THE PLEASE & THANK YOUS
THE PLEASURE KILLS
THE POLKAHOLICS
THE POLYMER TWINS

THE PORN AGAIN CHRISTIANS
After years honing their craft in bands such as Swampass, The Porn Again Christians, Soy City Stranglers, Pork Chop Shifter, among others, MALT LIQUOR was forged in 2012 out of pure Rock ‘n’ Roll! These boys have collectively opened for such monsters as Iggy Pop, Fu Manchu, GWAR, Misfits, Nashville Pussy, Zeke, Supersuckers etc. As rock spewed forth from the three men in the band at all times, it only made sense they combine forces for the ultimate rock ‘n’ cock ‘n’ roll machine! They combine the cock rock of their forefathers such as The Stooges, The Dwarves, The Hellacopters, et al, with their own blend of white boy blues thrash. Recordings are in the very near future, but for now ya gotta catch ’em live!
THE POSITIVES
THE POUSETTE-DART BAND
THE POW WOWS
THE POWERCHORDS
THE PRALINES

THE PREP SCHOOL TRAGEDY
Armed with enough adrenaline to rival any current touring act, The Prep School Tragedy have quickly broke out as one of Chicago’s premier Industrial/Alternative collectives. Led by two front men, Benn “TranQ” Guy and Michael “Ignited” Hodes, the band has become notorious for its controversial live performances that include scantily clad cheerleaders, known only as The Squad. Rebelling against main
THE PRIMERIDIAN
THE NERVE SCHEME
THE NEUTRON BOMBS

THE NEW DIET
meat sweats
THE NEW MESSENGERS
THE NEW UP
THE NIGHT BRIGADE
THE NIGHTBEAST

THE NIX
The western-tinged metal cousin of At The Drive-In.
THE NOBBS
THE NOIR DOLLS
THE NOISE FM
THE NOMINEES ARE
THE NON-BELIEVERS
THE NOTHINGHEADS
THE NOVEL IDEAS
THE NUMBER 12 LOOKS LIKE YOU
THE NUMBERS

THE O’MY’S
The O’My’s are the new sound of Chicago Soul. Rising stars in the midst of a Chicago music and cultural renaissance, The O’My’s have recorded and shared stages with Chance the Rapper, Wyclef Jean, ZZ Ward, Ab Soul, Twista, NoName Gypsy, Mick Jenkins, Save Money, Yo Yo Ma, and Kids These Days. A multi instrument, multi-ethnic crew, The O’My’s are led by co-founders and songwriters, singer/guitarist Maceo Haymes and keyboardist Nick Hennessey. The crew’s rhythm section is comprised of bassist Boyang Matsapola and drummer Barron Golden. Erick Mateo on sax, William Miller on trumpet, and J.P. Floyd (formerly of Kids These Days) on trombone complete the horn section. All Chicago natives, The O’My’s sound captures the tremendous love, pain, warmth and bitter cold found in the city’s streets. Delicate arrangements, a pounding rhythm section and soaring horns provide a perfect home for Haymes’ commanding, smokey rasp and smooth falsettos. Drawing from Chicago’s rich musical traditions of blues, jazz and rock, The O’My’s pick up where their musical forefathers left off, taking Roots Rock’n’Soul to the present. The O’My’s are now in studio recording their third project, Keeping the Faith, a Psychedelic Soul record slated for release in the late fall of 2014.
THE OBSTACLES
THE MENZINGERS
THE METAPUFFS

THE METHADONES
A good band name always gives the potential listener some idea what sort of music to expect. (Bad band names are ones that mess with those expectations: a certain artsy-jangly guitar pop band of the early ’90s would have been much more successful had they not been called , which sounds like the name of a scabrous hardcore act.) Chicago-based pop-punk band the Methadones is an excellent case in point: methadone — not to be confused with methamphetamine, aka crystal meth — being the drug prescribed to recovering heroin addicts who are attempting to get clean through a rehab-type regimen, the listener immediately expects world-weary, sadder but wiser punk rock, perhaps with a rootsy edge, not unlike the best of or . The Methadones deliver in full on that promise, but also add a bubblegummy power pop side to their music that makes them equally attractive to fans of the post- cadres of mall punk bands.
THE MIDNIGHT MONSTER SHOW
THE MIDWEST BEAT

