The deadly twosome consisting of Henry Berger from the band S.S. Web and Mason “Damn” Tinsley from Rickett Pass. Sing whiskey fueled song about all the obvious things wrong with the world, as well as all the irony. Henry come from the great state of Wi while Mason shoots over from the lovely town known as Detroit. We team up to play the songs from both of the bands last album a little slower and a little sexier. It might appear to be more comedy at times than just a concert but hell you came for a show!
Cokegoat was founded in Chicago during the summer of 2011. A tight knit group of six members feature three riff pregnant guitars that present a strong and progressive idea of what heavy music is. Combined with three very different voices, including a strong female presence, textural synths, dark bong rattling bass lines and adrenalized drums all define Cokegoat. With equal parts heavy, progressive, and beer, 2013 saw the release of the debut album “Vessel.” Invisible Oranges stated, “there is plenty to bang your head to, but the extra elements add texture and give the band an edge.” Open minds allow Cokegoat to push the boundaries of what is considered massive music as they re-enter the studio in early 2015.
Stacks hails from Chicago’s East Side and first hit the studio as a Sophomore in high school as part of a sociology project. While he fell in love with making music that day, it is no coincidence that he ended up in the music game. As a relative of Kilo & Wildstyle of Chicago’s breakthrough 90’s rap group Crucial Conflict and relative of Tone-Capone & G-no of Chi-townz Finest, Stacks says, “Music is in my blood. I work so hard on a consistent basis its becoming easy. I’ll outwork or go bar for bar with anybody.” Releasing his first mixtape, Sincerely Yours, in February 2012, Stacks has a big year ahead of him in 2012.
KOOL A.D. is an American syncretic multimedia artist whose primary medium is the music industry. His projects include BOY CRISIS, DAS RACIST, PARTY ANIMAL & KOOL A.D.
QUEER FEST AMERICA
QUEER FEST AMERICA TO BENEFIT HOMELESS LGBTQ YOUTH
Thursday, July 12, 2012 – Chicago,IL – Queer Fest America, will present a multimedia showcase to benefit El Rescate Independent Transitional Living for Homeless and HIV/AIDS Youth on Sunday, July 22, 2012 at Reggie’s Rock Club, 2105 S. State St., Chicago, Illinois, from 4pm until 9pm. Headlining via Skype are national LGBTQ musician/comedian Jonny McGovern and hip hop artists Elephant. Performing live will be New York City dance-pop artist, Matt Ryanz along with local entertainment. International LGBTQ activist also known as, Ziggy 2000, from Stardust * The David Bowie Tribute Band, Lair Scott, and comedian, Patty Vaccarella, will host and perform.
Chicago bands, When Flying Feels Like Falling, Spherical Banana will be featured along with Lars von Keitz and Julie Herrmann. Other acts include comedians, Thomas Bottoms, Patty Vaccarella, Marc Peurye, Kate Cullen and Darren Marshall.
“We’ll be projecting Jonny and Elephant’s videos on the big screen and then suddenly, they will appear live on Skype” says concert promoter, Lair Scott. “This is a new concept in live entertainment where the talent is able to interact with their fans on a personal level and also have live entertainment along with the event.”
Director for El Rescate, Lourdes Lugo, states “Our mission toward youth is from the streets to the future. We wish to thank Queer Fest America for bringing their poignant message through music and toward a crucial social service needed through-out our nation.” El Rescate opened their doors on March 8, 2012 and is the only shelter of its kind in the Midwest.
Jonny McGovern’s latest release, The Gayest of All Time, which has produced five new smash video hits including Texting on the Dance Floor, Dickmatized and Sexy Nerd now, has millions of viewers. McGovern has starred in The Big Gay Sketch Showon LOGO and his character, The Gay Pimp, was developed to empower LGBTQ kids.The Gayest of All Timeis available on ITunes and Amazon.com.
Elephant’s single, “Queer Nation”, has become the anthem, banned from MTV for its provocative lyrics, for activists around the globe. Their latest single, The Let Goand other tunes can be found on Itunes.
Cover charge is $20.00 and 21 and under (accompanied by an adult) is $10.00 at the door.
El Abuso is a heavy psych rock band from Austin TX, infusing elements of Blues and Latin music with distorted riffs and tribal drums. Lead singer and guitarist, Adrian Acosta has written,recorded and produced music with Novy Mir, Barin Darnew, Bens Jazz Kit, Black Gravity ,Nicole Halleen and has been on multiple tours around the U.S.
Little Barrie are a three-piece band from beeston, nottinghamshire in the uk. They have recently relocated to london. The band consists of Barrie Cadogan (guitar and vocals), Virgil Howe (drums) and Lewis Wharton (bass). Their music has been described as stripped-down soul-infused blues rock ‘n’ roll. They released their debut album We Are Little Barrie in February 2005 on which many of the vocals were provided by their now ex-drummer Wayne Fulwood. A follow up studio album, Stand Your Ground, was released in early 2007.
