DJ ERIK
REVOCATION
David Davidson – guitar, lead vocals
Ash Pearson – drums, percussion
Dan Gargiulo – guitar, backing vocals
Brett Bamberger – bass guitar, backing vocals
Revocation have spent the last eight years converting fans to their cause with four full length albums, an EP with Scion AV, and a charismatic live show led by guitarist/vocalist Dave Davidson. The Boston-based band also features the staggeringly talented lineup of: Dan Gargiulo on guitar, Brett Bamberger on bass, and Phil Dubois on drums. Revocation has firmly been established as one of the genre’s finest and will continue their campaign as part of the Metal Blade Records roster. Their fifth album, “Deathless,” is a fitting debut for the label, and a definitive statement of intent from the band.
“Deathless” was recorded with acclaimed producer Zeuss at Planet Z studios in Massachusetts. The album is ten tracks of ambitious, catchy, and undeniably heavy material. Musically, cuts like “Madness Opus” showcase a more deliberate Revocation – restrained, if even moderately so, to deliver a slow, near-dirge like track. Alternatively, the title track highlights the diversity of Davidson’s vocals with a catchy chorus. It’s an ear worm the likes of which the band had only previously hinted. The rest of the album offers a refreshing variety of music and truly feels like an “album”, rather than a collection of similar tracks. This is a refinement, achieved only through years of focusing on their craft.
Davidson adds, “Collectively, we feel that “Deathless” is our finest offering yet. The songs are incredibly varied and each one showcases a different element of the band. Technically, everyone is in top form on this record, as well, and we really pushed ourselves to deliver the best performances possible on all fronts. This is a new chapter and a new beginning for the band; we can’t wait for this record to be unleashed in October!”
Lyrically, “Deathless” addresses life on the road and the band’s commitment to touring, followed by even more touring. “Madness Opus” made its live debut when Revocation toured with DevilDriver and Whitechapel during the summer of 2014. Davidson discusses the track: “The crowd response for that tune has been overwhelmingly positive. It’s one of the heaviest songs we’ve ever written, hands down, and has been a blast to play live. Lyrically, it’s about one of my favorite HP Lovecraft stories, “The Music Of Erich Zann”. Fans of unnamable cosmic horror and punishing death metal will not be disappointed!”
Revocation begins touring in support of “Deathless” in September with Crowbar in North America, followed by a full European tour with new label mates Cannibal Corpse and Aeon. Much is more is set to come – this is the beginning of a new era for Revocation. “Deathless” will be available worldwide on Metal Blade Records
Revocation history:
In 2006, lifelong friends Dave Davidson, Anthony Buda, and Phil Dubois-Coyne formed the core of what would become Revocation. The trio gigged throughout New England, and recorded a three song demo, “Summon the Spawn.” The guys would spend the next few years writing and performing new songs as often as possible, before finally tracking their debut album in 2008.
“Empire of the Obscene” was recorded with Pete Rutcho at Damage Studios in 2008, and made a huge splash upon release. Their brand of technically-minded thrash offered a new take on thrash, and a much more energetic and vital approach to the technical death metal. The debut lead to the band signing with Relapse Records. By early 2009, the band had already re-entered Damage Studios to record “Existence is Futile.”
The release of their label debut was met with critical acclaim and truly began to spread their name throughout metal on a global scale. Magazines including SPIN and Decibel heaped praise on the band, and Dave Davidson became an official Jackson Guitars endorser. In 2010, guitarist Dan Gargiuolo joined the ranks as a touring second guitarist, just in time for the band to perform in Europe, Japan, the US and Canada. In total they would play in 13 countries and over 150 shows.
During the fall and winter of 2010, the band recorded “Chaos of Forms” with Rutcho at Damage Studios. The album vaulted the band to new heights, and afforded them even greater touring opportunities. Revocation also appeared on the Relapse Records label showcase, presented by Scion A/V in February 2012. The year also saw the addition of bassist Brett Bamberger, along with the recording of the “Teratogenesis” EP for Scion A/V.
In February of 2013, Revocation recorded their fourth album with producer Pete Rutcho. Their self-titled album was released in August 2013, and was followed by a slot on the Summer Slaughter Tour 2013.
