PEVEN EVERETT

Peven Everett is an artist and voice of the generation. He was Born in Harvey,Il. outside of Chicago to a musical family. He was a toddler when he began playing objects as instruments and shortly there after acquired a drum kit from his mother. In grammar School he began playing music in the band under the direction of Sherman, John Weber,and David Eanes. He helped his band earn titles maintaining first chair in multiple instruments. He also Student taught to pupils in grade levels his senior and played with the likes of Dizzy Gillespie and Betty Carter.

Having gotten a perfect score on his exam at Merit the Carl Fischer Music Academy, Peven was awarded a full Scholarship to The Berkley school of Music at the age of seventeen. He played his first professional gig at Carnegie Hall and subsequently moved to New York to join Betty Carter performing and acting as her music director over seeing other musicians his senior. New York also gave Peven the opportunity to play with Wynton Marsalis appearing in his documentary Marsalis on Music as well as featured in the book by the same name. He toured with Buclshot Lefonque Brandford Marsalis’s band. It was at this time that Peven was featured in the NEW YORK TIMES magazine in an article entitled ‘The Next Miles Davis May Be On This Page” written by Stephen J. Dubner.

AHYMNSA

Ahymnsa is a world/groove jam trio based out of Central Illinois. Since coming together in 2010, Ahymnsa – an English adaptation of a Sanskrit word meaning “showing love through actions” – has brought positive, energetic performances to joyfully receptive audiences.

(BAD MUSIC FOR) BAD PEOPLE

playing the music of The Cramps til your head splits open

ERIC LAMBERT & FRIENDS

Eric Lambert has been pickin’ and grinnin’ his way into people’s
hearts for over 40 years. Specializing in the fiery art of flatpicking, he has built a distinguished career writing, performing, recording, and teaching Americana music in and around Chicago, IL and beyond. Traces of rock, folk, bluegrass, country, and blues can be detected throughout his music, delivered with energy, soul, and inspiration. His voice, presence, and precision moves audiences to their feet, while his playful spirit and warm sense of joy makes people feel right at home.

Eric’s music resonates the old school philosophy of the groundbreaking musicians who inspired him; music should know no boundaries. Influenced by Duane Allman and Dickey Betts at an early age, Eric discovered country and bluegrass music through the Nitty Gritty Dirt Band album, “Will the Circle Be Unbroken.” Raised on Chicago’s south
side, he cites diverse influences as catalysts in shaping his unique roots music sound. His original voice was crafted by blending the bluegrass approaches of Tony Rice, Clarence White, and Norman Blake with those of his main influences such as B.B. King, Bob Dylan, Jerry Garcia, and Old & In The Way.

Eric excels at every style of music he performs, moving through them with an uncanny ease and smoothness. The richness of diversity in his influences is evident in his playing and throughout his vast career, which spans 10 countries as a solo artist and as a band member. Some career highlights include playing with Virgil Kane along with Alabama and George Strait, and being a front man in bands such as Big Shoulders, Heartsfield, Valerie Smith Band, and most recently Chicago’s award-winning Henhouse Prowlers, being featured on their latest album release, “Verses Chapters and Rhymes.” He has also appeared in Flatpicking Guitar Magazine.

Music education continues to be a mainstay in Eric’s life, fulfilling a dream and supporting his mission of helping others learn how to play the guitar, and utilize a variety of guitar styles and techniques. For the past 35 years, he has been professionally teaching music, including the art of flatpicking, which is a style he has become known for. “It is the excitement of the style that originally drew me in years ago,” he shared. Eric believes teaching music is about more than just giving lessons; it should be a full musical education experience. Even further, he knows music can transform lives. His embrace of this ideal led him to teach music therapy to industrial workers for 15 years. The summer and fall of 2012 will be full of new and exciting ventures.

Some things to look forward to include a new album being recorded, his TrueFire classroom being opened to students, Eric Lambert & Friends performances, and much more! We invite you to join us on this exciting journey in person and online, and fill every day with a smile and a song.

pancakes and booze

PANCAKES AND BOOZE ART SHOW

The LA based event originated in 2009 and has since popped up more than 500 times in 35+ cities around Europe & North America. Batter sizzles, beer foams, and canvas lines the walls from ceiling to floor as hundreds, sometimes thousands, of revelers indulge in endless pancakes. This is no stuffy wine-and-cheese, pretentious, someone-gag-me art event. It’s an innovative reimagining of the art show concept. A welcoming vibe for up-and-coming artists to sell and strut their stuff in a free verse, anything goes environment.

SILVER LOVES MERCURY

Loud, destructive, seductive. Silver Loves Mercury, rock and roll with a gothic vibe, is a perfect mix of Angel and Devil. The band was founded by Kitty V.(guitars,drums, bass) and Roxi V. (vocals) as a studio project.

