GUNSLINGERS DREAM
GUTTER STAR
GUY FORSYTHBAND
Gypsi Fari is one of the hottest reggae bands to emerge from the Chicago reggae scene. Formed in 1977, Gypsi Fari was the first Reggae band in the midwest. As close friends of Bub Marley and The Wailers, Gypsi Fari travelled and recorded with them at Tuff Gong Studio in Kingston, Jamaica, receiving the kind of acclaim in Jamaica usually reserved for only the best “Home Grown” bands.
Gypsi Fari has toured with top-flight bands such as: Steel Pulse, Third World, Culture, Burning Spear, Gil Scott Heron, and Survivor… In 1980, Gypsi Fari performed at Third World’s Zince Fence Theater in Kingston, Jamaica where they received the Jamaican Peace Award… Today, Gypsi Fari is as creative, strong and positive as ever, bringing forth new music and positive lyrics and appealing to reggae fans around the world, while continuing to spread their message of Love and Unity. Gypsi recently adopted four new members into the band. With new members, fresh ideas, and various inspirations Gypsi hopes to incorporate new styles into their already, crowd pleasing performances… We are currently working on our third CD, due to be released in the Fall of 2020… Gypsi Fari will continue to excite audiences internationally this year, as well as tour extensively throughout Reggie’s… Jah Love!..

GYPSI FARI
Gypsi Fari is one of the hottest reggae bands to emerge from the Chicago reggae scene. Formed in 1977, Gypsi Fari was the first Reggae band in the midwest. As close friends of Bob Marley and The Wailers, Gypsi Fari travelled and recorded with them at Tuff Gong Studio in Kingston, Jamaica, receiving the kind of acclaim in Jamaica usually reserved for only the best “Home Grown” bands.
Gypsi Fari has toured with top-flight bands such as: Steel Pulse, Third World, Culture, Burning Spear, Gil Scott Heron, and Survivor.
Today, Gypsi Fari is as creative, strong and positive as ever, bringing forth new music and positive lyrics and appealing to reggae fans around the world, while continuing to spread their message of Love and Unity. Gypsi recently adopted four new members into the band. With new members, fresh ideas, and various inspirations Gypsi hopes to incorporate new styles into their already, crowd pleasing performances.

H.R. (HUMAN RIGHTS)
Paul “HR” Hudson is best known as the front man of the iconic punk band Bad Brains, formed in 1979. With unprecedented speed and precision, Bad Brains took the Washington, DC music scene by storm and quickly became the most influential band in American punk history, breaking down cultural barriers and creating emotionally charged music centered on the message of maintaining a positive mental attitude (PMA). This concept of PMA continues to inspire HR’s fans.Early in his career, HR became interested in reggae and the Rastafarian movement. These pursuits transformed him, and he began to focus more on the spiritual nature of reggae rather than the fast lifestyle of the punk scene. In 1984, HR formed his reggae-rock band Human Rights, which has performed and recorded in various incarnations for more than three decades.Currently, HR performs with Philadelphia musicians Ezekiel Zagar (original McRad), Josh Freshy, and Wesley Rast as HR & Human Rights: The New Gospel. The band has a refined yet organic energy that hasn’t been felt since the early days of Human Rights.In addition to working on a new solo album with Human Rights, HR has recently been in the studio with Ty Dolla $ign and Vic Mensa, once again making music history.

