Harmonica Hinds can be heard as a band leader. He can be heard as a duo being accompanied by a guitarist or he’ll do solo performances with guitar and harmonica. Sometimes he accompanies other musicians in their bands.
Alternative hip hop artist, Johnny Polygon, hails from Tulsa, OK and currently splits his residency between LA & NYC. With early collaborations with Nas, KiD CuDi, Dead Prez & Green Lantern, Johnny Polygon had a strong impression on the press while his solo material developed. His First mixtape, Rebel Without Applause, featured a breakout video for his single, “The Riot Song” which premiered on MTV2. It later
fell into rotation on MTVU, VH1 Soul, BET Centric. In Nov 2010, the Catch-Up mixtape dropped in partnership apparel brand, Orisue. That release touts a decade of his signature song writing style dating back to age 17. It also features notable collabs w/ Nas, Adele, Kid Cudi. The Catch-Up mixtape precedes an EP, Wolf In Cheap Clothing sponsored by 2DBz & DJBooth in Dec 2010. Busy in the studio, Johnny
has two projects ready to ship: a mixtape, Safe Word and his debut album, Pussy Gun.
T.S.5 is a musical experience like none other. This jazz/funk band melds feel good grooves with improvisation to create music that is good for the soul. Featuring some of Chicago’s most talented instrumentalists, Drummer Jonathan Marks, Keyboardist Andrew Toombs, Saxophonist Rich Moore and Trombonist Luke Malewicz. T.S.5 has played many major Chicago and Midwest venues including The Green Mill, Martyrs, and The Taste of Chicago.
The Woman,The Music,The Magic,Queen Cheba is on her way to Becoming one of the Most Prolific Female MCs to Ever touch the Mic and grace the stage,giving her gracefulness and giving back her appreciation by Performing for People around.The World!!!!!!! It”s ROYALTY
V.I.R.U. hits the Hip Hop scene with a raw narrative flow focused on critical aspects of his life experience – such as his upbringing on the Eastside of Chicago. Growing up in a drug addicted household and surrounded by the influence of the streets. V.I.R.U. was swept into the hustle at a young age, but it was this upbringing that solidified his creativity as an artist, writer, and also built his great sense of musicality.
With influences stemming from a variety of sources – such as Tupac, Marvin Gaye, Nirvana and Slick Rick to name a few – his music has an authenticity that magnifies the struggle without glorifying the hustle. V.I.R.U.’s goal is to reach beyond the walls cliché and stereotypical artist have created, and with music reflecting his story and comradery between he and his crew through a hustler’s mentality – which brings an observative outlook on progression and advancing to the next plateau – the audience can vibe while listening to his overall message that there is a power in numbers.
For V.I.R.U., music is more than being king or chasing the crown, because to him the word “top” is infinitive. Always learning, always writing and always connecting with his listeners while striving to create authentic music. Verses in Real Understanding delivers his experience in a raw perspective as he advances in the Hip Hop scene.
Artist,director,designer,and editor. Broadway/B’Way expresses his creativity in multiple ways. “I want multiple checks and to be known for more then being a great rapper.
As far back as he can remember he’s had a passion for music. Writing his first rap at the age of 12. Since; it’s been his dream to become a legend in an industry that is designed to break you.
B’Way titled his first solo mixtape “Universal Flow” based on his ability to adapt to any concept and beat, while still delivering masterful lyrics. His style can not be placed into one category. The best way to describe him as an artist is UNIVERSAL.
Broadway is currently working on “This Is For You”(RnB), and “So SciFi” two mixtapes that will drop this summer on the same day!
Da H.N.I.C. (Hardest Nigga In Chicago) #The Fraternity #Ming’s Dynasty #Englewood Krazy
PriMary (AKA Who’s This Mary?) are a modern beat combo that live and breathe in the Chicagoland area. Performing tip top original power pop as well as inspired cover versions of Britpop and other classics from 60’s to present day. Their sound consists of bright melodies, tight harmonies, upbeat guitar work, and a healthy respect for catchy grooves. Known for their dedicated cover versions they have fully tackled The Jam [known as ALL MODS CONNED], The Beatles and now The Cure [known as PriMARY]. As PriMary they have performed their Cure Show all across Chicagoland to enthusiastic and fiercely dedicated audiences. Come closer and see what PriMary will have in store for you.
The Kurt Michaels Continuum featuring Alain Quinn is band whose resumes include live performances with many legendary acts including The Temptations, The Drifters The Platters, Bobby Vinton, Badfinger, Spencer Davis, Wolfman Jack, The Shirelles, The Syn (featuring Chris Squire and Alan White of Yes) and Denny Laine of The Moody Blues and Wings (Paul McCartney). Recent performances include opening a sold out show at Reggies for Carl Palmer’s ELP Legacy. Singer songwriters Kurt Michaels and Alain Quinn provide an original and engaging landscape of new and original music that crosses into multiple genres and coming straight from the heart. The Kurt Michaels Continuum featuring Alain Quinn is: Kurt Michaels – guitar and vocals Alain Quinn – vocals Jeff Sandler – drums Bruce Gordon – bass ‘Jim Gully – keyboards & vocals Another feature of our shows includes live mixing by Jim Nudd who did the house sound at Park West for many years, making us sound so good! The Continuum family of musicians that have lent their talents to our shows along the way include: Wynn Kanten – bass &acoustic guitar; Mike Lundin – keyboard bass; Jackie Mudd – Singer Emeritus (we love you Jackie); Dean Milano – bass; Christ Andronis – bass; Len Szymanski – drums The group of musicians who appear on my latest release “Soaring Back To Earth” are: Kurt Michaels – guitar, synth, lead and background vocals Jim Gully – keyboards Len Szymanski – percussion Christ Andronis – bass Steve Vining – co-producer and engineer, background vocals, bass, percussion & keyboards Special guests on “Soaring Back To Earth” include: Billy Sherwood – drums and bass Michael Sherwood – keyboards & special string arrangement on “Didn’t Get To Say Goodbye” Tom Brislin – keyboards Special thanks goes out to: Eric Rapier who did some singing with us on the early Soaring sessions. Krista Wallhagen who did the first class artwork & layout for the cd and album cover. No man is an island, and it is because of these people, that I have been able to continue on chasing my musical dreams. Thanks again to all of you for helping to make it real!