After overwhelming fan response to their first live performance,Silver Loves Mercury decided to cater to their growing fan base and take their spectacle on the road. In four short months Silver Loves Mercury grew their fanbase to over 20,000 on Myspace alone after playing regionally in half a dozen major markets. Their debut record, Treasures of Gomorrah (2010), was produced by grammy nominee JT Longoria and has garnered the attention and support of the likes of King Diamond, Izzy Straddlin, and Glen Danzig. After being in the top 80 on Jango Music for nine straight weeks after its inception and gaining extensive regional and international press with Lit (U.S.), Black Velvet (U.K.) and several others, the band, in less than a year, is already in the mix stage of their follow-up E.P. and in preproduction for their new full-length L.P.
“In a short time Silver Loves Mercury has proven themselves one of the most musically adept acts in Dallas…” – Lit monthly April 2010 FEATURE Full color half page

“‘Treasures Of Gomorrah’ is definitely a little treasure” “Silver Loves Mercury is a perfect mixture of angel and devil.” “…a tumultuous rebel with a rabid tone that you will want to turn up so loud the folk in the next road will get headaches.”
– SBV, Black Velvet 5/10

“Well-crafted lyrics only add to the violent dreamscape.” “powerful, commanding and natural.” “The music is not only good, but it eclipses the eye-candy aspect and forces the audience to take new notice.” “..Silver Loves Mercury delivers the full spectrum of the Periodic Table.”
– Mark Beneventi, Lit Monthly

“SLM is a focused, polished killing machine. With an arsenal songs mixed with a potion of vocal and visual euphoria” “What a complete package this band is. Nothing is out of place. Everyone in the room was touched by the sound and power of SLM.” “..everyone that hears the material is stunned by the shear power of this music.”
-Gary Long, Mastering Engineer – Izzy Stradlin, King Diamond

 

HIP-HOP ENSEMBLE

R&B ENSEMBLE

POP ORCHESTRA

BIG BROTHER SMOKES

Hailing from Hemlock Michigan Big Brother Smokes paints a musical sound scape with their unique blend of influences. The boys have been playing together for just a short time and have already had great success with their self titled debut EP. Big Brother Smokes plays music for the soul reason to have fun and allow others to join in the festivities. Big Brother Smokes has a dynamic sound headed up by lead vocalist Matt Wardin. Matt’s smooth smokey vocals remind many of the classic days of rock. Lead guitarist Travis Wardin brings a new edge to the bands sound with electric solos sweeping the mix. Holding down the backbone of the rhythm section you’ll find Joe Balbaugh on the bass guitar and Ross WIlkin on percussion. Together Big Brother Smokes unites to form a strong and diverse sound for all to enjoy.

TIM POLECAT

The names Slim Jim Phantom, Jonny Bowler and Tim Polecat are synonymous with rockabilly hits. They have secured their place as true rock n roll icons. Phantom, as the legendary drummer for the Stray Cats, Tim Polecat, lead singer of The Polecats and Jonny Bowler bass player for the Guana Batz ,they are part of the select few who were instrumental in reintroducing rockabilly into pop culture, providing the prototype for the modern rockabilly style and sound.

Slim ,Tim and Jonny have previously worked together with their band 13 Cats which garnered critical acclaim, they have also written songs for feature film soundtracks.

Tim has worked as a visual designer for top names in music. He also released a ground-breaking, solo album titled ‘Virtual Rockabilly’ and has produced several albums for other neo-rockabilly bands including the The Quakes and Wrecking Ball.

Tim continues to tour, record, and work as a film and soundtrack composer, his most recent film composing project is for the feature film “Isle of Dogs” to be released in US theaters in February 2012. Tim Polecat continues to be regarded as one of the best, live, front-men on tour in the rockabilly community

This three pronged frontal assault goes up to make “The Whammy” a formidable force of Neo- Rockabilly .

JONNY BOWLER

The names Slim Jim Phantom, Jonny Bowler and Tim Polecat are synonymous with rockabilly hits. They have secured their place as true rock n roll icons. Phantom, as the legendary drummer for the Stray Cats, Tim Polecat, lead singer of The Polecats and Jonny Bowler bass player for the Guana Batz ,they are part of the select few who were instrumental in reintroducing rockabilly into pop culture, providing the prototype for the modern rockabilly style and sound.

Slim ,Tim and Jonny have previously worked together with their band 13 Cats which garnered critical acclaim, they have also written songs for feature film soundtracks.

Jonny Bowler hails from the English town of Southampton and is an icon of the U.K Psychobilly scene , known for his early work with Get Smart and the Guana Batz Johnny has gone on to play with many artists in the USA such as Lemmy , Nick 13 and Levi Dexter .

This three pronged frontal assault goes up to make “The Whammy” a formidable force of Neo- Rockabilly .

Slim Jim Phantom

SLIM JIM PHANTOM

Slim Jim Phantom has secured his place as a true rock-n-roll icon. As the legendary drummer for the Stray Cats, Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock-n-roll the Stray Cats took inspiration from that bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the U.S., gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way.

Born in the Brooklyn Borough of New York City, Jim grew up listening to his parents’ jazz records and by the age of ten took up the drums. Immersing himself in the art of drumming and the world of music, Jim took lessons with Mousie Alexander (who played with Benny Goodman), which included the study of jazz and working through books by Jim Chapin and Ted Reed.

