THE 4ONTHEFLOOR

The 4onthefloor deliver stompin’ blues at an alarming intensity. 4onthefloor was born in the bottom of a bourbon bottle with the idea that it’s effing time to have some fun and make amazing music as well. Audiences immediately took to the infectious driving feel of not one, but four bass drums pulsing to the beat of the songs. The music is inspired by the gutsy stomp of the Delta Blues and the hoe-downs from America’s past and present. While 4onthefloor prides themselves on their original songs, they also love putting their signature stomp on covers from the likes of Wilco to Tom Jones. This makes 4onthefloor one of the most entertaining bands on the Midwest music scene today, and the world tomorrow.

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JARED JAMES NICHOLS

It really doesn’t take much…

With nothing more than a Gibson Les Paul slung over his shoulder, a warm amp turned all the way up, and a hot microphone on and ready, Jared James Nichols churns out the kind of rock that rips, roars, and rolls without filter or apology. The Wisconsin-born and Nashville-based singer, songwriter, and guitarist delivers a one-two punch of gritty vocals straight from the gut and incendiary fret fireworks. After earning widespread acclaim from the likes of American Songwriter, Guitar World, Relix, and more, tallying millions of streams, and packing houses at countless shows, he showcases every side of himself on his 2023 self-titled third full-length offering, Jared James Nichols [Black Hill Records].

“You have to strip yourself back so many times to figure out what you’re trying to do,” he observes. “For me, it was quite simple. As an artist, music is freedom; music is whatever you want it to be. So, I see it with the bumps, the bruises, the crashes, and everything intact. The album is a day in the life with the ups and downs, but it musically rings true to who I am as an artist.”

Back in 2015, Jared emerged with his debut Old Glory & The Wild Revival. On its heels, the 2018 follow-up Black Magic yielded the fan favorite “Honey Forgive Me,” piling up over 3.8 million Spotify streams and counting. In between showstopping solo shows, he performed alongside icons a la Slash, Billy Gibbons, Zakk Wylde, and even the late Leslie West, to name a few. Guitar World attested, “If you’ve never witnessed Jared James Nichols onstage, let us say right now: you’re missing out, big time.” Following the 2021 fan favorite Shadow Dancer EP, he collaborated with both Maggie Rose and Joe Bonamassa in 2022 for revised versions of his song “Threw Me To The Wolves.”

Along the way, Gibson formally welcomed him as an official ambassador, plotting the release of several signature Jared James Nichols guitars. Blackstar Amps followed suit and Seymour Duncan also designed a signature pickup to his specification—due out in 2023.

Officially partnering with Gibson was a huge moment in the guitar aficionado’s life. Nearly a decade ago, a Les Paul literally landed into the yard of a fan during the biggest tornado ever to impact Washington, IL. The fan shared a picture of the guitar with Jared. “It was one of the earliest known Les Pauls ever created from 1952,” he explains. “It was battered and bruised with a broken neck from the tornado, but it was still salvageable.” The fan offered to give it to Jared to restore and play. He sent it to one of the world’s best luthiers, Joel Wilkins.

“It is a very important piece of musical history as it is a prototype—1 of 25—to the most important electric guitar shape in the world, the Gibson Les Paul,” he smiles. “It is one of the most perfect instruments I have ever played. I play it every day, take it on tour, and make music with it all over the world. It’s the best way to honor its legacy. I named the guitar ‘Dorothy’ after the tornado experience.”

Fast forward to present time, and after weathering the Pandemic, Jared’s long-awaited return to the road would be unceremoniously derailed. About two weeks into a tour with Black Stone Chery in the fall of 2021, he tried to help his band pack up the stage and upon grabbing a road case, he felt a pop in his right arm. What he thought might be a pulled muscle wound up being bone scraping inside his arm. Whisked away to the emergency room, the x-ray showed a chipped humerus bone due to longtime stress fractures. The only solution proved to be emergency surgery with a chance he might never play guitar again or even use the arm.

“After surgery, I found myself with a plate and 16 screws in my arm, completely sidelined, and back home in bed,” he sighs. “I did not let this hold me down, and I found myself re-working how to use my right arm to play again within days. If anything, breaking my arm forced me right back to square one and to rebuild into the best possible version of myself I could be.”

