VIBRACAO DO SOL
Soundtrack Presents:
VIBRACAO DO SOL “The Jazzy Lounge Affair”
Hosted By:Kwesi Darko of B-Boards Intl
Resident Sound Curator: Duane Powell
THE-DRUM
Mysterious broadcasts emanate from between the twinkling lights of Chicago, a magic hour sector in slate grays and black asphalt. Ominous yet inviting, these sounds feel like transmissions from a future where man and machine are woven together. Nervous, punch-drunk and… groovy.
This is The-Drum. A production duo made up of Jeremiah Chrome and Brandon Boom, The-Drum has been crafting their delectably queasy brand of R&B since late 2010.
Between their own releases, including this January’s Heavy Liquid EP, and production for artists like Haleek Maul, The-Drum have been attracting an ever growing following in their home town and beyond. We’re happy to announce the release of their new EP, Sense Net, out on Мишка Records right now.
With 4 brand new tracks, as well as remixes from Supreme Cuts and Neuport, Sense Net will transport you to a place that’s part dancefloor and part dream, where smoky synths dip and weave from the darkness and hips shake with seductive malice. Transmission received.
ELEVATION
A triple threat in his own right, ELevation A.K.A. DJ Uncle EL simultaneously wears the hats of DJ, MC and beatmaker. His journey as an artist began sometime around 1995. At this time EL began dabbling in production and recording lyrics with long time friends Scientific and Verbal. They later formed the group, “Manifest Destiny,” in 1997. The group later disbanded around 2000, as each member went on to persue solo aspirations. Moving forward, EL began to focus more on his DJ and production talents. He developed a style which he describes as ” golden era breaks meets futuristic glitch.” His beats combine intricately chopped samples with live instrumentation, to provide the music with more of an organic feel.
ELevation sites such influences as EL-P, Madlib, J-Dilla, Flying Lotus, Anti-Pop Consortium and Dibia$e, just to name a few. When DJing, he can play for just about any type of crowd. From nightclub/top 40 to underground hip hop to abstract beats and downtempo.
Over the years, ELevation has shared the stage with Atmosphere, Africa Bambaataa, Kool Herc, Souls of Mischief, Leo 123, Auburn, Sadat X, Casual, Beans and Shigeto amongst many other notable acts. He is currently working as tour DJ for rapper, Denmark Vessey, of Crown Nation.
Making his name known around the web, EL is a two time, 1st place winner of the LA Sessions sponsored “Microwave Mondays” beat battle. He’s also a respected member of Facebook’s “The Beat Inn” producer community, as well as the most recent addition to Chicago’s Push Beats collective.
Find out more about DJ Uncle EL via his blog atwww.allthingselevation.
SHARDSTYLE
A recent graduate of the School of the Art Institute of Chicago, he has been involved heavily in a number of musical and artistic endeavors, ranging from booking, promoting, and performing at Join The Studio’s flagship art and music event series in Chicago, The Spectratone Show, to interviewing and documenting emerging talent on Join The Studio’s online zine, performing freeform sound and experimental beat and turntablist sets around Chicago, Austin, and Dallas under the moniker Shardstyle (opening for widely known producers such as Mono/Poly and Samiyam), designing promotional materials and other work for numerous underground musicians and labels and guest editing, designing, and writing for the debut edition of a widely published Austin magazine, Slacker Mag. Sam has been featured in a number of limited-edition zines, the influential SF art-site Fecal Face, and interviewed on the radio and online as a result of this tireless work and investment in emerging experimental scenes.
Sam also makes a point to only rarely talk vainly about himself in the 3rd person.
GIVE BACK
Give Back is quickly emerging on the front line of Chicago’s formidable neo indie-rock scene. The band, just graduating from high school this summer, has been making music together since middle school. Since the band’s inception, Give Back has played over a hundred live shows all around Chicago and the suburbs. The band continues to generate an ever increasing buzz in the Chicagoland area, garnering support from publications such as The Sun Times, The Reader and Chicagoist.com, even receiving radio play on Chicago’s preeminent radio station, WXRT.