By the late 70s Jim was playing in bands with school friend and bassist Lee Rocker and they soon joined forces with guitarist Brian Setzer. The rest, as they say, is history. The Stray Cats had numerous hit singles in the early 1980s, their classic album “Built for Speed” went double platinum, and their song “Rock This Town” is in the Rock and Roll Hall of Fame’s list of “The Songs That Shaped Rock and Roll.”

BIIKO

Hailing from Chicago, Illinois, Biiko is an experimental pop act that’s as much Bonobo as it is Beach Boys. Formed with a combination of live instrumentation and electronic manipulation, his music manages to keep a strong, base sense of melody while boldly venturing into the realm of the new. On one end of the musical spectrum exists a land of simple, lilting pop melody, music that’s at one time both pleasant to the ears and almost groundbreaking in its simplicity. On the other is a much more involved category, that of electric weirdness; that commendable ability to take literally whatever ideas or sounds you can fathom and smash them together. Somewhere in the middle, fully aware of both pulses, exists Biiko.

THE WHAMMY

The names Slim Jim Phantom, Jonny Bowler and Tim Polecat are synonymous with rockabilly hits. They have secured their place as true rock n roll icons. Phantom, as the legendary drummer for the Stray Cats, Tim Polecat, lead singer of The Polecats and Jonny Bowler bass player for the Guana Batz ,they are part of the select few who were instrumental in reintroducing rockabilly into pop culture, providing the prototype for the modern rockabilly style and sound.

Slim ,Tim and Jonny have previously worked together with their band 13 Cats which garnered critical acclaim, they have also written songs for feature film soundtracks.

Beyond the Stray Cats Jim has worked with some of the world’s top artists and has played a part in many successful groups; notably Phantom, Rocker and Slick featuring guitarist Earl Slick which produced two popular albums, The Head Cat featuring Lemmy and Dead Men Walking an all-star affair which boasted original members of The Sex Pistols, The Cult, The Damned and The Alarm among the line-up. Jim also enjoyed a stint playing with The Killer, rock n roll originator, Jerry Lee Lewis. Over 25 years and millions of record sales later, Slim Jim Phantom continues to inspire and excite audiences worldwide. With a sound, style and image that remains as fresh today as it ever was Phantom has cemented his place among rock royalty. Considered by many as the coolest drummer in rock n roll, Phantom’s influence is still clearly felt on today’s music scene with countless rockabilly drummers imitating his pioneering stand-up style.

Tim has worked as a visual designer for top names in music. He also released a ground-breaking, solo album titled ‘Virtual Rockabilly’ and has produced several albums for other neo-rockabilly bands including the The Quakes and Wrecking Ball.

Tim continues to tour, record, and work as a film and soundtrack composer, his most recent film composing project is for the feature film “Isle of Dogs” to be released in US theaters in February 2012. Tim Polecat continues to be regarded as one of the best, live, front-men on tour in the rockabilly community

Jonny Bowler hails from the English town of Southampton and is an icon of the U.K Psychobilly scene , known for his early work with Get Smart and the Guana Batz Johnny has gone on to play with many artists in the USA such as Lemmy , Nick 13 and Levi Dexter .

This three pronged frontal assault goes up to make “The Whammy” a formidable force of Neo- Rockabilly .

CROQUET

Croquet is Chaetan Newell’s inexorable right to do whatever he wants. This includes aiming a blow dryer at various woodwinds, playing four different instruments at once, and providing handmade stage backdrops for ambience, not to mention surprise hip-hop shows. Beginning in 2007 by way of Boston, this project’s live show has spanned from one-man performance art to solid indie-pop quartet, from ethereal jazz improv to balls-to-the-wall psychedelic rock, and two things bind it all together: subtle complexity and raw, concentrated emotion.

Part of noise pop label Should Be Flowers’s catalog, Croquet’s first release in November of 2007 was a split LP with Steve Wood, a homeless man dying of AIDS who claimed to be the original singer for The J. Geils Band. This has yet to be proven or disproven. This texturally diverse 29 track album flows seamlessly back and forth between experimental yet catchy analog bliss and the sound of a man against great odds singing his heart out across Massachusetts Avenue. Two years later, Newell finished the Sodomize the Silence EP leaping out of the bedroom and onto the drum kit with fuller instrumentation and more passion and sincerity than ever.

A common fixture of premier Boston venues (TT the Bear’s, The Middle East, Great Scott, etc.), Croquet has also toured as far south as Athens, Georgia maintaining a strong presence in Newell’s home state of North Carolina (this is explains the airplay on multiple college radio stations as far as Tennessee). It was here that Newell began his training as a musician, picking up a new instrument every few years. After playing upright bass with various orchestral groups including The North Carolina Symphony and obtaining a Bachelors of Music with guitar, it should come as no surprise that he has worked with members of notable groups such as The Flaming Lips, Mercury Rev, Helium, Pele, Victory at Sea, Dumptruck, Bang Camaro, and even legendary Motown group The Chairmen of the Board. In fact, Newell lists the verbal thumbs up he received from iconic artist Thalia Zedek as a high point in Croquet’s existence thus far.

