LoNero

LONERO

When LoNero married groove and melody driven songs with rhythm and verse then focused it all on the audience, Guitarcore was born!  Legendary rock photographer Neil Zlozower describes LoNero’s style as, “Mean, intense, nasty, urgent, aggressive, and angry! I am definitely a fan!!!!”  Bill Lonero has performed and recorded with Cliff Williams (AC/DC), Stu Hamm (Joe Satriani/Steve Vai), Mike Mangini (Dream Theater/Steve Vai/Extreme), Simon Kirke (Bad Company), Gigi Gonaway (Mariah Carey) and many more.  LoNero and his bandmates James Manalili, Mike McKaigg, and Marco Bicca have continued to win over new audiences by supporting the Pat Travers Band and opening for legends Michael Schenker, Uli Roth, and Tony MacAlpine.  With recently added a third guitarist Nasser Abdala, LoNero remains true to the Guitarcore principles of creating a real bond with their fans.

MC JUICE

(A.K.A. MC JUICE) The OFFICIAL & ORIGINAL… Born in Chi – Cali raised. Best lyricist on earth – test if U want!

DENMARK VESSEY

In the wake of nu hip hop, Detroit native Denmark Vessey maintains the signature “soft-as-concrete, beautiful/ugly” Motor City sound all too well. From d-boy to b-boy—-armed with quality music production, Denmark makes his presence felt in a lasting matter behind the boards and on the mic.

TRIPLE S S.L.A.N.G.

Triple S S.L.A.N.G. stands for South Side Stoners Slowly Leading A Nowhere Generation. The crew consists of the artists Klim, Loppsyded, Colombian, and Hard Tymes. Plus their sicc ass producer, J Holben Productions. Triple S S.L.A.N.G. was created in early 2010 by Dave Klimczak (KLIM) Ryan Kocanda (Loppsyded) and Tom Kelly (Big T) while smoking a blunt and playing Call of Duty. Klim & Loppsyded are a group and solo artists as well. Klim has been spitting hot 16s for about four years .Loppsyded started about three years ago and engineers all of Klim and Loppsyded’s music. Hard Tymes (Jeffery Cole) has been rappin wit triple since late 2011, Colombian joined the crew in early 2012 but has been rapping for 6 years prior. And our newest memeber is Josh Holben, (J-Holben Prod.) Triple S S.L.A.N.G. originated on the South Side of Chicago and is not a record label but more so an independent movement. Klim and Loppsyded have opened up for Psycho Drama, Project Pat, Busy Bone, Durrough, and many more. Their hit single “Blowin Diesel” was produced by Yo Gotti’s producer, Drumma Drama. Since early 2011 Klim and Loppsyded have been managed by Michael Hoover who has been in the industry long enough to work with Tupac, Bone Thugs n Harmony, Common, DMX, Paul Wall and many more. Some of the artists that have influenced Triple S S.L.A.N.G. are Eminem, Tupac, Biggie Smalls, Tech N9ne and the Beastie Boys.

B-SIDE KINGS

The B-Side Kings consists of members from several original Chicago bands and numerous guest vocalists covering deep cut tracks from some favorite 70’s acts.

STEPHEN NEEPER & THE WILD HEARTS

Stephen Neeper & The Wild Hearts play rock ‘n’ roll music.

The Neeper sound represents a coalescence of influences, ranging from Jimi Hendrix, Led Zeppelin, and The Black Crowes, to Ryan Adams, and Pearl Jam. The Neepers, Stephen and Zeke, started learning the art of guitar picking from their father so long ago that it is a part of who they are. After multiple tenures with various local bands, SNTWH formed through jam sessions in the Neeper garage with other Arkansas musicians, beginning with the addition of drummer Evan Barr in late 2011. Drew deFrance became a part of the Neeper band family as a result of similar late night jam sessions. Since then, the band has shared the stage with the likes of Cody Canada and the Departed, The Wild Feathers, Whiskey Myers, Tyler Bryant and the Shakedown, and The Dirty Guv’nahs.

SNTWH has garnered attention from the press as well. In the Arkansas Times, Robert Bell wrote, “It’s hard to convey the extent to which this band has swaggering, blues-steeped Southern rock down cold….frontman Neeper is a shred-meister extraordinaire… and the rest of the band members are stone-cold bad-asses, too.” SNTWH guarantee one thing: a rockin’ good time.

REBUILDER

Rebuilder is a Boston based band with a modern punk sound and old school roots. Formed in January 2013, Rebuilder has already cultivated a following in their hometown and across the country – opening for Dropkick Murphys, The Dead Milkmen, Mighty Mighty Bosstones, Diarrhea Planet, Frank Turner, Stiff Little Fingers and performing on Warped Tour and Pouzza Fest. Members Sal Ellington (guitar and lead vocals), Craig Stanton (lead guitar and vocals), Daniel Carswell (Bass), Rick Smith (Electric Piano and Organ), and Brandon Phillips (drums) are all friends with the common goal of creating their own fresh and invigorating take on punk rock music. Rebuilder just released their self-titled EP on their label Refuse, Rethink, Rebuild Records and is ready to take over the world.

JASON GUY SMILEY

After 12 years in punk band Midget Fan Club, Jason Guy Smiley has struck out on his own. Jason is now covering his favorite punk rock songs and writing new original material.

Homemade Spaceship

HOMEMADE SPACESHIP

Just a musician with a computer In chicago trying to make people get down and think about space at the same time. Forever jam lyfe.

Mike Zabrin's Funktastic

MIKE ZABRIN’S FUNKTASTIC

All of 25 years old, Mike Zabrin is already considered to be a bass phenom, featured in Bass Player Magazine, No Treble Magazine, and WGN to name a few. Mike grew up touring across the United States with Chicago blues artists, playing behind some of the best names in blues music at places like Allstate Arena, House of Blues, Chicago Blues Festival, and Bonita Springs Blues Festival.

In May 2014, Mike left his nightly side-man club gigs to become producer and band leader of soul infused, funk driven powerhouse, Mike Zabrin’s Funktastic. His 2014 debut record, Funktastic, features collaborations with members of Kool & the Gang, Fishbone, and Kendra Foster of Parliament Funkadelic. Opening for renowned artists like Fareed Haque, his energetic live shows along with his insanely talented musicians is what keeps MZF one of the most working funk bands in the Chicagoland area.

Outside of performing, Mike is a band ensemble coach and bass instructor at Terra Sounds Music of School & Arts in Glenview, IL.

Sammy Llanas

SAMMY LLANAS

Sam Llanas (pronounced yanas), formerly of the BoDeans, will release his new album The Whole Night Thru November 18th. Determined and confident, gloves are off on this guitar-driven collection, produced by longtime collaborator Gary Tanin featuring nine new Llanas originals.
With a career spanning decades, Llanas is continuing his solo pilgrimage after 25 years with the band he co-founded. His 12th studio album and third major solo effort, The Whole Night Thru, blends the roots-rock style that was a signature sound of his former band with Llanas’ own genre-bending musical influences.
 