Kinda like a rapper more like a MC… Pugs Atomz arrived a Leo in Pittsburgh PA., son of a radio host and a painter. His love of hip hop developed when his family moved to Chicago; during grade school he would see graffiti on the trains and in his neighborhood of Englewood, these trains also would have rap groups and singers performing for spare change. The leader in him was born in high school, when a few friends thought his idea to be a Nacrobat was a great thing to be. Fast-forward a few years and Nacrobats (90 members strong) encompassed everything he wanted and had learned watching the structure and moves of Zulu Nation, Chi Rock, Lo Lifes, and Dem Dare. Breakers, Graf writers, DJs, Poets, Promoters, MCs all under his umbrella spanning Saulk Village IL., to Chicago IL., to Rockford IL.. At this time his parents would have people like Oscar Brown Jr in his living room performing “Signifying Monkey” and various poets and visual artists of the time schooling him to give him a sense of culture and balance.
In the essence of ‘Eric B. and Rakim’ and ‘Gang Starr.’ they define their style as classical hardcore Hip Hop. Mr. Green’s heart pounding beats blend perfectly with Pace’s gravelly yet smooth flow creating a flawless result. Within days of dropping their first single, they were already in the radio rotation of many profound DJ’s such as DJ Premier, DJ Eclipse and DJ Tony Touch.
Their song ’Children Sing’ is considered to be an underground smash. With a dynamic live show that involves both improvisation as well as crowd participation they are true performers. The debut album “The only color that matters is green” is available now.
EARTHEN is a Chicago based metal band which seeks to provide a range of listeners with quality music inspired by life experiences and the voice of nature which resonates within us all…
Earthen was born of “The Narthex Projeckt”, a creation brought into being in 2003 by Mike Le Gros. Originally a female fronted band, after experimenting with various different sounds and a plethora of members who came and went, Earthen has finally evolved into the sort of musical experience that it is today. With Mother Nature being the ever present driving force in all of our lives, she is often reflected in both the imagery and music that Earthen produces. Each member provides his or her own unique addition to the sound whether it be the soul-churning guitars, the storm of drums, the powerful emotion of the keyboards, the lilting accent of the flute, the thunder of bass or the haunting melody of the male vocals. Together they coalesce to form a voice that has been forgotten by humankind for far too long. You can hear us in the wolf’s mournful howl or in the night wind as it whispers through the ghostly trees. We are here to remind you of the fate that binds us all. We are Earthen.
Like the earth itself, this band was a natural evolution, an unforeseen sequence that brought it to what is known today both music and vision. From the years of its simple beginnings it was allowed to become what it became, a natural succession, an organic advancement that transcended the musical influences of all those who have contributed to create something greater than ourselves.
Origin to purpose, Earthen grew forth on the ideas in observance of the seasons change, the rise and fall of man, and finally, the reminder of the fate that binds us all. Each song then carried the haunting tones of nature and time, concepts of fragile years fueling the theme of how sacred both were.
“Nothing is certain except for present and uncertain change.” – EARTHEN
Houston’s Venomous Maximus gurgles with the sounds of proto-metal gods Pentagram and Blue Cheer as well as new-school leaders like High on Fire. The headspace of this band falls somewhere between a Alejandro Jodorowsky film and a New Orleans voodoo den. Hail Satan and pass the chicken feet.
JELLO BIAFRA AND THE GUANTANAMO SCHOOL OF MEDICINE
Inspired by Iggy Pop’s 60Th birthday gig at the Warfield in San Francisco, Biafra laid plans for his own 50Th birthday party and finally decided it was time to start a band of his own. Ten years before he had been attempting the same thing with the likes of guitarist Ralph Spight (Victims Family,Freak Accident,Hellworms) and drummer Jon Weiss (Sharkbait,Horsey). They had also previously worked with basist Billy Gould (Faith No More) who was tapped for the new group. After cramming rehearsal for a month the four piece band known as Jello Biafra and the Axis Of Merry Evildoers took the stage in a sold-out two night stand at San Francisco’s Great American Music Hall and subsequently spent the next 9 months in rehearsal for an album project. Before entering the studio, guitarist Kimo Ball (Freak Accident,Carneyball Johnson,Mol Triffid,Griddle) was recruited and the resulting twin guitar attack took the groups sound to new, noisier heights.
