Los Vicios de Papá drops immigrant beat with a passion for reggae, ska and cumbia. Our lyrics stem from our struggling &undocumented youth experience. LVDP was born out of a crumbling public education system and failing immigration policy in Chicago’s Back of the Yards hood.
In a time when Disney rules the Billboard Hot 100 and electric guitars seem to be nowhere in sight, the future of rock n’ roll music certainly seems bleak. In the ashes of what seems to be a lost art form, countless bands and fans across the world struggle to revive some semblance of the music they love. However, as the musical climate continues to change, it seems as though fans are hungry forthat same excitement that only timeless rock n’ roll can provide. LOVEBLAST from Chicago, Illinois is ready to deliver just that. . .
When it comes to songs, LOVEBLAST does it all! From the arena-ready bombast of “Harder & Faster,” and “Things That Bite,” to the 1940’s flavored musings of “Goodbye My Darling,” it all sounds like LOVEBLAST, and it all kicks ass! No matter what approach the band takes, LOVEBLAST songs boast huge choruses and AOR Hooks galore. In addition to their high caliber songwriting, LOVEBLAST’s music showcases the blistering and passionate guitar work by what is likely to be the next great guitar duo, Brian Durbin and Brian Gilmanov. The songs are locked down by a powerhouse rhythm section that features the raunchy, grooving bass lines of Johnny Rox, and the hard hitting drum talent of Jeff Dewbray. Durbin’s heart for rock n’ roll music and vocal delivery provides a unique touch, updating the band’s sound and separating them from just another 80’s rock revivalist band. Whether it is communicated through live performance, or the band’s exceptional debut album, all of these elements are delivered with the grit and conviction of any legendary rock n’ roll band.
Most of all, LOVEBLAST is all about fun, and high-octane performance is what LOVEBLAST does best! After witnessing her first LOVEBLAST concert in January of 2010, Gina Planell, writer/photographer for Chicago’s Rock, reported, “They are wickedly sensational, a ticking time bomb, a love drug, and an explosion all in one. I understood the name ‘LOVEBLAST’ immediately.” Above everything else, LOVEBLAST’s goal is to ensure that everyone in the crowd leaves with a smile on their face, and that is why the band has no issue with living up to the phrase, “The Hottest Band in Chicagoland,” night after night.
LOVEBLAST are breaking down walls internationally as well as locally, infecting audiences everywhere with their unique brand of rock n’ roll. The band is currently supporting their debut album, recorded by Chuck Macak of Electrowerks Music Production, and it is receiving excellent reviews all over the world. The ballad “Goodbye My Darling,” was listed as one of the songs of the year for 2010 in the annual Rock Realms Awards.
With their infectious songwriting and stunning on-stage performance, the sky is the limit for the future of LOVEBLAST!
Legions of Raum is a Chicago based Metal band signed with Dark Harvest Records.
At the start of 2009 the band entered the studio to record the first album,
” Burial Content”, which was released later that same year.
In 2010, the band gained a new vocalist followed by new management in 2011. That same year, the band entered Joy Ride Studios, and collaborated with Grammy winner Nick Ledesma who produced, engineered, and mastered our second album, “The Great Beast Evolved” which quickly caught the attention of various radio stations around the globe, including the honor of having our own station on Pandora Radio and endorsed by the premier speaker cabinets, Titan Cabs. Our song “Hands of Fate” was featured in the independent horror film “The Leaf Blower Massacre.”
We currently released our full length cd, Fruition late January 2016.
Classically inspired riffs, pile driving speed drums, and growling lead vocals create an intense overall sound for this steadily rising band that execute a high energy performance not only heard on our recordings,but as well as in our live performances our music can be heard through various internet and FM stations along with Spotify, Rdio, and Pandora. Our cd’s may be purchased through iTunes, Amazon, live performances, CD Baby or the online store through our official Facebook page.
Lights Over Bridgeport is a rock band formed by four friends who grew up on punk rock and metal. We write music for anyone who aspires to make a better life for themselves and the ones they care for. Through wholesale lineup changes and personal tragedies we have continued to make music that we believe in with all our hearts.
Like Rats is a death metal band from Chicago.
“besides having one of the best band names, LASERS AND FAST AND SHIT also have one hell of a propulsive fiery art damaged punk sound……..
mix in the brash angular punk of LES SAVY FAV, the garage thump of the MISTREATERS, the hardcore thrash of DOUBLE DAGGER and the noise riffing of DRIVE LIKE JEHU…. and maybe throw in some BIG BLACK, NATION OF ULYSSES and JESUS LIZARD for good measure….. what you get is some of the most engaging hardcore tinged punk rock that doesn’t follow those boring old formulas……”
-Tiny Grooves
Their unique sound of underground bluegrass imbibed with their roots in punk and metal is a loose bull in a china shop. This clash of genres that they have dubbed “Brutal-Grass” has quickly earned them a name in the scene.