Work on the new record started in 2013 occurring over a few weeks time. With the majority of the basic tracks recorded, Llanas began completing The Whole Night Thru at Daystorm Music in Milwaukee with producer-musician Tanin, who had also worked on the singer-songwriter’s previous solo efforts, A Good Day To Die4 A.M. (The Way Home) and 4/5 Live – Vol. I. Milwaukee musicians Sean Williamson, Matt Turner and Ryan Schiedermayer contributed guitar, bass, drums & percussion respectively, while Tanin supplied the string arrangements, piano and mellotron on the new recording.
Llanas’ new solo opus reveals a new found clarity, “I view The Whole Night Thru as my first ‘official’ solo record. Though I previously released two solo studio records, I had always been very careful to not compete with the BoDeans sound. But now that I’m no longer in that band, the gloves are off and this is a record that has many elements that fans of my former band love. If fans are looking for that BoDeans sound, it comes from my voice and it’s all over this record.” The result is a mix of Johnny Cash’s fiery fervor and Otis Redding’s nostalgic soulfulness, without limitation– stylistically or by genre classification.
“I’ve always been influenced by what I heard. In the ‘60s, when radio was wide open, you would hear the Beatles and the Stones, Motown Soul and Atlanta Soul, Aretha Franklin and Otis Redding and Southern Soul. You’d hear Tom Jones, The Carpenters, Glen Campbell and country artists, you’d hear Johnny Cash and folk. Those songs were all really well-written and well performed.”
In asking about his departure from the band he co-founded Llanas clarifies, I think people have this misconception that I left The BoDeans to pursue a solo career, but that’s just not the truth. I never wanted the break up of the BoDeans. It broke my heart.”
Going solo at this point in his career, however, has allowed Llanas to combine the experience of a seasoned professional with the passion of an emerging artist. It is a need for deep self-exploration and expression that drives him to create his music and continue to perform. As Llanas admits, “I think the best part about being solo has been that I get to express myself completely now. I never got to sing half of these songs, and I always wanted to. I love being able to have that freedom.”
On The Whole Night Thru Sam Llanas embraces his new found freedom revealing a unique musical style that is simultaneously invigorating, passionate, inspiring and a surprising place of calm.
 Sam Llanas’ The Whole Night Thru will be available on digital and CD formats November 18th via Llanas Music (distributed by OARFIN).

SVART CROWN

Spawned in France by guitarist/vocalist J.B Le bail, Svart Crown was born in 2005 with the idea to push the boundaries of extreme music, and create a new dimension of brutality and blackness. Following numerous tours in his native land, Svart Crown released its first album, Ages of Decay in early 2008. The band has been promoting this first effort since then, with countless shows and two European runs.

Around J.B. Le Bail, guitarist C. Frandrois, bassist L. Veyssière and drummer G. Barthélemy (also known for his works with Diabolic, Drowning, Balrog and Antaeus) complete the line-up.

Svart Crown has now finished the new album: Witnessing The Fall marks a new and significant step in the history of the band. The sulphurous and oppressive atmosphere are emphasized by an organic sound crafted by Sébastien Tuvi (Antaeus, Hell Militia, Aosoth) and Francis Caste (Kickback, Arkhon Infaustus, Phazm) at St Marthe Studio.

Svart Crown has successfully mixed an old school feeling with various modern influences. Witnessing The Fall is simply the new face of the band; a black beast, full of anger, a symbol of humanity in perdition.

BEHEADED

Beheaded regrouped its writing core and started stitching together the successor to Ominous Bloodline. Along Chris (Drums), Omar (guitars) and Dave (bass) the band welcomed Frank (vocals) and Robert (guitars) to its fold. The new line up which without doubt is one of the strongest since the band’s inception started work on the successor of ‘Ominous Bloodline’ whilst hitting the road once a number of times again taking the stage at festivals such as Neurotic Death Fest, Death Feast Open Air, Mountains of Death.

Carach Angren

CARACH ANGREN

The Dutch masters of horror are back! On ‘Franckensteina Strataemontanus’, CARACH ANGREN resurrect the gruesome story of troubled soul ‘Conrad Dippel’; the inspiration of Mary Shelly’s novel ‘Frankenstein’.

CARACH ANGREN set out to tell ghost-stories with a set of paranormal cases recorded on the demo ‘The Chase Vault Tragedy’ (2004). This was soon followed by the official release of the ‘Ethereal Veiled Existence’ EP (2005) as a prelude to the haunting ‘Lammendam’ (2008). Their full-length ‘Death Came through a Phantom Ship’ (2010) witnessed the band setting sail to bring their eccentric and capturing live performances to audiences and festivals all over Europe. In the wake of third album ‘Where the Corpses Sink Forever’ (2012), the haunting had reached the US and started to spread rapidly. While firmly remaining in the horror genre, their tales revolve around the evils of war. This mature streak was taken a step further with the fourth full-length ‘This Is No Fairytale’ (2015), which is on the surface a darker variation of the “Hansel and Gretel”, but also deals with a dysfunctional family. With ‘Dance And Laugh Amongst The Rotten’ (2017), the band returned to pure story telling that centred on a girl playing a little too long with a Ouija board.

CARACH ANGREN return with the monster ‘Franckensteina Strataemontanus’, where the Dutch have pushed their unashamedly theatrical style to new heights. Press play and have your soul transferred with this new elixir of life!

Phillip Lassiter

PHILLIP LASSITER

Philip Lassiter’s contribution and relevance to the music industry are as diverse and celebrated as he is. The highlights of his impressive career include production and arranging work for seven GRAMMY winning projects with Fred Hammond and Kirk Franklin in addition to working as section-leader, arranger and lead trumpeter for Prince. Lassiter is revered as a sought-after songwriter (SESAC) and Jazz musician whose talents earned him an endorsement with Cannonball Instruments and a recent record deal with GroundUP Records. Lassiter is also the musical genius behind the funk group Philthy.

Two decades of gospel, soul, R&B, funk, jazz and salsa sounds have served as a combined muse for Lassiter. Eight years in Dallas, TX brought these inspirations to life, and all the while under the wing of some of the most talented musicians and producers in the world. Bernard Wright, Bobby Sparks, Keith Anderson and many others opened new musical doors and further expanded his notoriety in the gospel and funk industry. As an arranger with multi-platinum artists including Prince, Fantasia, Kelly Rowland, Jill Scott, Roberta Flack, Kirk Franklin, Fred Hammond, Al Jarreau, Anthony Hamilton, Frankie Beverly, Ledisi, Regina Belle, Donald Lawrence and hundreds of others.

