came together after Dean’s previous band, the ambitious, avant-pop sextet, The Me Decade, imploded.

Looking to streamline the violin and viola-driven sound of TMD, Dean recruited bassist Jimmy De Lauriea (Bugga-ohng, Shiver, Amelia Glass) and drummer Mike Ebersohl (Hickory Ridge, Earthshine, Medicine Wheel, Axis, Vision, Four on the Floor, Payton and The Peers, The Veil, The Yellowhammers, Double Wide, Mistreated, Honey Don’t, Chuck Cox and the Johnson Principle, The Nashvillains, Kurt Crandall and True Story) from the vibrant Chicago music underground, creating a more classic ‘power trio’ line-up.

With rich three-part harmonies, chugging electric guitar, deft rhythms and Dean’s ‘songs and sardonica’ approach to composition, The Injured Parties’ music draws inspiration from the melody and verve of vintage Kinks, the squonk of Neil Young’s Crazy Horse, the blissful feedback of The Velvet Underground, the psychedelic twang of The Byrds, and the hard-edged pop of The Posies.

Commemorating their one year anniversary, The Injured Parties headed into the studio to record their debut album with engineer Jeff Hamand (Souled American, Tallulah, Diane Izzo), mixing in Nashville with producer Mark Nevers (Lambchop, The Clientele, Calexico, Bobby Bare Jr.). Fun with a Purpose was released in July 2009.

In 2013, the band contributed a track to Starry Eyed, a tribute album to UK powerpop band, The Records. They are currently recording their second full-length, to be released later this year. Stay tuned!”

THE INNOCENT

THE INTERNATIONAL DATE LINES

THE ITS

THE IVORYS

The Ivorys:

While harnessing a love of gritty classic rock and dance, this sharp ‘power trio’ consisting of Neil Candelora, Brendan Lazar, and Sam White deliver driving, catchy rock and roll at its purest through powerhouse recordings and an animated yet electrifying live show.

THE JAGZ

OUT OF THE STUDIO AND INTO THE WILD…. Yes indeed jagz nation, the hard rocking outfit from Chicago best known for anthems of righteous mayhem and suspended disbelief is out of the recording studio with 7, count ’em, 7 blistering new tracks guaranteed to drive you home and rip your face off….. Sounds too good to be true? We think so too….. So come join us on the road less traveled, a rocky road, and one you know damn well ain’t paved in gooey ice cream….. Just ask one of our biggest fans, Gert, who dresses out at six-two, two-twenty. (No, you don’t wanna fuck with her.)…. “They’re kinda like your favorite meal,” she hiccupped, “if that meal happens to be cheeseburgers and bourbon.”…. Hellfire, this is making us hungry. To rock, that is….. Hope to see y’all at our next shindig….. C’mon wid it!.. the jagz

THE JAMES MITCHELL BAND

THE JANES GO-GO TROUPE

THE JAZZ EXPLORERS