MARK LAVENGOOD

MARK MALLMAN

MARK MINELLI

MARK SHIPPY

MARK THE KNIFE

MARKY AND HIS AQUAHOLICS

MARS

MARSEILLES

MARTHA BASSETT

MARTIN ATKINS

I’ve been in a bunch of bands: Pigface, The Damage Manual, Killing Joke, and PiL. I performed with Ministry and Nine Inch Nails. I’ve had my label, Invisible Records for the last 20 years and I wrote a book on the business of Touring called Tour:Smart. I have four kids and a lovely wife.

MARUTA

MARY MAGDALAN

MAS TRUENO

Mad Caddies

MAD CADDIES

Formed in Santa Barbara, California, in 1995, the Mad Caddies quickly emerged as a unique force in the music scene with their original name “The Ivy League”. Known for their energetic blend of ska and punk rock, they add unique touches of reggae and jazz to create a distinctive and catchy sound. The band’s debut album, “Quality Soft Core,” released in 1997, marked the beginning of a series of successful albums, including fan favorites like “Duck and Cover” and “Keep It Going.” Over the years, the Mad Caddies have evolved, but their music always remains lively and engaging. Famous for their dynamic and party-like live performances, they have garnered a loyal fan base worldwide. The Mad Caddies continue to be celebrated in the ska and punk music circles, known for their unique sound and exhilarating shows.

MAD HAPPY

MAD MINUTE

MADBALL

MADBALL – For the Cause 2018

Maintaining urgency, authenticity and integrity has never been an issue for New York City’s hardest, and hardest working band, Madball. Twenty-five years along as a recording and touring entity, MB brings forth its ninth aural chapter, For the Cause; a signature collection of lionhearted, groove-laden, street-level New York Hardcore as only Madball can bring it.

The aptly titled album doesn’t so much revisit where the group has been since 1994 – although Madball released its first EP, Ball of Destruction as a virtual Agnostic Front side-project back in 1989 – but forges forward and represents where the fellas find themselves collectively and personally a quarter-decade down the road. 

Throughout the band’s storied history, Madball has asserted its mission; carrying forth a simple yet righteous cause, and this time around, they’ve chosen to define that cause more succinctly than ever before. Tornadic vocalist/front man Freddy Cricien explains, “If you’re not fighting for a cause, you’re not participating in life. Simple as that. Speak up, fight, educate yourself, make a difference and make sacrifices for what’s important to you.” Words to live by.

For the Cause sees the return to the fold of guitarist Matt Henderson, who hasn’t appeared on a Madball album since 2000’s Hold it Down, for which Henderson also served as producer. “To have him record with us again was really special” offers Freddy. He adds, “Matt’s been playing ‘commemorative’ shows and tours with us on-and-off over the years, so, obviously, the love and friendship is there. He’ll always be an honorary member… A Madball lifer.”

Unique to this album is the stellar production work by Rancid’s Tim Armstrong, who clearly helped express Madball’s distinctive voice powerfully and dynamically without stepping on the trademark formula the band has forever carried, yet constantly seeks to improve upon. “It’s a tricky thing, producing. You can truly enhance something, but you could also ruin a record if a band lets you” says Cricien. Freddy continues, “Tim has always respected our band and how we do what we do. He knew we had a vision for how this album should sound, so he let us do our thing, but was there every step supporting and cheering us on. Whenever he did chime in, it was well thought out and he made strong suggestions. He even helped write the hook on ‘For You.’  He was there for us in a non-meddlesome role, which for this particular record, was the best-case scenario.” Danish studio veteran Tue Madsen (Meshuggah, Dark Tranquility, Sick of it All) skillfully handled mixing duties on For the Cause.

Also, noteworthy on For the Cause are the various cameo appearances by some of Madball’s friends, as well as several artists with whom the group shares a mutual respect; namely Psycho Realm’s Sick Jacken on the track “Rev Up,” The Business’ Steve Whale and producer Armstrong on “The Fog,” plus legendary emcee Ice-T on the hardcore banger “Evil Ways.” Freddy discloses, “Jacken is our homie. He just came through to say what’s up and check out the spot and I happened to be recording ‘Rev up.’ He was really digging the song and just freestyled. It really drove the message of the song home. As for Ice-T, he added a good flavor to ‘Evil Ways.’ It was a real honor to work with someone I’ve been following and have respected since I was a kid. He genuinely supports our band and the scene we come from. Tim and Steve jumping on The Fog’ happened organically like everything else with this record.” The UK Oi! legend provided the spoken intro and a guitar lead to the street punk tinged anthem.