Several years in Nashville further diversified Lassiter’s musical portfolio. While there, he worked with the legendary producer Tommy Sims, performed and arranged the music of former Columbia Records country artist Shelly Fairchild, and performed in numerous awards shows such as the Dove Awards, The Stellars, and performed with My Morning Jacket at Bonnaroo Music & Arts Festival. While in Nashville, Lassiter also formed his funk group Philthy. The talent Philip gathered for Philthy was representative of his working relationships with the best players and performers in both Nashville and New York. Based in DC, he currently leads an 11-piece horn section for Prince, with whom he tours internationally and in the U.S, and is preparing for his long-awaited album release of DreamZzz which is slated for June 10th, 2014.

Bremer & The No Goods

BREMER & THE NO GOODS

JENNIFER WESTWOOD & THE HANDSOME DEVILS

Detroit has a musical heritage that is rich, proud and ever expanding with no limits or restrictive bounds. That is why Emmy award winning vocalist Jennifer Westwood was able to boldly assemble the Handsome Devils and combine elements of soul, gospel, hill country blues and outlaw country all into one package.

Jennifer Westwood and the Handsome Devils have collected numerous awards in their musical history including Detroit Music, Blue Water Music, Caddy and the aforementioned Emmy awards while compiling nearly 20 albums in their careers. While having toured the country and the world, the members have also had songs featured in ABC’s Nashville, NBC’s Fear Itself, FX’s Sons of Anarchy, MTV’s Nitro Circus and on the Fall Guy DVD set to name just a few.

Jennifer grew up singing gospel in Detroit. She has joined forces with guitarist Dylan Dunbar (Rumpshakers, Whitey Morgan) and bassist JD Mackinder (Whitey Morgan, Deadstring Brothers), she was able to utilize those experiences and combine it with her devil’s talents and create a Hill Country Outlaw Swamp band that is unique in style and yet familiar to the ear all at once. It’s dirty, greasy and foot stomping. It’s Jennifer Westwood and the Handsome Devils.

Buddah Blue Band

BUDDHA BLUE BAND

Buddha Blue is an eclectic mix of Blues, Funk, Soul, and Rock.  Buddha Blue “Buddha-fies” everything they do, resurrecting your favorites…infusing new life.  Each member brings his/her individuality and artistic genius to the stage.  Collectively, the band commands your attention and leaves you wanting more.  Leave your worries + stress behind and come out for a guaranteed good time!

 

DJ JOHN “MISTER WIGGLES” PHILLIPS

Stupidity

STUPIDITY

In the last days of 2005 STUPIDITY was formed in Stockholm, Sweden by former members from the bands Eager Beaver and The Cool Jerks. They took the name “Stupidity” from the great Solomon Burke song. The band’s first recording was a four song demo in september 2006 and they also played their first gig in november the same year. In February – March 2007 they started recording new songs and doing a number of gigs. In April-June 2007 they went back into the studio and recorded the rest of the songs for the coming album. The album titled “I need you…like a hole in my head” is now available to buy here, just click on the album-cover and links to our distributors on the left! In June 2008 Stupidity toured the USA for two weeks, doing shows and radio in three states. After the tour Stupidity was discovered by Little Steven Van Zandt (from Bruce Springsteen’s E-Street Band & The Sopranos) who in August named their song “Girl Named Moe” the coolest song in the world on his radio channel The Underground Garage. The album “Illegal U-Turn” was released in June 2009. The new album “Move” was released in June 2011 and Stupidity did a tour in the U.S. during June & July 2011 promoting it with shows and radio. And once again Little Steven picked a song, “Move”, to be the Coolest Song in the World on the 4th July! In fall 2013 Stupidity toured the East Coast for the 6th time in a row and later that year the single, “King Midas”, was the Coolest Song In The World. On the 13th Dec Netflix released the serial “Lilyhammer 2” and “King Midas” appears ion the soundtrack of episode 6! More dates in Sweden and Europe are coming up during the end of 2014! So check the blog and the calendar here and on Myspace and Facebook for the latest news and coming gigs! See you & rock on! Miss Anna, Tommy Boy, Erniz & PA. .

White Radio

WHITE RADIO

White Radio is a high energy hard rock band blowing up the Chicago club scene. White Radio has an original yet familiar sound. Their influences are as diverse as 70’s heavy rock and 80’s metal & hardcore punk to 90’s grunge and 2000’s indie rock. White Radio fits well on all hard rock, metal, punk, and indie shows. Ockam’s Razor’s show is lively and dynamic. They “bring it ” every show, every time.

With radio play on stations regionally like 94.7 The Razor, 95.1 Wiil Rock, 105.5 The Kat, 103.9 The Bear, 94.1 WJJO & 97.3 The Rock, White Radio’s regional following is building fast. White Radio has also shared the stage with bands like Black Stone Cherry, Saving Abel, The Red Jumpsuit Apparatus, The Lovehammers and Anthrax, and has played or is currently booked at premier venues like House Of Blues(Chicago, 1300 capacity),The Hard rock Cafe'(Chicago capacity 690), Reggies Live(Chicago 500 capacity), The Rave/Eagles Ballroom(Milwaukee Wi. 3500 seat venue),The Brat Stop(Kenosha Wi. 1200 capacity) MoJoe’s(Joliet,1200 seat venue), The Back Bar(Janesville Wi.capacity 400) and more. White Radio has also played a number of outdoor music festivals like The Bash On Wabash(Chicago 6000 attend) & The Galena Music Festival(Galena Ill/Dubuque Ia)

With their self titled debut EP selling more than 3000 copies in total White Radio has recently finished recording their first full length album with producer Jon Lawhon(Black Stone Cherry) and will be mixed by multi-platinum producer/engineer Sean O’Keefe(Hawthorne Heights, Fall Out Boy, Plain White Tees). The album will be released this spring. In addition, Bassist Connor James is a Warwick Bass endorser/artist and drummer Dominick Cappetto is The Sunset Island Music Radio 2014 Drummer Of The Year 2014.

Liam Hayes and Plush

LIAM HAYES

“It was surreal,” says the Chicago composer and performer Liam Hayes, about appearing in the forthcoming Roman Coppola film A Glimpse Inside the Mind of Charles Swan III. “I haven’t played many gigs on a beach with a Hammond organ, you know?” Hayes, who has made music under the name Plush since the early ’90s, was contacted by Coppola after the director became a huge fan. “I just got so absorbed by his music,” Coppola recently told GQ (UK) about Hayes and Plush.

The result of this appreciation was Hayes and Coppola making a soundtrack out of Hayes’ music. “It evolved,” says Hayes. “When we met to discuss the project we talked about possible songs. We talked some more, added a few more songs, and I ended up doing the score.” Hayes also appears in the film performing the tune “So Much Music.” It isn’t his first time onscreen: In 2000 he appeared in High Fidelity performing his song “Soaring and Boring”. His imaginative, atmospheric, cinematic style is well suited to movie soundtracks, and his Charles Swan soundtrack is made up of songs from Fed, Bright Penny and the forthcoming Korp Sole Roller along with music written specifically for the film.