After playing lead guitar with St Helena (“every indie enthusiasts dream” according to The Noise Magazine), Newell relocated to Chicago in 2010 with plans to further conquer the world and has since played out with much success joining David Baker’s new group Variety Lights on drums. Is the world ready for such methodical madness? We can only wait and see.

 

MORE GORGEOUS

Members: 
Alex Brittain
Ace Valentine
Taylor Wells
Peter Binggeser

THE FISHERMEN

The Fishermen are an Old Timey inspired Hard Grass band. From different cities, and with different musical backgrounds, the band formed in chicago and have a unique, energetic sound. Who knew songs about death could be so fun? They perform with all manner of stringed instrument, and aren’t afraid to switch things up.

TOM THE MASON

Classic Rock power trio sounds from Tom the Mason!

DAVENPORT ED

In the 40’s, Ed Kregor was courting his later to be wife, Nellie, of 65 years in the Quad Cities. They didn’t have a lot of money, so Ed would take Nellie out to the bars in the Quad cities where he would literally sing for their food and drinks (there were lots of drinks). His frequent performances made him a local celebrity, earning him the nickname of Davenport Ed. Being the grandfather of 3 members of the band, it only seemed appropriate to name a rock band after this great man.

The spirit of the 90’s rock scene is alive and well in Davenport Ed. The lead singer/songwriter, Johnny Perona, is a product of 90’s adolescence. Growing up, he was heavily inspired by the likes of Alice in Chains, Soundgarden, Nirvana, Pearl Jam, etc. This musical upbringing is very present in DavEd’s tunes. With a voice that falls somewhere within a vocal lovechild of Ben Ottewall (Gomez), Chris Cornell, Chris Robinson and Jim James (My Morning Jacket), Johnny commands the listener’s attention.

The band is a 6 piece outfit that features 2 rhythm guitars, a lead guitarist, a bassist, a pedal steel, and a drummer. Alongside Johnny on rhythm is the producer/engineer/mixer of the DavEd records, James Scott. James has played with numerous other bands in his career (Matthew, Paulina, and The Visitor to name a few). For DavEd, he brings haunting, George Harrisonesque guitar melodies to each song. On lead guitar is Jim Perona. Classically trained, but brought up as a shredder, it provides a unique spin on the modern rock guitarist. It’s not to be missed when he unhinges and lets it fly on a solo. Tom Perona lays down entrancing bass lines that are as melodic as they are in the pocket. He also provides a counter to Johnny’s aggressive vocal style by creating and producing the majority of the harmonies for the band. Mike Racky adds to the cacophony of sound by creating, and somehow making fit, pedal steel parts to these rock tunes. During aggressive live jams, he’s been known to leave his seat, while making full use of his effects. It’s a steel sound you never thought you’d hear, pretty much. Holding it down on the drums is Tim Rimbos. To round out the sound, he plays as aggressive as he needs to, creating an extraordinary sense of energy that translates into one hell of a live performance.

Come catch Davenport Ed, the band with the weird name that will rocking your f’ing socks off if given the opportunity.

ANCIENT VVISDOM

A dark, enlightening foresight into the future of humankind dictated by singer/songwriter Nathan Opposition.

Ancient VVisdom was founded in Austin, TX in late 2009 with the order consisting of Nathan Opposition , writer and vocalist, Justin “Ribs” Mason on acoustic guitar, and Nathan’s brother, Michael on electric guitar.

In 2010, they recorded and released a split 12” EP with Charles Manson entitled “Inner Earth Inferno” (Withdrawal Records), which garnished praise from critics and cultists alike.

The band spent the rest of the year sharpening their blackened craft, using acoustic guitars to give the music an organic connection to the nefarious rites they beget. Writing well over an albums-worth of material, they chose the most appropriate songs for their debut LP ” a godlike inferno” to record at The Bubble, a local, vvorld renowned studio in Austin, TX. For the recording , they enlisted additional instrumentation by
Alex Hughes (Hatred Surge, Iron Age) to play the bowed stand-up bass, Wade Allison (Iron Age) machete percussion and guest guitar lead on “lost civilization”, Chase VVarlow on bamboo percussion and Jason Buntz (engineer and co-producer) on select guitar and synth.

Not unlike early death rock and neo-folkore sound, Ancient VVisdom incorporates electric guitar effects, synth sounds, vocal harmonies and abstract percussion to create a deeper, ethereal quality to their minimalist arranagements. Nathan’s powerfully honest voice is complimented by lyrics ranging from mysteries of the occult, paganism, satanic philosophy, and forbidden knowledge.

Pallbearer

PALLBEARER

Raw and riveting, filled with emotion and the unique downcast triumphalism that has defined the band’s storied career, Pallbearer, the Little Rock quartet comprised of Brett Campbell (vocals/guitars), Devin Holt (guitars), Joseph D. Rowland (bass/vocals), and Mark Lierly (drums) defy categorization while appealing to the tenets of doom; the very genre that now considers the group’s oeuvre as crucial and influential.