What’s maybe most notable on For the Cause is its various twists and turns both musically and vocally to keep Madball’s brand of NYHC fresher than it has ever been. Freddy presents, “How do you grow as a band or as a person if you don’t take chances? We feel obligated to ourselves and everyone else to evolve, at least somewhat. We took more ‘chances’ on this record than on any previous one, and we’re happy about that! We’re proud that it’s still very much us; it’s real and honest. There is plenty on there to satisfy the people that support us from every era of this band.”

As for Madball’s astounding longevity in the hardcore game: “We don’t know how to do anything else at this point. We raise our families to the best of our ability; we do Madball to the best of our ability… So far so good, and we don’t feel that we’ve reached our full potential in either of those areas just yet.” 

MADELINE

MADRHYMES

MAE

MAGGOT TWAT

Two idiots and a puppet drummer named dickpancakes. This is the most awesomely stupid metal band in the universe. Formed in 1998 by brothers Pete and Dan Manzella, (Piz ‘n’ Spam Manwhat). Maggot Twat returns to make you piss yourself.

MAGIC MILK

MAGICAL BEAUTIFUL

Magicks

MAGICKS

Chillwave is alive and well in Chicago. Magicks combines mellow indie-pop with atmospheric noise to create what Magicks (either seriously or not) refers to as “beach daze.” And beach daze seems to perfectly describe that moment where you’ve been baking under the sun for far too long and then sets that feeling to music.  Recently taking the lead on vocals, Monica Rose is a thoughtfully stylish Chicago, Illinois-based indie jazzy/pop singer-songwriter, rollerblader, subconscious mind student, future fashion icon, and skilled painter. She intrinsically fuses that healing melody that helps us deal with our day, as this is a caring musician who selflessly makes music to help others through her art.

MAGNAFUX

MAGNETARS

MAGRUDERGRIND

One of extreme music’s most distinctive modern acts, MAGRUDERGRIND plays a punishing hybrid of grindcore, powerviolence and hardcore punk. Formed in 2002 in Washington, DC and currently based in Brooklyn, NY, MAGRUDERGRIND combines visceral lyrical content with a relentlessly abrasive sonic aesthetic. Owing much to the close-knit global DIY punk community, the band has since toured Europe, Asia, North and South America with the likes of Cannibal Corpse, Napalm Death, Misery Index, and countless others.

MAGRUDERGRIND released their first full-length Rehashed on Six Weeks Records in 2007, followed by their acclaimed eponymous sophomore effort in 2009 on Willowtip Records. Magrudergrind, engineered by Kurt Ballou (Converge, High on Fire, Torche) and mastered by Scott Hull (Pig Destroyer, Phobia) sent the band into 2010 with notable appearances at Hellfest, Maryland Deathfest and Obscene Extreme Festival. Then EP Crusher followed in 2010, initially released on Scion Audio/Visual and in 2012 MAGRUDERGRIND was approached by HBO for a cameo on the show Veep featuring Julia Louis-Dreyfus, appearing in the show’s fifth episode.

Now MAGRUDERGRIND has teamed up with Relapse Records and returns after a 6-year hiatus with the new album II, set to be released in February 2016. Again recorded with engineer Kurt Ballou at GodCity Studios and mastered by Brad Boatright (Obituary, Nails), II is a savage manifesto of scathing political and personal revolution and unquestionably MAGRUDERGRIND’s most crushing and accomplished material to date. The band will take their anti-musical revolution to the global stage throughout 2016 to annihilate every listener in their path.

MAHOGANY FROG

MAIN STREET MINORITY

MAINTENANCE CREW

MAJESTIC 12

MAJOR TAYLOR

MAJORS JUNCTION

MAKEOUT PARTY

MAKER

Marco Jacobo (a/k/a maker) has been a dj and producer since the mid 90’s has produced for and played along side many significant artists in his career. maker has released “honestly”(birthwrite) and “shooting the breeze”(galapagos4) as well as various instrumental limited 7’s (bully, heardrums) and a 7′ series called “the maker files” (shake it).

M.O.T.O.

Masters of the Obvious (more commonly known as M.O.T.O. or MOTO), is a New Orleans-based garage punk band. Formed in 1981 by Paul Caporino, the lineup of the band has seen many changes over the years, with Caporino being the only consistent member. The band has recorded several albums for Chicago-based record label Criminal IQ Records.

The band, along with Dianogah, served as opening acts for Coctails on January 15, 2000 at the Lounge Ax.