Hayes has been making critically acclaimed pop records since 1994, when he released the single “Three-Quarters Blind Eyes” b/w “Found a Little Baby”. Considered by many to be a pop classic, it helped to establish him as a songwriter. In 1998, he released More You Becomes You, a spare, stripped-down collection of his intimate tunes. In 2002, he released Fed, a lush, orchestral album. 2009’s Bright Penny, an ode to pop music, was released under the name Liam Hayes and Plush. Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro, Burt Bacharach and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s of 1970’s there is a timeless quality to his music.

Hayes is not the kind of artist who spends all day interacting on social media. He doesn’t reveal a lot in interviews. He’s not trying to be cagey or eccentric or elusive, he would just rather keep the focus on his songs. And let’s face it, mystique is underrated in this era of over-sharing.

Liam Hayes and Plush plan to announce new releases in 2014.

 

DEAD ON TV

Dead on TV is a Chicago based outfit that has stroked audiences all over the country with their brand of masturbatory new wave garage punk narcissism which, coupled with the smash and grab disruption of ADHD lead singer Dan Evans, the brutal machine-like ineptness of drummer Vince Mcaley, the pounding low end of synth player Mike Bradberry and a complete and heinous disregard for the life of guitar player Corey Devlin has resulted in some of the most epically offensive shows ever removed from youtube for violation of community standards.

When broken on the sidewalk, their debut EP, “Fuck You, I’m Famous” seems to somehow cut deeper than other plastic-coated CD releases. “Fuck You, I’m Famous” has garnered the attention of the FBI and college radio stations across the US.

Dead on TV is currently working on the follow up to their debut and sharing the stage with the biggest names in modern rock, like Skillet, to classic hardcore punks Fang and The Vibrators.

Dead On TV is available for Bar-Mitzvahs, Bris ceremonies, birthdays, concert engagements, race riots, Internment facility brush ups, Large scale uprisings, local revolutions, executions, opening engagements for national acts, Environmental deforestations, church functions, fetish parties and corporate management training seminars. Dead on TV does not trust fall.

SHORTSTOP

Wily, adventurous four-piece with riff heavy guitars, moody bass, and a drummer that goes to clown school.

The Gnar

THE GNAR

Chicago rock and roll, we’ll play your next house show or in your parent’s kitchen or bathroom.

FOURSQUARE

GENERAL ZOD

General Zod is a Chicago-based fusion band with the core members being Katherine Andrick (violin), Zoey Witz (guitar), Chris Clemente (bass), Paul Mutzabaugh (keys), and Frank Alongi (drums). Having violin as a lead instrument, General Zod is able to give their unique take on the compositions of the likes of Jean Luc Ponty and The Mahavishnu Orchestra. They also are known to throw down on everything from Tony Williams to John Patitucci, as well as originals from the band members. With such a stellar cast of musicians, General Zod does not disappoint when throwing down on a set of face melting fusion!

TROY AVE

Troy Ave, taken the name of the block he grew up on in Brooklyn, has been buzzing in New York since 2006. Bringing heat in the form of hype songs with real lyrics this high energy MC got music made by and for the streets. Never apologetic, Troy Ave’s attitude and demeanor is direct and without effort, unlike those who have created a gimmick. He raps what he lives.

After seeing a friend get caught up on a serious charge that he himself narrowly escaped, he figured it was best to take his talents off the streets and into the studio, especially after seeing an average rapper from his neighborhood make $100,000, he knew that if someone without talent could make it then he definitely had a chance.

In 2003 he heard 50 Cent’s first album and was inspired to pick up the mic, since then he’s dropped four mixtapes which he sold over 70,000 copies of right out his trunk. In fact his music has been so hot on the streets that he’s the first unsigned rapper out of New York to get bootlegged. His biggest influences include the aforementioned 50 Cent, Master P, Lil’ Flip, Young Jeezy and the late, great Notorious B.I.G.

With a cinematic sound that paints a vivid picture, Troy Ave’s music is autobiographical and he hopes to turn his hobby into a profession where can build and add on. Starting with “Major Without a Deal” through “Troy Ave is the Future” and “I’m In Traffick” and now his latest effort, “Bricks In My Backpack”, Troy Ave has been creating his own distribution in corner stores, liquor stores, and further cementing his place in the streets as the person to go to for that gettin’ money music

Elton_John_Caribou

ELTON JOHN “CARIBOU”

Caribou is the eighth album by the English singer-songwriter Elton John, released in 1974. It was John’s fourth chart-topping album in the United States and his third in the United Kingdom. The album contains the singles, “Don’t Let the Sun Go Down on Me”, which reached number 16 in the UK Singles Chart and number 2 in the US, and “The Bitch Is Back”, which reached number 15 in the UK and number 4 in the US.

Upcoming Performances:
Nov 16 – The 1975 Album “Captain Fantastic
Dec 14 – Elton in the 80s

 

ELTON JOHN “ELTON IN THE 80’S”

Simply Elton will be performing a collection of Elton John’s 80’s material.

ELTON JOHN “CAPTAIN FANTASTIC”

Captain Fantastic and the Brown Dirt Cowboy is the ninth studio album by the English singer/musician Elton John, released in 1975. It debuted at number 1 on the US Pop Albums chart, the first album ever to do so, and stayed there for seven weeks.

SHORTY K

Achtung_Baby

U2 “ACHTUNG BABY”

Achtung Baby is one of U2’s most successful records; it received favourable reviews and debuted at number one on the US Billboard 200 Top Albums, while topping the charts in many other countries.

The_Joshua_Tree

U2 “THE JOSHUA TREE”

The Joshua Tree is the fifth studio album by rock band U2.

Hatriot

HATRIOT

Shrieking out of the infamous California Bay Area metal scene is Hatriot – a second generation American metal act with pedigree. Consisting of Cody and Nick Souza, sons of Steve “Zetro” Souza (Exodus) on vocals/bass and drums respectively, along with guitar titans Kosta Varvatakis and Miguel Esparza, Hatriot are ready for world domination. With music that stays true to the Bay Area thrash sound while evolving to today’s standard of multi-tone vocals, death metal elements, melodic hooks, and face melting dual-guitar solos, some say Hatriot are hard to classify. After four solid releases through Massacre Records including 2022’s “The Vale Of Shadows” and array of concerts in both The United States and Europe; Hatriot aims to play in front of every metal fan in the world, carrying the torch for the next generation.
 Hatriot is: Cody Souza: Vocals / Bass Kosta V: Guitar Nick Souza: Drums Miguel Esparza: Guitar

SACRED MONSTER

Formed in early 2012 out of a mutual love of Doom Metal acts such as Electric Wizard, Saint Vitus, and, of course, Black Sabbath, Sacred Monster has gone on to gradually include other influences from Thrash, Black Metal, Death Metal, and NWOBHM to arrive at their current style. Their music alternates between oppressive doom riffs, chainsaw thrashers, and eery acoustic passages. The band also has a love of lyrical topics such as mythology, Lovecraftian horrors, and even old Twilight Zone episodes.