THE DRASTICS
The Drastics are modern roots music. Their sound fits as easily in a Kingston dancehall as it does in an artist’s loft-party in the warehouse district. Though primarily classified as a reggae group, The Drastics embrace many styles of music both live and in the studio. This can be heard in their songs which draw from roots Jamaican music, hip hop, hard-bop jazz, afro-beat, dancehall, as well as folk music from Asia, Africa, the Middle East and South America. Take this powder keg cocktail of styles, add the pulse of gritty everyday urban living and you get one explosive sound. Not playing into any gimmicks or compromising to trends (“The Drastics deserve much credit for moving deep into unchartered territories” – allMusic Guide) The Drastics have been consistantly rocking crowds for three years from NYC to LA and everywhere in between (“dub masters, The Drastics … never fail to put on a killer party” – TimeOut Chicago).
WEARETHESEA
WeAreTheSea is an electro-rock duo from Chicago. They got their start in Detroit banging tin cans together and have since refined their sound to include real instruments. What initially started as a side project has recently developed a life of its own. They combine big beats with poppy melodies and a hint of grunge and lime. Delicious.
BRYAN RASON
With cutting edge of contemporary fingerstyle guitar, Bryan’s playing displays many percussive jaw-dropping techniques that create beautifully textured, groove-laden tracks. His percussion techniques on the guitar can masterfully emulate a full band experience.
THE MEDITATIONS
The Meditations – Ansel Cridland, Danny Clarke and Winston Watson collectively known as The Meditations, recorded their first hit single Woman is Like a Shadow in 1974 at Channel One Recording Studio; followed by Tricked, Babylon Trap Them, Woman Piaba and Running from Jamaica which were included on their first album Message from The Meditations produced by Dobby Dobson. Among other albums were Wake Up, Guidance, No More Friend, For the Good of Man, The Return of The Meditations and Ghetto Knowledge. The groups vocal and harmony style captured the hearts of reggae fans around the world and led to the collaboration of work with Lee Scratch Perry. Scratch, who produced for Bob Marley and the Wailers, asked them to do back up vocals for Funky Reggae Party, featuring Bob on led vocals. Bob Marley was so pleased with their harmony that he went in search for the group to do more back up vocals for him. He found Danny Clarke, one of the groups members, and put him in a taxicab and said, Me nuh wan you come back til you find the other two members. The taxi driver drove Danny to all the studios in Kingston and could not find the other members, until they drove to Idlers Rest, a street where all musicians and singers mostly hang out. When Danny saw Ansel and gave him the news that Bob Marley wanted the group to do back up vocals for him, Ansel thought it was a joke. Still, he and Winston joined Danny in the taxi, which took them to the studio where they added their vocals to Rastaman Live Up and Blackman Redemption. The Meditations did back up vocals on songs for other artist like, Jimmy Cliffs hit Bongo Man Youths Them A Cry; Gregory Isaacs, Mr. Cop and several songs with Junior Marvin and other reggae artist. The Meditations dedication and musical knowledge has helped numerous artist and producers developed their musical careers. In stores now on their own Meditations Music label; “STAND IN LOVE” delivers more passionate stirringly soulful ROOTS ROCK REGGAE from the legendary trio. ” STAND IN LOVE IN STORES NOW!www.meditationsmusic.com..
TRICK SHOOTER SOCIAL CLUB
The Trick Shooter Social Club is a place tucked just behind the beat.It is a tiny dusty corner of the world where music is timeless instead of soulless. It is a belief in the power of story and the sublime hip sway of a well placed middle eight. It is cat gut, and pick guards, and hand scribbles, and nods across the stage when it’s time to go to the bridge. It is acoustic… and electric… and reverent to its heroes… and of the now. It is a collection of artists, gypsies, showmen, shaman, and curious travelers trying to get it right. But most of all… it is an invitation. Join us… won’t you?
SAINT ANYWAY
One year in the making, Saint Anyway’s third album is a banjo-fueled bonfire of north-country grit and unfettered exuberance. While the Minnesota trio’s previous releases (2009’s Paper Town and 2010’s Two) played it safe with chiming banjo/guitar arrangements that were never raucous nor out-of-time, Here On The Ground delivers a boot-stomping spirit previously saved for the group’s hell-raising road show. Tempering the fiery (“Burnin’ Down the House”, “How To Prove You Love Someone”) with the introspective (“Sunday Blue”, “Till The Wheels Fall Off”) this latest effort marks a coming-of-age for Minnesota’s most exciting new alt-grass ensemble.
