Hailing from Richmond, VA, The Southern Belles play American, Rock & Roll, bridging the gaps between funk, psychedelic rock, country, and soul.
Since their formation in 2010, The Southern Belles have continued to grow exponentially. In 2012, the band released their critically acclaimed debut album “Sharp as a Knife”. The Belles play regular monthly shows across the state of Virginia, in Charlottesville and their hometown of Richmond, and have a touring schedule that takes them from Vermont to Colorado and all points in between.
The band consists of Adrian Ciucci (guitar/vocals), Tommy Booker (keys/vocals), Raphael Katchinoff (drums/vocals), and Andrew Carper (bass/vocals). The Southern Belles have also played a seemingly countless number of music festivals in our area. The Southern Belles have shared the stage with the likes of The Congress, Anders Osborne, Moon Taxi, Keller Williams, Toubab Krewe, Yo Mama’s Big Fat Booty Band, Zach Deputy, and more. Currently The Southern Belles are touring the East Coast and recording their second album to be released later in 2015.
Once hailing from East Lansing, MI, Mason’s Case now based out of Chicago, IL has an eclectic sound and a live energetic stage show that has won over audiences wherever they happen to take the stage.
Blending elements of hard rock, acoustic folk, punk, and blues, Mason’s Case has broken out of the typical college-rock mold where they first began to transforming themselves into a band that has been lucky and grateful enough to play the House of Blues in Chicago as part of I AM FEST headlining that event two times in a row as well as countless shows, tours, and three studio releases. What is Greatest in Life, The Gloom, and their most recent release Trust Me.
Eruptors are a punk rock band consisting of Marcin on rhythm guitar and vocals, Dirvin on bass, Nick on lead guitar, and Kasper on drums. The band started in Chicago in 2012. Eruptors play a stripped down all power chords style of music popularized by The Ramones. The band is also influenced by Cockney Rejects, Fear, Exploited, Vanilla Muffins, Misfits, Youth Brigade, and rock music in general.
Sudden Suspension is a pop punk band from Lake County, Indiana. They have been playing shows all around the midwest in support of their EP ‘Basement Songs.’ The EP is available on all digital stores.
Mystikal’s debut album, Mystikal, was released on New Orleans-based independent record label Big Boy Records in 1994. He found himself in conflict with fellow New Orleans rappers signed to Cash Money Records including U.N.L.V., Lil Wayne and B.G.. They dissed him on tracks like “Drag ‘Em in Tha River” by U.N.L.V. and “Fuck Big Boy” by The B.G.’z. He struck back with the diss “Beware” which was on his sophomore effort Mind of Mystikal. Mystikal’s sister, Michelle Tyler (whom he had close ties with), sang the chorus on “Not That Nigga” and her fate became a major influence on Mystikal’s music after her untimely death. The songs “Dedicated To Michelle Tyler”, “Murderer” (both on Mind of Mystikal), “Murder 2”, “Shine” (both on Unpredictable) and “Murder III” (on Let’s Get Ready) refer to her murder. It wasn’t long after their beef that Mystikal and Lil Wayne decided to squash it and become collaborators.
Mystikal signed to Jive Records and released Mind of Mystikal in 1995. He signed to No Limit Records in 1996 and released Unpredictable in November 1997. He appeared on many of the No Limit albums released from 1997 through a chunk of 1999. In late 1998, he released Ghetto Fabulous. That was his last album with the label, and he left later in 1999 to go on his own
In 1999 he began recording his album after leaving No Limit. Let’s Get Ready was released in 2000 and contained “Danger (Been So Long)”, which featured rising pop star Nivea, and was the Billboard Hot R&B/Hip-Hop Songs number-one single in June 2001. Let’s Get Ready debuted at Number One on the Billboard 200, making it Mystikal’s only chart-topping album to date. The album also featured the popular, Neptunes-produced hit “Shake Ya Ass”. The song retained cult-like popularity and can be heard in the background of numerous movies.
Mystikal’s most recent solo release was the 2001 album Tarantula, which contained the hit single, “Bouncin’ Back (Bumpin’ Me Against The Wall)”. Though it presented Mystikal’s typical and funky flow style, which had the distinction of drawing comparison to legendary R&B soul screamers Little Richard and James Brown, the song also saw a blending of jazz and swing elements with hip-hop. The well received album was nominated for a Grammy Award for Best Rap Album in 2003, and Mystikal was nominated for a Grammy Award for Best Male Rap Solo Performance that same year. Mystikal was also featured prominently in the single, “Move Bitch” by Ludacris as well as “I Don’t Give a Fuck” by Lil Jon & The East Side Boyz along with Krayzie Bone, both in 2002. In 2003 he starred in the film 13 Dead Men.
Mystikal headlined a concert at the Mahalia Jackson Theater of the Performing Arts on Mardi Gras, February 16, 2010. Mystikal’s first song after being released from prison was an underground track with former No Limit labelmate Fiend entitled “I Don’t Like You”. A few weeks later, Atlanta-based, New Orleans-born R&B artist Lloyd released “Set Me Free” featuring Mystikal. The music video for “Set Me Free” was released on May 18, 2010 and was shot in New Orleans, primarily from the Calliope Projects.
