WHISKEY RIOT
WHITE BUFFALO IS BORN
WHITE CHAPEL
WHITE DEVIL
WHITE HOT KNIFE
WHITE TIE AFFAIR
WHITE WIZZARD
WHITE WOLF SONIC PRINCESS
WHITEY MORGAN AND THE 78’s

WHO’S THIS MARY
Who’s This Mary? are a modern beat combo that live and breathe in the Chicagoland area. Performing tip top original power pop as well as inspired cover versions of Britpop and other classics from 60’s to present day. Their sound consists of bright melodies, tight harmonies, upbeat guitar work, and a healthy respect for catchy grooves. Known for their dedicated cover versions they have fully tackled The Jam (as their alter ego “ALL MODS CONNED”), The Beatles and now The Cure.
WHOJAHSAY
WHOLE WHEAT BREAD

WARHELLRIDE
Punk Rock has always been about looking through a situation and seeing what’s really going on and not the smokescreen that’s put up around everything. It’s easy to forget this, especially when the scene rigidly builds barriers around its so-called “Elite” and is tainted by corporate/mainstream conformity.
Warhellride is a Chicago based rock quartet fusing the influences of classic punk rock, alternative, hardcore, folk, and shimmers of indie rock to the fold. They combine earnestness with pop sensibilities, rounding it off with walls of rambunctious instrument volume, acoustic rhythms, angsty yet emotional vocals and crafty drumbeats while maintaining a sense of honesty, awareness and storytelling aspect in their lyrics. What comes out of their instruments sonically may not always exude the public’s stereotypical ear and definition of a punk rock band, but their spirit and attitude strongly suggest otherwise.
WARMOUTH
WARREN BUCKLER

WARSAW POLAND BROS
WARSHIP

WASTE
punk/rock’n’roll
WASTE BASKET
Blasting forth from Chi-Town is Waste Basket, the ska punk super heroes coming to save you from bland and boring music. People everywhere have been talking about Waste Basket, and their crazy antics. With their ridiculously energetic live shows; they have opened the door for their new style of ska punk mayhem.
WASTED FORTUNE