Saint Anyway is Jamie Kallestad (Guitar/Vocals), Tony Petersen (Banjo/Vocals) and Dane Levinski (Bass). Together the three longtime collaborators composed, recorded, and produced Here On The Ground entirely independently, lending the finished work an undeniable home-spun cohesiveness. All songs are original, with the core instrumentation of banjo, guitar, and bass recorded live in the sanctuaries of two re-purposed churches in northern Minnesota. (Sparta Sound, Sparta and Sacred Heart Studio, Duluth) To add color to their blistering rhythm tracks, Saint Anyway called up musician friends from across the country to contribute to Here On The Ground. Most notable among the diverse contributions is Ben Cosgrove’s screaming organ, a wild swirl that veers the onetime string band into oncoming lanes of rock-a-billy, soul, and rock-and-roll. With other additions of fiddle, dobro, and even (forget bluegrass) a brass section, Saint Anyway’s new sound is bigger and more un-classifiable than ever before.
Throughout December and into the new year, Saint Anyway will be touring the country in support of Here On The Ground. December will take the group to back to Colorado where they have been steadily building a fan base since 2008. Plans for 2012 include tour stops in Texas, Louisiana, Tennessee, North Carolina and a second run through the northeast corridor. Here On The Ground is currently available on iTunes, Amazon, Spotify and in independent music stores throughout the Midwest.
TANGLEWEED
For generations, practitioners of that uniquely American art form known variously as old-time or string-band music – progenitor of country, precursor to bluegrass – have labored in obscurity, their talents unrecognized, their provenance maligned. The men of Tangleweed are proud to uphold that tradition.
AMERICAN WOLF
JAGOFF
Equal parts Detroit & Chicago, JaGoFF is the musical intersection of wherever waste dumps & abandoned factories meet the $5 lap dance and HAM radio. It is lo-fi. subversive, sweet soul polluted by lost weekends of sweaty booty, downtempo breakbeats and massive bass. Perversely honest, strangely beautiful and badass funky.
TIRES
Tires is an energetic, danceable electronic/instrumental rock band hailing from Des Moines, Iowa. The band has consisted of Phillip Young on guitar and electronic sound manipulations and Jordan Mayland on drums and synthesizers since its formation in 2011. Chris Marshall joined the fray as a full time drummer in 2012, freeing up Young and Mayland to round out Tires’ massive wall of sound with more deliberate focus.
They dubbed themselves Tires before they had even written a song. Young and Mayland came across a mound of old tires behind a club in Des Moines while waiting for a show. Friend and photographer Tony Galloro snapped shots of the two posing in the tire pile. They jokingly made a pact to adopt the Tires moniker if they ever formed a two-man band together.
Young and Mayland later became roommates in Ames, Iowa — and the convenience of living together and their shared hunger to constantly create music didn’t allow their pact to remain a joke for long. Young soon locked himself in his studio and began piecing together the parts and pieces that would lay the foundation for the band’s repertoire.
Tires applies the do-it-yourself ethos that was instilled in them through their work in other Central Iowa bands such as The Wheelers, Nuclear Rodeo, The Volcano Boys and Mantis Pincers to every aspect of their music and live performances. They’re constantly perfecting their own lighting assault — which they often operate themselves at their shows.
The band has played with the likes of Xiu Xiu, Neon Indian and Antlers as participants in the Maximum Ames Festival, KURE Fest and Iowa City’s Mission Creek Festival. Tires’ body of recorded material can all be streamed or purchased at tires.bandcamp.com/. Their latest EP of original material, The Girl Who Gets a Charge Out, is even available there to download free.
There’s no letting up in sight for Tires in the foreseeable future. The band is bringing 2012 to a close with a slew of shows throughout the Midwest. They’ll keep the pedal to the metal as they ring in 2013 with a sprawling tour that swings through the East Coast.
AIRACOBRA
Airacobra is a Horrorpunk/Heavy Metal band that combines dark imagery and themed lyrics with Rock n Roll hooks and a touch of theatrics to produce a high energy, mind-numbing, hair-raising show. Drawing influences from both traditional rock acts and contemporary metal, they combine it all together and what comes forth is Apocalyptic Sleaze Metal: The Soundtrack to the End of the World.
With 4 talented instrumentalists fronted by the whirlwind force that is Dusty Raymer, Airacobra is nothing short of an audible punch to the mouth.
GABRIEL AND THE APOCALYPSE
Minneapolis industrial rock outfit, Gabriel and the Apocalypse are here to surprise and inspire. “Longevity comes from doing something different and having artistic integrity” says vocalist, Lindy Gabriel. “We want to take the mainstream and add our own artistic qualities.” The result is Gabriel and the Apocalypse- creative, original, visual, artistic, strong and here!