In an interview in May 2010, he stated that he was still obligated to Jive Records for one more album and alluded to the fact that he would be taking the necessary time to ensure the album would be his best to date. He also stated that he had not come up with a name for the album, but stated that he was considering The Big Shake Back. He made a promo song called “Papercuts” featuring once again Fiend and the unexpected Lil Wayne. In 2011, He performed at the Gathering of the Juggalos. Mystikal and Busta Rhymes were signed to Cash Money Records by Birdman on November 16 the same year. His first single for the label, “Original”, was released shortly thereafter and featured new label-mates Birdman and Lil Wayne. Mystikal is currently touring the United States. He also appeared in the BET cypher in 2012.
In 2014, Mystikal recorded a new song for Mark Ronson’s new album entitled “Feel Right”.
Pink Talking Fish is a Hybrid Tribute Fusion Act that takes the music from three of the world’s most beloved bands and creates a special treat for fans of the music.
Pink Floyd, The Talking Heads and Phish are all more than just bands… they are Phenomenons. Their creations have artistically inspired people and their mindblowing live performances have brought people together to form a special sense of community around the love for their favorite band.
Although the music from each act is different, Pink Talking Fish has discovered that fusing the material together creates an amazing story. The epic emotion of Pink Floyd…. The funky, danceable layerings of The Talking Heads…. The multitude of styles, unique compositional structures and pure fun of Phish…. to merge these three into one gives music lovers a special experience.
Pink Talking Fish features Eric Gould on bass, Richard James on keyboards, Zack Burwick on drums and Dave Brunyak on guitar. This is a band created by musicians who love the music of these acts. It’s purpose is to heighten people’s passion for this music by creating something fresh and exciting for fans.
Discovering connections is part of the fun: Pink Floyd’s “On The Run” seamlessly fitting in the middle of the composition of Phish’s “You Enjoy Myself”. Perfectly placing Phish’s “Sand” into the groove of The Talking Head’s “Slippery People”. Segued collections from all three acts such as Run Like Hell > Making Flippy Floppy > Piper > Run Like Hell or Mike’s Song > Have A Cigar > Once In A Lifetime > Weekapaug Groove. These ideas are the spirit behind Pink Talking Fish.
The story is ever evolving. The experience is always exciting. Come join Pink Talking Fish for the ultimate fusion tribute and celebrate the love of this music in unique fashion.
Pale Green Stars has just been mistaken for one of those cow-punk power trios you might find rocking a stage behind chicken wire at some wayward Texas roadhouse. PGS is letting its New York grown cow-punk steer deep into the heart of Texarkana as they redefine gut-bucket twang with a punkadelic cutting edge that’s as sharp as a barbershop straight razor.
In short, J.P. Harris plays Country Music. Not “Americana,” not “Roots,” “Folk,” or any other number of monikers used to describe a slew of spin-off genres; he plays from the foundation of these styles, the music that has influenced four generations of songwriters. In a world where prefixes have been added to the term “Country,” JP simply sticks to the old-fashioned sounds that have called to him. Referencing influences would be like describing each stitch in a quilt; every scrap of fabric tells a story of how the weathered and comfortable blanket came to be…
Born six minutes before Valentine’s Day in Montgomery AL in 1983, JP’s life was to be full of color, travel, hardship, and grace from the day he first saw the world. After more than six generations in Alabama, his family would leave seeking work, first to California and then on to Nevada. He left home on foot at the age of 14, traveling via thumb and freight train, living the next 4 years mostly from a backpack, tarp, a bedroll. Eventually landing in the northeast, he worked as a farm laborer, equipment operator, lumberjack, luthier, and carpenter.
In the summer of 2011, after two years of touring without much in the way of recorded music, Harris made a trip to the sweltering heat of south Louisiana. In an old Cajun cook shack he and a few pals pounded out an album in three days, and shortly after it’s completion, he made the move to Nashville. JP released his all-original debut “I’ll Keep Calling” in May of 2012 on Cow Island Music. Shortly after it’s release, without the aide of publicists or a large label’s bankroll, it won “Best Country Album of 2012″ from The Nashville Scene, the same honor at the Independent Music Awards, a cameo on NPR’s American Routes, and as JP says “a whole mess of other stuff in the papers and on the internet.” (Two songs were also licensed to the soundtrack of 2012′s “At Any Price,” starring Dennis Quaid and Zac Efron.)
His latest album “Home Is Where The Hurt Is” (produced by Harris, guitarist Adam Meisterhans, and engineer Justin Francis) was recorded and mixed at Ronnie’s Place (formerly the personal studio of Ronnie Milsap) at home in Nashville. It features not your typical Music Row studio musicians, but young local players, many of whom have spent thousands of miles on the road in JP’s backing band The Tough Choices. Lending a hand on the album vocally is friend and local Indie-Country star Nikki Lane, as well as long-time friend Chance McCoy, singer and guitarist of Old Crow Medicine Show (McCoy also took rhythm and lead guitar in addition to fiddle duties throughout the album.)
When he isn’t touring, JP can usually be found repairing an old house, splitting wood in his backyard, or digging through the trash for useable refuse.
A fifties style with a modern twist! Po’Boy Special pays respect to the legends that came before them, their hometown, Chicago, blues capitol of the world. Inspired by the greats, emulating most, a passion, a love, a thirst, paying their dues, working hard and loving every minute of it. With a steady hand of originals and a catalog of covers, from top to bottom they do it all. Not cause they have to, cause they want to, for you… Chicago.