WASTELANDER
Wastelander is a 3-piece post-apocalyptic Castle-Punk black rocknroll metal band hailing from Michigan, the land of forests and rust.
THE SAGA OF WASTELANDER
…all started in the beleaguered urban-outpost of Lansing back in 2006, when high-tech low life, Matt War, started writing Fallout-inspired tunes after the leaving his previous band, the NWOBHManiacs, Harbinger for being way too maniac.
With a tape full of riffs, Matt got together with Sean ‘Xaphan’ Peters (Formerly from Summon/ Masochist), and the two put together a 6-song demo over the nuclear winter of 2006/2007, using a drum machine.
Response to the demo was immediate and ravenous, with various smaller labels releasing limited tape copies, and 4 of the songs being pressed to vinyl for the ICBM 7″ EP (Bermuda Mohawk).
After playing their first show, accompanied by a digital playback of the drum track, Wastelander was approached by rogue resident skin-pounder, Ian ‘Pitviper’ Sugierski, who offered his services.
Now a fully functioning unit, the band got to work recording their debut album, ‘Wardrive’, featuring all new songs as well as some re-recorded demo tracks. Wardrive was released by Chris Black of Superchrist/High Spirits in 2008 on his Planet Metal label, and soon began radiating glowing reviews online, in various fanzines, and even the pages of the late Metal Maniacs.
Things came to a halt in early 2009 though, after Ian was kidnapped by a Warlord calling himself The Dutch Hercules, who demanded a ransom of 6 cases of Dinty Moore beef stew.
Since it would take some time to get that kind of scratch together, reinforcements were called in and Louie Axe Ripper, was brought in for cover fire. After a few furious rehearsals and shows, recording started on Nuke ‘n Puke, a split 7″ with Japan’s sexdrinks&metal masters, Abigail.
The record was meant to be released Fall of 2009, but a copyright dispute with the pressing plant over sound clips from the 1986 film, Trick or Treat would delay it for nearly a year.
In the meantime, Pitviper escaped from the sweaty clutches of The Meatmen, and a Spring 2010 tour was solidified. With the vinyl release in limbo, Wastelander put out the split as a tour-only cassette under their own ‘Waste City’ label.
The trek to the East was a harrowing, yet successful journey, despite the Battletruck being temporarily confiscated by a Liquidation Squad in the northern sector of the Philidelphian ruins. Making a triumphant return to Michigan, they hit the ground running writing new songs and making the cover of the local indie rag mag, Revue.
Unfortunately, due to mutant attacks, hardware failures, and crippling Jet addiction, the band made a strategic retreat, playing their last show on May 5th with Midnight and Acid Witch. Pitviper stayed active, playing with Dawnbringer, High Spirits, and Cemetery. Xaphan continued with his long running solo project, Dark Psychosis, and eventually took over vocal duties for Cavalcade. Matt War was placed in cryogenic stasis after a bout of radiation sickness, and the saga of Wastelander appeared to have come to an end.
2014 AD: An underground fracking explosion severs the power to the cryonic chamber, causing emergency systems to kick in and execute wake up procedures. Confused and suffering from Hibernation Sickness, Matt War stumbled into the frozen Michigan wasteland, which had recently been decreed a Violent Zone by the ruling emergency city managers.
Narrowly escaping a Rapid Death from exposure, Matt ran into Xaphan at the local Nekrodome where he was fighting feral ghouls for caps. Using a transceiver made out of e-waste and nokia phones, they made contact with Pitviper, who had been forced to flee Detroit over a bad VHS deal.
Reunited and rearmed, the trio picked up where they left off, recording a new 8 song demo in a sunken basement. With full HP and higher stats than ever, Wastelander rebuilt the Battletruck and dusted off the gas masks, ready to record the new album in June and hit the High Fatality Intercontinental Freeway in August, with all new merch and shirt designs.
Wastelander has played sweaty house shows with Toxic Holocaust, Midnight, Shitfucker, and Nekrofilth, and shared the stage with Mayhem, Nachtmystium, and Harbinger.
WATAIN
WATCHOUT! THERES GHOSTS
WATERBABIES
WATERSTREET
WAVES OF AMPHITRITE
WAXEATER
WE ARE THE FALLEN

WE ARE THE UNION
Unhappy with the current state of ska music, We Are The Union decided to stick out their own necks and tried to change things for the better in the summer of 2005. Getting a paycheck is not on their agenda. Instead of following typical ska punk conventions, WATU takes a harder-nosed approach to the genre. With influences ranging from Philadelphia/New Jersey favorites Lifetime and Kid Dynamite, to bands like Slapstick and This Is A Standoff, they rage with the best of them while still retaining a heightened sense of melody.
WE ARE WARWICK DAVIS
WE ARE! THE NEW YEAR
WE DRIVE YEAH!
dyPHkrdTYmk

WE MAKE THUNDER
“We Make Thunder–yes, it’s a declarative statement. After all, it ought to be. Because, you see, it’s what they do. And We Make Thunder does not mince words. “Well, what type of thunder do they make? What does thunder constructed by them entail?” Well, the best way to determine the answers to these questions is to take a listen, but if we must… The base is country-stained punk or it could be punk-tinged country, but let’s eschew the arbitrary and call it rock ‘n’ roll. They’re an unassuming band of hellions. This is no more evident than in one of their favorite catch phrases. They’re known to quip, “We’re good for the no reason.” There you have it. They’re interested in everybody having a root ‘n’ toot. Yes, they know that one day their rock will take over the world, but for now, they’re satisfied winning over the folks watching them make their thunder this night. They’re a tolerant, accepting bunch. Upon seeing them live, you’ll become one of them, singing and shouting along, “We Make Thunder!” -S.B.
WE SHOT THE MOON
WE SHOT WARHOL
WE THE GRANADA
WE WERE GENTLEMEN
WE WILL EAT RATS TO SURVIVE
WEDNESDAY 13’s GUNFIRE 76
WEDNESDAY ADAMS
WEDNESDAY NIGHT HEROES