MANDATORY ABORTIONS

South side Chicago, hardcore punk dirty blues bitches ! 
All original songs out of us !
We love food, music, skating, and whiskey.
Cumming to a city near you ! D.I.Y.. Bands that help us up with a gig in your town, we can return the help here in Chicago set you up a gig !

THE CONSOLATION

Kathy, Steve and Mat have been making music together for twenty years.

It started in 1993 when Steve and Mat, along with Jim Arrigo and Joe Rogers got together to record a demo of Mat’s songs. During the process a band had come into being, and the group decided to move forward.

When Joe decided he could not commit to the project, the group went searching for a new bass player, and found her right under their noses. While not a bass player proper, Kathy had played bassoon in her high school band, and rightfully, figuring that if she could play bassoon she could play bass, they asked her to join. For her decision to join she was given a recording of some demos and an old bass guitar and told to get busy.

Get busy she did. Her fingers quickly caught up with her knowledge of music, and the band got moving. Of course, they needed a name, and after a long and tedious process they got one. Sylvia Said.

Sylvia played around Chicago for many years at the usual places: Beat Kitchen, Elbo Room, Empty Bottle, The Abbey, and many clubs now long gone. Years of practice, booking, writing, and fighting took its toll. The band got restless and eventually lost their drummer. But, that did not last long.

The three decided to move on, and put Steve, their star guitar player, on drums. The name of this combo, after an off hand comment during an earlier rehearsal, was WAD.

WAD stormed forward with piss and vinegar. A leaner, meaner version of Sylvia Said, they made musical progress with this stripped down trio. Steve’s drumming seemed to powerfully communicate the new material. They started playing out and recorded a demo. All signs were moving up, and then life stepped in.

By this point the members had grown up. Real life began to overtake the importance of the band, and it seemed like it was time to let it go. Give up the dream, sure, but the music… she never leaves you.

Kathy took up steady gigging with several local bands, including the highly regarded Paddy Go Easy featuring Finbarr Fagan. Mat upgraded his studio from multi-track cassette to Protools digital, and committed to writing and recording. Steve was constantly working with other musicians, and putting together interesting combinations of players.

They reformed for a one off show for the release of Mat’s solo CD “Tin Two Star Moon”, and completely entertained the crowd with a mix of the new and old songs. The magic was still there, but the opportunity to continue was not.

C’est la vie.

Mat later joined a solid lineup that Steve had developed named wadE. This was a powerful, talented band that worked together for many years featuring Steve’s college bandmates Ron and Jimi.

The world, looking for balance, soon saw Steve join one of Mat’s projects, Jake & the Wranglers. Interestingly Mat and Steve, regularly guitarists, were the rhythm section for this combo playing bass and drums respectively.

It was during this collaboration that the seeds for The Consolation were sown. The old magic of Steve’s drumming and Mat’s arrangements came flooding back. They set out to put the band back together, but ran into roadblock after roadblock, until, like so many years ago, they asked Kathy, recently relocated back to Chicago, to bring her singular sense of musicality back to the fold.

Twenty years later, they are back together again. Older, seasoned, more cynical, and concerned about one thing, making good music. This is the future and this is the past. This is The Consolation.

CONTINENTAL

For the better part of the last two years venues from concert halls to basement bars have resonated with the sound of Granite City Rock & Roll. Continental uses their Quincy, MA hometown moniker to describe their unique blend of rock that draws influences from punk, country, folk, and blues.

Founder and songwriter Rick Barton sings the songs of the everyman, speaking to our common experiences of love, loss, wandering, and resurrection. The songs are as true and real as any from the English punk bands of the 70’s, capturing the energy of youth, yet delivered with the wisdom of a life lived.

Continental is the latest project from Barton whose resume also includes notable Boston acts The Outlets, Everybody Out!, and Dropkick Murphys. The concept for Continental began with Rick’s son Stephen Barton who, after hearing a rough solo recording of his dad playing his original composition ‘Curious Spell’ in 2009, encouraged his old man to put a band together and bring this style of songwriting on the road. In Rick’s words, his style is ‘…a blend of folk, punk, and country with a heartfelt message of love, loss, pleasure, and pain.’

The father and son duo then recruited drummer Tom Mazelewski and began their pilgrimage. Continental set out on their first full U.S. tour in September of 2010 as support for the Street Dogs and Flatfoot 56 and have never looked back, touring the country multiple times on headlining tours or as support and making appearances at festivals like the Vans Warped Tour.

To date, Continental has released a 6-track EP and they are anxiously awaiting the release of their much anticipated debut full-length album ‘All a Man Can Do’. The new record will be released July 17 on Michigan label East Grand Record Co. and the band will immediately embark on another headlining tour that kicks off in New Jersey on July 18. This tour is scheduled for 10 weeks, but ‘We could be out even longer if I have it my way…’ says Rick, ‘… the road is my life now and the music is my commitment to me and my fans!’

This blue-collar mentality may mean that the band spends more time in a van and sleeping on floors than they do at home, but in the minds of the Bartons this is a small sacrifice to make as they dedicate themselves to the delivery of their music.

CASTRO

Mubu Gang Affiliate Castro is back on the streets with a prelude to his “Welcome Home” project with 6 bangers including his collab “Murda Muzik”with King Louie . Look for Castro’s full length project hosted by Dj Honorz & Stack Or Starve Due Out In Nov! Follow @Castro_Ibf

NEX2KIN

Nex2Kin consists of two rap protégés, Bligg and Rich-an-Yung, who are blood related cousins from Chicago’s Southside. Nex2Kin’s connection was instantaneous and it happened while attending their family reunion. Both knew each other as cousins but never knew the other person had the talent of rapping. It was a shock to the rest of the family at the reunion when they started to freestyle for everyone. By the end of the reunion, Nex2Kin was born with Bligg and Rich-an-Yung, and, since that day, they’ve focused on conquering the rap world as a duo.

Bligg often dabbled with rapping but didn’t take it seriously until high school, despite the countless people who told him he had a knack for the art. He found himself deeply submerged in this art form, literally eating and sleeping music. Although he’s still very young, Bligg had many life experiences that he drew from that allowed him to give a certain level of authenticity that his music exemplified. With so many positive things happening in his career in such a short period of time, Bligg was hopeful that greatness was on the horizon, and that’s when he and Rich-an-Yung joined forces in 2010.

Like Bliggs, Rich-an-Yung is no stranger to hard work. Rich-an-Yung has had some experience within the music industry. His father, Big Ray, worked with a number of rap artist that include Chicago’s own, Do Or Die. Although he was exposed to the industry and the politics of it all, Rich-an-Yung didn’t get bite by the rapping bug until he was 14-years-old. But when the desire hit, he saw refuge in it. He looked up to LL Cool J, P. Diddy, Jay-Z, 2 Pac and his idol, T.I. as inspirations.