ENSLAVED

Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, and did their first demo “Yggdrasill” in the summer of 1992. Enslaved released the legendary mini album “Hordanes Land” in 1993 (this was released also as a split-CD with Emperor’s s/t MLP). Enslaved’s debut album came during the spring of 1994, while the historically successful second album “Frost” was released already late 1994.
“Eld” in many ways marked the opening of a horizon-widening era for the band in 1997 – the following year saw the release of “Blodhemn”; perhaps surprising some with its fury and blacker edges. “Mardraum (Beyond the Within)” was released in 2000; this aural nightmare of an album sent shock waves through the Extreme Metal scene with its experimental, innovative approach. The band followed up with “Monumension” in 2001; and again the band was shocked to see the positive response to their “no rules” approach to Extreme Metal.
Many see an important, if not the important milestone being “Below the Lights” – where the progressive yet darker Enslaved emerged – released in 2003; it presented the perfect blend of power, tradition, progressive elements and dark Psychedelia. A new line-up was put together after the recording of “Below the Lights”; introducing scene veteran Cato Bekkevold (Red Harvest founder), Ice Dale and Herbrand Larsen.
In short, Enslaved started climbing new heights with their live performances, adding strong visual elements in the shape of video art and more. The new line-up released the album “Isa” late 2004. The album put Enslaved at the very forefront of contemporary Extreme Metal; both as a recording and live artist. Enslaved received both the Norwegian Grammy and the independent Alarm Price for “Isa”, topping it off with the release of acclaimed live-DVD “Return to Yggdrasill”. The critically acclaimed “Ruun” was released in 2006, and received numerous great reviews from fans, magazines and websites worldwide. Www.blabbermouth.com concluded that “The metal world needs more bands this willing to throw out the rule book and go wherever their mad Muse takes them.” Early 2007 Enslaved sat out on tour in USA and Canada, and “Ruun” was rewarded with another Norwegian Grammy for Best Metal Album 2006. At the end of the year, “Ruun World Tour part II” commenced all over Europe and the North-American continent.
Whilst building a reputation as one of the very finest live-acts around; there was found the time and power to create Enslaved’s greatest piece in seventeen years of existence: “Vertebrae” was recorded during the first months of 2008 – then mixed by sinister mastermind Evil Joe Baresi (Tool, Queens of the Stone Age) and mastered by the legendary George Marino in Sterling Sound. Produced by Ivar Bjørnson, Herbrand Larsen and Grutle Kjellson themselves, “Vertebrae” comes across as one of the strongest album to emerge from the Extreme Metal scene: sound, songs and atmosphere marks a great leap for the band and genre as a whole.

KENNY NEAL

Kenny Neal, born in New Orleans and raised in Baton Rouge, began playing music at a young age. Learning the basics from his father, singer and Blues harmonica master, Raful Neal. Kenny is known as a modern swamp-blues master and multi-instrumentalist, that draws musically from the sizzling sounds of his native Louisiana.

JESSE BOYKINS III

Jesse Boykins III has a timeless sound. He shares a point of view that crosses all genres, generations and cultures. Every note and each word in all his recorded works, to his live performance is skillfully crafted evoking emotions that can move any listener across the world to examine and acknowledge those feelings within themselves.

CREATURE FEATURE

Creature Feature is the deviant brain child of two sinister composers from Lost Angeles known only as Curtis Rx and Erik X. Formed on Halloween of all days, these two maniacal groundskeepers in the torture garden of auditory delight have taken it upon themselves to draw from their twisted childhoods and invent a band that becomes everything that frightened you as a child, a band that becomes Halloween 365 days a year, a band that forces you to remember why you used to sleep with the lights on and fear the bumps in the night.

Pulling their influences from classic horror films, soundtracks, Halloween memories, carnival calliope music, cartoons, classic video games, and the terrifying writings of Edgar Allen Poe, H. P. Lovecraft, Ray Bradbury, and Edward Gorey, Creature Feature creates a wildly unique sound that seems like it’s been ripped from a the moldering celluloid of a forgotten horror film or a long lost episode of The Twilight Zone. The kind of music that paints a picture in your mind of dancing skeletons, evil carnivals, flesh eating ghouls, grim hauntings, body snatchings, premature burials, and kidnappings most foul. The mad monster party doesn’t stop there, add in an unhealthy dose of frantic rock guitar, haunted mansion organ, bone-chilling synth, electronic heart-pounding bass, creature voices from the beyond, and manic vocals reminiscent of early Oingo Boingo era Danny Elfman. Mix them all together in a poisonous cocktail and you have Creature Feature, a Saturday morning spook-show belting out creepy music to awaken the monster in all of us.

We are Creature Feature and you’ll dig us like a grave.

IT IS WHAT IT IS

Inspired by a love of vintage music and modern effects, IIwII has developed an energy-laden sound infusing electronic elements over a drum-heavy rock foundation.  They call it Club Punk: retro rock remixed and reinterpreted with cutting edge studio programming fit for the street and dance floor.  IIwII is also an acronym for It Is What It Is.