H2O
Formed in 1994 by Sick of It All roadie Toby Morse, H2O was one of the more prominent bands in the second wave of straight-edge hardcore. Throughout the 1990s and 2000s, the band toured relentlessly, becoming synonymous with the East Coast hardcore sound that encapsulated the gritty attitude of New York City in melodic riffs, principled lyrics, and rushing tempos. The band had a brief dalliance with major label MCA, releasing 2001’s Go and 2002’s All We Want EP with the major before returning to their indie roots with 2008’s Nothing to Prove.
New York City hardcore band H2O began as a group of friends headed by Sick of It All roadie Toby Morse, who would perform a song called “My Love Is Real” at shows where there was no opening act. Crowd response encouraged the band to give music a serious try, and their initial membership featured Morse (vocals), Rusty Pistachio (guitar), Eric Rice (bass), and Max Capshaw (drums). H2O’s ceaseless touring quickly earned them a following along the East Coast, their fan base growing as the band opened bigger shows early in their career for acts like Rancid and No Doubt. After a European tour in 1995, Capshaw left the band, and ex-Outcrowd members Todd Morse (guitar; Toby’s brother) and Todd Friend (drums) joined. H2O opened for such bands as the Mighty Mighty Bosstones, Quicksand and CIV, and their self-titled debut was released in 1996. Their second album, Thicker Than Water, was issued by Epitaph in 1997; it featured new bassist Adam Blake (ex-Shelter). F.T.T.W., the band’s third album, was released in 1999. Two years later, the band signed to MCA and issued Go!, followed closely by the All We Want EP, which appeared in fall 2002. Around this time the band also turned some heads with their cover of Ice Cube’s ubiquitous hit “It Was a Good Day.” Throughout the band’s tenure, touring and connecting with fans through live performance was one of the constants of their appeal. H2O’s iconic status in hardcore circles was owed largely to their willingness to bring their show to the fans, and they were early participants in different package tours like Warped Tour. They toured nonstop during their brief involvement with MCA, but didn’t release new music until 2008’s Nothing to Prove, which was put out by indie label Bridge 9 Records.
Released in 2011, the aptly named Don’t Forget Your Roots saw H2O covering some of the bands that influenced them over the years, while 2015’s Use Your Voice found them celebrating their 20th anniversary with an all new set of originals. Following the album’s release, more touring ensued, with Todd Morse leaving the band for a time but ultimately returning. Around 2017, an announcement was made that Use Your Voice would be the final studio album from H2O, but in what capacity the band would exist from that point on was unclear. Later that year, the band’s first demos from 1994 were widely released on Bridge 9 Records. The six songs had previously only been available as a self-released demo cassette in the band’s early days and on a two-song EP, but were remastered and released as The Don Fury Demo Session. Fury, still active in recording 20 some years later, remastered the archival demos himself. ~ Steve Huey, Rovi
H2O SOUL
HA HA TONKA
HACK N WHEEZE
HAIL THE BLACK DRAGONS
HAKI MADJIBUTI
HALFWAYNORTH
HALO OF GUNFIRE

HAMELL ON TRIAL
HAND OF GOD
Tired of not being able to go anywhere in the Chicago area to enjoy The beautiful sounds of The Smiths and Morrissey, vocalist, Joseph De La Mora and his band Terraforma decided to give it a shot in 2008. Originally just for an ICON show with other bands paying tribute to the likes of DM, the Cure and Joy Division. The Chance to emulate the Smiths and Moz was just too addictive and honorable to only do just once. Thus The Handsome Devilz were born. To bring to life the Live sound that was once the Smiths and still is Morrissey. Striving as time passes to Resurrect as many songs as possible from the Catalog of The Smiths and Moz. For all to Enjoy.

HANDSOME JACK
New album “GET HUMBLE” coming FALL 2021!!.
With “Get Humble” Handsome Jack digs again into the classic American musical lexicon (blues, soul, country, rock n’roll) to craft a timeless rock album ideal for house and block parties. “Get Humble” is packed with soulful vocals, swampy guitars, countrified rock, and west coast vocal harmonies. Their most accomplished album to date.
Hailing from Lockport NY, Handsome Jack plays a fusion of boogie soul rock n roll that has earned the admiration of fellow rock travelers such as Chris Robinson and Neal Casal (CRB, Black Crowes), Zachary Gabbard (Buffalo Killers), and Ben McLeod (All Them Witches) among many others.
Handsome Jack is Jamison Passuite (guitar/vocals), Joey Verdonselli (bass/vocals), and Bennie Hayes (drums/vocals).

HANZEL UND GRETYL
An Intergalactik fairytale stompin’ through the Evil Black Forest Galaxy spillin’ beer, destroying sound waves and keeping all things UBER!
Born in the year of the Death Star 1993, HUG have toured with all the great bands of their genre, Marilyn Manson, Prong, Rammstein, Ministry, Cradle of Filth and have amassed a great cult following with old and new fans of all ages.
HAPPENIN’ HARRY & THE HAPTONES ALLSTAR BAND
HAPPY SALMON
HAPPY THE HUMAN PIN CUSHION
HARDER TO FALL
HARLINGTON
HARLON FLO
HARLOTS

HARMONATION
HARMONIK
HARMONY OF LIES

HARM’S WAY
Harm’s Way are an absolute force of a band from Chicago, Illinois. They made a name for themselves with masterful releases on the Organized Crime and Closed Casket Activities labels. With their punishing “Isolation” album (Closed Casket, 2011), Harm’s Way brutally melded a metal attack, hardcore aggression, and industrial repetition into a new kind of sound. Creating a balance of intensity and originality rare in today’s world of music.