Bluegrass legend Bill Monroe may have never been familiar with the name, Audio/Rocketry, but when he said “It’s plain music that tells a good story. It’s played from my heart to your heart, and it will touch you. [This] is music that matters,” he could easily have been speaking about them. Combining a DIY punk ethos and a love for roots music, the group has developed a rapid underground following over the past few years.
“Don’t forget the words you’ve sung. Don’t forget what makes you strong.” This March marks the release of their third album, Piloting… Staying true to their roots, the band will be touring heavily across the country in support of the release, bringing their sing along songs to small town honky-tonks, campfires and punk squats, picking up new friends and fans along the way.
The voice behind the poetry is frontman Joe Vickers, who along with bassist Matt Murphy and banjo/mandolin player Blair Drover forms the core of the band. While these two are ever present, live shows have been known to include up to six members who add everything from spoons to washboard to the mix. But one thing that can be said about the live Audio/Rocketry experience is that no matter how many folks may be on stage, the audience is always part of the band.
Whether Jimmy Thackery headlines a festival in South Dakota or jams for hours in one of numerous blues bars that dot the musical landscape, he’ll always unleash an intense volley of rockin’ blues guitar guaranteed to leave crowds emotionally spent. His double edged guitar dynamics allow him to fire off tracer missiles, bend a note so it will fit under a limbo bar, run off dive bomber riffs, and find space within the trembling of one stinging note. “I put all my senses on hold and find the zone and follow what’s inside. There’s an electricity from your mind to your heart to your fingers. You just try and remember to breathe.”
He’s one of the few blues guitarists who learned first hand from the masters of the blues, not off a blues record or DVD. Though most associate Jimmy with his 15 years as the co-founder of the Nighthawks, he ended his time with them in 1987. Since then, Jimmy has been on the road as a solo musician for 15 years doing nearly 300 shows a year proving each night that he is still the guitar powerhouse in the blues.
Thackery has lived the life of a true road warrior; he’s absorbed the artistic lessons of life and filtered them into his guitar playing and song writing. To get where he is today, Jimmy has journeyed a highway of life filled with a series of twists and turns. He met all the right people and they have had a permanent influence on him.
It was Thackery’s time on stage with Muddy Waters that is branded deep within his musical soul. “Muddy was one of those guys who was constantly encouraging. He never told you what to do, but he always told you what you were doing wrong. He never minced words about that.
“The first time on stage with Muddy, I was in such awe of him that I just kept my eyes and ears open and just picked up on everything he did. It was the dynamics they had that became so ingrained in us. We heard it on the records and then stood on stage and saw how it worked.”
Thackery left the Nighthawks in 1987 because he wanted the opportunity to write and put newer material into the sets. First he formed a six piece R&B band, the Assassins, an all-star R&B, funk band from the DC area, and recorded three albums with them. Then, in 1992, Thackery put together his three piece band called the Drivers to highlight his explosive guitar and hit the blues highway.
“The 1990’s were a fabulous time. We were working our butts off doing” close to 300 shows a year. The irony is that was one of the reasons I’d left the Nighthawks, I was tired of working so much and not having a life outside the music. When you’re out on your own, you’d better rise to the occasion. So I found myself back in the 300 night niche. What made that satisfying is that it was my ship and I was the captain of it. We were doing material that I was writing. We were doing arrangements that I came up with.” Whenever Thackery plays live, a guitar stand props up four guitars and Thackery will announce to the audience, I’m gonna use all of them tonight!”
His recordings are no different. In that time, he’s recorded eight discs for Blind Pig.
His first record, Empty Arms Motel, was released in 1992. “That one still seems to be the favorite of a lot of people. I went into Kingsnake Records and rattled off some covers and originals. Halfway through, Bob Greenlee called Jerry Del Guidance at Blind Pig about the sessions.” From that session, Thackery began his years with Blind Pig.
In 1993 he followed up with Sideways In Paradise, a down home, laid back acoustic duet with John Mooney. Then, in 1994 Jimmy recorded Trouble Man, with Memphis producer Jim Gaines. That began their five record association. Wild Night Out, a 1995 live recording, Drive To Survive in 1996, Switching Gears in 1998, and Sinner Street, which added a sax to Thackery’s music in 2000. “I think that record, Trouble Man, turned the corner for me because I had a real producer and I was doing original songs. That gave me a direction. Jim and I did a lot of projects together. He did everything through Sinner Street. I was learning so much by watching him as a producer that by the end of Sinner Street, we both came to the realization that I was ready. I was telling him what was going on. He knew that I’d lost my training wheels.”