Gabriel and the Apocalypse released “Into the Afterglow” a full length album in 2009, to much acclaim. Their single, “Hey You” was voted #7 song of 2009 on Minnesota’s 93X “Loud and Local”. “Hey You” was also published for use on MTV/Microsoft’s Rock Band Network. In 2010 the band continued to play and expand their fan base playing shows throughout the midwest with National Acts such as Flyleaf, Otep, American Head Charge, Mushroomhead, Combichrist, We are the Fallen, Soil, Lords of Acid, Ventana, Pearl, Thrill Kill Kult and many more. In addition, the band has recently been featured on the Jesse James Off Road DVD series and in 2010, GATA signed with Artist Devolopment and Management Firm, The Inner Light Agency. Damon Moreno of iLA says “Gabriel and theApocalyspe has real originality and unique sound. They’ve proven they are ready to work hard and that music is they’re life. Still, the best is yet to come! This band has so much to give and it’s truly awesome.
Most recently GATA has finalized a distribution deal with In Grooves/UMG.. The band recently released their third full length record entitled “new World disAsteR”. The first single released was entitled “LIKE GoD” featuring Rick “ST1TCH” Thomas of Mushroomhead/Ventana. GATA launches the album in Fall 2011 with a fullscale midwest tour alongside American Head Charge. .
THE WEBBS
The Webbs are the blood of the motor city pumping through a country heart. Just as a spider web is a network of fine threads constructed to catch its prey, the Webbs weave a sound that will capture your soul. The band members have been honing their craft for over 20 years and have come together to create an old country/bluegrass sound with a dark side.
The Webbs’ vocalists croon sweet melodies backed by strong musicianship. The band consists of Andie Webb, Tracy Webb, Fredric Scott Leman, and Robert Rasmussen. The band members merge their unique influences to create something beyond your basic bluegrass. Andie”Twila Lark” is an experienced singer in the Honky Tonk blues tradition. Tracy is a music aficionado with strong southern roots. Fredric “Scotty Karate” is a proto-punk/alt-country legend that plays pure, soulful hillbilly rock music. Robert R on the guitar is a versatile sideman that adds sonic soundscapes and atmospheric backdrops.
The band’s relationship runs deep and is as strong as a river current. You can feel this closeness in the group’s chemistry and you can hear it in their music. Andie and Tracy are a married musical duo that have been collaborating for more that a decade. Scotty is a long time friend of the couple having known Tracy for nearly two decades. Robert has played music with Andie and Tracy for years. The Webbs lives are woven together – they have had trials and triumphs, which lead to a musical collaboration that will bring you to your feet in celebration, hold your heart as you feel emotion, and make you smile with delight.
SARAH AND THE TALL BOYS
“Had Johnny Cash and Bonnie Raitt shared DNA, the result would be Sarah Potenza.”-Kansas City Blues Society
Specializing in original country/blues, Sarah & The Tall Boys is a Chicago-based Americana band that has been selling out venues across the country. Fronted by lead vocalist, rhythm guitarist, and lyricist, Sarah Potenza-Crossman, the band has been together for 4 years. It includes, bass player, Ian Crossman, lead guitarist, Dan Allen, and drummer, Jason Smart. Dynamic guitarist Dan Allen has been with Sarah since 2006, with her original group, The Sarah Potenza Band. Previous to that, Potenza-Crossman was featured on “Acoustic Chicago”, a compilation of the best singer/songwrittters in the windy city. In 2008, Sarah & The Tall Boys released their debut album, “Shiny & New”, a powerful collection of original songs, that drew attention from venues and festival producers nationwide. Within that year, the band was performing at festivals with acts like Joss Stone and the legendary Stevie Wonder. They have since participated in festivals which featured Bonnie Raitt and Alejandro Escovedo. Regulars at The Honky Tink BBQ in the heart of Chicago, the band began playing in premier hot spots throughout the city. In 2010, Sarah & The tall Boys released its second full-length album, “A Lifetime Worth of Sin”. A collection of Americana music, derived from blues, bluegrass, and alternative-country, all songs were written and produced by Sarah and the band, with the exception of one cover of Lucinda Williams. This CD features a talented list of notable guest musicians from such groups as The Hen House Prowlers, The Hoyle Brothers, and The Congregation. To capture a warmer and more authentic sound, the entire album was recorded on two inch analogue tape with a Studer track tape machine at Strobe Recording Studio in Humbolt Park, Chicago. Since the release of “A Lifetime Worth of Sin”, the album has reached #17 on the Freeform American Roots Radio Charts. Sarah & The Tall Boys have been touring nationally, playing an average of over 175 shows a year. Nate Dow, of the Boston Herald, remarks, “It has been said that Lucina Williams can blow the chrome off her streamline trailer. If that’s true, Potenza can blow the trailer right out of the lot.” Sarah & The Tall Boys have played for inmates at both the Cook Country Department of Corrections and the Dwight Women’s Correctional Facility. In 2011 the group was invited to perform on the main stage at the annual Rhythm & Roots Festival at Ninnigret Park in Charlestown, RI. It was there they shared stages with world-renowned musicians Steve Earle and Richard Thompson. In 2012 the group will be touring coast to coast including a another performance at the Rhythm & Roots Festival as well as a spot on the main stage at the Strawberry Music Festival in California. The Strawberry Music Festival also features performances by Allison Krauss, Jerry Douglas and Robert Earl Keen.