The quintet now known as Jello Biafra and The Guantanamo School of Medicine began recording tracks for the upcoming LP/CD entitled “The Audacity Of Hype”(Alternative Tentacles Records) slated for release in October 2009, produced by Biafra and engineered by Hip Hop legend and long time Jello co-conspirator Matt Kelley (Hieroglyphics,Tupac,Digital Underground,Victims Family) at Prairie Sun Recording in Cotati,CA and San Francisco’s Hyde Street Studios.
For the past five years, Jello Biafra and the Guantanamo School of Medicine have been ripping the faces off audiences throughout the Americas and Europe with a live show that gives a nod to the Dead Kennedy’s frontman’s past and updates his vision into the 21st century with a truckload of new material that leaves no question that this is not nostalgia.
Now, in 2013, Ralph Spight, Kimo Ball, Bass God Larry Boothroyd (Victims Family) and drummer Paul Della Pelle (Helios Creed, Nik Turner’s Space Ritual, and Philly HC legends Ruin) provide a hellacious backing track to Biafra’s more relevant than ever take on corruption, corporate McMedia making pop stars out of small-time crooks to shield the big ones, tabloid pop stars to lobotomize everyone else, our never-ending foreign-policy disasters, those lovely “End Times” believers, and much, much more.
Their fourth release and second full length, “White People and the Damage Done,” to be released in April 2013 on Alternative Tentacles, finally brings the road tested line-up to the studio with Biafra penning the ultimate treatise on the “Age of Austerity” and who’s really responsible for it.
In the twenty years that followed the demise of the Dead Kennedy’s, Biafra has devoted himself to activism,spoken word tours, collaborations with musicians as diverse as Mojo Nixon, No Means No, DOA, Reverend Horton Heat, Melvins, formed Lard with Ministry’s Al Jorgenson and many other musical projects, released more than 400 records (and counting!) on his Alternative Tentacles Records label, amassed the Library of Congress of Punk Rock and Exotica record collections, performed as a DJ, acted in several movies and ran for the Green Party nomination for President of the United States. Twice.
Truly an original, no matter your opinion of him and his work, no one can doubt his punk rock bona fides. If you’re at a punk show (or any kind of show for that matter) in the San Francisco Bay Area and beyond, he is there. In the front row. He’s a huge fan and supporter of all things punk.
Italy’s brutal/symphonic horde, FLESHGOD APOCALYPSE, have returned with their definitive epic masterpiece Agony. With only two releases under their belts, Oracles (2009) and the Mafia EP (2010), FLESHGOD APOCALYPSE have already become one of the most talked about bands in the underground. Their unique blend of technical death metal with a symphonic elements have quickly made them a favorite with fans and critics alike. Now, after a slew of successful tours in Europe and the US, the band have unleashed their defining moment in the form of Agony!
Awaken the Empire’s fusing of Alternative and Electronica quickly found them an audience in Los Angeles, where singer Damien Lawson founded the band in 2009. Known for their intense high-energy performances, the band’s contrasting sounds of Epic Alternative rock, with Infectious Electro-Dance is a beautifully chaotic blend of Artistic honesty and Rock Intensity.
Formed late August of 2008, My Ticket Home has become a strong staple in the Columbus music scene. Their first release of “Above The Great City” in 2009 fueled their rise to being the top unsigned band in central Ohio. They caught the attention of Rise Records, and in 2010 they released their EP The Opportunity To Be with the label. They released their debut album, To Create a Cure was released in 2012.
Singer/Guitarist · Nov 2006 to present a beautiful wizard rock band singing songs inpsired by and/or based on events in the Harry Potter novels, mostly from the perspective of Justin Finch-Fletchley, an underappreciated member of Dumbledore’s Army and a member of the down-trodden Hufflepuff House. My patronus is a slice of cheese pizza.
Junior Astronomers. A consistency in disorder breathes into existence a quintet bound to the loud and impulsive. Gritty and jangled on some occasions, then mangled and diverting in others. The only thing planned is the outburst itself. A hypnotic trance is created through guitars painted heavy and a rhythm section bound for movement, but beneath the distortions and muddled screams Junior Astronomers seek to achieve more than just reactions from onlookers; the band itself tries to document the human experience. “Music needs to sound like human beings, like it’s alive,” frontman Terrence Richard declares. “A lot of people want to make sad shit all the time–that’s one part of life but it’s not all life. There’s fun, there’s happiness, there’s sadness.” On stage the mess of humanity is embraced through a livid live show—devoid of controlled manipulation each night’s set stumbles onto new devices. Passion bleeds over lofty construction making sure the songs themselves are the frame. The rest is unhinged and never over thought. “If something is forced it feels like a job,” the band echoes. Continually on the move since forming in 2007, with only two EPs to their name, Junior Astronomers have toured and shared stages with the likes of Harvard, The Weeks, Dignan, Color Revolt, Des Ark, and Polvo. Poised to not take a break in the near future the North Carolina natives bring with them a promise, there is an elemental energy that lies in-between art and craft.