Jailbreak

JAILBREAK

Ladies and Gentlemen, Please allow me to introduce to you Jailbreak! The Midwest’s ONLY Tribute to Thin Lizzy.

From the opening chords of Jailbreak to the sing along chorus of,
The Boys are Back in town, These boys will have you Dancin in the Moonlight !
With their dedicated attention to detail, these 4 Thin Lizzy fans will take you back in time. 

BRIAN ALDRIDGE

Already with two television appearances under his belt and no doubt more to come, Brian is a rising comedy star. His sarcastic delivery and sharp wit will have you rolling with laighter one minute and asking yourself “did he really just say that?” the next. A Chicago native, Brian got his start opening for great comedians like: Dave Chappelle, Carlos Mencia, Chelsea Handler, Bill Burr, Damon Wayons, and others who will undoubtedly be offended now that they weren’t mentioned. A veteran of countless comedy festivals and headliner of great comedy rooms all over the country, Brian is set to soon be a household name. Don’t miss the chance to see this talented, good looking man!

MIDNIGHT MASS COMEDY

Open Mic!

of wolves

OF WOLVES

Of Wolves are masters of overt catharsis. On Balance, their long-awaited sophomore full length, this caustic crew delivers a devastatingly intense blend of crusty punk, sludge, post-hardcore, gritty stoner doom, and enough noise rock experimentation to keep the listener perpetually on their toes. Their raw approach demonstrates an omnivorous application of genre, and every sound contained herein is employed as a vehicle for release. Nominally for fans of Melvins, High on Fire, Unsane, 16, and Gojira, Balance will, frankly, sit quite well with any fan of extreme music who needs a soundtrack to facilitate the release of their pent-up frustration and rage.

ROOFTOP VIGILANTES

We accidentally became a band, now we tour and record records. oops!

MOUTHBREATHERS

“Dirty and sludgy garage punk from this bunch. A lot of low end in the sound, which I like, and my neighbors don’t. The guitar sound is thick and near-syrupy, though there’s some biting distortion to give it more of an edge. The vocals sound like they’re sung through a bullhorn, usually annoying, but it works here…” –Razorcake

KILL THE CIRCUS

Kill the Circus exploded onto the Chicago rock scene in 2012, gaining an instant fan-base with their single, Everything Will be Alright. They continued to fuel their popularity with a number of tours throughout the Midwest. Their genre-defying EP, Stress Sessions, boasted the collaborative efforts of Maxwell Steger, and created a solid following for the band with its release in January of 2013. In the following months, their undeniable charisma and stage-presence earned Kill the Circus new fans with every live show.

Entirely at home on a stage, lead singer Mark Wendell has devoted his life to music since age fifteen. He considers Kill the Circus to be his crowning achievement, and dedicates himself to the music with a passion that can only be described as religious. Wendell made the decision to form Kill the Circus when he noticed the raw talent of drummer Sean Fagan, while the latter was only seventeen. Along with guitarist Adrien Lestat, Cody Carpenter on bass, Kill the Circus proved their intuitive chemistry on Stress Sessions. Since their inception only a short time ago, the band has continued to produce music that eludes categorization without sacrificing natural appeal.

As Wendell himself says of the band’s sound, “When we started writing for the EP, we were inspired by so many different artists.” Their music blends together rock influences with hints of alternative and punk rock influences. Kill the Circus stands out with their commitment to an authentic sound, described by fans as one of the most addictive up-and-coming bands around. Kill the Circus is emerging as a force to be reckoned with in the rock music scene.

Though Stress Sessions highlighted not only Wendell’s skill and diversity as a songwriter, but also the band’s natural cohesion and talent, Kill the Circus has really found their footing through writing their new EP, to be released in early Summer 2013. With an already impressive influence for such a new band and unmistakable potential, it is hard to ignore the passion and drive of Kill the Circus. Their pure love of music comes through in every song, making Kill the Circus a powerful new addition to rock n roll.

FUNBRELLA

Funbrella is a breath of fresh air in the Jam Band scene. With an extensive catalogue of original material, as well as covers from the likes of Phish, the Grateful Dead and The Band, Funbrella bridges the gap between modern Jam Bands and their folk roots.

KWESI DARKO

Kwesi Darko of B-Boards Intl

DUANE POWELL

FAMILY ORDER

The Kreutzer Sonata

THE KREUTZER SONATA

Hailing from Chicago,IL, comes a hardcore punk rock outfit, writing songs of love, despair, overcoming hate, and creating your life in your own fashion. We do not hold back, and we sing honestly. We are The Kreutzer Sonata.

THE DESERT VEST

In the Summer of 2010, Lucas Price (vocals/guitar) found Mike Hanzelka (drums), Aaron Kramer (bass), and Tom Mooney (guitar). though a bulletin website. In the start of 2012, Aaron left the band and Tom switched to bass. Following a strong DIY ethic and through being part of the Minneapolis network of bands connected by zines and Internet band networks, they eventually came into contact with Merritt Benton, who mixed their 2012 record, Name To Be Determined.

BLASTOFF

For our Heroes: Giorgio Tsoukalos, Erich Von Daniken, Dr. Jessup.