LA FIN ABSOLUTE DU MONDE
Just a lovely couple with lovely musical ideas that may not fit neatly into a certain genre. But if we like it, maybe someone else will too…
STONE COLD OUTLAW
Stone Cold Outlaw is a hard rock band from Chicago who are driven to be the best and are dedicated to conquer the scene. Like a runaway train, they are a powerful force that will not be stopped by anyone or anything!
BOBBY MINELLI
Bobby Minelli, frontman and songwiter for the now retired indie rock revivalists the Gentlemen’s Club has been a mystery man, weaving in and out of the fabric of Chicago’s indie seen for a decade. With the Gentlemen’s Club he played for wild strangers from Chicago’s Lincoln Hall and Sub T all the way to London, and is currently writing and recording a record with a new project. He has come out of hiding to play a solo set because he quote, “digs the hell out of JT and the SS.”
MYPARASITES
Since 2004, MyParasites has been clawing their way up from the murder capital of the United States, Philadelphia, Pennsylvania. Combining elements of Industrial, screamo, and Aggro EBM with lyrics concerning trust, lies, infidelity, sex, and deceit, MyParasites evolved into a mechanical blending of raw emotion along side a parasitic sound that is unlike any other. Utilizing a disarray of electronics, samplers, synthesizers, electronic drums, MyParasites assaults the stage with a terrifying, yet awe-inspiring live performance. MyParasites has played with countless bands including Psyclon Nine, FaderHead, C-Lekktor, Die Krupps, Funker Vogt, Christian Death, Dawn of Ashes, God Module, and Caustic.
RM:509
Yvonne Doll and Christy Nunes from The Locals joined up with Ripley Caine and Los Angeles drummer extraordinaire, Joanna Vassilatos to form, Rm:509. A PJ Harvey cover band like no other.
EXEMPT
Free, relieved and released are synonymous with the musicality and style of Chicago’s alternative hard rock band Exempt. Consisting of Chris Cortez (Vocals/Guitar), Franky Contreras (Lead Guitar), Eddie Sanchez (Bass), and Jonathan “Chewy” Chiu (Drums), Exempt incorporates their hard rock influences with catchy modern melodies and riffs. In a time where alternative rock is becoming more electronic and pop-friendly, Exempt brings a refreshing sound that is missing from today’s music by remaining contemporary without losing their authenticity of rock ‘n roll.
In 2011, Exempt won The Hard Rock Cafe Chicago’s Battle of The Bands competition judged by Chicago’s Alternative Rock Station Q101. The band was then qualified to compete to travel to London for Hard Rock Calling as an opener for Bon Jovi. After their win, Exempt released their first EP featuring fan favorite “Fire” and thrilling “Crash Technique.”
The four friends have continued to improve their craft and musicianship and have come a long way from practicing in basements and playing at school parties to opening for bands at notable venues such as The Canopy Club, Elbo Room and Bottom Lounge. In the words of Foo Fighters frontman Dave Grohl, “Rock ‘n Roll isn’t dead!” and Exempt is bringing rock back right onto the forefront.
CEREBRAL BORE
CEREBRAL BORE are a brutal death metal band from Scotland/Holland. Formed in 2006 and self released our 1st and only demo entitled: “THE DEAD FLESH ARCHITECT” in the same year. Since then, we have toured and played shows relentlessly around the world, with big names in the scene.
2010 See’s the release of our DEBUT album entitled: “MANIACAL MISCREATION”. Recorded at FOEL STUDIOS in Wales and produced by CHRIS FIELDING. With artwork by: COLIN MARKS.