WEEDEATER
Weedeater was born the mid-’90s, in Wilmington, NC, originally taking shape as a side project of vocalist/bassist “Dixie” Dave Collins, who was otherwise engaged with sludge metal cult favorites Buzzov*en at the time. However, upon that band’s official demise in 1998, Collins was free to concentrate his efforts on Weedeater, which released two sludgecore albums to kick off the new millennium: 2001’s And Justice for Y’All and 2002’s Sixteen Tons, both produced by stoner specialist Billy Anderson. Collins later decided to tour briefly as bass player for Bongzilla and also found time to lend his four strings to Wilmington neighbors, Sourvein, but continued to work with Weedeater guitarist Shep and drummer Keko, touring relentlessly over the years, with the likes of C.O.C. and Alabama Thunderpussy. Busy as he was, Collins and co. finally got around to recording their third long-player, God Luck and Good Speed, which was release through Southern Lord in 2007. ~ Eduardo Rivadavia, Rovi
WEEKEND FM

WEEKEND NACHOS
We like taco bell and white castle.

VITAL REMAINS
Death / Black Metal from New England, featuring Glen Benton from Deicide.
VITALLIGHT
VITAMIN D
VOETSEK
VOGUE
VOICE BOX

VOICE OF ADDICTION
Voice Of Addiction are politically charged and socially conscious Chicago based punk-rockers. V.o.A. has been around since 2004 doing over 1,500 shows across North America. Having 8 official releases & independently selling over 10,000 physical copies (as well as being involved in countless compilations, and digital sales) these boys have proven they are a force to be reckoned with. V.o.A. has been featured in the video games Skateboard Party 1-3, Snowboard Party 1-2 & Playbook. A feature length documentary on V.o.A. entitled “Punk Band” is out on all major outlets. The new full-length “Divided States” was released 8/5/22. The Video for Shinigami was just released & WON Chicago Indie Music Awards. And we are about to release another video for Division Complex.
VOLUNTEERS

VOODOO GLOW SKULLS
In their 24 years of existence, the Voodoo Glow Skulls have an impressive list of achievements. 9 albums, one million records sold, appearances in exotic locations like Brazil and Japan as well as the creation of a record store, record label, recording studio and a music venue attests to the remarkable creativity and energy of the band. Formed in 1988, Voodoo Glow Skulls meshed hardcore punk, traditional ska, tough guitar riffs and the Mexican music of their roots to create the prototype for the West Coast ska-core sound. Unflinchingly honest, their songs often used humor to comment on harsh political realities – from racial inequity to unrest overseas. Singing in both Spanish and English, Voodoo Glow Skulls’ bilingual musical tradition has been a hallmark of the band since they began.
The core of the band since the beginning has been the three Casillas brothers, Frank, Eddie and Jorge. With a list of accomplishments that might make some bands ready to slow their pace, the band shows no signs of slowing down. Voodoo Glow Skulls dubbed their sound “California street music” – a perfect description of their high octane mix of rock, punk, ska and hardcore.
Voodoo Glow Skulls 9th studio album “Break the Spell” was released on January 17th on Smelvis Records and is available now!
Current Line Up:
Eddie Casillas-Guitar
Frank Casillas-Vocals
Jorge Casillas-Bass
Vince Sollecito-Drums
Mark Bush-Trumpet
Dan Albert-Trombone
VOODOO JONES ACOUSTIC DUO
VOODOO JONES ACOUSTIC TRIO
VOODOO MONKEY CHILD
VOODOO ORGANIST
VOODOO PILOT

VORTIS
Vortis is an ultra-concentrated, old-school explosion of second wave punk rock ruckus. Their sub-two minute songs epitomize Chicago punk rock and feature all of the hooks with with none of the frills.
If playing the sub-sub-genre game, this Chicago three-piece belongs in the punk-before-industrialization section next to bands like Naked Raygun, Dwarves, and Hüsker Dü. This trio requires no coasts for their wave of punk rock, only those big throaty guitars and throat-shredding vocals with pointed messages anxiously crafted for the latest round of geopolitical oblivion.
VYLE of FLOSSTRADAMUS
W.W. LOWMAN