After leaving Blind Pig, Thackery has released and produced two of his own records, We Got It and True Stories, on Telarc and two collaborations on Telarc with Tab Benoit, Whiskey Store and Whiskey Store Live. And there was the critically acclaimed reunion with his old friend David Raitt on Blue Rock It”
All this has lead to a new Jimmy Thackery. Because every record is more about originals than covers, Jimmy traveled to Nashville to work out his songs with some of the best. This is not a Jimmy Thackery goes country. This is Jimmy Thackery rocks the blues. “I think True Stories on Telarc is my best song writing to date. For the newest Telarc project I went to Nashville to work with Gary Nicholson. I wanted to go and see how the guys in Nashville go about writing songs. We wrote this from the ground up. I came in with hooks and ideas and lines. I didn’t want to be overly prepared. I wanted to see how they build these songs lyrically. What you do with Gary Nicholson is throw out a hook or line and take off from there and you don’t leave that garage until you’re done with a song.”
Jimmy describes what writing is like for him. “Inspiration can come at any time. It might be a lyric first or it might be a musical lick first. It might just be a form thing. In my world, a lyric tends to be a musical road map. It tends to set up the music I hear in my head. The cadence of a lyric tends to suggest the way to go on the guitar. There was one tune we labored over with a certain groove and feel and it wasn’t rising to the occasion. At the very last second, Gary and I said, “Why not just rock this thing out. We completely switched gears and totally changed the patterns and chords and went for something completely different. We did it in one take. It’s the first song on the record and it just kicks ass.”
And there is Thackery’s guitar. “There are three guitar instrumentals on this record because I wanted to make a guitar oriented record. The guitar is still very rootsy stuff that is very rooted in blues. But also rooted in surf and spy music. I’m a sucker for that straight eight beat, twangy, minor scale instrumental stuff. The first thing every body did when they got a guitar in the early 1960’s was to play the music of the Ventures. I’m still staying true to those roots. Blues is well represented, but so is all that other music I heard. But so is all the other music I listened to.”
To make the best record possible, Jimmy hired some of the best musicians Nashville had to offer. It’s no coincidence that many of these names also work with fellow blues rocker, Delbert McClinton. Jimmy notes that even though it has a Delbert feel, it still has all of his integrity. “Maybe because of the way it’s laid out and the common musicians, it will strike a chord with fans who don’t normally buy my records.”
To support his newest project, Thackery’s ready to do the road time. “I started thinking that I missed the days when I was just a full blown, kick ass trio. I thought it would be fun to go back to that. I did keep Mark Stutso, my drummer of 15 years. He knows what direction I’m going in before I do.”
Between constant road work with his own band, producing the latest record by his Arkansas friends, the Cate Brothers, recording Whiskey Store with Tab Benoit and touring in support and playing various Nighthawks reunions, Thackery’s plate is overflowing, and that’s exactly how Thackery likes life – Overflowing.
If theres one thing I want people to know about me, its that I’m a survivor, says Popa Chubby. Heres my story: My dad died when I was seven. I was abandoned and raised myself. I moved to New York City when I was 18 and started playing music. I got a huge heroin habit and ended up strung out on the streets until I was in my early twenties. I started playing again and got away from drugs and never went back, and then I got into the New York blues scene of the early 90s, and here I am today.
Here is at the forefront of modern blues-rock, where the mix of intensity and integrity captured on Popa Chubby’s Back To New York City has made him one of the genres most popular figures. And hes an imposing figure at that, weighing more than 300 pounds with a shaven head, tattooed arms, a goatee and a performing style he describes as the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, Jimi Hendrix meets Robert Johnson.
You get the picture. And if you don’t, Back To New York City paints it vividly. On the discs 11 nasty cuts Popa Chubby has flipped the blues-rock label around, putting rock at the fore and the pedal to the metal with fat, scalding guitar sounds and stories plucked from true life. Some, like the rubber-burning title track and the pleading A Love
That Will Never Die, are autobiographical tales that channel whats deep in his blood as well as the fevered pulse of the city Popa Chubby has called home for 30 years. Others, like Stand Before the Sun and his sweet n sizzling take on Johan Sebastian Bachs instrumental Jesus Joy of Mans Desiring, chronicle his search for spiritual
enlightenment, which has led Popa Chubby to practice Tai Chi and Chi Kung before his sweat-soaked concerts. And then theres pure shots of fun like the chest-thumping Warrior Gods, which thunders along like a long-lost Motörhead gem, and She Loves Everybody But Me, a tongue-in-cheek hard-core Texas shuffle that purposefully nods to Stevie Ray Vaughan in its skyrocketing leads and solos.
Beneath the witty and utterly charming veneer of Chicago’s top deejay beats the performance-pounding pulse of a man whose dedication and passion for music knows no boundary. Upon the inception of the Protégé movement, Charles “Protégé” Wade broke into the industry with one guiding principal: follow your heart. His heart rested solely on the aesthetic appeal of blending music thus producing a distinctive experience for each listener. With the help of friend and colleague, Ryan Henry, Chicago’s leading tattoo artist and socialite, Protégé honed his musical talents through countless house parties.
With the attendees amounting well into the hundreds, Protégé was able to build his fan base. Soon after, he rose to prominence through regular gigs at the Funky Buddha Lounge and Ontourage nightclub. Currently, Protégé serves as the resident DJ for Shrine nightclub, where he has transformed a typical Friday night into one of Chicago’s most diverse parties. “My job is bigger than just making great music. My job is to create an experience where people can leave all of their problems at the front door. Where they are able to forget about that next exam. To forget about that next bill that is due. To forget about the parking tickets they have to pay on Monday. I create experiences which is why I am able to sell out any venue.”
With over 1,000 gigs per year, DJ Protégé has had the opportunity to spin for a variety of artists, celebrities, such as Wale, Derick Rose, Nas, Dwayne Wade, Snoop Dogg, Carl Thomas, Nicki Minaj, Wiz Khalifa, Diddy and Miguel. His mixes have found their way to the airwaves of one of Chicago’s top radio stations, B96 (96.3fm).