Released FIRST 500 copies of our album ourselfs. Recently signed a worldwide contract with EARACHE RECORDS
CEREBRAL BORE was a self managed and a self promoted band with no label support untill mid-december 2010. We are truly grateful for every opportunity that comes our way!
MALIGNANCY
Malignancy is a Yonkers, New York based technical death/grind band founded by Danny Nelson and Javier Velez in February of 1992. After various demo releases the band was offered a record deal with United Guttural Records in 1998. With Intrauterine Cannibalism, the first full length, released April of 1999 Malignancy made their mark on the death scene.
Motivated By Hunger, a six song EP followed in 2000. A United States tour with Mortician and Goatwhore secured the name Malignancy as a force in death metal. A few shows in Mexico and an appearance at The Brutal Assault Open Air Festival (Czech Republic) helped push the band abroad.
The band quickly started work on a new release for 2002. After being approached by Czech label Shindy, Frailty of the Human Condition split was recorded. A European tour with Czech band Godless Truth soon followed.
Cross Species Transmutation, the third UG release, showed the band’s true technical direction. A successful string of gigs, festival appearances and another Euro tour in 2005 helped further Malignancy’s foothold in the scene.
With the demise of United Guttural Records the band was without a label. A promo demo was written and recorded to help secure a new label deal. Willowtip Records answered the call and work began on Inhuman Grotesqueries. 2007 marked the year that Malignancy returned with a new drummer and label. They continue to redefine their sound and never conform to what is the norm.
KETAMINES
Ketamines grew out of the fertile Southern Alberta soil that produced a wide range of exciting garage-punk bands such as Myelin Sheaths (HoZac Records), Fist City (Black Tent Press) and The Moby Dicks (Southpaw Records). After playing over 100 shows between January and July across North America, the band relocated to Toronto and put together a new lineup featuring ex-members of Dirty Beaches, You Say Party, We Say Die and Zebrassieres. 2012 saw the release of Ketamines debut 7″ on Chicago-based HoZac records, and their debut LP “Spaced Out” on Oakland, CA label Southpaw Records which spent 14 weeks in the top ten of the Canadian college radio charts, as well as debuting at number 12 on CMJ.
CARL BROWN & THE SOLID GOLD INTERNATIONAL REGGAE BAND
Truly Mr. Solid Gold, Carl Brown is a performer that has been fascinating audiences for some time. His signature style and presentation cannot be mistaken. This sweet-voiced vocalist has had his greatest success singing with Solid Gold International, the reggae band he formed in 1988 with friends from Jamaica. Carl knew from age 9, that his stage prowess would take him from his humble roots in Spanish Town, St. Catherine to the World’s stage. Carl Brown’s showmanship and vocals are unmatched, a gift that has earned him a record 17 consecutive years Best Male Vocalist at the Reggae Awards
ZAIUS
“ZAIUS are a four-piece from Chicago who specialize in anguished, instrumental post-metal in the style of groups like the Ocean and Mouth of the Architect – extended, crushing anthems that speak volumes without uttering a single syllable.” – REVOLVER Magazine
A.R. SPUD
DEVO
AL DILLA
GHETTY w/ EMBASSY
GHETTY w/ EMBASSY – Hailing from the Quad Cities, and having a slew of songs and viral videos on the web with MTV’s RiFF RaFF, Hustle-maniac GHETTY along with his rap partner and producer EMBASSY will be “Lighting” up the stage at Reggies performing banger after banger off their newest Mixtape “RED DOLLAZ”
BIG T
World Known URL Smack Battle Rapper, and Famous Chicago Southsider BIG T, hits the stage for the first time under a Borgata/662online.com Promoted Show. BIG T has battled all over the country making a name for himself while dropping a solid mixtape that has been featured all over the WEB.. BIG T is on the BIG come up and you dont wanna miss his live set.
HIT BOY
Born Chauncey Hollis, on May 21, 1987 in Pasadena, California, he is the son of Chauncey Hollis SR. and Tanisha Benford. Hit-Boy got his start on *Myspace when he received a message from Polow Da Don stating simply: “Let’s get this paper”. From that point on he grew to work with, and produce for legendary artists such as Kanye West, Jay-Z, Lil Wayne, Eminem, 50 cent, Mary J Blige, Chris Brown, Jennifer Lopez, Diddy, Snoop Dogg, and several others. He is most well known for Lil Wayne “Drop the World” Featuring Eminem, Pusha T “My God”, Kanye West “Christmas in Harlem”, and most recently Jay-Z & Kanye West “Niggas in Paris.”