THE CHEYENNE LINE is an American Pop-Punk/ Experimental/ Alternative group based out of Chicago, IL, consisting of Sam Biggs (lead guitar/lead vocals), Nick Brussel (bass/vocals), Peri Arreguin (drums/percussion), and Jarrett Pryzgoda (lead guitar/back-ups). The eminence of the group speaks through energetic live performances and their most recent/ debut release Kid I Used to Know EP; mixing raw 90’s pop-punk with experimental rock, forming infallible melodies and dramatic prominence. Introductions of new material is slowly leaked through various performances, suggesting yet another release with short anticipation and a new sound.
“Arkham released ‘The Great American Goodbye” this summer, and it’s already a contender for one of the best local albums of the year… its hardcore wallop is a throwback to matinee punk shows at the Fireside Bowl”-The Chicago Tribune
“a snotty mix of newer Bane, early Boy Sets Fire, Rage Against the Machine, Gallows and More Than Life combined with the energy of Refused’s The Shape Of Punk To Come”-Borderline FuckUp
“Arkham stands for something and doesn’t back down”-Chicago Punk Rock Radio
STEPHEN LEE got his boots wet making sinners out of saints with the PunkRockCountry band, “Who Are the Southern Baptists?” However in January of 2013 Lee released the solo and self-titled Stephen Lee EP, recorded and mixed by Dan ABH of The Lab ALL-AGES, in Alexandria, VA.
With a move to Baltimore, Lee released his second solo EP, Too Drunk To Punk. Too Drunk To Punk features faster paced tunes, “Boys Talk,” a self confessional of angst and pessimism towards open mic regulars, but over all reveals a softer and more lyrical approach, steeped in the solitude of solo touring, and the resignation of self reflection. These five songs were recorded live at Lee’s parent’s house in Manassas, VA and engineered by Chad VanNortwick in February of 2014.
Stephen Lee performs either alone or accompanied, both regionally and regularly, hitting Virginia and Maryland dates with frequent stints to points further out. Songs and videos are available at ReverbNation.com/StephenLee, and FaceBook.com/StephenLeeVA, while his music is up for purchase at STEPHENLEE.BANDCAMP.COM. Steve’s been known to trade CDs for a floor to crash on or even just kind words. He likes whiskey after his set, too—just saying.
Rosencrantz (formerly Aztalan) is influenced by such bands as Braid, Thursday, At The Drive-in, Taking back Sunday , Cursive, and many others. Like many relationships now-a-days, this one started online. Nils and Rob happened to start chatting online about starting a new project with a unique math-y sound mixed in with their 90s emo influences. Nils and Rob spent almost a year jamming and perfecting their sound before they found a bassist, Ian. Ian introduced them to drummer Brian. After a few months and a few shows, Ian had to depart from the group to focus on other projects. Shortly thereafter, Keegan strolled into their Waukesha practice space and the band was ready to record. They spent a weekend at Howl Street Recording Studios. After recording the ep (never released), the boys took a break and decided to move on without Brian. Re-grouping in the spring of 2014, Brandon joined them on drums, and the Schlitz loving foursome was officially born. Rosencrantz plans to record in early September and release a new ep in January of 2015.
New singing sensation Brandon James is a rising star from Chicago who has set his sights on making an impact with his music across the globe. He first realized his passion for singing at the age of 12 after he was pushed to become involved in various school projects as a means to keep him out of trouble and to find something that he would like to do. Brandon James delivers a versatile style that blends Opera, Sacred, Gospel, Blues, Pop, & R&B. Beyond singing Brandon James is also a gifted song writer that pulls his material straight from the heart. With influences like Luther Vandross, Lyfe Jennings, & Donnie Hathaway he is destined to elevate to a level where he is recognized as one of the world’s greatest entertainers. Despite some of his influences being R&B legends, Brandon James learned to diversify his style after teachers in college introduced him to groups like the Beatles and Rolling Stones. He describes his sound as a mixture of Pop and Soul. Music is more than a passion it is Brandon James life and has been his dream since he realized his ability to sing at a young age. Brandon James along the way has challenged himself to become better at his craft including taking voice lessons from Bobby Wilsyn one of the best Chicago Jazz Musicians as well as Ars Musica and classical singer Andrew Schultze. Seeking to learn music on all levels Brandon James attended Columbia College Chicago where he earned a degree in Music Performance & Music Business in 2009. It was also an amazing moment in 2009 when the young gifted artist got the chance to perform with the legendary band Earth, Wind, & Fire. Through his learning experiences Brandon James has been able to cultivate a unique sound and dynamic stage presence. He decided to take things a step further by forming a band called The 409s while also balancing his solo career. Brandon James primary goal is to share his story and testimony through his music with millions of people all over the world. He seeks to inspire, touch hearts, and provoke thought with his music. In addition to performing live at various notable venues across Chicago including the UIC Pavillion he is working on the completion of his debut solo album Soulfully Divine. Brandon James current singles “Inspiration”, “All I Want Is You”, & “Everytime” can be heard on his website and Itunes. Brandon James will be performing at a venue near you soon but in the mean time Brandon James music can be heard at www.reverbnation.com/brandonjames20
New Jersey was the birthplace for a true music extraordinaire – Derek Brown aka D.Roc – who now uses his talents to write, produce and perform his innovative and fresh music in the heart of Chicago.