THE SUPPLIERS
NICK CARTER GREEN
MARCALE
DOMO
YOUNG HEAVY
BLACK SEPTEMBER
BLACK SEPTEMBER(Death Metal with female vocals)
Forged in the bowels of Chicago, IL, BLACK SEPTEMBER arose from the
depths in 2006 with their demo Contortion. Inspired by bands such as
Bolt Thrower, His Hero Is Gone, Dissection and Bathory, they decided
to form a band that was both heavy and aggressive, but more
importantly, original. Although unrefined, the demo laid the path for
the albums soon to come.
Band founders and mainstays, guitarist C.M. and classically trained
vocalist J.M., and various lineups have released four EPs to date,
including a split with Louisiana’s Thou. “The Forbidden Gates Beyond,”
the band’s debut full-length, originally self-released in 2010, shows
BLACK SEPTEMBER firing on all evil cylinders with a steady lineup and
ready to unleash their madness upon the unsuspecting masses! The band
has previously shared the stage with the likes of Unearthly Trance,
Skeletonwitch, Javelina, Masakari, and Magrudergrind, among
others.
MUTANT SUPREMACY
NECROGRESSION
Old School Chicago Lust Killers
J. ROWE
PENNJAMIN BANNEKAR
GHICHE
QUEEN CHEEBA
MARC ALONZO
TRELL
FELONEY
DERTY HARRY
DJ KUTZ
PANZER
Panzer was first formed in the Spring of 2009. The band first jammed on covers whilst searching for a steady bassist and solidifying their goals. After a few months Billy McCartney was added to the band and the band spent the next several months writing and rehearsing original material in addition to a shrinking list of cover tunes. The band began recording a self-produced demo of four original tracks in late February 2010, which was finished in late March. After a brief hiatus over the summer, the band has since been writing more material, and playing gigs. There are plans to re-record the demo in December 2010 and possibly record a full-length in Spring 2011.
DESASTER
SCYTHE
Featuring original USURPER guitarist/songwriter/founder Rick Scythe, who helped forge the Chicago Metal scene more than 20 years ago. This band takes up where Usurper left off, with total headbanging, fist-banging metal anthems. Total old-school 80′s denim and leather death/thrash/speed metal from one of the pioneers of the Chicago Metal scene. Usurper has released 7 albums on labels such as Earache (UK), RIP (USA), Necropolis (USA) and Head Not Found (Norway), Primitive Reaction (Finland) and toured 17 countries throughout the world including a headlining main stage gig at Oslo Norway’s prestigious INFERNO FEST before disbanding in 2007. Scythe will be debuting their 2nd album for R.I.P. Records, “Subterranean Steel”, so be prepared for a sonic juggernaut of apocalyptic aggression!
FREEZEPOP
MC WEST
SOULCRATE
PROF W/ DJ FUNDO
CHUM
I. DEAL
DOC WATTSON
PROZAK
DARK HALF
LIL SICC & INTREKIT
SKRAPT SOULZ
BREW CITY BUTCHERZ
SNYPA
OLD MAN MARKLEY
Old Man Markley are not your run-of-the-mill band. They’re not a traditional bluegrass band, nor a typical punk band. Instead, the band meld elements of both genres into a musical style that has resulted in a boot-stomping good time for fans around the world.
The seven piece – rounded out by Johnny Carey (vocals, guitar), Annie DeTemple (autoharp, vocals), Joey Garibaldi (bass, vocals), Jeff Fuller (drums), Ryan Markley (washboard), John Rosen (banjo) and Katie Weed (fiddle) – roared onto the scene in 2010. Their unique blend of punk rock sensibilities, ear for pop melodies, and deeply rooted love for bluegrass caught the ear of Fat Wreck Chords, who released OMM’s debut album Guts n’ Teeth in 2011.
Word quickly spread of the their incredible live shows, and over the next few years the band found themselves shredding strings on stage with the likes of Flogging Molly, The Reverend Horton Heat, and NOFX. Old Man Markley were quickly embraced by the punk rock community for their incendiary performances. At the same time, bluegrass fans warmly welcomed the band, earning OMM a #8 debut on the Billboard Bluegrass chart for Guts n’ Teeth. From rivets to rhinestones, even the world of glossy country music embraced OMM, yielding them a slot at California’s country festival mecca, Stagecoach.
