ALMOND started on wednesday, august 25th, 2004, in an arlington heights basement. assassination for ALMOND is scheduled for monday, november 10th, of 2068.
ALMOND will play almost anywhere for $1TEN0dollars
im sorry that new songs aren’t added at an average rate of 1.5 a week anymore. there has been technical difficulties.
ALMOND creates noise using guitars, keyboard, bass, DD20 digital percussion, objects that are lying around in the basement. shaky egg, and sonic foundry vegas pro ultimate platinum edition 4.5
for heavier works, check out TechnoSlut 33x, another act in which ALMOND takes part.
Formed in Fall 2010, Brown Bag is a new, organic rock and roll band hailing from the Southside of Chicago, IL. Influences range from folk, jam, punk, jazz and even electonic elements. Currently, Brown Bag consists of Dave Waterman (Vocals/Guitar), Mike Ellis (Keys/Vocals), Jack Pieroth (Bass), Dan Cantone (Guitar/Vocals), and Matt Rezetko (Drums/Percussion).
The Bomb Sawyers are a two-man band from Chicago, Illinois. Their hard-rocking, lyrics-driven music draws from such influences as Buddy Holly, Flogging Molly, Johnny Cash and Neutral Milk Hotel. Jason Horwitz, originally of Houston, provides rowdy, relentless drumming and soulful vocal harmonies. Ben Saller, a Chicago native, brings his own brand of intense singing along with frenetic guitar-work. The Bomb Sawyers love nothing more than lighting a crowd’s fuse and causing an explosion of boot-stomping, hand-clapping, knee-slapping and whiskey-drinking while they wail the night away.
Brothers Rage is a progressive improv-rock quartet from the Chicago area.
THE BAND strives on writing unique, structured compositions, while encompassing spontaneous improvisation during live performances. Many original compositions leave room for improvisation to take place resulting in a different musical creation every time a song is played.
THE MUSIC is best described as a fusion of genres ranging from rock/progressive/metal to dance/electronic/jazz/experimental and overall groove.
Thank you all for listening/watching and paying attention.
We appreciate YOU!!!
Justin and the Salty Dogs began making music out of necessity. When Brownie McGhee (1915-1996) so astutely said years ago that “Blues is Truth,” he exposed the roots of an ancient philosophical tradition that regards music as playing an important role in the welfare of a troubled mind. The ancient Roman philosopher Seneca (ca. 4 BCE-65 CE), for instance, speaks like a bluesman when he says, “Let the mind be soothed by the reading of poetry and occupied by the tales of history; it should be treated with sensitivity and finesse. Pythagoras used to calm his worried mind with the lyre; and who does not know that the cornet and trumpet act as stimulants to the mind, just as certain songs provide it therapeutic relief” (De Ira 3.9). The songs by Justin and the Salty Dogs, initially self-prescribed medicines, have precisely this aim. The “physicians” with whom they have consulted are numerous, but a few are especially worthy of mention: Mississippi John Hurt (1893-1966); Jimmie Rodgers (1897-1933); Sonny Terry (1911-1986); Woody Guthrie (1912-1967); and Muddy Waters (1913-1983). They tip their hats to these sage musicians and others like them, in all their complexity and problems, for pointing the way.
From San Diego, California, award-winning reggae group Tribal Seeds have become known for their spiritually driven, refreshing rock vibe they have infused with the roots style of reggae music. Originally started by two brothers, Steven Rene Jacobo [lyrics,
lead vocals, rhythm guitar] and Tony-Ray Jacobo [producer, keyboard player], Tribal Seeds now boasts six members, including: Tony Navarro [lead guitar], Carlos Verdugo
[drums], Jose Rodriguez [keys, percussion], and Victor Navarro [bass].
Tribal Seedsʻ unmatched musical talent and authentic sound has brought them to the forefront of the reggae rock genre, as their art form has reached people of all ages
across the United States, and worldwide. The bandʼs self titled debut album, “Tribal Seeds” was released in 2008, and their second album “The Harvest” was released in
June of 2009. iTunes named both albums the “Best Of” in the Reggae genre, for their respected years. Their debut album helped garner them the “Best World Music”
title at the San Diego Music Awards in 2008, and “The Harvest,” which contained fourteen new and original songs, debuted at the number 5 spot on the Billboard
Reggae Charts. The tracks, written and produced by Tribal Seeds, were recorded and mixed by Alan Sanderson at SIgnature Sound Studios in San Diego, and mastered by Erik Lobson at Universal Mastering.
On July 19, 2011, Tribal Seeds gave listeners a brand new EP entitled “Soundwaves,” which peaked at number 2 on the Billboard Reggae Charts. The band notes that the album was inspired by their life experiences, being on tour, and their
desire to inspire youth to raise their voices and seek a higher consciousness.