Sep 12, 2011 in the First Level Human Dimension

European astronomers have announced the discovery of more than 50 new planets beyond our solar system, including 16 that are just a notch above our own planet in mass. They say their record-breaking findings suggest that more than half of the stars like our sun possess planets, and that many of those worlds are less massive than Saturn.

The pick of the litter is a planet that’s already been in the spotlight: HD 85512 b, a world at least 3.6 times as massive as Earth that’s located 36 light-years away in the constellation Vela. HD 85512 b is the only one of the 16 super-Earths on today’s list that is located in its star system’s habitable zone. That’s the area around a star where scientists believe water could exist in liquid form, which would make a rocky planet potentially livable.

HD 85512 b’s status came to light a couple of weeks ago in a paper submitted to the journal Astronomy and Astrophysics, but the team behind the discovery provided more details about that super-Earth and the dozens of other worlds in papers presented today at the Extreme Solar Systems II conference in Wyoming.

The findings came from the team behind the High Accuracy Radial Velocity Planet Searcher, or HARPS, which is installed at the European Southern Observatory’s 11.8-foot (3.6-meter) La Silla Observatory in Chile.

“The detection of HD 85512 b is far from the limit of HARPS, and demonstrates the possibility of discovering other super-Earths in the habitable zones around stars similar to the sun,” University of Geneva astronomer Michel Mayor said in today’s news release from the ESO.

Super-Earths, which range from Earth’s mass to worlds 10 times more massive, are of particular interest to planet-hunters because it’s thought that they could be even more conducive to the development of life than our own planet. When the search for extrasolar planets began more than 15 years ago, the telescopes used for the task could only detect giant planets like our own solar system’s Jupiter. Since then, the techniques and tools used for the search have become much more sensitive.

HARPS, for example, can detect the slight gravitational wobble caused by planets as small as Earth, if they have incredibly close-in orbits. HARPS’ observations of 376 sunlike stars has led the team to conclude not only that more than half of such stars are surrounded by planets (maybe as many as 70 or 80 percent), but also that about 40 percent of sunlike stars have at least one planet less massive than Saturn.
advertisement

One of the team members, Lisa Kaltenegger of the Max Planck Institute for Astronomy and the Harvard Smithsonian Center for Astrophysics, told journalists today that the latest round of findings marked a new age in the search for habitable planets.

“We are actually entering an incredibly interesting time in our history,” she said.

Keeping track of the habitables
ESO’s Markus Kissler-Patig said the discovery of HD 85512 b could be one of the first entries in “a good catalog of habitables” marked for further study. Kissler-Patig is the project scientist for the ESO’s European Extremely Large Telescope, or E-ELT, which is slated to be built over the next decade at a cost of 1 billion euros ($1.4 billion).

HD 85512 b “is in the zone where we can directly image it,” Kissler-Patig said, and that means astronomers could theoretically analyze its atmosphere for the signatures of life, such as the presence of oxygen, methane and water vapor.

The HARPS team members were able to figure out the minimum mass and orbital characteristics of HD 85512 b, but they couldn’t determine its density, composition or the nature of its atmosphere — which means astronomers will have to wait for the completion of E-ELT or similar high-resolution observing instruments to confirm that the world is truly habitable.

Francesco Pepe, a colleague of Mayor’s at the University of Geneva, said that the HARPS team’s discoveries include 10 worlds described in papers submitted to Astronomy and Astrophysics, including HD 85512 b, and 49 planets reported today at the Wyoming conference. Eight of the new planets were detected as part of the Swiss-led CORALIE search effort in Chile, he said. The ESO says this is the largest number of extrasolar planets reported at one time.

Pepe said the findings pointed up a fresh mystery for planet-hunters to ponder: the existence of a “planet desert” between low-mass worlds and gas giants. Relatively few planets have been found at a level around 30 times the mass of Earth. “It may point towards different formation mechanisms” for planets like Earth and Neptune vs. planets like Jupiter and Saturn.

HARPS isn’t the only instrument engaged in the search for extrasolar planets: Two space telescopes, NASA’s Kepler and the European Space Agency’s Corot, are detecting planets by looking for the telltale dimming of their parent stars. Kepler and Corot can determine how big a planet is, but they can’t tell how massive it is. In contrast, HARPS can determine the mass but not the size.

Unfortunately, Kepler can’t be used to confirm HARPS’ discoveries, nor can HARPS confirm Kepler’s. The good news is that the William Herschel Telescope in the Canary Islands is being outfitted for a HARPS North instrument that will begin operation next year and facilitate the follow-up of Kepler detections.
advertisement

Today’s revelations bring the official tally of extrasolar planets to 645.

Other findings from the Extreme Solar Systems II conference:
• Over at the “Dynamics of Cats” blog, Steinn Sigurdsson quotes Kepler team members as saying they have identified 1,781 candidate planets, with up to 27 of those confirmed. Among the reported candidates are 123 potential worlds that are less than 1.25 times as wide as Earth, and 121 that are in the nominal habitable zones of their parent stars.