After two years of relentless touring and winning over thousands of fans, Old Man Markley returned to the little house in Southern California where it all began to record their follow-up album, Down Side Up. With Fat Wreck Chords owner and NOFX frontman Fat Mike in the producer’s chair alongside singer/guitarist Johnny Carey, Old Man Markley plucked, bowed, and strummed their way through thirteen galloping new songs.
“With the support of Fat Mike, we went out on a limb with this album,” says Carey. “We didn’t restrict our creativity and can’t wait for the world to hear the variety on our album.”
It paid off. Down Side Up debuted at #1 on the Billboard Bluegrass chart. OMM followed the release with multiple tours across the United States, and international tours through Canada, across Europe, and in Japan, to play songs for old friends and new fans. A more cohesive unit than ever, Old Man Markley overflows with passion for their craft and for each other. Just have a listen for yourself.
T’BONE
GRISM
DAMIENZ DEZIGN
BROTHER EL
INTERCONTINENTAL BALLISTIC MISSLE
PESHMERGA
T.S.O.L.
T.S.O.L. is an American punk rock band formed in 1978 in Long Beach, California. Although most commonly associated with hardcore punk, T.S.O.L.’s music has varied on each release, including such styles as deathrock, art punk, horror punk and other varieties of punk music.
CRASH HERO
TWIN PEAKS
We like to rock and most certainly love to roll
BLESH
EARN IT YOURSELF
GOOD LUCK JANE
THE APRIL YEAR
NONPOINT
SURRENDER THE FALL
LOSING SCARLET
HUMAN STEW
The band Formed In October of 2009,went through a couple of lineup changes and this is where we are now.
UNLAWFUL TRADITIONS
LOUDNESS
Akira Takasaki / Guitar
Minoru Niihara / Vocal
Masayoshi Yamashita / Bass
Masayuki Suzuki / Drums
By the time they were introduced to the West by 1985’s Thunder in the East album, Japan’s Loudness had arguably already hit their peak. Their previous effort, Disillusion, was the fourth chart-topping release in their homeland, not to mention a critical triumph among members of the European press. But when faced with a contingency plan to conquer America, Loudness were gradually forced to alter their sound by unsuitable producers and clueless record company hacks, never coming close to translating their far-East success into Western stardom.
Guitarist Akira Takasaki and drummer Munetaka Higuchi first played together during the mid-’70s in a mainstream rock band called Lazy. Unhappy with the band’s direction, the duo split and decided to follow in the footsteps of Bow Wow (the first ever Japanese heavy metal band), forming Loudness with vocalist Minoru Niihara and bass player Masayoshi Yamashita. Combining a classic metal approach with
Takasaki’s Eddie Van Halen-inspired guitar heroics, the band immediately scored local success with their first three albums, which were sung entirely in Japanese. But it wasn’t until the release of their first live album, Live-Loud-Alive, and fourth studio effort Disillusion that the group attracted any significant attention outside their homeland, eventually issuing an English version of Disillusion.
Lightning Strikes Atlantic Records soon came calling and the band’s international career began in earnest with 1985’s Thunder in the East, which sold quite well in the U.S. for its novelty value, giving the band false hopes about their acceptance by Western metal audiences. Subsequent efforts, Lightning Strikes and Hurricane Eyes, were “made to order” records geared for the American market, and saw the band slowly drifting away from their roots towards a more commercial, pop-metal sound. All to no avail, and after recording 1988’s independently-released Jealousy, the classic lineup’s glory years came to an end with the firing of Niihara and the arrival of American-born singer Mike Vescera for 1989’s Soldier of Fortune. 1991’s disappointing On the Prowl saw them resort to re-recording watered down versions of some of their Japan-only material and would be the last to feature Vescera, who briefly joined the temperamental Yngwie J. Malmsteen’s band.
Ghetto Machine Yamada Masaki, from rival Japanese metal band EZO, was brought in for Loudness’ 1992 self-titled effort, 1994’s Heavy Metal Hippies, and 1997’s Ghetto Machine. The latter saw the departure of the band’s long-time rhythm section being replaced by bassist Shibata Naoto and drummer Homma Hirotsugu. This lineup recorded two more albums, 1998’s Dragon and 1999’s Engine, after which it has been rumored that Takasaki welcomed back the original members for an as yet unconfirmed reunion.