Tribal Seeds have toured throughout the United States, and have also performed in Mexico, Guam, Aruba, and Hawaii. They have shared the stage with artists such as
Matisyahu, MGMT, Cee Lo Green, Jason Mraz, Sublime with Rome, Taking Back Sunday, O.A.R., Pretty Lights, Pepper, Collie BuddzThe Wailers, Stephen Marley, Gregory Issacs, SOJA, Rebelution, and many more. In fall 2011, they will be
embarking on a national tour, spanning over 25 dates in two months.
Take the number of metal bands who sing about war, death and destruction. …. Subtract it from the number of metal bands with personal experience of such matters….. If you arrive at the number minus 345 billion then you’ve done the math correctly….. If you want real talk about war then you should meet the members of Acrassicauda.
…it’s a movement of people who want to better themselves for the sake of the planet, the universe. A movement to help people gain consciousness, and awareness of whats going on around them. A movement that promotes positivity and the realization that we are all mirrors, and that we all reflect upon one another.
nimals in Human Attire was originally started by Jack Tell in early 2009. As an output for his solo folk/pop material Jack used his songs as a way to network and collaborate with a great number of people over the last year. From its MANY early incarnations the band has grown from a solo folk gig to a seven-member rock band.
A few years ago, four boys with different haircuts and methods of self-expression but similar musical tastes and general outlooks on life found that placing their preferred instruments side by side and producing a big noise was more exciting and interesting than anything else they had thus far done with themselves, and the result was a new band called Eraserhead. In a large, unfinished basement in Aurora, Illinois Eraserhead set to work on developing their sound. What they came up with is hard to pin down, as cacophonous punk rock coalesced with the lilting melodies and harmonies of folk and pop, and blues walked on arm in arm with metal while grunge looked on smiling. After writing many songs and rehearsing them at a higher volume than was likely necessary, Alex Rosales (drums), Eric Renner (bass), Eddy Bartolotta (guitar), and Ben Rosales (vocals/guitar) decided it was time to engage in public performances where they throw themselves headlong and soul-first into their music in paroxyms of exuberant exposition. At the end of 2016 they released their long-awaited first EP ERASERHEAD, which showcases their sonic diversity through songs as musically multifarious as the infectious “Oh Violet” and the powerful “Drop in the Bucket.” With an incredibly energetic live show and a batch of songs that nod reverently to the great hard rock of the past while pursuing surprising new original musical ideas into the future, Eraserhead is a band you do not want to miss.
Exodus is a 1977 album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album’s production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
THE BIG STRONG MEN
The Big Strong Men from Minneapolis are Philly Williams (keyboards, lead vocals), Ben Greenwald (guitar, lead vocals), Joe Silberschmidt (drums, background vocals) and Jon Camp (bass). Ben and Philly grew up together. They write the songs. Their writing styles are different but related. Their story is the epic bromance of the 21st century. Joe and Jon are a potent rhythm section and a duo of awesome creative force.
The Big Strong Men’s songs straddle the line between partying and resignation, bursting at the seams with ambivalence. It’s rock & roll primed for dancing but built for transcendence. People have said they sound like the Band, Ben Folds Five, the Cure, Herman’s Hermits, the Old 97’s, Phoenix, Steely Dan, They Might Be Giants, and Wilco. It depends on when you’re listening.
The band recorded a little EP called Don’t Go Too Far that was released November 2010. It was a little capsule of vintage rock and roll. Since then they’ve been on the road nearly constantly. Their sound has changed and they have changed. They are gas station experts, Mad Libbers extraordinaire, excellent amateur freestyle rappers, and absolutely obsessed with all of the incredible music going on in this here Middle West of the country. The Big Strong Men are recording a 7” record this fall and will make a full length early 2012.
What has 60 fingers and a bloody banjo? Blisteringly fast, hard foot stomping, unapologetic anti-grass…an amalgam of bluegrass and everything but the kitchen sink that is sure to, put a smile on your face, get you dancing and kick your ass all at the same time.
Carrie Nation & the Speakeasy is a high-energy “Brass ‘n’ Grass” sextet from Wichita, KS. The band, whose sound has been described as “…a stagecoach in overdrive”, has brought their eclectic blend of punk, bluegrass, and dixieland to packed bars, basements, and festivals across the US since their inception in the spring of 2007.
With a lineup of great musicians, the band’s live show is never the same twice. Brothers Jarrod and Zachary Starling provide acoustic guitar and drums/washboard; along with Dallin Bulkley on standup bass to round out the rhythm section. Garrett Briggeman adds to the energy with 5-string banjo, while Josue Estrada’s trumpet provides layers of jazz and Western to the sound. Tyler Grubb holds down double solo duties, playing both mandolin and trombone. This blend of influences and instrumentation ensures a unique and interesting show each night.