ANIMAL was co-founded by front man Tre Gator and drummer, Anthony “Big Ant” Capers. With a target to break the mold of ordinary genres of music by blending the sounds of rap, funk, rock and alternative music, ANIMAL pushes the limit packed with relentless degrees of high energy performance outlets. 6 piece band consist of, DRUMMER-ANTHONY “BIG ANT” CAPERS, LEAD VOCAL-TRE’ “GATOR” GATES,2ND LEAD VOCAL(FEMALE)-PHOENIX PHENOM, GUITAR-ED “TODESCO” GERBER, BASSIST-JONATHAN SANDERS, GUITAR-MIKE BRADICA… Their development of “RAGE RAP”, also known as “GHETTO METAL”, will guide their mission of taking over the evolving music trends and blurring the lines between genres. ANIMAL’s inner-band motto is “Conquer the World”.
Underrated lyrical rap duo from Joliet/Chicago, Illinois.
Marina City’s blend of R&B and alternative pop create infectious and commanding choruses that have garnered this Chicago based sextet their dedicated fanbase. Fusing elements from their diverse, multi-cultural backgrounds and influences, Marina’s City’s high energy live shows engage and energize crowds of all musical tastes. Brooding synthesizers reminiscent of The Weeknd sweep through the songs, while biting and soulful Motown-esque vocals dance over the top. Following the lead of bands like Imagine Dragons, X Ambassadors, and Fall Out Boy; Marina City walks that fine line, from “mainstream alternative” to “top 40 pop.” Nationally renowned festivals, such as Riot Fest, Warped Tour, and PIQNIQ have had Marina City grace their lineup. Singles, “Better Weather” and “Man In The Mirror” have been on rotation nationally for Cumulus radio stations and “Dreamers Never Die” can be heard at Chicago Bulls games. Their musical distinctiveness has earned the six-piece praise from the likes of MTV News, Alternative Press, Rock Sound, the title of Band of the Year by the Chicago Nightlife Awards and Ernie Ball.
Ruf Records announces the signing of guitarist/singer Devon Allman and a February 12, 2013, release date for his debut solo album, Turquoise. Ruf Records is distributed in the U.S. by the Allegro Corporation. Turquoise was produced and mixed by multi-Grammy winner Jim Gaines and recorded at his Bessie Blue Studios in Stantonville, Tennessee, as well as at Ardent Studios in Memphis. Devon Allman (vocals and guitars) is joined on the new CD in a core trio set-up that features his fellow Royal Southern Brotherhood bandmate Yonrico Scott (drums and percussion), as well as Myles Weeks (upright and electric bass). Special guests include Luther Dickinson (guitar),Samantha Fish (vocals), Ron Holloway (sax), Bobby Schneck Jr. (guitar) and Rick Steff (Hammond B3 organ).
Devon Allman is a member of Royal Sothern Brotherhood, the Ruf Records band he formed along with Cyril Neville (percussion and vocals), Mike Zito (guitar and vocals), Charlie Wooton (bass) and Yonrico Scott (drums). The group’s debut self-titled CD was released in May and has been in the Top 15 on the Billboard blues chart for six months, also generating extensive radio airplay and rave critical reviews from the press.
Turquoise is loaded with very personal, honest and powerful tunes in its 11-track song list. In “Turn Off the World,” one of Devon’s most insightful compositions on the new CD, he asks to go where he can “wash off this rock and roll” so that he can cleanse his soul to start anew and refresh his mind after spending so much time on the road. There is, naturally, a road song (“Homesick”) but also a more emotionally direct lyricism at work on this new CD than at any point before in his career, with songs about walking into darkness, loving to the end, finding peace or escaping the now through a time machine. He demonstrates his affinity for Latin and African music on the rhythmic “There’s No Time” (co-written by rising star guitarist Tyler Stokes), creates a big sound with modest tools on the sing-a-long “When I Left Home” (with guest Luther Dickinson adding some slinky lead and slide guitar), and pares down to the quietest of places on the lovely “Yadira’s Lullaby” (which recalls his late uncle Duane’s acoustic guitar on the classic “Little Martha”), Turquoise represents some of the finest work in Allman’s career thus far, engaging in its scope and thrilling in its execution. This is an album of reflection of Devon’s past life and it’s the stories that only he can tell. “These songs are very special to me,” says Allman. “It’s part ‘dusty road driving music’ and part ‘tropical getaway’ music. These are the stories, feelings and reflections from my last couple of decades of forging my musical path.” The 10 originals on Turquoise include two co-written with RSB brother Mike Zito, plus a blazing version of Tom Petty’s “Stop Draggin’ My Heart Around” that really rocks, courtesy of some righteous vocals by Devon and special guest Samantha Fish.
Currently based in St. Louis, Devon Allman was born in Corpus Christi, Texas, where he grew up surrounded by a humble life along with his mother. His first love affair with music came at a young age, eventually becoming a spiritual calling that wouldn’t stop. It wasn’t long before he and his guitar joined bands, and in 1999 Devon formed his Southern rock jam band, Honeytribe. While his breakthrough into the music industry may have been blunted by his choice not to use his illustrious surname, it served the purpose of his having to avoid the burden of the barrage of questions about his famous father that even he was unsure of how to answer. It was when Honeytribe began to release CDs and tour nationally that interviews slowly began to trickle out that Devon was the son of one of the biggest names in rock music. Today, he embraces who he is and where he’s been, knowing that he has paved his own way to Turquoise.