M1 (DEAD PREZ)

M13

M13

M13 is a Chicago-based, 13-piece ensemble, whose original compositions and arrangements by saxophonist/bandleader Aaron McEvers defy common convention and classification. Jazz may be at its core, but this is no swing band. The amalgamation of styles within their sound is varied and unapologetic. Original compositions are somewhat programmatic, evoking a sense of storytelling through melody-driven arcs, fresh orchestration and improvisation. This recipe yields a surprisingly accessible sound, appealing to listeners with a variety of musical tastes. At times subtle and delicate, at others wonderfully aggressive, M13’s music and musicianship has set them apart, establishing a style of their own. Word of mouth from their residency at Quenchers Saloon grabbed the attention and acclaim of Chicago Public Radio’s 848 show and CL-TV’s popular “Metromix” show, who both featured M13 on their programs.

MAC LETHAL

Mac Lethal is a hip-hop/folk artist from Kansas City, MO After receiving his start as a battle rapper at the prestigious worldwide reputation freestyle battle festival Scribble Jam, he broke the stigma that battle rappers can not write quality songs, and he began releasing his own original music attract the attention of artists like Sage Francis POS and Atmosphere who he later toured with the respective

His direct influences are lyrical writing vocalists like Tom Waits and Isaac Brock, the puns and inventions of artists such as MF Doom and Eminem, and the attitude as stand-up comedians like Bill Hicks, Louis CK

He currently operates and owns independent record label Black Clover who has been the home of the Mac self-criticism was released Love Potion Collection CD-skIvor (volumes 1-5) and Than Original Sessions 11:11

Macabre

MACABRE

Formed in 1985:
vocalist/guitarist Corporate Death (Lance Lencioni),
bassist/vocalist Nefarious (Charles Lescewicz),
and drummer Dennis the Menace (Dennis Ritchie).

The trio is a vanguard of the style they’ve come to describe as “murder metal,” a ferocious mix of death metal, punk rock, grind, jazz fusion, thrash and folk melodies among other sounds with lyrics examining real-life stories of serial killers, mass murderers and more.

MACHINEGUN MOJO

MACHINES THAT THINK

MAD BREAD

Chicago based country folk and bluegrass band that performs their own original songs mixed with traditional covers.

LOVEHATEHERO

LOVELY HOUSES

LOVELY LITTLE GIRLS

Lovely Little Girls is an avant-rock band led by artist Gregory Jacobsen and bassist Alex Perkolup. Using Jacobsen’s grotesque paintings as a basis, they write theatrical suites that morph from of-kilter dance anthems to punishing and ridiculous prog. Influenced by artists such as Fred Frith, Magma, The Residents and Captain Beefheart, Lovely Little Girls moves between No-Wave, Rock-in-Opposition prog, metal and free jazz. Initial simple musical motifs quickly deform into charges of odd harmony and tangled polyrhythms; yet it is grounded in a love for catchy melodies. Jacobsen’s syllable-stuffed cut-and-paste prose adds to the absurdity with lyrics about over-ripe food, incompetent sex and undignified death.

LOVER OF THE KEYS

LOW OF THE LOW

LOW RED LAND

LOW DOWN BRASS BAND

Lowdown Brass Band (LDB), hailing from Chicago, is a horn-driven ensemble with strong roots in the New Orleans Second Line Tradition. A fierce sousaphone sets the foundation for trumpets, trombones and saxophones that intertwine in a cacophony of tight lead lines, spontaneous call-and-response and bombastic brass attacks. While taking a page from the jazz and blues giants of the past, LDB melds modern funk, hip-hop, reggae and pop into a unique style. Always a party, Lowdown forges new ground with original compositions that create a high-energy deluge of danceability!

Lower Class Brats

LOWER CLASS BRATS

LOWER CLASS BRATS have been pounding out their own brand of Clockwork Punk they have released a fuck-load of recordings including appearances on several compilations, live DVD’s and soundtracks in two different films (nudge, nudge- wink, wink). In the past decade the BRATS have toured the globe. Mexico, Germany, North America, Canada, England, Japan, France and many, many other countries have witnessed the boys in action. And the LOWER CLASS BRATS don’t seem to be slowing down any time soon. From their first gig over thirteen years ago, to this day…L.C.B. always steals the show.

LOWER DEPTHS

LOZEN

LUBRIPHONIC

LUCAS REVOLUTION

Lucid Ground is a collective group of five diverse individuals that share a sonic vision of evolving modern rock music. Lucid Ground’s signature sound and captivating live performances emit a sonic dose of energy that combine driving hooks and unique melodies. The fusion of these elements has not only created a cult-like buzz around Chicago, but has also imposed a lasting impact on the city’s music scene. With the devotion of their fans, the band has begun exploring the possibilities of nation-wide appeal.

LUCKY ROCKET SHIP UNDERPANTS

LUCY MICHELLE & THE VELVET LAPELLES

LUDO