They both write their own music and love the creative aspect of it all. Making “party” music is what they are known for and in a very short time, have garnered a lot of respect for it. Coining themselves as “undefinable,” they would consider themselves musically versatile. Having many career highlights already, the rap duo shared a song with longtime friend and respected colleague, Twista, on their song “Bad Than A Mutha,” was a dream come true for Nex2Kin. They headline their first tour “Hella of Laughs & Hip Hop Tour”with comedian Kenny Howell and it became a huge success in 10 cities across America in venues seating approximately 4,000 people. All the love across the country feels great but it’s nothing like receiving the love from your home town. That’s why it’s no surprise that Nex2Kin is a main-stay on Chicago’s radio station WPWX Power 92 (92.3FM). Currently, they are putting the finishing touches on their upcoming mixtape “Cheeks & Drinks” that is being released on Cole City Music Group, an independent record label.

Although Bligg and Rich-an-Yung are rappers, they both look forward to the day other opportunities will open up as a result of their music. They envision endorsements, clothing lines, and even owning their own record company to sign other up and coming artist in the future. The sky is truly the limit for these rapping moguls who will one day take over the rap charts.

K’VALENTINE

As a little girl, K’Valentine’s artistic ability was so extremely exceptional that it was evident that she had a gift for the arts…period. It was about this same time that she discovered Hip Hop. She dove in, fell in love and impressed many with her vast knowledge of the Hip Hop world and its reigning Kings.
K’Valentine began writing poetry as an alternative to express her emotions and then had the opportunity to meet with the world renowned author and poet Dr. Maya Angelou of whom she held in high esteem. Dr. Maya Angelou ensured K’Valentine that if she continued to practice and use her skills with words that she would be the best. Taking that most cherished advice, K’Valentine wrote poetry non-stop and she started to notice her poems transitioning into songs.
After reciting poetry at numerous spoken word events and receiving positive feedback, it was time for K to finally get in the booth. Shortly after, she released her debut project, “Breakfast at Tiffany’s” 2011. Her first project was the best introduction for herself, giving sight of her personal experiences through her music.
K’Valentine’s love for words and music has birth some of the most lyrically divine work. Her writing proved to be not only a talent but also a form of therapy and an outlet during trying times in life. K’Valentine introduces herself to the world with her well written flowing and stylized rhythmic music. Experience K’Valentine and enjoy.

EARLLY MAC

Earlly Mac, King Foolay of Finally Famous is a midwest rap artist from Detroit Michigan.

DESTINATION UNKNOWN

90’s hits not including Creed, Puddle of Mud, Staind, and Nickleback…

Boy Hits Car

BOY HITS CAR

Boy Hits Car was started in 1993 with a simple idea—to write and perform ‘passionately heavy music’ infused with a world beat/middle eastern flavor. Based out of northwest Los Angeles, the band spent the first few years perfecting their sound while playing both local and regional shows.

Since 2008 Boy Hits Car has continued to tour the US and Germany while working on their 4th album, Stealing Fire which was released in 2011. It is quite possibly the bands most compelling work to date. A month long tour in Germany/Austria followed the release as the band landed a licensing deal in Germany, Austria and Switzerland through Swell Creek records (Soul food). Since the release BHC has teamed up with 3Thirteen booking agency and been touring in support of Stealing Fire with a 5 week headlining US tour in 2012 and 3 1/2 months on the road in 2013(US dates) supporting Taproot and Smile Empty Soul. Upon returning home to finish the 5th studio album a one off radio festival was offered and the boys were off to CNY to support Drowning Pool at a Krock (100.9-106.5) event with added dates.

With their 5th album ‘All that led us here’ coming together nicely Boy Hits Car is planning for a 2014 release date for May 2nd through Eternal Sound Records while upcoming tours in the US and Europe are in the works. Come and join the ‘LoveCore’ and see for yourself what BHC is all about….let’s get connected!

KRIS KASANOVA

Brooklyn bred emcee Kris Kasanova is known for his lyrical prowess and eye-catching visuals, from his music videos to his photo shoots. Growing up in the projects of Red Hook, Kris learned the art of rap from his stepfather. At ten years old, Kris would accompany his stepfather to the studio during his sessions while he worked with great artists such as Mary J. Blige and Big Pun. Being around music so much, Kris became eager to start making up his own rhymes, which led him to start taking his craft seriously at the age of seventeen. Around this time he met his early production team, Clyde and Harry. Together they created hundreds of songs which helped sharpened Kris’ skills and work ethic.

In 2010, Kris met New York Lower East Side Producer/DJ, Ibe, who produced Kris’ his first mixtape entitled The Long Way Home. With Kris’ lyrical skill and Ibe’s creative production, The Long Way Home was immediately embraced by many major music blogs and streetwear clothing shop Flight Club. Their partnership became popularly known as HomeSkool but the movement represents the mindset of his team as go-getters and hustlers without any formal training. The following year, Ibe and Kris started working on his latest project, War Paint. As Ibe told stories with his beats, Kris painted vivid pictures with his rhymes and the combination sonically took War Paint to another level musically. Adding to his team, Kris Kasanova signed to management company, Gild Creative Group ( GCG) increasing his relevance amongst the music industry and on the street. Since the release of the album, many outlets like Hot 97, All Hip Hop, Karen Civil, 2 Dope Boyz, Karmaloop TV, and BET Music Matters all took notice.

This year, Kris has released his LP entitled 24K. Conceptually, this album pays homage to his name, his age, and the golden era of hip hop. The project includes collaborations with Flatbush Zombies, World’s Fair, Skeme, Tennille, Jarv Dee, and SZA. Along with production from Canei Finch, Ibe, THC, DJ Dahi, and J Kits.

SCOTTY ATL

Until now, Scotty has been a humble force brewing within the rap scene of New Atlanta. Always laid-back and “Cool”, Scotty’s newest project, F.A.I.T.H. (Forever Atlanta In The Heart) burned up the streets, taking Scotty ATL from a local hustler to a nationwide budding superstar. Armed with media support from XXL, Fader, SPIN, Pitchfork, Worldstar, LiveMixtapes, Hot 107, 94.5 and Ballers Eve; mixtapes hosted by the legendary DJ Scream and breakthrough DJ Burn One. Close relationships with artists like Cyhi, Young Dro and the fast-rising fellow Atalien Trinidad James, Scotty continues to push further into the public eye. His new video “GAME” featuring Trinidad Jame$ and Big Krit landed on 106 & Park as thenew joint of the day and is currently in rotation on MTV Jams. As part of #NewAtlanta, Scotty is the definition of what the various artists from different crews that identify with the “#NewAtlanta” trend represent: original, classic hip hop music with substance. It’s artists like him who are giving rap fans a reason to finally pay attention to new ATL talent. Scotty grew up on the Eastside of Atlanta, raised by a single mother. Life wasn’t always easy for him and the block he grew up on, so the “hood” topics we hear in his lyrics are a reflection of reality for this artist, nothing we hear is contrived. These days, Scotty navigates through the industry as a young boss full of nonstop hustle, integrity, a flawless live performance harkening the days of the real MC.