HATCHET
Growing up in the San Francisco area suburbs as young metal heads can make it quite likely to take influence from the pioneers of metal that spanned the area in the 1980’s. So it’s no surprise that Hatchet describes their sound as “Pure, Uncompromising, Bay Area Thrash Metal”.
Since hitting the Bay Area Metal scene in early 2007, Hatchet quickly made a name for itself. They worked hard to gig as often as they could and also not compete with, but group together bands of the like to help strengthen the scene. Focusing on playing with other young starting thrash bands in their area, the fan base grew. Eventually they reached out to the neighboring Los Angeles thrash scene which was also flourishing and invited various bands up to the bay area to diversify their shows, and spread overall thrash metal awareness.
After self-releasing two demos, the band’s debut album, “Awaiting Evil”, was released in mid-2008 via Metal Blade Records. The album was well-received by thrash enthusiasts around the globe and proved a great beginning for Hatchet. Since the release of the debut, the band has completed 3 full DIY U.S. tours that have helped put them on the map for up and coming thrash metal bands. Unfortunately in this time, the band also saw its share of lineup changes, which stalled overall progress of the group. Throughout the changes, founding member Julz Ramos always had the passion to keep the band going, even moving to take on vocal duties. Now in 2012, the band has never been stronger with its most dedicated, mature, and musically inclined members since its birth.
Their sophomore effort, “Dawn of the End”, released on their new label, The End Records, showcases a much more aggressive and professionally oriented band. The group has stated its hunger to hit the road and prove that thrash metal is still a force to be reckoned with.

GOOEY
GORDON GANO’S ARMY
GOVERNMENT 4 HIRE
GOZER
GP FOLK * HATHAWAY
GRACE ASKEW
GRANDFATHER CLOCK
GRAPH
GRAVEDIRT
GRAVEROBBER
GRAVES OF VALOR
GRAYSKUL
GREAT SOLAR STANCE
GREELEY ESTATES
GREEN JELLO

GREEN JELLY
A decade passed before Green Jelly reunited in 2008 with a slightly revised lineup. After touring the country and reissuing several albums, the band released a new record, Musick to Insult Your Intelligence By, in 2009.

GREENSUGAR
GREEN TANGERINES
GRENADE VS FREIGHT TRAIN
GRENDELS ARM
GREY MARKET
GREY SKIES
GREYCE
GUILTY FACES

GUN
Gun. From Munster, Indiana. Gun plays Garage/Punk/Blues tinged songs. Gun sort of sounds like The Sonics, and The Black Keys, and The Cramps, but then again, not really. Gun mixes rum and whiskey together (“along with some other shit”) and drinks it. Gun calls it “Riskey”. Gun has had 11 drummers over the years. Gun has an affinity for “shitty speed”. That might be something they use to describe their music. Or they’re talking about drugs. Maybe both. Gun plays their music live. Gun shows are unforgettable. Gun.
GUN HAT
GUNBOX
Gunner’s Daughter began playing music that made sense to them, that had substance and would break down scene stereotypes. They began writing songs wanting to be that current band delivering heartfelt, honest rock. They also wanted to give younger generation the chance to become familiar with the bands that they are immediately influenced by like Hot Water Music, Samiam, Ann Berretta, Avail. Gunner’s Daughter are not breaking new ground or inventing a new sound, they are simply tipping their hats to the forefathers that paved the road before them.

GUNNER’S DAUGHTER
Gunner’s Daughter has been spreading their message of melodic punk rock to the Chicagoland area, having the honor of performing at Chicago area venues as Reggie’s Rock Club, House of Blues, Double Door, Bottom Lounge, and been able to share the stage with National touring acts, Silverstein, Fireworks, The Swellers, Polar Bear Club, Punchline. Gunner’s Daughter has also been out on two regional tours.
Friendships have been forged and unspeakable bonds have been created by these journeymen Bassist Chris Ramos, Guitar/Vocals Chris Behm, and drummer Blake “Bam” Miller. The shared passion of honest, fresh, melodic punk rock amongst Gunner’s Daughter have brought them together and given them the opportunity to add to that legacy. With a full pallet of songs accompanying these troubadours, Gunner’s Daughter eagerly awaits to see where the future will take them. The next chapter in the Gunner’s Daughter story is being written as we speak and the future is looking pretty damn good. See you on tour!!! SFP!!

GIRTH
Groovy goregrind from Ypsilanti, Michigan. Fight riffs, intense blasting, and pitch shifted insanity.
GIT SOME
GK DUO
GLASKO
GLASS TREES
It is fitting that Chicago’s GLC made his first indent on the music world through his guest appearance on “Spaceship”, perhaps the most endearing song on Kanye West’s Grammy-winning debut album, The College Dropout.