Last False Hope are some city slickers from the mid-western suburbs of Chicago. Their unique sound of underground bluegrass imbibed with their roots in punk and metal is a loose bull in a china shop. This clash of genres that they have dubbed “Brutal-Grass” has quickly earned them a name in the scene. The band was cooked up by Jahshie P. A long time veteran in the Chicago music scene, best known as the former frontman of Failed Resistance, My Vengeance and later, Neverland. In the past few years, Jahshie P. developed an intense interest in country western and blue grass music, along with his new found passion of the mandolin. Come the Summer of 2009, his new skills began to translate into songs. His first step was to bring his wife, Kristina Nutting, a new comer to the Chicago music scene, along for the ride. She would rapidly warm up to the banjo. Quick to the draw, they set forth to include a track to the Outlaw Radio Compilation, volume one. To fill in the blanks, they recruited Producer, Shawn Connors, best known as the drummer of death metal band, Bound And Gagged and later, Jashie P.’s band mate in Neverland, as well as a number of other fly-by-night acts. To fill in the line-up, Arcadia Kust on fiddle, Sean Moriarty on guitar and Dave Beneventi on bass from a local irish punk act, The Fisticuffs, as well as former My Vengeance members, Steve Stepien on drums and David Wiegers, who also played guitar in Neverland. This line-up would go on to record “Two Dollar Pints” for the comp. Over the course of roughly the next year, the seven of them would go on to write more songs and play several shows Come September 2010, they re-enlisted Shawn Connors to begin work on the debut EP, “The Shape Of Blue Grass To Come.” Four songs, “Giving Up God For Lent,” “Drag Me To Hell,” “You Drink, You Drive, She Wins” and “Dying and Diseaed” would make the final cut. The EP was released on March 1st through Pint Of Happiness Records. After the conclusion of the “The Shape of Blue Grass To Come” sessions, Sean, Arcadia and Dave B parted ways with the band. Shawn Connors has since joined to fill the open guitar position, along with Scott Farruggia, also from Bound And Gagged and Neverland on bass and friend of friend, Colleen Mary on fiddle. The new line-up was debuted on a track for the Southern Independent, volume one compilation, titled “Guilty Until Proven Innocent.” They new line-up is currently working on a versus split with Nellie Wilson & the Hellbound Honeys on Jahshie P.’s own, Solitary Records. Since their their inception, l/f/h has shared the stage with the likes of Star Fucking Hipster, Those Poor Bastards, .357 String Band, Hellbound Glory, The Goddamn Gallows, Rachel Brooks and Six Gun Britt. They were also, named the Best Country Bandin the Chicago Reader “Best of Chicago 2011” reader’s poll. They will continue to play shows with the line-up in support of “The Shape Of Bluegrass To Come, while crafting new material for a debut full length, hopefully to be released in early 2012.
Beckoned by the dulcet tones of violin, bass, and the female voice spiraling through the darkness, the stranger was helplessly drawn towards the last lit trailer in camp that seemed to have sprung forth from another time. This chance meeting’s outcome: lePercolateur.
Fueled by coffee black as the night the musicians played ’til the sun began painting the eastern horizon red, and carnivale rose ’round them from the ether.
Winding their caravan through the windiest of cities, lePercolateur has spent the time since this fateful night sweeping in to transport concert-goers to a time where music was a liberating and cathartic respite from persecution–where the frenetic energy of struggling to simply ‘be’ coalesced with the unbridaled spirit of gypsy music and burgeoned into swing dancing.
The coming Spring of 2012 finds lePercolateur slated to release their debut album as the latest band to join the Chicago Sessions record label. Between now and then, many more are sure to wake from a dreamlike daze wondering in which year they find themselves, and wishing it was what their senses told them.
“a sly and surprising gypsy-jazz quintet who apply that idiom to modernistic pop tunes, as well as vintage jazz composition” – Neil Tesser, Chicago Examiner
lePercolateur – Chicago’s hipster gypsy-jazz
After being welcomed into the Hellcat family in 2005, the group released their debut full-length, the ska-punk classic “Lonely Starts and Broken Hearts”, then followed it up with their diverse sophomore LP “Dead American Radio”. Sights set on a more cohesive third album, the band began working on and practicing the first incarnations of what would become the self-titled effort, then time off from their touring and rehearsing schedule.
“The band had been touring constantly, but after our January tour we took a long break, which is something I’ve never gotten to do before,” says front man and founder Elvis Cortez.
Cortez occupied his time off with a stint filling in on bass for several Unseen tours, after which he looked at the songs with fresh eyes, helping the direction of the album come together before ever entering the studio.
“I got to come home and start putting things together, and wrote all these songs specifically for this album. I didn’t want to rehash old songs, or play songs we’ve been playing forever. I wanted music for the moment.”
The time away worked towards the band’s advantage and helped make the record the most cohesive group of songs to date. While Dead American Radio offered fans a large variety of styles to choose from, the latest effort has meshed into one polished and progressive sound, with personal lyrics and a commitment to give the fans something to salivate over, and silence the critics they care so little about.
The break from touring also gave Cortez time to finalize the new lineup, adding Kiel Gesicki on drums and Nick Danger on bass, tightening up the group’s sound.
The first single off the record, “3 Bottles of Wine”, represents the new dynamic of the group and the album, with an addictive sing along chorus, still in the tradition of the band’s previous fan favorites but on a new, higher level.
Fans of Left Alone’s distinct ska sound need not fear, the band hasn’t forgotten their old signature and features it on the made-for-skanking romp “Sad Story”, dealing with true life events living within the confines of gang-infested Wilmington.
Radically changing the personal tones of the album is the politically charged “Bombs Away”, dealing with the rampant destabilization of Western civilization. The song is a stark departure for Cortez lyrically, and deals with subject matter usually non-existent for Left Alone.
“The album to me sounds like one full project, each song compliments the others,” summarizes Cortez. “I feel like these are the best I’ve written and have the best production value, and a lot of that comes from going and living in the studio.”
The group left Wilmington for almost a month to head to a studio in Fontana, a rural town in the Inland Empire, with limited distractions and a complete focus on recording the album with the same audio engineer who worked with the band on Dead American Radio.
With solid months of touring lined up, and their new album slated for a March release, the band shows no signs of slowing down or letting grass grow under their TUK-clad feet. Left Alone has always walked the road less traveled by, and without a doubt, it’s a road with no end in sight.