THE WEEKS
The Weeks are an indie rock band from Mississippi whose cathartic output of songs stems from the same root: their geography and disadvantaged youth. Beginning In March of 2006, The Weeks, ages ranging between 14 and 16 years, formed as a 5-piece band. In 2008 they signed with a local MS-based indie label Esperanza Plantation, releasing their first album, Comeback Cadillac followed with Rumspringa EP in 2009. The band ultimately became a tight 4 piece band with twins Cyle (vox) and Cain Barnes (drums), Sam Williams (Guitar) and Damien Bone (bass). Perhaps best described as “Delta Rats,” The Weeks have truth and soul in everything they do, and in the midst of their thrashing, thoughtful, manic pop thrills, they never lose sight of the songs. Cyle, as the band’s lyricist, writes about what he knows and is often autobiographical. Their music, arranged by Sam Williams, conveys the attitude and emotion that the band utilizes to punctuate their experiences, frame the impact of their surroundings and pointedly references their life in the South. This is equally true in their live show where attitude and amplitude are nuanced and ever present.
The Weeks recently signed to the KOL’s Serpents & Snakes imprint where they will release their first track on July 3rd, entitled “The House We Grew Up In,” to be followed by the anticipated EP, Gutter Gaunt Gangster on September 25th. A full-length album is scheduled for spring of 2013.
The Olivia Tremor Control originated in Louisiana around 1988 as the trio of W. Cullen Hart, Bill Doss, and Jeff Mangum. They ended up in Athens, Georgia around 1992 and recorded the “California Demise” EP which they released themselves on seven-inch vinyl. After a while Jeff Mangum left to focus on his band Neutral Milk Hotel, and another Louisiana native, John Fernandes joined the group to play bass, clarinet, and violin, and they recorded the prelude to their first album called “The Giant Day” EP. Soon the band convinced Eric Harris, who had played with Bill in Chocolate USA, to move to Athens to join the band as drummer, thereminist, electronics expert and recording engineer. In 1996, their debut double album “Music from the Unrealized Film Script, Dusk at Cubist Castle” was assembled, from years of 4-track tapes, in the Denver-based studio of childhood friend Robert Schneider. After it’s release, Peter Erchick, who had grown up with Eric in New Jersey, and also played in Chocolate USA, joined the group to play organ and piano. They then exhaustively toured North America, Europe and Japan opening for the Super Furry Animals, Beck, Stereolab, R.E.M. and Derek Bailey, as well as many tours with Elephant 6 comrades Neutral Milk Hotel, the Music Tapes, the Apples, Elf Power, etc. Following the tours for their 1999 album, “Black Foliage: Animation Music”, the band went on hiatus to focus on various projects. They did some reunion shows in 2005 starting with an invitation from the All Tomorrow’s Parties festival and ending with a joyful noise at the Orange Twin conservation community. 6 years on, they are back in action, working on new recordings and putting together a live show.
Pitchfork Review: Earlier this year, sample-abstractionist crooner and former Pearls and Brass drummer Daughn Gibson released his self-titled debut LP on White Denim, the label run by Pissed Jeans’ Matt Korvette. On June 5, Gibson will release a 7″ with these two new songs, “Lite Me Up” and “The Mark of a Man”, via Dull Knife.
We’re a bit different than your average electronic band. We happen to like using as many EDM genres as possible. Honestly, when was the last time a band played a House track live? Our point exactly. The project started earlier this year when Chris contacted Tandrea about starting a band different than anyone else out there. Ever since then, the band has been taking over. And we are JUST getting started.
Blue Dream is a rock & roll experiment from Chicago, Illinois; containing Danny Awisha on drums, Anthony Cook on guitar, Jimmy Russell on bass, & Justin Sanetra on guitar/vocals. Inspired by the elements of psychedelia, Blue Dream has been described as, “A calm euphoria wrapped in an energetic noise rock exterior, a feeling of intensity delivered in a laid back fashion” (Paste Magazine). In December 2017, the band released their first 7″ single thru Chicago label Treehouse Records. This was quickly followed by a vinyl release of their first album, Volume Won, by European label Kozmik Artifactz in January 2018. And in September of 2018 the band wrapped up the year by releasing their second album, Volume Blue. “Neo-Psych-Mit-Der-Funky-Grooves cut chic enough to be urbane but fuzzed out enough to make the freakouts more than just a come on. I’ll take the dream-tone shimmer any day in a kind of self-aware reflection of British folk, but the dense roll that immediately follows re-imagines grunge as more than just an influence from 3 popular bands and something that could genuinely move forward from the perspective of a new generation” (The Obelisk).