Busting his ass to restore a semblance of normalcy, he pushed forward and regained use of the arm and his storied guitar proficiency. Going into the next season, Jared made a decision to track his next body of work live, reflecting the spirit of his show on tape like never before. Joined by producer Eddie Spear, the album proudly preserves all of the grit and gusto from the rooms in Blackbird Studios and Sienna Studios where he first cut the tunes.

“It was made live with intention and zero fucks given,” he notes. “It wasn’t like we could fix the tempos. We didn’t use a click track. I wrote a batch of songs to capture everything I’m about. I didn’t hold back. I thought of what I listened to growing up, whether it was grunge or blues. We got a little heavier. I made a record to serve as the menu for the live show. There’s an element of excitement and danger. It’s my version of rock ‘n’ roll with a little more humanity.”

Speaking of, he paved the way for the record with the 2022 release of the hypnotic and hyper-charged “Hard Wired.” Born from a jam session with Tyler Bryant and Graham Whitford, the single bulldozed a path for Jared James Nicholswith no shortage of raw and raucous six-string bravado.

“Sometimes, a song comes out of nowhere and basically writes itself, and that is exactly what happened with this one,” he says. “I immediately knew it was going to be a song I wanted to incorporate into my live set and cut for this record. Lyrically, it comes from a place of self-destruction. You know something is bad for you, but you continue to do it anyway even though the result will be tragic. It’s like a stick of dynamite ready to blow, and it encapsulates the mood and tone of this entire record.”

On the follow-up single “Down The Drain,” vulnerable vocals snake around melodic guitar in ominous fashion. Baring its fangs, it snaps into a chantable chorus punctuated by a wailing lead.

“It’s easy to get addicted to a shitty relationship,” he reveals. “You know it’s going to end wrong, but you can’t get out. You’re going down the drain. The concept is relatable to everyone, whether it’s about a friend or a romantic relationship.”

From the jump, the record kicks into high gear with the bluesy wallop of “My Delusion.” In between steady tambourine, distortion roars as he confesses, “Your body is my temple, and your heart is my ruin.”

“‘My Delusion’ kept evolving,” he recalls. “It was like water starting to boil. By the time you get into the solo and the riff, it’s ready to go off the rails. When we stopped after the second take, we were sweating head-to-toe.  We knew we got it!”

On “Hallelujah,” a flurry of drums gives way to a thick and heavy battering ram of a blues riff only to crash into a rickety bass line and atomic shredding.

“It was recorded balls to the wall,” he remembers. “We were like, ‘Let’s go’. I was channeling all of my heroes. Obviously, the first riff I ever learned was a Black Sabbath tune. It’s a fist in the air song.”

“Good Time Girl” pays homage to “going out, drinking, partying, and having a good time” over a hummable guitar groove. The record culminates on the emotionally charged “Out Of Time.” Jared’s Les Paul practically cries out as he says goodbye to his old man with a heartfelt and tearful tribute.

“I lost my dad, and it was the hardest thing I’ve ever dealt with in my life,” he admits. “I wrote ‘Out of Time’ when I was thinking of him. It’s a heavy song. I was crying when I was doing the vocals. It’s a different vibe, but it’s impactful for me.”

By keeping it simple, Jared remains primed to leave his imprint on rock ‘n’ roll forever.

“I hope you listen to this record and connect to it,” he leaves off. “Rock ‘n’ roll is not always about a throwback. It’s fucking 2022, dude. I’m right here, and I’m ready to rip. I’m not trying to be anybody but myself and play the music I love for today. I’m giving you loud ass guitars and no fucks given rock ‘n’ roll, and I’m loving it.”

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JOANNE SHAW TAYLOR

Born and raised in the Black Country, Joanne was originally discovered by Eurythmics’ Dave Stewart as a 16 year old guitar prodigy. Through hard work and near-constant touring, she is now one of the hottest young names on the British Blues circuit. She is admired and respected by many leading blues guitarists including Joe Bonamassa.

Joanne was voted “Best British Female Vocalist” at the British Blues Awards in 2010 and 2011. Her current album, Almost Always Never, was helmed by the legendary record producer Mike McCarthy (Spoon, …And You Will Know Us by the Trail of Dead, Patty Griffin) in Austin, Texas. Joanne was invited as special guest to Annie Lennox performing at the Queen’s Diamond Jubilee concert in June 2012. Joanne is currently working on her 4th studio album due for release later in 2014.

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