MIKE MICHALAK BAND
Mike Michalak – Singer/Songwriter/Producer/Guitarist.
Mike is a fixture in the Chicago music scene.
Since the age of three he has always been singing and playing guitars to the point of an obsession. Mike decided to become a songwriter- guitarist and since has been able to collaborate with some of the top artists in the Chicago-land area.
His disc “Big Plan” has been featured on many
radio stations across the US and is streaming across the universe.
Go get the new CD “Super Pig” out now!
Look for Mike and his band of musical mo-phos to erupt into something special….STAY TUNED INTO THE ENERGY!
THE MILES BETWEEN
THE MILLIONS

THE MINNEAPOLIS HENRYS
Hello, we’re The Minneapolis Henrys (as opposed to those Westchester Henrys). We’re on a mission to find our rock n’ roll family. Here is our story:
In the cut throat culture of the new world aristocracy, The Minneapolis Henrys were cast out by their well-to-do family for possessing what Robert Murdoch, patriarch of The Horse Shoe Lake Henrys, deemed “a rebellious and incorrigible spirit that may very well sully the Henrys’ name for the rest of our days.” Not content with the stuffy, button-down lifestyle of their forefathers, the MPLS Henrys set out to find a better way. The four members of The Minneapolis Henrys met during a high society bank heist, a move intended to fund their coup of the Henrys’ aristocracy. However, the four found themselves making quite a lovely racket together, and decided to take an approach pioneered by heroes of the underground culture like Bob Dylan, The Replacements or The Pixies; they decided to rock. Rock hard. And so the four of them spent some time together, learning each other’s musical strengths and sensibilities, recorded their debut album “The Way of the Albatross”, and struck out into the great unknown to spread their brand of genre-skewing rock n’ roll. Facing the darkness with pure hearts, The Minneapolis Henrys’ goal is to grab your ears, move your feet and win your heart. So please, listen, dance and love.
THE MIRROR STAGE
THE MISSION CREEPS
THE MO-ODDS
THE MODERN SOCIETY

THE MONGOLOIDS
THE MONTAUK PROJECT
THE MOSES GUN
THE MOST GENUINE EXPRESSION
THE MOVES
THE MOXY
THE MUDULLARY RAY
THE MUGGS
THE MUSTARD MEN
THE MUZZLER

THE NADAS
The Nadas are Iowa’s signature alt-rock-country band, selling more than 200,000 albums through their own label, Authentic Records. Singers/guitarists Mike Butterworth and Jason Walsmith, bassist Brian Duffey, and drummer Brandon Stone mix country, rock, alternative, and indie with flawless songwriting and catchy melodies for a crowd-pleasing experience.
THE NAMES THAT SPELL

THE NASHVILLE WRECKERS
THE NATURAL
In the Chicago music scene today, it seems like you’re forced to be content with stale powerchord rooted melodies and ambiguous, insincere guttural screams. Up until they heard The Natural, nobody realized that was a problem. The Natural has left stale and rotted two-note chords and melodies for fresh tonal harmonies and ripe indie pop perfection. They’ve decided to share vocal duties with three singers in a genre where a band’s lead singer is their be all and end all. Even the power of their dual jangling guitars, thick bass drops, and saucy drums can’t undermine the honesty of their lyrics, much less the dangerously catchy vocal melodies they’ve crafted. All of these attributes amount to an emotionally charged four piece that brings down the house. It’s the sound of Say Anything having a bad breakup with Brand New while they’re being comforted by Death Cab for Cutie. They’re not only trying something organic and original, they’re making music that’s, all puns aside, natural.
THE NEGLIGENTS
THE LILIES

THE LINDEN METHOD
Formed in Chicago IL in 2009 The Linden Method pulls from the various elements of punk, pop-punk and hardcore to create an aggressive and refreshing new sound.
THE LISTENING ZOO
THE LITTLE GIANTS
THE LIVERS
THE LIVES OF FAMOUS MEN

THE LOCALS
The Locals are a three piece, alt-pop, indie rock band based in Chicago. You should heart us real hard.
THE LONELIEST MONK
THE LONESOME HEROES
THE LORIMER SOUND

LOST CARTOGRAPHERS
With their songs of traintracks and setbacks, leaving and longing, the Lost Cartographers fit well into Chicago’s always vibrant alt.country and Americana scene. But check out one of their shows and you’ll discover a sound that lives in the margins of half a dozen genres, from the melancholy beauty of “Metronome” and “Killing Time in Nashville” to the hillbilly stomp of “Goodbye Ohio” (on which drummer Jason Haaheim plays a metal washtub), and from the retro folk-rock of “Walk On” to the the feedback-soaked psychedelia of “Golden Record.”