I’m 21 years old, I produce all of my music, I make all of the beats, I rap on all of the songs
Thig is the famous mad hustling genius from the streets of Chicago. Recording under the names Thigahmahjiggee and Sharkula, he’s been a fixture in the neighborhoods and on public transit, selling his wares and preaching the hip-hop gospel. But what distinguishes Thig from the pack is ability to translate what he does across social and artistic divides. In addition to the excellent straight up hip-hop work he’s done, he’s been involved in wide range of genre-crossing projects, including collaborations with Mark DeNardo and features on albums by acts like Pigface and Bagman.
The Blushing Gun- the collective conscience of our generation. The generation who knows love is getting weaker and weaker just as fast as technology advances. A name for the souls who sit and ponder of religions, science and nature and know they are all connected, and humankind is missing the big picture. We have all the knowledge and secrets within us… someday, we all may get some courage, stop blushing, fight back, and fix our world.
“HOT QUANG! is a power trio newly formed from the ashes of kings. Sometimes blisteringly melodic and other times confidently fucking you in the odd time fat cake without remorse. With comparisons from Swervedriver to the Pixies and influences like Shiner, Shudder To Think and Jeff Buckley, the whaling guitar of John Sparkman(Quarry To The War, Buttcracker PDX), the low end mastery of Mikey Lochen(Don’t Tell Sarah, Eve Thing) and driving rhythms from Aaron Ochsner(The History Of, The Jazz Pill) are certain to at least deafen an ear or two. A drunken bastard baby at 6 months old, HOT QUANG! has written over 40 songs and is always working on more,”
Current Lineup: Marq Torien, vocals and lead guitar; Nick Rozz, rythm guitar; Chad MacDonald, bass; Stephen Jude Mills, drums
The BulletBoys began as a collection of talented musicians from high profile bands such as King Kobra and Ratt. Using their credentials, they were able to quickly capture the attention of music fans around the world while front man Marq Torien emerged as one of the most underrated vocalists of the era.
The BulletBoys formed in 1988 at the very peak of the Los Angeles glam metal movement. With record companies constantly searching for new talent, they possessed a pedigree that most bands would kill for. Unlike the other glam rockers of the day, the BulletBoys were more hard rock and blues fusion than pure hair metal. Thanks to comparisons to the likes of Aerosmith and especially Van Halen, talent scouts came running and the band quickly received their first major label contract. Over the years they dominated both MTV and radio airwaves, and remain relevant to this day in heavy rotation on VH1’s “Metal Mania” and Internet (SiriusXM’s Hair Nation, KNAC.COM, etc.) radio throughout the world!
Luck of the Draw consists of Tommy Solace, Oaces, and Em Ce Haze. Tommy Solace is known for his collaborative efforts with Em Ce Haze and the fact that he’s probably tattooed you and your mom. Oaces is known more for his solo work and the fact that his songs make your day worse from being so damn depressing. Em Ce Haze is known for sleeping on couches and playing Xbox 360. And also for rapping really fast.
Krayola was a supergroup formed by Chicago musical legends in the 1980’s. But all original members of this group left town for good or got a mean case of the deads. Safety is no accident!
But one summer day, while playing with the ducks in the Chinatown Park, grade school best friends Amanda, Ben, Brett and Jim came upon a mysterious shoe box. Inside the shoebox? A notebook filled with incredible songs! Four loosie cigarettes! And a roll of nickels!
Not wasting any time, the four friends began smoking the wet cigarinos. Between puffs, Brett slipped the roll of nickels in his jean pockets; everyone saw, but nobody said anything.
After clearing their throats, the four friends took turns singing the songs to each other. “Wow!” said a passing police officer.
What happened next is southloop history!
In conclusion, Krayolas is a very talented band that has been trying very hard for years to write new songs that might make the original Krayolas proud. Generous souls that they are, most Krayola shows are fundrazors. Come support local music. Listen to The Crayons.
(Postscript – Brett fell under the influence of marriage and became a Hawaiian mailman. Curtis stepped in to fill guitar. Curtis was chosen because of his high compatibility with the Krayola online dating profile. His similarity percentage was 67%: majority.)
Up-and-coming alt-rock duo the Atlantic are no strangers to the scene. Vocalist Jessica Ess just lent her powerhouse pipes to Sleeping With Sirens’ new acoustic EP, joining frontman Kellin Quinn on the track “Don’t You Ever Forget About Me,” while guitarist David Newton previously played in pop-rock band the Best Week Ever and Screamo outfit, Thats Outrageous. The pair have now joined forces and are poised to shake up the standards of rock and post-hardcore with their new single, “Take Care.”
In the midst of a public relations and marketing degree at Purdue, Mike Golden, like many college sophomores, began questioning his status as a student and began wishing for life as a musician. Mike, however, had some things that many other college kids do not: a raw passion for music, something to say, and the motivation to get himself heard. He called an old friend, some fellow musicians and recording artist from Chicago, and Trees EP Part I, Trees EP Part II and Groceries were born.
Scot Stewart again produces, engineers, and mixes the album, with Mike co-producing. It was recorded from June to October in 2011 at the homes of both Mike and Scot in Indiana and Illinois, respectively. This time, drums, electric guitars, and bass are included, as well as all of the quirks from the first album – stomping, beer bottles clashing, and background talking. The album also includes a new instrument Mike acquired: a true cigar box guitar, made by scratch for him from his lady for Valentines Day.