It’s easy to claim that Derek was born with a gift in the arts realm when reminiscing about his ongoing releationship with music. At the age of 6, he began experimenting with multiple aspects of music starting with the trumpet. 6 years later he transitioned to the piano, which he taught himself by ear. This newfound knowledge and flexibility with music allowed him to lead Church services alongside musicians from all over New Jersey.
Derek encountered many talented artists who have taught, challenged and inspired him to create music of his own. He took every opportunity to learn from them, and ultimately learned about various types of sounds within a wide variety of genres. Even today, he calls upon the lessons he learned to create timeless music, which has equipped him to inspire even the most seasoned artists. Usually, it’s his comforting aura and simplistic, sensible approach to production that extends inspiration to those around him.
Derek’s curiousity of the science behind music thrived in his life and molded him into what he is today. It continues to burn – pushing him beyond any limits of creativity. Derek is relentlessly driven to start, cultivate and in time lead the movement that resurrects the creation of timeless music among today’s artists.
SÓLSTAFIR are different. Their unique blend of metal with beautiful melodies, psychedelic moments and a strong undercurrent of classic / hard rock comes as varied and at times appealingly bizarre as the landscapes of their native Iceland. Their fifth full-length “Ótta” is the logical continuation of the musical course this four-piece adopted on the highly acclaimed forerunner “Svartir Sandar” (2011). Expect the unexpected, such as seduction by subtle strings or a hypnotic banjo. None of this was apparent when SÓLSTAFIR released their album debut “Í Blóði og Anda”, which translates as ‘In Blood and Spirit’ in 2002. Instead of today’s Icelandic gravel throated siren chants, frontman Aðalbjörn Tryggvason spit forth vitriolic crust-like vocals and the ripping guitars were clearly black metal inspired. Yet the band was as clearly identifiable back then as now and along their way with the next albums “Masterpiece of Bitterness” (2005) and “Köld” (2009) introducing new elements in a continuous evolution. SÓLSTAFIR’s music is as much the product of Arctic blizzards as of red hot volcanic magma, erupting geysers, lush green pastures, and salty waves. With “Ótta” the Icelanders touch something ancient and timeless, while defying easy categorisation. This album needs to be heard again and again to peel back layers of details, each different and yet always revealing the same: great songs – all of them. The song titles of “Ótta” form a concept based on an old Icelandic system of time keeping similar to the monastic hours called “Eykt” (“eight”). The 24 hour day was divided into 8 parts of 3 hours each. The album starts at midnight, the beginning of “Lágnætti” (“low night”), continues through each Eyktir of the day and ends with “Náttmál” (“nighttime”) from 21:00 to 0:00. This form of time keeping is more open than the relentless ticking of modern times, where each second is made to count, which turns humanity into cocks of the corporate clockwork. Now SÓLSTAFIR give you the antidote. Just lean back, close your eyes, take your time and lose yourself in this masterpiece called “Ótta”!
It started out on a whim, and now it is a care-free gang of guys playing music. Add pizza, Pepsi, s’mores, chips, chicago style hot dogs, leather, knifes, daggers, swords, old school video games, girls, inside jokes, white & black plain t-shirts, jeans, very cool tube socks, dirt, grease, sweat, and possibly some type of mental social disorder and you get Shoebomb.
They are just four guys who like to hug each other and play music. If you want to listen to a band while skateboarding, walking to a store, waiting for a train, going on a road trip, sneaking out at night, moshing, or simply just to sing along, this is the band. They write songs about ANYTHING. They barely take themselves seriously.
In the end, they have no idea where they are going with Shoebomb, but they do know where they have been. And as long as there are stupid-nonsense-sense bands out there, Shoebomb will give hope and light to those dark souls whose ears have been poisoned by today’s music. Shoebomb is love, Shoebomb is life.
The members of Angel Du$t may overlap in bands like Trapped Under Ice, Turnstile and Diamond Youth, but their frenzied hardcore punk stands alone just fine. They’re preparing to release their new album, A.D., this Tuesday, June 10 on both REACT! and Reaper Records.
“What I appreciate most about Angel Du$t, and A.D. in particular, is the authenticity of their approach. They shun genre norms, but not in a pretentious way, they just don’t care what you think they’re supposed to be. There’s a wildness to it, like they don’t have anyone telling them what may or may not work, and somehow it all works. On A.D., they manage to pull together influences from all corners of the punk universe and, against all odds, bring it together in a cohesive and memorable way. A.D. is at the same time incredibly familiar and the wildest record you’ll hear this year,” said REACT! Records owner Evan Wivell.
…a documentary film about the music and records that changed our lives
Written and directed by San Diego based musician and filmmaker Jason Blackmore, Records Collecting Dust documents the vinyl record collections, origins, and holy grails of alternative music icons Jello Biafra, Chuck Dukowski, Keith Morris, John Reis, and over thirty other underground music comrades.