WACO BROTHERS
“I’ve never been able to find a live band in New York as consistently thrilling and funny and fun as the Waco Brothers.” —Author and former Chicagoan Sarah Vowell interview on the Chicagoist.
Ladies and gentlemen, quite possibly the best live rock band on the planet. We’ve seen them a hundred and sixty seven times, and the Waco Brothers never fail to entertain with their train wreck approach to country. Subtlety is for the weak, so they’ve chosen the path of optimum mayhem and tomfoolery. In their rollicking career, they have been called everything from the flagship act of the alternative country “movement” to pure butchery. Both are likely to be correct.
The line-up, in case you haven’t been paying attention: Jon Langford (Mekons, Pine Valley Cosmonauts), Joe Camarillo, Alan Doughty (Jesus Jones), Deano (Dollar Store, Wreck) and Tracy Dear (World’s Greatest Living Englishman).
In a world of corporate-sponsored tours by lame-o alt-rockers complaining about their hotel suites and “country” stars who owe more to Boston than Bakersfield, the Wacos go out every night and play as if their lives depended on it. Their shows at SXSW and CMJ are legendary, and every year threaten to actually collapse under the weight of their runaway brilliance. If you’re not drunk, sweaty and out of money at the end of one of their shows, then brother, we pity you.
“…and dancers of all stripes jumped into the uproar on the tiny platform of a stage, seemingly destroying the barrier between band and audience. As the last bits of the tumultuous sound faded away, the crowd picked up the slack, cheering with all their might. A feeling of exhilaration permeated the air, leaving all assembled smiling the knowing smile. They’d been to rock & roll nirvana, and life just couldn’t be any better.” —Austin Chronicle SXSW
Their mix of hellfire country and mournful punk truly inspire. They are working to save music so you don’t have to.
“The band’s songbook is filled with political parables fused to a lost highway aesthetic and loads of black humor… pass the bottle and turn up the jukebox.” —Time Out Chicago
“What makes the band a force to behold live is their refusal of subtlety. With three lead singers, a three-guitar lineup and a punk rock rhythm section, the band commits at a high level and rarely relents.” —The Daily Herald
“The Wacos infuse lefty outrage into rollicking roots songs that lambaste Bush, Christian conservatives, commercial radio, and society in general enough to please any political hardcore band.” —Onion A.V. Club
WAGON LOADS OF BONES
WAITING FOR SIGNAL
WALKER FEATURING AARON WEISTROP
WALLY DOGGER
WALRUS
WAR OF AGES
WAR SAW

WARBRINGER
Modern thrash titans WARBRINGER are thrilled to announce their highly anticipated new album, Wrath And Ruin, out March 14, 2025 via Napalm Records. With 20 years of history and millions of cross platform streams in their wake, ‘best of the year’ nods from the likes of Loudwire and Consequence on 2020’s Weapons Of Tomorrow, and now gearing up for a massive European tour with Decapitated and Cryptopsy this spring, WARBRINGER is poised for their next global assault with their seventh full-length studio release.
On Wrath And Ruin, WARBRINGER continues their furious assault against the powers that be with eight new explosive rippers lyrically focused on inspiring listeners to recognize strength in numbers and actualize their class power. The album features pristine production by Mark Lewis, famous for his work with Cannibal Corpse, Trivium, and The Black Dahlia Murder, mastering by Justin Shturtz (Testament, Sepultura, MachineHead), and album art by the legendary Andreas Marschall, famous for his work with Kreator, Obituary, and In Flames amongst others.
Alongside the album announcement, WARBRINGER have unleashed the breakneck speed metal ripper “A Better World”, lambasting ignorant optimism with forked tongue. The track arrives with a high octane official music video.