Mike currently plays shows mostly in the Midwest, having debuted at several college campuses and venues around major Midwest cities. He is based out of Chicago, however, and makes frequent appearances at renowned venues including Schubas, Metro, and Congress Theatre. This September, he made his debut in Cincinnati at Midpoint Music Festival, and hopes to continue playing shows and expanding the reach of his music.
Kevin Daniels can be summed up in just a few words; guy, guitar, drinking, and smoking. Add bouncing bass lines and twangy harmonica, and you’ve got Kevin Daniels & Friends. Kevin Daniels & Friends are from Chicago, but find their music rooted in the south. Bringing different skills and sounds together, Kevin Daniels & Friends has perfected the soundtrack to a great time out. Kevin Daniels & Friend’s live shows are a fast paced rum or wine filled fun time. Enjoy fun, foot-stomping music, have a drink and dance with Kevin Daniels & Friends.
With equal parts fury and beauty, Archers & Illuminators crafts a passionate, energetic brand of melodic hardcore specifically designed to shake the floor and launch audiences from their seats. Songs with positive messages and annihilating breakdowns lace their set list as they seek to not only follow their own dreams, but inspire others to tag along for the ride.
An independent rock band from the south suburbs of Chicago.
Mallory is a singer, recording artist and songwriter based in New York City and Chicago. Starting in the medical field, Mallory realized her true passion was music and traded in her lab coat for a microphone. She has performed at venues from coast to coast, writing and recording in Los Angeles, Chicago and New York. Mallory inked a deal with Simon Perry and Archangel Worldwide where they are creating new pop-infused dance tracks for TV and radio.
11 year old Lily loves to be around music – whether listening, singing for family and friends, or preforming in her school or local community music shows. Her dream is to perform with Taylor Swift! Elizabeth aspires to be a professional singer and is working hard to make that a reality. She has been recently picked to be the lead in her school play “Dig It!” and this is her second Chick Singer Night.
A singer all her life, Jennifer’s rock sound is inspired by the likes of Evanescence, Flyleaf, Halestorm, Three Days Grace and more. If it’s loud, passionate and full of energy, you can bet it’s on her set list. New to the professional music scene, Jennifer is the lead singer in newly-formed rock group Slotrocket, a Chicago-based cover band.
Tamara is an internationally respected Voice Teacher, and founder of The Progressive Singer’s Vocal Techniques. Tamara has a colorful and versatile musical background which includes voiceovers and jingles, singer/songwriter/guitarist, studio producer and talent development. She has taught numerous touring and recording artists, Grammy Contenders and Dove Award Winners on major and indie labels; RCA, Sony, Atlantic, A&M, Jive, Decaydance, Fueled by Ramen, and IRIS Records;also, current hit TV series and screen artists on VH1 and MTV, Lionsgate and Warner Brothers Films. She has also worked with winners and finalists on American Idol, America’s Next Big Band, and Rockstar. Tamara is honored to once again be hosting Chick Singer Night, which is truly one of her very favorite musical events.
Born and raised on a small island just outside of Detroit, DJ Benzi has
separated himself from the competition over his 26 years. After picking
up his degree in Business Economics at Western Michigan University,
Benzi relocated to Ann Arbor to pursue a career in the entertainment
field full time. He started growing his roots as a Club DJ at the age
of 17, but it wasn’t until he started producing and hitting the mixtape
circuit that he really started gaining the attention he deserved.
In the past two years Benzi’s buzz has skyrocketed on the strength of
his patented “refixes,” especially the refreshing work he has done with
the Clipse and Lil Wayne on the popular “We Got The Remix” series.
DJ Benzi is most known for his creative twist on bridging the club/DJ
culture with that of commercial hip-hop.
The Detroit-area remix maven is rapidly gaining notoriety and in 2008
alone he was selected to URB Magazine’s Next 100 list and has shown
up in Fader Magazine, Rolling Stone, XXL, The Washington Post, and
MTV. His buzz grew deafening at the end of 2008 when he released an
official remix project with Kanye West & Plain Pat entitled “Sky High.”
The project received 350,000 listens within its first day of release,
making it one of social networking site Imeem’s most streamed
media. Also in 2008, Benzi teamed up with his friend Diplo to produce
the Paper Route Gangstaz “Fear & Loathing In Hunts Vegas” mixtape,
which Pitchfork Media gave an outstanding 7.8 rating.
Along with the remix albums, his own debut album, “Get Right,” on
Amalgam Digital is in the works with a release date set for this summer.
Over the last two years Benzi has also been on the road rocking shows
all over the world and performing along side talent such as Diplo, the
Clipse, the Cool Kids, Mick Boogie, and many other big names
Tracy Autman is a Hip Hop recording artist & producer who goes by the stage name, K!DD Tha Chicagoan. At the age of 8, he wrote his first song and had a passion for music ever since then. Growing up listening to artists such as Do or Die, Jay Z, Nirvana and Kanye West, K!DD draws upon many influences to craft his signature sound. Over the past two years, he has been signed by Coast2Coast, gained a faithful fan base, founded his label “2ill Entertainment” and signed to Chicago’s On The Grind Management. Look out for upcoming work from K!DD Tha Chicagoan and keep checking www.kiddthachicagoan.com for the latest news, shows, music & more.
Beggars Banquet is the seventh British and ninth American studio album by the English rock band The Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States.
Deyv Dee started his solo career after the fall of the Regals, while in Leah Stargazing.