Dateline: June 1977, Los Angeles, CA. In an interview for SLASH Magazine they proclaimed “We’re not punks, we’re Weirdos from Hollyweird!”. This wasn’t just goofy sloganeering this was a stance intended to distinguish The WEIRDOS as a band apart from the burgeoning punk rock scenes in New York and London. After all, The WEIRDOS were dwelling in their own urban wasteland, L.A., which they embodied in their songs, graphics and clothes. Back in 1976, while attending CalArts, Dave Trout and Cliff Roman had been staging various ‘performance art’ installations. It was around this time, that Trout and Roman hatched the concept of a ‘rock band as performance art’. To the art snobs at CalArts in 1976 rock music was horribly passe and Roman and Trout were no different. But this was just the kind of contradiction in terms that appealed to Trout and Roman’s non-conformist sense of irony. With Trout on bass and Roman on guitar they quickly inducted mutual friend John Denney as their lead singer. Denney, an un-employed, part-time student actor and malcontent with aspirations to be a rock ‘n roll frontman was eager to join a band. Days later, Denney’s younger brother Dix, a 19 year-old guitar ace right out of the garage was added to the line-up. The drummer-less quartet, heavily influenced by Iggy and The Stooges and The Ramones, began to jam on covers such as “Pushin’ To Hard” by The Seeds, “Break On Through” by The Doors, “Mystic Eyes” by Them and “Bad Girl” by The New York Dolls. Soon, all the lofty notions about performance art had fallen by the wayside as their first few original songs began to take shape. Highly motivated but with no real plan, they continued to jam and rehearse. Unbeknownst to them, the proto-Power Pop band The Nerves rehearsed at the same studio as The Weirdos. Credit Mr. Peter Case, then of The Nerves for ‘discovering’ The Weirdos. One night, while The Nerves were waiting for their turn to rehearse, Case was struck by the thundering bombast that shook the walls of their tiny studio. When The Weirdos concluded, Case entered the room looking perplexed and asked; “That sounded great, but, where’s the drummer?” The Weirdos chimed; “We’ve had a few but we fired ’em all. …to be continued.
In June of 1977, Time Magazine published a photo of THE WEIRDOS as part of an expose on the emergence of ‘punk rock’. The unexpected publicity prompted the band to jump on the proverbial bandwagon. Six weeks later, The Weirdos were headlining the hallowed Whisky A Go Go. ..to be continued In 1990, after releasing records on BOMP, DANGERHOUSE and RHINO, The WEIRDOS released the CONDOR LP and the crucial WEIRD WORLD VOL. I on FRONTIER. In 2003 The WEIRDOS released the long-awaited WEIRD WORLD Vol. II; a collection of studio and live recordings.
Dateline: July 7, 2004—The WEIRDOS are named BEST PUNK ROCK/HARDCORE BAND at the 2004 L.A. Weekly Music Awards.
Dateline: May 27, 2013 Las Vegas, NV—After a seven year hiatus The WEIRDOS made a triumphant return to the stage at the Punk Rock Bowling and Music Festival. And, they’ve been rolling ever since. Tours in 2013 and ’14 culminated at the glorious Muddy Roots Music Festival in Tennessee. 2015 promises to take The Weirdos far and wide.
To be continued…
The Adolescents are a punk band formed in 1980 in Fullerton, California by Steve Soto after leaving Agent Orange in December 1979. The original line-up was led by frontman Tony Cadena, with Steve Soto on bass, Frank Agnew on guitar, John O’Donovan on guitar and Peter Pan on drums. Both O’Donovan and Pan left in June and were replaced by Rikk Agnew and Casey Royer formerly of Social Distortion and The Detours and also singer for the OC punk band, D.I.. The band created fast, energetic music that was at the forefront of the Orange County punk music scene.
Starting in early 2010, Allen Mendez brought a group of men together as “The Runner Ups” to take on the idea of a ska punk band. The premise was to play fun, upbeat, loud music that people could get up and dance to. “The Runner Ups” sought out well-known ska scene bands like “Run and Punch” and “Shortstop From Tokyo” to begin the first few years of playing in the Chicagoland area.
On January 18th, 2014, the band took on new members and added new instrumentation to their arsenal. The music of “The Runner Ups” became more technical and began to embrace various influences like Dixieland, Latin merengue, big band swing and even Arabic. This fusion of genres into the ska punk sound allowed the band to stray away from the standard and embrace something new in every song.
Now, the powerhouse 7-piece group—including trumpet, trombone, and tenor and baritone sax—have begun touring and playing all over the Midwest. “The Runner Ups” are doing their best to play everywhere and with everyone, so people with different backgrounds can all enjoy a ska punk fusion group with high energy music to dance to.
The Sea Empty are: Dennis Huston, who plays both electric and acoustic guitar, harmonica, sings about things and stuff, and ponders and writes about world problems. Rick Nitz, who plays bass, guitar, gets into the groove, sings about things and stuff, and always dances. Thomas “Teddy” Thornhill, who keeps time with bombastic beats and creative drumming, writes and arranges music, and is a heritage hog farmer during the week. The Sea Empty is in its infancy, but Dennis, Rick and Teddy have all been playing music for many years with other noteworthy bands such as The Statutes of Liberty, Milk At Midnight, Meteorologists, and Traces of Lead. They are all audio engineers and music fanatics, which is what brought them together when the calling came to create music with a futuristic spin to folk/noise rock with a dash of alt-country, a spoonful of retro 80’s, and a whole lot of guitar. The Sea Empty have accepted the challenge and are in the driver’ s seat with the peddle to the floor!
Wild Skies is the band that almost-met-in-real-life.
Kristine and Aaron live two blocks from each other. Kristine and Danny were living in the same suburb for a year. Danny and Tommy played several shows together in different bands, but they never actually met.
All it took was a Craigslist ad to put together Wild Skies, a folk-rock band from Chicago, IL. The group shines through thoughtful songwriting and soaring harmonies; embracing the traditional roots of the folk genre, but adding their own modern twist. Wild Skies pushes the boundaries of what you thought folk music could be – and they do it right.