CNS plays hundreds of dates a year hitting 47 states and 5 countries. The band has built a dedicated following with their energetic live show and ability to fit on the bill with acts ranging from bluegrass to rockabilly; punk to ska. Breakneck mandolin solos melt into blaring trombone and trumpet lines, while the standup bass and feed-bucket-trap-set churn out driving rhythms that carry the force of a Kansas freight train.
Thoughtful songwriting that explores deeper, more interesting themes is what sets this band apart from the multitudes of acts content with singing about Whiskey and Women. From social satire to labor union songs to Civil War Ballads to existential journeys that explore life, death, despair, and indulgence, CNS’s songs will provoke thought, incite riots, and lure your children into a life of travel and debauchery.
With 2 original LP’s (2010 Self-Titled, 2013 Hatchetations) and 1 split EP ( 2012 Liberty, Solidarity, Responsibility w/ Cletus Got Shot), CNS has built a repertoire of original songs that continue morph with the progression of the band. Another 2017 full-length is on the horizon that will prove to highlight the band’s musical growth, and maturity of writing.
The band’s DIY mentality is shown through their self-recorded albums, self-published music, self-booked tours, and a community of local and regional visual artists that show the band’s distinctly grassroots approach. CNS has been pounding the highways and byways of this great country for 8 years now, bringing their songs and stories to thousands. Always providing a high energy, drink’em down atmosphere to any place they play, CNS has proven a dedication to their live shows with a solid understanding of what entertainment really means.
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Led by dynamic, energetic front woman and multi-instrumentalist Erin Zindle, The Ragbirds utilize an arsenal of instruments from around the world. The Ragbirds are a fusion of folk rock and pop hooks over danceable world rhythms stirred with a Celtic fiddler’s bow.
Surrounding Zindle’s earthy-sweet voice is the whirlwind of guitarist T.J. Zindle and dynamic bassist Dan Jones, spinning over the world-beat grooves of drummer Jon Brown and percussionist Randall Moore. Zindle skillfully switches between violin, mandolin, banjo, accordion, and percussion, all while dancing around the stage, drawing the awe of audiences across the country.
The Ragbirds albums have received local and national praise, hailed “Highly impressive!” by USA Today and touted as “Astounding international eclecticism” by Reveal Arts. The Ragbirds were formed in 2005 with the release of “Yes Nearby.” 2007’s world-travel themed “Wanderlove” was Homegrown Music Network’s #1 selling album in the fall of 2008. The 2009 international release of “Finally Almost Ready” saw the band invade Japan with the single “Book of Matches” reaching #1 on the charts in Osaka. In 2010 The Ragbirds reached yet another milestone in their young careers when they independently marketed and sold their 10,000th album.
The Ragbirds have performed in over 45 states to a tune of 150+ shows a year. Crisscrossing the nation in their converted diesel bus that runs on recycled waste vegetable oil, these festival favorites have performed at Rothbury, 10,000 Lakes, Summer Camp, Ann Arbor Folk Festival, Hookahville, and more, and have shared the stage with Rusted Root, Railroad Earth, Toubab Krewe, Hot Buttered Rum, The Duhks, and many others.
A guitar duo that not only celebrate the tradition of guitar performance of the old and the current rapport but also as composers they are a part of a movement in the states who’s aim is to build the new repertoire for the next generation of guitar players.
Steel string ten finger tapping guitar prodigy Andreas Kapsalis, and nylon string classical guitarist Goran Ivanovic have fused their musical roots with modern, classical, world, jazz and beyond in this experimental duo. As they continue to create “buzz” throughout global music circles, these masterful musicians are also creating genres & musical styles that have yet to be named.
Mutts first played together with tape rolling on Pretty Pictures EP in July 2009. Bob Buckstaff pitched the idea of recording Mike Maimone’s new material after they met as hired musicians for Company of Thieves. The pair instantly clicked over respect for honest, unrefined recordings and love of Tom Waits, Nirvana and Elliott Smith. They called mutual friends Jon Alvin and Chris Faller to engineer and play drums, respectively. Over a 3-day session in an old warehouse on the north side of Chicago, Mutts wrote, arranged and recorded their seminal release.
The Calamity Cubes!, a Kansas based roots band, with members Brook Blanche, Kody Oh, and Joey Henry play a very original style of music, hard driving banjo, upright bass, and acoustic guitar make up the instrumentation. The music would best be classified and a blend of traditional Country, Folk & Bluegrass, with the fire of an 80’s Punk Band. They take heartache and pain seriously, you can hear it in
many of their tracks, soaked in misery and whiskey, the Cubes! always deliver a song for any emotion. The Cubes! travel the country on tour, regularly! These guys have been slowly making a name for themselves over the years and captured the hearts of music lovers worldwide! With three releases under their belts, the Cubes! are creating a catalogue of timeless roots music one track at a time! This Farmageddon Records Band will surely satisfy your need for real roots music!