The California native is one of the founding members of the collective brand Surf Club (along with fellow beat makers Chase N.Cashe,BCarr, and Chili Chill). Surf Club has become a team to host a number of artist as well as songwriters and other producers. They got their start in the industry in 2007 after linking with Polow Da Don’s Zone 4 Inc., an imprint of Interscope.
On May 2, 2011 he signed to Kanye West’s G.O.O.D Music Label, and is one of the producer’s on the collaborative “Watch The Throne” album featuring West and Jay-Z.
SUGAR GLYDER
A bearded lady and a whimsical boy who was never actually born began a musical journey. Along the way they met a gothic, Asian chick and a not-so-angry quarter-phillipino guy who wanted nothing more than to hit things with sticks. The members of this new covenant all agreed that they liked glitter, tiny animals, and climbing mountains. And so, they began making magical noises together.
HRVRD
Live music has so much potential for greatness,” expresses HRVRD vocalist Jesse Clasen. “To me, a studio recording is a snapshot of where a song is at that moment, and it should always continue to evolve and take on new perspectives. Live performances are opportunities to share something unique and beautiful with your audience…I’ve always admired the artists that let their songs blossom into something new and exciting even after they’ve been recorded.” And while HRVRD’s performances let the band explore expanded artistic grounds, one simply cannot deny the power, quality and creativity found within the Charlotte, NC-based band’s recorded material that serves as their foundation. Founded in 2004 by guitarists Lee Herrera and Jason Shaw, the band progressively evolved into a quintet of brilliantly imaginative musicians, rounded out by drummer Tim Cossor, bassist Garrett Leister and the aforementioned hypnotic frontman, Jesse Clasen. Together the band, formerly known as Harvard, released their debut EP Animals in 2008 followed by the critically acclaimed full-length album The Inevitable and I less than a year later through Enjoy The Ride Records.
HRVRD also went on to release their self-produced album Interpretations in 2010, a five-track EP of re-imagined versions of songs off of The Inevitable and I, followed by a year and a half of writing for their upcoming album. In January 2012, the band returned to Salad Days Studios inBaltimore, MD to reunite with renowned producer Brian McTernan (Circa Survive, Senses Fail), who had also produced The Inevitable and I. Clasen elaborates on their decision to work with McTernan again explaining, “We record
our demos with the intention of listening to them more objectively in order to make them better; however, everyone gets attached to the way the demo sounds and so
rarely do we ever make revisions…Working with Brian [McTernan] again makes everyone in the band more comfortable though and ready to make those revisions. It is an environment where everyone is ready to do what it takes to enhance the songs.” Shaw adds, “Brian is amazing to work with because he expects the best out of you and is going to reciprocate that ideal in his part of the recording process. He wants every
song to have an identity, which is something I personally want in the music I play…it’s nice to work with someone who’s on the same page as you.”
On the new album, HRVRD’s haunting sound blends intricate and cinematic guitar riffs with dark, passionate lyrics and powerful, driving rhythms. Effortlessly encompassing the impressive technical qualities of underground progressive-rock and experimental outfits, while remaining accessible through honest, relatable lyrics, the fusion creates a full-bodied, dreamlike ambience filled with catchy, yet sonically sinister melodies. Clasen’s ethereal voice defies genres and offers vast vocal range with a wide spectrum of stylistic tones that stand out as notable without overpowering the outfit’s more than capable instrumentations. Their true talent shines not only in their ability to perfectly juxtapose driving and atmospheric elements in a complimentary manner but also in their use of those musical elements to guide and balance the lyrical storytelling.
“The most important thing we kept in mind [on the new album] was a strict “less is more” rule,” Herrera notes. “In the end, I think the songs are more mature, more heartfelt and more honest, we used all of our experiences from the first record and tried to learn from them to make it better, shorter and more focused.” Lyrically, the new album shares a journey of intense internal struggles of the ordinary man. “It’s about the
tension between positive and negative perspectives on relationships, progression, religion, and science,” Clasen expounds. “And more personally, it’s me working out who and what I love, and why.” The band will release the sophomore, full-length album through Upstate NY-based independent label Equal Vision Records later this year, with the record’s release date and details yet to be revealed.