Combining folk elements like banjo and violin (Danny Caldwell) and standup bass (Tommy Good) make the sound familiar yet unique. Mixed with traditional keys (Spencer Adamson), guitar (Aaron Lechlak), and vocals (Kristine Sorum-Williams), you get the upbeat, shake-the-rafters sound that is Wild Skies.
The music of the Cavepainters digs deep, tapping into the sounds of old, wired America. Their songs are anchored by rich angelic harmonies and ethereal lyricism. 2013 saw the release of their first album, “For The Sea,” made up of country blues & ghostly ballads. Staying true to themselves and their sound, the band recorded and released the album on their own.
The Swedish industrial rock band DEATHSTARS returns with a blast when they release their long anticipated fourth studio album »The Perfect Cult«.
While their predecessor, 2009’s »Night Electric Night« was spawned with the band fairly off the hook of their »Termination Bliss« touring cycle, only to see the band hitting the road yet again. For the upcoming new output, DEATHSTARS finally managed to give themselves the needed time span to work in a “calm and methodic manner, fully exploring the music writing process which resulted in the most dramatic Deathstars album to date.”
Besides their many headlining tours around the world over the years, the band also joined RAMMSTEIN’s sold out arena streak for their “Made In Germany 1995-2011” European Tour 2011/2012. At the same time they released »The Greatest Hits On Earth«, a compilation presenting a decade of their tracks, released via Nuclear Blast.
»The Perfect Cult« has been captured in several studios: drums, guitars and bass were recorded in Bohus Sound Recording, Kungälv Sweden, vocals in Gig Studios in Stockholm, Sweden and keyboards, orchestration and editing was done in Black Syndicate, Stockholm. While the mix as usual was handled by legendary Stefan Glaumann (RAMMSTEIN, WITHIN TEMPTATION), guitarist/keyboardist Nightmare took care of the production from bottom to top. For the drum-, guitar- and bass-production, Nightmare worked together with Roberto Laghi (ENTOMBED, IN FLAMES) at Bohus Sound Recording. The Mastering was done by Svante Forsbäck (VOLBEAT, RAMMSTEIN) at Chartmakers, Helsinki, Finland.
As far as the lyrics are concerned vocalist Whiplasher states that “all the tracks are about our lives. Each song is a reflection on a situation or a topic that deals with our experiences, usually from a jet black perspective.”
With visions inspired by amoral excessive lives, human fears and decay, the songs will be nothing less than a dark playground set between straight forward tracks, atmospheric anthems and the unwashed loins of lawless rock.
Sniper 66 cultivates a brash, hard hitting brand of punk from their home soil in Austin, Texas. Sniper 66 was formed in 2009, by singer/guitarist Dylan Close and bassist Jeff Ellis, later rounded out by guitarist Jeremy Brister and drummer April Schupmann. They play punk, tight and crisp with bullet paced drums. While giving a nod to the forefathers, they also blend in the fury of 90’s punk. For over five years, Sniper 66 has been putting a modern spin on a classic genre of music.
Incendiary, invigorating sounds have been distilled to ensure maximum delivery. You can hear bands like Oxymoron, One Way System, Abrasive Wheels, The Booked, and The Virus weave in and out of these still original sounds. They have shared the stage with Krum Bums, Lower Class Brats, DOA, The Casualties, Sham 69 and Bishops Green, among others.
Rock and roll grit fuels tunes like “Firecracker”, “I Know It’ True” and “All Dressed Up” from their breakout self-titled album. Their second, ‘Caput Lupinum’, features aggressive and thoughtful tracks like “Another War” and “Society”. Mostly, Sniper 66 sets a course straight ahead and finds the fastest way to get there. Charging through most songs in under two minutes, Sniper 66 get to the point and fire up anyone within range.
They blazed a path of new fans after a midwest tour in 2013 where they burned down the stage at Tulsa’s F-You We Rule OK Fest. Their 22 date east coast ‘Warpath Tour’ in May 2014 to support their sophomore album was a success, highlighted by a raucous set at Chicago’s Midwest Live & Loud. They went back out for a week in November of that year with Denver’s Potato Pirates and The Bad Engrish, and OKC’s Violent Affair for the Punks Alive Tour. They are garnering attention in 2015, and will be playing the festival stage at Punk Rock Bowling with such bands as Rancid and Dropkick Murphys, before taking off on a summer west coast tour. This band is showing no signs of slowing down!
Clench your teeth, raise a pint, and prepare to scream!
Nationally acclaimed jazz vocalist, bandleader and songwriter, Erin McDougald has been touted as “one of the best voices in jazz today” by Downbeat critic Howard Mandel; Jazz Improv Magazine raves “McDougald’s voice is a rare instrument to be savored– sweet and spicy in equal measure… worldly, gorgeous and positively mercurial” and trumpet-genius Tom Harrell attests Erin as a “wonderful vocalist” with “magical phrasing”. With an elastic vocal range, her daring approach to rhythmic interpretations and a bevy of Grammy winning jazz icons on her recordings and in her various touring ensembles, Erin McDougald has captivated audiences of jazz aficionados and novices alike from Paris to New York City.