GLC
GLC (Gangsta L. Crisis) captured the attention of listeners looking for honesty and integrity in Hip Hop music with one heart-felt guest appearance. Just as much as it was his flow, it was the power in the words he rapped on “Spaceship” that gained GLC an audience and fan base. Now a few years removed from his entrance to Hip Hop’s mainstream, GLC is the epitome of the ism, honor, mackin’ & integrity.
One must wonder how a rapper without any full-length album, and little radio play can manage to pick up two Grammies as well as the respect and admiration of Hip Hoppers across the board? GLC’s formula for doing so is a combination of Life, Love, and Loyalty. GLC is able to connect to listeners both in the streets, as well as professional walks of life by possessing an uncanny display of ism. He says, “When I go into the booth, I don’t have a rap voice, or a rap character that I become. I’m the same G at all times. I’m that man with an interesting life off 87th street who loves woman & spits the rawest of life changing game. I speak to the Cathedral! Come & join the congregation, hustlers, players entrepreneurs, people trying to better themselves are all welcomed.”
GLC has continually bettered himself and his music through hard work and dedication. He found poetry and Hip Hop at an early age, and used both to cope with the passing of his parents. While dealing with the pain, a growing talent presented itself. For years GLC seemed to be caught between two worlds. He worked in clothing stores, while continually hustling in the streets. Throughout this time he also harbored dreams of being a Hip Hop artist, and infused his songs with lyrics that spoke to his people grinding in the streets of Chicago, as well as those working a 9-5. Eventually he decided that music was the best way to accomplish his dreams and he would not let any roadblocks stop his journey towards success.
“As long as you’re talking about the negativity, you’re only attracting more negativity into your life. Stay positive. I was dead broke. I was living in my sister’s basement. All I had was a VS-880 (8-track recorder) but I did 2-3 songs a day,” GLC recalls.
“The way the music was back then, the skill level I’ve acquired over the years, it wasn’t that back then. But it took that to get to where I am now. It took that hard work. It took that perseverance, it took the dedication, discipline, and determination. I wasn’t sitting around complaining about what I didn’t have. I focused on getting what I didn’t have. So, as long as you focus on bettering yourself, that’s what’s going to happen. If you sit around letting your problems get the best of you, you’re not going to make it in nothing. That’s negative. Negativity is not the way. You got to eliminate negative people out of your life.”
That positive attitude is what has led him to become one of the most respected and sought after artists in a city known for its cold temperatures and colder shoulders. A full believer in Karma, GLC chooses to collaborate with artists even if the short-term benefit is small. He reasons, “God has really blessed me to make it this far, and to almost be done with my album. As long as God has blessed me, it’s only right for me to spread those blessings. So that’s why I get in the studio with somebody and they can put ‘featuring GLC’ on the cover of their thing. This might help push what they’re doing, and I don’t see nothing in return. My blessing’s going to come.”
It is only natural for GLC to have that mindset. After all, his blessings started when childhood friend, Hip Hop icon Kanye West, offered GLC a guest appearance on his debut album, The College Dropout. GLC took advantage and delivered a verse that will resonate with listeners for years to come. He followed it up with another stellar performance on “Drive Slow,” from Kanye’s sophomore LP, Late Registration. Since then, GLC has released mixtapes with DJ A-Trak (Drive Slow), DJ Geno (I Ain’t Even On Yet), as well as Sean Mac (Honor Me). All the projects show that he is more than a one-verse wonder. In fact, he welcomes the doubters as they only propel him. “I thank God for the haters. I look at it like this, if everybody doens’t like you, then you’re doing something wrong. If everybody says they love you, you got to question that because someone might be being phony.”
Beyond the haters, GLC is fueled by his own motivations for greatness, and his honor as a man. He says, “I could have been like, ‘yeah. I made it on a Grammy award-winning album,’ and quit. Or, ‘now I’m on two Grammy award-winning albums,’ and quit. I performed all over the world, Staples Center, United Center, Madison Square Garden, I did all that. Abbey Road where the Beatles recorded, I did that. I did so much that I can tell these stories to my grand kids and be like, ‘this was my life and I’m cool.’ But there’s so much more. I want to leave a legacy. I don’t just want to leave memories when I’m gone. I want to live forever. You live through your legacy. I want people to say, ‘you see that building right there? That’s the GLC Foundation.’ When people see my grandkids they say, ‘that’s GLC’s grandkids.’ That means something. That means that I’m still alive because I’m still in your head when I’m dead and gone.”
GLC presents a refreshing alternative in an industry that is quick to stab someone in the back, as well as forget a name. After introducing himself to the world via Kanye West, GLC is ready to take flight on his own accord. And he’s got plenty of room to take his audience with him.
“My album is going to take you to a place, It’s not going to be a listening experience-it’s going to take you to my world. So, whenever you feel like you’re in a certain mood and you want to escape all your problems, although you’re still going to have to face that reality at the end of the day, whenever you need a simple escape, that’s when you put my CD in. My album will make you laugh, it will make you cry and it make you feel unstoppable! You will be inspired to get it, being what ever you desire! “