Jennifer Fletcher and the Reckoning

JENNIFER FLETCHER AND THE RECKONING

Jennifer Fletcher:
Jennifer was born and raised in the small town of Beal City, MI. Growing up on her family’s farm, country music filled their home with the sounds of her grandparents favorites: Patsy Cline, Alabama, The Oakrigde Boys, Johnny Cash & The Judds.

Jennifer has been singing since she can remember; performing and competing in numerous vocal competitions. She studied vocal jazz at theUniversity of Nebraska at Lincoln. While there she sang with an eight person vocal jazz ensemble and had the privilage of performing solo at the famous Carnegie Hall in New York City.

Today, Jennifer spends her time singing and songwriting. Her influences include artists, from many genres of music, such as The Civil Wars, Patty Griffin, Need to Breath, Drew Holcomb, Ella Fitzgerald, Sarah Vaughan, Emmylou Harris, Miranda Lambert, Jennifer Nettles, Patsy Cline, Led Zeppelin, The Allman Brothers, and many more

Frank Loria:
Frank has been playing guitar for 21 years and studied with Frank Rumoro at the fine arts building in Chicago. He has taught in the Chicago public schools, private lessons and is currently in my 8th year of teaching at Hix Bros Music. He plays out and records on a regular basis with various groups. has been performing live in the Chicagoland area for about 12 years; playing at downtown clubs, opening for big names, headlining venues, as well as performing at private and corporate parties in Chicago and the suburbs.

Jeremy Schmidt:
Jeremy grew up in the woodlands of rural Southern Illinois. There was nothing better to do than strum strings and make music with friends and family. There still is nothing better. His brothers already played guitar and drums, so he picked up the bass to thicken the low end. Since moving to Chicago, Jeremy has played with a wide variety of talented musicians and ensembles covering many genres. He says, “It’s great to play a wide variety of music. Every individual creates music from a slightly different angle, that has been informed by the total of their experiences. It is a pleasure to learn from all the great musicians that I work with.”

Jason Vinluan:
Jason began playing violin when he was 4 years old. Before attending the University of Wisconsin, Jason studied and performed classical music with various Milwaukee symphony orchestras. Since studying music in college, Jason has broadened his musical ensembles into rock, jazz, hip hop and country outfits. For the last 10 years, Jason has performed and recorded with numerous acts in the Chicago area. He also teaches violin at several public schools in the city. Jason’s love for the violin has him playing about 120 shows a year, and as an experienced performer, he is very excited to be a part of Jennifer Fletcher & The Reckoning

Ignescent

IGNESCENT

Female fronted and from Chicago, Illinois, Ignescent is a rock band comprised of Jennifer Benson on lead vocals, Christopher Hansen on guitar, Will Geronimo on drums, and Bruce Smith on bass. Since 2008, the band has primarily touring throughout the Midwest and Nashville area.

Frankie08

FRANKIE 08

When I make music I’m my true self. I’m just a kid who grew up in Chicago who looked up to my Dad because he was a drummer in a band. I make music because its my way of relaxing, because it’s my way to get away, it’s my way of relieving stress. If you would see me in the studio working you can see it in my eyes that this is the only thing I truly care about. I’m a college student with a dream like every other kid in this world. But to me it’s not about making it, it’s about doing what you love. I make music because I get a natural high off hearing my voice and the bass dropping and my boys going crazy. I get that feeling that were starting a movement off music we love. I don’t care about the accessories, I care about melodies. I don’t care about private jets I care about which song I drop next. I make music because its me, and hey whatever happens happens, all the other shit is just a plus. Make a difference in this cold world.
-Frankie08

ROMITI

Born on the Southside but representing the West Suburbs of Chicago, Toni Romiti is a multifaceted singer whose genuine talent is utilized to influence her listeners. Nurtured in a biracial household, as well as receiving encouragement from her neighborhood, Romiti’s diverse backdrop of influence has molded her into a vocalist capable of relating to a wider breath of audience through her meaningful content.
Her quirky – yet blunt – disposition is accentuated in her music, where Romiti feels that people grow together through shared experiences; this is how character is built. As an artist, her music is honest, often impacted by various occurrences from her past, present, and even ideals built on what she intends to become. Inspired by her late father Mark Anthony Romiti, Toni continues to sing not only as a tool to express herself, but as an instrument to honor her family.
Romiti Gang is the best Gang, and with Toni spearheading the scene with a fresh outlook, she’s destined to emerge at the forefront in the current renaissance of music.

WRECKIN’ BALL

It began in 1993 with a crazed line up consisting of Randy Dell (HiFi & the Roadburners), Billy Favata (Demented Are Go) and Randy Meissner, Wreckin’ Ball established themselves as one of the pioneering Psychobilly acts in the United States. With their howling vocals, furious guitar work, slapping’ bass, angry beats and crazed lyrical content, and armed with 3 CDs on the Tombstone label out of the Netherlands plus with numerous compilations CD’s, the world was exposed to the psychotic energy of Wreckin’ Ball-style Psychobilly . the original Wreckin’ Ball line up is back to remind everyone what Psychotic Rock ‘n’ Roll is all about.

Dark Trilogy

DARK TRILOGY

Instrumental Progressive Rock band from the Midwest, USA. A soaring and melodic power trio, blending elements of 80’s Shrapnel shred with a current vibe.

Joystick

JOYSTICK

Joystick is a ska/punk band from New Orleans, LA.

From the banks of the mighty Mississippi, Joystick doesn’t merely play Ska and Punk – they inhabit it. Built on laser tight rhythms, infectious vocals, and a fierce brass section, Joystick calls up the spirit of 90’s ska/punk while still retaining a strong sense of their New Orleans roots, creating a unique sound all their own. Bombastic but never pretentious, fun but never lazy, intense …but never serious, Joystick combines Ska, Punk, Hardcore, and Jazz to create something that’s genuinely lacking in a great deal of modern music: joy.

Joystick hit the ground running in 2008 and within months were already on an extensive North American tour with a full length album under their belt. It’s easy to tell that the octet are having the time of their lives every time they’re on stage together and they transfer that unadulterated energy to the audience with a seemingly casual effort.

After years of relentless touring Joystick signed to Stomp records and in 2017 unleashed “Sinceriously”, their third full length album. The bands momentum only continued to grow, playing sold out shows and festivals around North America.

“I Can’t Take It Anymore”, the bands fourth studio album releasing April 2021 on Stomp Records and Bad Time Records, has the band at the very top of their game. Playing their most aggressive, fun, and introspective brand of ska punk to date. Proving once and for all that they are unstoppable and show no signs of slowing down.

Survay Says!

SURVAY SAYS!

Survay Says! Is a 6-piece pop punk/ska band from New Jersey. Averaging 150+ shows a year for the past 3 years, Survay Says! Blends horn-driven ska music with a hard hitting and quick, catchy pop punk sound.