We’re from the badlands…” A musical reputation like the one Atlanta holds can play blessing and curse to up and coming artists. On the one hand, the city’s rich history and vibrant creative scene provide constant inspiration; on the other, established lanes and expectations can make it difficult to break the mold and get people to take notice. West Atlanta duo EarthGang isn’t worried about fitting into easy boxes–they’re happy to follow the drums, drugs, and ideas that inspire them most, whatever they may be. Rappers Johnny Venus and Doctur Dot would just as soon jam with the Arctic Monkeys and wake Frida Kahlo from her grave to do their cover art as they would fire up a Clipse record and rap along. “Atlanta’s music scene has gone through so many changes in the past 15 years alone. When we started, everybody from the Westside was talking about trap music. There was only one type of sound you’d hear coming from Atlanta, one mainstream sound you hear. For us, there really was no blueprint,” says Venus. “Even if there was, we weren’t about to follow it. We were just doing what we do, like people on the frontiers heading west: No one told them what to do. They set up shop and did it how they wanted to do it.” Most rappers probably don’t cite molecular gastronomy or Pink Floyd’s Live at Pompeii as muses, but Venus and Dot dedicate themselves to taking influence from the unexpected and bringing listeners into the worlds they’re exploring. Whether observations about the decay of their home city, tales of intimate encounters, reflections on the younger years, or visions of their future, EarthGang vividly, viscerally renders the music of their minds. “When you listen to our album, we want you to feel like you’re on a trip, like where you are now is exactly where we want you to be for that period of time.” A peak at where what they’re working on might take you? “Our new music sounds like jaguars fucking in the jungle.”
Chicago born Cochise Soulstar is an eclectic emcee like no other…Unafraid to express his nerd or his displeasure with the current state of hip-hop. Nerd, rebel, lover and shoe junkie….All sides are on display is his music.
Located at 657 W. Lake Street, Altered Stage is a private club for recreational musicians of all skill levels — from absolute beginner to advanced players. They offer guitar, bass, drum, keyboard, and vocal lessons to adults; yet, Altered Stage is more than just music lessons. It’s a journey tailored to each member’s musical aspirations. It’s a dynamic community of people who love music and want to learn and play with others. Through personalized music instruction and programming, as well as live gigs at local venues like Reggies, Altered Stage is uniting Chicago’s recreational musicians by providing a unique and perpetual experience that takes instruction to a whole new level. It is a great place to plug in and crank it up. A place to meet new friends and live music. Everyday.
Visit alteredstage.com or call 312-953-ROCK (7625) to sign up for a tour and free intro lesson. Your musical journey can start today!
Formed in Chicago, Illinois, Revolt Coda originated with Zac Conforti and Santino Carbonaro on the guitar and drums, respectively. Sharing an abundance of common influences, chemistry manifested itself instantly as the two set out to generate fresh sounds and manufacture a following from the ground up. After a brief period of fluidity to the lineup, the band discovered the perfect blend of talent, passion, and personality following the addition of vocalist/percussionist Dallas Moreland and Vocalist/Keyboardist Tom Langan. The experience and knowledge offered through classical training and live performances have since afforded Revolt Coda the opportunity to both fine-tune their craft and mature their sound with each and every passing minute. Hitting the ground in stride in early 2019, the quartet released the melodic and experimental “Life Goes On” before following their first hit single with the equally intoxicating “Shedevil”. These were followed by their first full length LP, Juxtaposed; released on July 8th, 2019.
The band is currently recording new music and their newest single “Place to Hide” was released on April 16th, 2021. They followed up with a funk single called “Makin’ moves” and just released a psychedelic jam called “Another Life” that takes you on an 8 min long journey. Don’t miss this!
Hailing from Chicago, Suspicious Fires burns through your stereo with crashing drums, jangling guitar riffs, spine-tingling vocal harmonies, booming bass and a raucous rockery that mixes grunge with new pop sensibilities. Coming to a dive bar near you.
Animal Factory is a high energy band that loves to perform and get the crowd into the show. Their floating vocal melodies, symphonic guitar, aggressive drums rhythms, and brilliant bass grove is the template for their dynamic masterpieces. With musical roots that dig deeper than oak trees, the band believes there is something in their music for all types of listeners.
Formed in 2007, and after undergoing a series of sound and line-up changes, Green Bay, Wisconsin’s 4 piece death metal act “Micawber” has
finally found a sound of their own and is definitely making an impact on today’s metal community. Micawber strives to break away from the slow, boring, half-time chugs that have infected the metal scene today, while still maintaining enough energy in their music to put on an intense live show. The band’s line up consists of
Guitarist/vocalist Leighton Thompson, Sean Thompson on guitar,Nick Gouin playing bass, and drummer Tyler Lachowichz. With two self released
CD’s behind them and a relentless tour schedule ahead of them, make sure to keep an eye out for Micawber in a city near you!
Thanks to their balls-to-wall brand of technical deathcore, Melbourne’s BORIS THE BLADE have earned a reputation amongst fans worldwide for being Australia’s most violently heavy metal act.
The release of their debut EP ‘Tides of Damnation’ in 2011 on RTD Records marked the beginning of the bands rapid ascent to the top tier of the Australian brutal music scene. The EP debuted at #1 on the iTunes metal chart, culminating in national tours and support slots for international metal acts – and Australia’s own Parkway Drive – all within the bands first 6 months of existence.
The success of the EP was followed up with extensive touring, including supporting Obey The Brave (CAN), All Shall Perish (USA), Thy Art Is Murder (AUS) and Bleeding Through (USA) on their final Australian tour.