PSEUDO SLANG
Pseudo Slang is Emcee Sick and Dj Form as well as countless contributors such as Trucker Stroe, Tone Atlas, DJ Cutler, Gangsta D and contributing members DJ Tommee, Daringer, Dj LoPro, Mysterious L, A.L. Third + more. Formed in Buffalo NY and based in Chicago Pseudo Slang have been closely followed for a decade garnering international praise for creating a fresh sound that steps outside of contemporary rap’s confines. PS released their debut “Catalogue” October 2004 under the umbrella of Baby Steps Hip Hop which then operating as a record label. Catalogue was compilation of tracks recorded between 1999-2004, and due to the excitement it generated the group subsequently signed with Brooklyn-based indie-major Fat Beats Records in August 2005. Fat Beats then released Pseudo Slang “Broke & Copascetic” (12” Vinyl single) which sold over 3000 units worldwide, then to hold fans over until the official full-length the Slangers released “Thank God It’s Not Another Mixtape” (2006, CD) which created yet more buzz. Pseudo Slang completed six 40+ City US Tours, and toured extensively through Europe and Canada. Their flagship album “We’ll Keep Looking” was essentially a debut release for PS on the international heavyweight status Fat Beats commands, and the buzz has had the meters pinned down worldwise since. An exclusive Japanese Import of the album was released in Japan in April 2009. Most recently Pseudo Slang has had a German Import 7″ vinyl single “Cool Letter Man” b/w “Debt & Danger” released on ThinkLoud (2011) for which they shot a music video in East Germany which has increased the PS buzz to a fever pitch!
THE STOOGES “RAW POWER”
Raw Power is the third studio album by American rock band The Stooges. It was released on 7 February 1973 through Columbia Records.
The Eastside WIldcats will be performing The Stooges album Raw Power live on stage.
LED ZEPPELIN “LED ZEPPELIN”
Led Zeppelin is the debut album by the English rock band Led Zeppelin. It was recorded in October 1968 at Olympic Studios in London and released on Atlantic Records on 12 January 1969 in the United States and 31 March 1969 in the United Kingdom.
Snakeoil Salesmen will be Dead Zeppelin performing Led Zeppelin “Led Zeppelin”
GASHCAT
Gashcat is a fuzzed-out folk trio made up of a raucous, carnivalesque collective of friends based out of Louisiana. They have been touring coast to coast for the last two years, playing with bands such as Edward Sharpe & the Magnetic Zeros, Dum Dum Girls, and Father John Misty. With multiple features on NPR’s All Songs Considered and a key showcase at SXSW 2012, the band has been raising eyebrows across the country.
WHISPER TRAX
“WHISPER TRAX”
…Funky R&B, Soul and Hip Hop from the 70s to today!…
ALCITYSHIFT
ALCITYSHIFT is a dynamic,tight pop rock group playing classic hits from the 70’s by artists like Elton John and Heart. The group features four terrific vocalists and a rockin’ band.
FUZ’D
FUZ’D is a compelling, high energy fusion group playing deep grooves on tunes by artists like Herbie Hancock, Chic Corea and Micheal Jackson. The group features a great horn section and wonderful vocalist, Brecan Bland.
CHICAGO BEARS GAME
Watch the Bears play some NFL Football with game feed sound, while enjoying awesome food and libations.
MOUTH OF THE MIDWEST
Listen to Mouth of the Midwest 4-6pm Weekdays on 1700 The Champ.
BENGFANG
Bengfang (Bang-Fang) is an electronic future music producer based out of Chicago. His alluring sounds have been rattling speakers since the dawn, and will continue on into the future. www.Bengfang.us
CHEAP TRICK “AT BUDOKAN”
Performed Live By: Stiff Competition
Cheap Trick found early success in Japan, and capitalized on this popularity by recording Cheap Trick at Budokan in Tokyo on April 28 and 30, 1978, with an audience of 12,000 screaming Japanese fans nearly drowning out the band at times. The album was intended for release only in Japan but with strong airplay of the promotional album From Tokyo to You, an estimated 30,000 import copies were sold in the United States and the album was released domestically in February 1979. The album also introduced two previously unreleased original songs, “Lookout” and “Need Your Love”.
UNCLE BAD TOUCH
Uncle Bad Touch a garage, psychedelic rock band from Montreal, Canada.
LAKESHORE
The perfect storm is stirring & the world of R&B is about shift course due to a group that’ll define the sound of Chicago. LakeShore is the brainchild of Grammy-nominated Syleena Johnson made up of her background vocalists; Tommie B, SandyRedd & Malone