Jon Lomberg

• Astronomers say they have observed brightness changes on a failed star, also known as a brown dwarf, that may indicate a storm grander than any seen yet on a planet. The stormy brown dwarf is known as 2MASS 2139.

“We found that our target’s brightness changed by a whopping 30 per cent in just under eight hours,” the University of Toronto’s Jacqueline Radigan said in a news release. “The best explanation is that brighter and darker patches of its atmosphere are coming into our view as the brown dwarf spins on its axis.”

Radigan is the lead author of a paper being presented this week at the Extreme Solar Systems II conference.

Since you read this entire post here is its significance, the same day we read this article we formed this group of musical expression. That’s synchronicity at its finest. If you can appreciate the information above, then you are family.

JORDAN-MORGAN LANSDOWNE

You might find that a definitive artist could be hard to find in an ocean of carbon-copied musical swarm, over saturated with glitz and glamour, driving the listener to focus deeply on the utmost punctual proverbial outrage consisting in today’s media. It has come to the attention of thousands that if an artist isn’t accepting approval in magazines, blogs or radio waves, then there could be no chance at success. If this were true, millions of artists would not have been, or still be discovered.

In this case, Jordan-Morgan Lansdowne, an American Singer/Songwriter hailing from Hot Springs, Arkansas showcases a platinum craft in the indpendent undergound.

Exceeding expectations, Jordan has been honing his craft for 12 years with some exceptions of playing under various monikers that have reached the attention of radio and record industry folk alike, including a studio collaboration which landed on MTV’s The Real World. Garnering attention from No Depression magazine readers to being noted as “Americana’s New, Cool Younger Brother” in 2011, Jordan was touring and recording under the name Parker Roads with Sony Music Entertainment affiliate label, A-Reaction Music Group and had experienced an uplifiting swoop of clear-channel radio play, extensive touring (150 shows in 2011), to magazine, radio, and television interviews.

In December of 2011, Jordan wanted to test the waters and his faith by announcing his real name and his musical career endeavors. Jordan’s new calling had been pursued and had been proven by signing with a bigger Sony Music affiliate, 7 Spin Music. The goal was to start a band using a new name called, Embers Of Brave, which was immediately reported on magazine websites such as HM Magazine and Indie Vision Music. The group had scheduled a promotional tour which landed dates in Arkansas and Oklahoma. Shortly after the tour began, the members of the group had disbanded and Jordan finished the dates performing solo acoustic. With much demand and urgency, Embers Of Brave was set to record with producer Daniel Webb and had recorded its album in Fort Smith, Arkansas. Shortly after the recording, Jordan received heart-breaking news that his Grandfather passed away.

Showing a quick response to this news, it was decided that Jordan was to return as a solo artist, setting out to write and record a record under his name and dissolving any attachments to the previous name. This decision almost became noticed as unstable and nearly ended his affiliation with 7 Spin Music but given the heartfelt circumstance, Jordan was able to renegotiate his contract and continue with a release with his label. Jordan had stated in online posts that he wasn’t dropping the Embers Of Brave name completely but that he also had no intentions or plans at pursuing the project until further notice.

“I feel I’m on the right path,” Jordan states, “There is no band right now so why carry on with a band name? — Good things are on the rise and I’ve got to continue doing what I’m doing. This is a time of reflection for me, a time to be myself. I take this as a way to start over and (take) a new approach to doing things the way they should have been the whole time. I don’t want to confuse myself or anyone else. I need to focus on this right now.”

As an up-and-coming independent musician, Jordan has encountered his fair share of obstacles and resistance through countless phone calls, emails, touring, tragedy, to being stranded in the middle of nowhere in hundred-degree-weather. Despite the setbacks, Jordan has never lost his passion for music.

PISS FACTORY

Rising from the bowels of hell (inner city Chi Town) comes PISS FACTORY- A tribute to Alice In Chains.
Blending the classic grunge metal sound and dual vocals of A.I.C, the group plays a mix of hits and deep
cuts including “Them Bones”, “Man In The Box” and others from the legendary Seattle band’s studio albums.
Expect a special spooky Halloween set full of zombie madness and detuned guitar jams to make your blood curdle!

ANDO EHLERS

“Imagine the Tiger Lillie’s on speed. They are already on acid right? Now add a handful of amphetamine. Ando came on the stage like a tornado; stomping his feet, twitching his face, rolling his eyes, frothing at the mouth and singing like he wants you to understand something really important. This was Death Polka! …This was hard core punk with a slice of polka, just enough to keep you guessing.”

-Carmen Ghia – Live Seattle: Music in the Clubs

BIG ONCE

Big Once, the Red Bull 3Style turntablist CHAMP:
In a scene where anyone with a laptop and some software can claim to be a DJ, it is Once’s world-beating turntablist skills, unique live remixes, and energetic stage show that set him apart from others. These qualities have afforded Once to perform alongside everyone from the Z-Trip to Roy Ayers, direct the Vocalo 89.5 FM DJ collective, and record with legends like Pete Rock.

ESPN LIVE REMOTE

ESPN Radio Personalities Live On The Air at Reggies!!