An energetic and entertaining live show and a strong work ethic set this band apart from the rest. Without the help of agents or managers, the band amassed 208 total shows played in North America in 2013, including a 3+ week tour supporting Big D & The Kids Table (SideOneDummy Records) and Red City Radio (Paper + Plastick Records) that took them to their first appearance at Fest in Gainesville, FL and Pre-Fest in Tampa, FL.

2014 looks to be just as busy of a year with the release of a new length album on Asbestos Records, and international releases as well (Canada, Japan, United Kingdom). The release of their new record “Observations Of The Human Condition” will be quickly followed by several North American tours in April through August, including a month-long run with ska legends Reel Big Fish. More tour dates are to come in the fall, including a return trip to the Fest.

The Last Slice

THE LAST SLICE

The Last Slice started with one goal; to make people shake their ass and stomp holes through their floor boards. Playing high energy ska with a mix of punk The Last Slice keeps the pit bouncing.

The Last Slice started in 2008 in the city of Tulsa, Oklahoma, with Ethan Nickles, Thomas Nickles, Caleb Cook, Jason Ward, and Matthew Sunday..

Inverse Universe

INVERSE UNIVERSE

Inverse Universe is a Chicago based electronic bass music project that features the collaborative efforts of Tyler Thompson (TYLR) and Adam Stephens (STEPHENS). In a music scene dominated by DJ’s, these two musicians turned producers strive to give the crowd more by performing 100% original compositions and remixes. They incorporate a combination of live instrumentation and mix multiple layers of “stems”. In other words, they are mixing each instrumental layer of their song on the spot. This style of mixing allows Inverse Universe to artistically reinvent the way the listener hears each song rhythmically, melodically, and structurally, so that every performance can demonstrate a completely new experience of each track. The objective of the Inverse Universe project, aside from delivering melodically powerful bass-driven music, is to get away from the traditional performance methods of DJ’s who often perform by mixing from one premade track to the next, and to create energy by engaging the audience through the spectacle of their drum, keyboard, guitar, and finger-drumming techniques. These two artists have learned from extensive experience as performers that there is more to the art of electronic music than limiting yourself to specific genres, tempos, and moods. As such, Inverse Universe strives to present its listeners with passionate polytempo sets that cover the range of human emotion from strong, hand raising bangers, to smooth, lush, melodic soundscapes that transport listeners to dream-like states of wonder.

Antartik

ANTARTIK

Anthony “Antartik” Langdon is a singer/songwriter from the production and songwriting team known across the Chicago area as THA ARKITEKZ. Hailing from the Englewood area the singer, songwriter, artist, arranger, is known for his witty song lyrics and charming voice. He has been performing locally throughout the Chicago area, lacing multiple artists with features and songwriting credits. Including Shayla G (first and 15th) “Deuce Gang artist (Young Diesel), Street History (Chi-Chi, S. Madison), Jackie, Angelique, Janice, Fly-Ent (King Louie, Young Chris), Chase Davis, St. Nick. Antartik’s inspirations include God 1st and foremost, family and friends. A simple description of “Antartik’s” sound to sum it up, is an expression of “Pop,R&B Rhythms”, remaining True to the “Good Music” ideal. Musical inspirations include, Justin Timberlake, Michael Jackson and Prince just to name a few. Outlook for the future entails publishing and artist deals, with major and independent labels.

Jim Shaneberger Band

JIM SHANEBERGER BAND

Songwriter and performing musician Jim Shaneberger has been a mainstay in the Michigan music scene for 15 years and counting, recording and touring with Flint, MI blues powerhouse Greg Nagy and the legendary Donald Kinsey.

Best known as a bass guitarist and vocalist, Shaneberger’s songwriting prowess makes its debut on Work in Progress. Recorded at Redwall North Recording Company in Grand Haven, MI, the songs boast a bluesy, funky, soulful combination with Shaneberger playing all parts except drums, which are held down by Jim’s longtime friend and bandmate Karl Schantz.

Shaneberger’s original songs are a showcase of his diverse range of musical interests, each drawing from a unique genre and theme. “Trouble” is an r&b song with socially conscious lyrics; his ‘change the world’ song. “Running Your Mouth” is a nod to old school blues with a few twists and some very frank lyrics. “Work in Progress” is a commentary on his own life philosophy about growing goals leading to new challenges. “Little Lylia” is a poignant acoustic guitar instrumental written for his baby daughter. “The Storm is Coming” is a song about planting his flag in the music scene as a solo artist, announcing his arrival and “Drinkin’ Muddy Water” is about the urge to travel and get his music out into the world, expressing the hunger for touring. Musically, it’s like Johnny Winter meets Led Zeppelin.

The Jim Shaneberger Band brings together adept musicians with backgrounds in blues, rock, gospel and funk for a lively stage performance. Schantz, featured on the album, and Shaneberger have worked together previously in the Greg Nagy Band, Mercurial Son and The Funky Gentlemen. Bassist Robert Pace is steeped in gospel, jazz and r&b and has played with Marvin Sapp, Ken Reynolds, The Williams Brothers, Twinkie Clark, The DeBarges and more.

“It’s been a long time comin’,” said Jim Shaneberger. “I’ve always wanted to put something out there that’s truly mine.”

Smooth Hound Smith

SMOOTH HOUND SMITH

Smooth Hound Smith is a foot stompin’ American roots duo comprised of “one-man-band” Zack Smith (guitars/vocals/foot drums/harmonicas/banjo) and Caitlin Doyle (vocals/percussion).  Established in 2012, and currently based in East Nashville, TN, they record and perform a varied and unique style of folky, garage-infused rhythm & blues. Using primal foot percussion, complex, fuzzed-out, finger-picked guitar patterns, warbled harmonicas, tasty harmonies and A LOT of tambourine, they are able to create something rugged and visceral- a modern interpretation of early blues, soul, and rock ‘n’ roll music that harkens back to the traditions of hazy front porch folk songs as well as raucous back-alley juke joints.

The duo has traveled over 80,000 road miles, playing over 500 shows in over 30 states in the last two-and-a-half years.  They’ve shared the stage with artists such as Justin Townes Earle, Robert Earl Keen, Nikki Bluhm & The Gramblers, The David Mayfield Parade, Matthew Perryman Jones, Charlie Parr, Possessed By Paul James, Shawn Mullins, and more.  Their self-titled debut album received “top adds” on Americana Radio in early 2014, as well as garnered attention from media outlets such as Nashville’s independent radio, WRLT Lightning 100, and publications like American Songwriter and RELIX Magazine.  In addition, the music of Smooth Hound Smith has been featured on MTV’s The Real World as well as the Esquire Network. 

Most recently they were named as a finalist in the 2015 Durango Boots Sole Performer Contest.  They were also selected over thousands of other bands to perform at the 2015 Bonnaroo Music & Arts Festival in Manchester, TN, headlined by Billy Joel, Mumford & Sons, Ben Harper & The Innocent Criminals, and more.