Slaves to the Pavement is a 4/5/6 piece band based out of Ypsilanti, MI. that started in the late months of 2008. Drawing their influences from multiple genres of music, they create a fusion of melodic punk, prog rock, reggae, ska and thrash, while, lyrically, touching base on political issues, the every day life, and the want for something more. Though undergoing multiple line up changes and other minor set backs, these guys are determined to see the world through their music. They’ve often been compared to the likes of Propagandhi and Pennywise, as well as other 90s era Epitaph and Fat Wreck bands. They’ve done a great job of increasing their fan base within Southeast Michigan and have Midwest and continental US tour plans set up for the fall/winter and spring/summer 2013. Slaves to the Pavement is currently releasing their debut full-length effort “In a Perfect World” on October 12th and will be entering the studio late-September to record 5 more tracks for a followup EP and possible split.
Wino has been putting his soul on the line for more than three decades with his unique brand of Sabbath-inspired Doom/Stoner rock.
Mondo Generator was formed in 1997 by Queens of the Stone Age bassist/singer Nick Oliveri. Initially intended as a solo/side project, the classic “Cocaine Rodeo” album was recorded that same year, but shelved until the Southern Lord label released it and its unique brand of criminal insanity to widespread acclaim and horror in the summer of 2000. The follow-up, “A Drug Problem That Never Existed,” was released jointly in the Summer of 2003 by Ipecac/Rekords Rekords to further critical acclaim. A worldwide tour followed that was chronicled on video for the DVD release “Use Once and Destroy Me”. In 2004, Mondo Generator recorded and released “III The EP.” Oliveri began a solo acoustic career shortly after, which would see two full releases, “Demolition Day”, and 2010’s “Death Acoustic.” In 2006, Mondo Generator released “Dead Planet: SonicSlowMotionTrails” on English label Mother Tongue. It would be released worldwide the following year on Suburban Noize Records. In late 2010, Mondo Generator would be put on a back-burner as Oliveri rejoined Kyuss, re-branded as Kyuss Lives!, which also featured John Garcia, Brant Bjork, and new guitarist Bruno Fevery. In early 2012, Oliveri exited Kyuss Lives and is now concentrating full-time on Mondo Generator. The new album, “Hell Comes To Your Heart,” was released on July 3 via Mondo Media/Cobraside.
Omen is best-known for melodic yet aggressive power metal/fantasy metal along the lines of King Diamond, Queensrÿche, Savatage, Manowar, and Helloween; Omen is forceful and hard-driving, but they’re always been musical and melodic. The band was formed in Los Angeles in 1983 by lead guitarist Kenny Powell, who had been a member of an L.A.-based band called Savage Grace. Powell’s early influences included Judas Priest, Iron Maiden, UFO, Ronnie James Dio, Black Sabbath, and Rainbow (among others), and Omen’s Metal Blade and Enigma recordings of the ’80s reflected the guitarist’s appreciation of those headbangers.
Formed in 1985, by singer/bassist Mem V. Stein and guitarist Ray Mensh, EXUMER went on to release two albums in 1986 (Possessed by Fire), and 1987 (Rising from the Sea), that are regarded as some of the most cult thrash metal releases ever to come out of Germany. EXUMER was also one of the first thrash metal acts to capture exotic, foreign markets like Poland and Brazil, where their albums were domestically released in the 1980s. The subsequent tours that followed those releases secured the band live shows in front of thousands of fans and an unusually large following outside of Germany.
Plagued by line-up changes and internal turmoil the band broke up in 1990, and did not perform live, with the exception in 2001 at the prestigious Wacken Open Air Festival, until 2009. Mem and Ray decided to re-activate EXUMER in 2008, and the band embarked on their first tour since 1988, where they played 5 shows in April/May of 2009. The “5 Nights of Fire Tour”, took the band through Europe (Germany, Holland, Greece), and the USA, where they headlined the Thrasho de Mayo Festival, in front of 1300 fans in Los Angeles. EXUMER returned to Europe in spring and the fall of 2010, where the band appeared at Norway’s Inferno Festival, among other stops in Italy, Germany, Switzerland, Poland and Bulgaria during their “European Ignition Tour Part I & II”.
In 2011, EXUMER completed writing and arranging material for their first new album release in 24 years. The band chose Waldemar Sorychta (Grip Inc., Therion, Sodom, Moonspell, etc.), to produce their 10-track strong, hard hitting album Fire & Damnation. Combining a punishing production with aggressive song writing, EXUMER manages to capture the intensity and feel of the 1980s thrash metal gems and yet sound up to date on their latest output.
Fire & Damnation has been released worldwide via Metal Blade Records in April 2012.
The new album will catapult EXUMER back in the forefront of the international music markets, and the following live assaults in 2012 will only further cement the band’s cult status among the ranks of classic thrash metal acts in the world.
The underground Heavy Metal scene is certainly not for everyone. From the dreams of glitz and glamour that certain giants from the 80s and even modern bands that thrive from paycheck to paycheck, making it is the be all end all for some. Not that there is anything wrong with living off of what you love to do. It’s just almost scary how certain members of the human race can turn their integrity inside out at the flip of a dollar and history has proven, with exception (always), success to do more harm than good, especially if a band has or had any kind of staying power. Greed is a terrible thing. For others, its not always about being in the Top 40, having your video on Headbangers Ball, being on a major label, sharing the stage with the most happening band(s), free scrotum waxing, getting a gold record, etc. Some don’t care too much about that. Metal is a lifestyle to some and that has definitely been proven over the years by a certain US band.
October 31 have one main goal, to produce the most uncompromising, no frills Heavy Metal they possibly can spew forth. The latest, “No Survivors”, further proves this being the heaviest October 31 yet, and just as memorable as the rest.
Bill Sabo started the band along with his cousin Eric Marderwald. Bob Piskac joined next to help with recordings and live sound. Bill auditioned Ken Erb and was very impressed with his guitar playing. It took some time after that to find Kelly Berkshire then finally Vic Hix.