2014 sees BORIS THE BLADE sign with Siege of Amida / Century Media for the worldwide release of their debut LP ‘The Human Hive’, as the band takes their live assault global.
Punk/Metal band consisting of veterans from both Chicago and New York City. Perry is a veteran of the NYC and NJ hardcore scene from the early 80s on.. He was in bands like Clenched Fist ( Members of Agnostic Front, Citizens Arrest, Mental Abuse, Lifes Blood ) Krieg Kopf and others. Rocky is a veteran of the Chicago scene playing in La Mantra De Fhiqria and Lone Wolf & Cub. The band is finished out with talented new comers John Parts and Guitar player and singer Steve.
Highdro is a young motivational leader in the hip-hop community. He has dedicated his time, energy, and creative gifts to give back to the hip-hop community ten fold. Highdro has earned his title of a true master of ceremony. He began freestyling to random beats at the age of ten. “Growing up music played a parental role in my life, it basically raised me.” His love for hip-hop and performing only grew stronger over the years. It was never a plan of Highdro’s to become a rapper but his following continued to grow and fans demanded more from him as an artist. It then became evident that enlightening and empowering people through the message in his music is what Highdro was meant to do.
Residing in Las Vegas Nevada Highdro started and still runs “Hip Hop Roots” which is Las Vegas’ longest running weekly hip-hop night. His event is the premier location for hip-hop in Las Vegas. Hip Hop Roots has been operating for almost 6 years now with 300+ consecutive weekly events on record and no breaks/weeks off. Highdro is a true grassroots entrepreneur and has expanded the show from an event to an organization. He has opened 5 more chapters of Hip Hop Roots across the nation and is currently touring/traveling in hopes to put a chapter in every state one day. The plan is to eventually unify serious independent hip-hop talent of all kinds and to help improve each cities local hip-hop scene.
Highdro’s high standards of respect and professional etiquette have been a trademark of Hip Hop Roots, with not a single episode of violence being documented in over a half decade of shows. He’s a team player and instills an essence of respect, appreciation, and happiness in everyone around him.
Highdro’s enlightening message and passion for hip-hop and the growth of the culture are exhilarating to say the least. His music and movement are a fresh breath of air for hip-hop heads worldwide. Combining a classic roots hip-hop vibe with his unique, versatile, lyrical style provides listeners with a distinctive new sound that leaves them wanting more after every song. The content is relevant to every day people so fans can still relate to it even though it doesn’t sound like everything else on radio today. Highdro is a definite trail blazer.
Highdro is one of the most explosive live hip-hop performers you will ever see. He has a natural charm and a stage presence that captures a crowd almost instantly. His high-energy performances maintain the crowd’s attention from beginning to end. Highdro has performed along with some of the biggest names in hip-hop. The most notable acts are; Bone Thugs N Harmony, Mob Deep, Hieroglyphics, Aesop Rock, Raekwon, Ghostface Killah, Inspectah Deck, Tech N9ne, Everlast, Slaughterhouse, Cormega, Large Professor, Fashawn & Exile, Blu, Supernatural, Rittz, Jean Grae, Akil (Jurassic 5), Sage Francis, Rakaa Iriscience (Dilated Peoples), Canibus, Bliss N Eso (Australia), CappaDonna, Tash & E Swift of Tha Liks, Ras Kass, and Percee P to name a few.
Highdro is also the front man for a reggae/hip-hop band called “GDB & Highdro” and together they have opened for, The Wu Tang Clan, Barrington Levy, Reel Big Fish, Mayor Hawthorne, Kotton Mouth Kings, The Skatalites, The Slackers and English Beat(UK). The band’s debut album “GDB & Highdro” hit #46 on the Reggae iTunes charts with no major support. Highdro infuses hip-hop and reggae to make a style of music unlike anything heard from an artist in the industry today. Lyrical skill, diversity, and the passion to constantly improve are what make Highdro stand out from the rest. “He’s one of Vegas’ most multifaceted MCs: political, party-friendly, laid-back and galvanized all at once. A local hip-hop lightning rod, HighDro’s not just blowin’ smoke:” -Jason Bracelin – Las Vegas Review Journal.
Highdro has taken the ride all the way from small 5-10 person bar shows to sold out events at the World famous House of Blues and Hard Rock Cafe on the Las Vegas Strip. With perseverance, he built everything from the ground up. He has an enormous drive for success and slowing down is not anywhere in his future plans.
Highdro is original, soulful and an inspiration to many.
Craig’s act can be described as punk inspired riot folk that engages crowds of all styles and configurations around the world. The lyrical content stretches from drinking in your favorite bar, to relationships, political jousting, life in general, and more. His energy level is rivaled by few solo artists, and he is most known for strumming the hell out of an acoustic guitar and stomping the beat out on his custom built stomp box.
SUPERHERO
KEVIN O’CONNOR
Kevin O’Connor is an Irish folk singer-songwriter hailing from the South Side of Chicago who has played at pubs and taverns from Midway to Beverly and made multiple appearances at Gaelicfest in the South Suburbs. Kevin will be teaming up with his lifelong friend Billy Morrison, an underground Chicago blues musician whose skill on the guitar has been honed over the past twenty years. They will be performing a set packed with both Kevin’s original songs and old folk classics from the Emerald Isle. Come join us for an evening of food, drink, and song, while we celebrate our Irish heritage.
CULINARY FIGHT CLUB
Live monthly cooking competitions all around Chicago open to anyone who shares a passion for food and fun.