Seax was formed in 2009 by guitarist Hel with the intent to play Speed Metal.
The band found its first stable lineup late in 2010 and started playing live in 2011.
Their first album “High on Metal” was recorded in the same year, and released in 2012.
In 2013, they started recording their second album “To the Grave”.
It was mixed by the bands guitarist, Eli, and mastered by Jack Control @ Enormous Door Mastering.
It was released on December of 2014.
Right now the band is finishing the writing of their 3rd album, which will be released in the fall.
Seax is:
Carmine Blades – Vocal
Hel – Guitar
Eli Firicano – Guitar
Mike Bones – Bass
Derek Jay – Drums
HOUR OF 13 have built up a formidable reputation in underground circles for their potent brand of occult-inspired doom-laden metal. The band recently performed their debut show at the ‘Dublin Doom Day’ Festival in Ireland, to rapturous response…
The line-up is:..
Phil Swanson – vocals..
Chad Davis – lead guitar..
Brandon Munday – rhythm guitar..
John Mode – bass guitar..
Dave Easter – percussion..
This line-up harnesses perfectly the dark and eerie atmosphere HOUR OF 13 are known for in a live setting, unsettling in sound and feeling… This line-up will also be creating a concept EP of the trilogy of the songs “Missing Girl”, “Possession” and “The Crawlspace”. These songs will showcase the haunting power of the HOUR OF 13 live band…
HOUR OF 13 is the conceptual creation of C. Davis with Phil Swanson. The focus is on abundant musical / lyrical heaviness and delves into themes of the macabre, darkness, satanic panic, cold atmospheres, complete bleakness / blackness. HOUR OF 13 plays True Original Occult Doom EXCLUSIVELY!
Since Flip Orley has bursted onto the comedy seen he has single – handedly reshaped the image of hypnosis from its vaudeville image, to an act hip and edgy enough for the MTV generation. Flip’s appearance on the “Today Show” brought rave reviews and stopped traffic in midtown Manhattan. His one-man show has set comedy club attendance records from coast to coast. Faithful fans and new comers alike find themselves screaming with laughter as Flip ignites his volunteers’ subconscious minds and transforms reality. What sets Orley apart from others in his craft, is his true comedic ability, delivering a hilarious stand up set before unleashing his volunteers creative imaginations. The Los Angeles Times attests that “…the beauty of Orley’s show is that, because most of the humor comes from the volunteers, and no two performances are alike.” The Dallas Morning News reports, “It’sdifficult to remain skeptical after seeing Flip transform a panel of well behaved audience members into a family of trailer-park dwellers from Arkansas, Southern accent and all!”
Orley has been seen on “Entertainment Tonight,” “The Martin Short Show,” “Comic Strip Live,” the “Ricki Lake Show,” Maury Povich” and “Space Ghost Coast To Coast.” It is his uncanny way with subjects, his finely tuned power of suggestion and rapid-fire delivery that keeps audiences coming back for more. Unlike past generations of hypnotists, Orley does not humiliate his subjects for comic effect, but entertains by enlightening his audiences…often with lasting beneficial effects on those who have been inducted. After making them forget their own names, having them regress to age 5, or pledge undying love to complete strangers in a highly original version of “The Newlywed Game.” Flip’s subjects often awaken from their hypnotic trance reporting less stress, sleep better, have more energy, and a renewed libido!
Flip is adamant about “not” embarrassing his volunteers. “I want the audience to laugh with them, not at them,” he says. “This is the purest form of improvisational entertainment you will ever see as the show rewrites itself every night, and the volunteers are my partners, not my victims. Each subject is treated with respect and gentility.”
Orley’s journey to becoming the country’s hippest hypnotist of his time began when he bought a book in the 6th grade called “How to Pick Up Girls Through Hypnotism.” Although the advice in that particular book did not pay off, Orley became obsessed with the subject, realizing the creative potential and learned everything he could about it. Flip studied psychology at University Of Arizona with the intention of becoming a clinical hypnotist. It was while majoring in psychology at the University of Arizona, however, that Orley discovered stand-up comedy.
Hypnosis took second place for a time as Orley honed his comedic skills in small clubs around the country
eventually merging the two. The rest is comedy club history as marquees across the nation invariably read “Flip Orley/Held Over By Popular Demand, for up to 12 weeks at a time.Realizing the value of the clinical side of hypnotism, Flip developed techniques in seminars and workshops to help people get in touch with their inner strength through the power of their own subconscious minds. Orley’s self-help CD’s address a verity of issues such as, stress management, weight control, quit smoking, and sleep disorders. Dentists, doctors and patients who are allergic to anesthesia have called upon Flip’s
abilities. Orley assisted one dentist who operated on a patient for almost 2 hours without an anesthetic. The subject awakened without pain and thought the whole thing was a scam, until she looked into a mirror. He’s been credited with helping to bring difficult pregnancies to full term through stress control, and aiding couples in rekindling the passion in their relationships. Orley maintains that he teaches his subjects how to
more successfully explore the creativity, imaginations and unlock their own subconscious minds.
When Flip takes the stage and rolls up his sleeves, his audience can expect two hours FUN and anexperience they will never forget.
Pierce Elliott started writing music at the age of 13 and then later started recording at age 16. He has 5 mixtape releases with the “Long Awaited” Album EP being the most recent. He attends Columbia College Chicago where he hopes to achieve musical goals for the future. Check out his latest single for the music video “Long Awaited” on youtube and download the Long Awaited Album on Datpiff.com where it is sponsored.