As their name alludes, Hellbound Glory is well on their way to proving they are a force to be reckoned with in the country music. Fusing superior song writing and hard living characters with a hard-edged country honky tonk sound. The group is known for its instrumental dexterity, while vivacious frontman Leroy and his compadres are also notorious for their down-home, good-old-boy attitude. This type of attitude and song writing chops, to back it up, have won over fans far and wide. Whether they are playing in front of two hundred or two thousand, Hellbound Glory delivers on their performance and leaves audiences begging for more as they envelop the crowd with Leroy’s powerful story telling and showmanship.

Throughout the mid 2000’s, Hellbound Glory began defining their indie Americana sound, before that was even a genre. They were moderately successful, but they never had a breakthrough hit on the country charts. But the new album “Damaged Goods” is set to change all that. Hellbound Glory knew there was an audience for Real Country and they stuck to their guns writing and recording songs full of grit, character and about problems facing rural America.

“Molly Gene One Whoaman Band, is a down-home young woman, all cowboy boots and t-shirts and flannels, all soul and grit and fire. Her bottleneck slide technique is reminiscent of the old blues greats, though with a rock ‘n’ roll edge. Her raspy whiskey and cigarettes vocals, which do not come across as androgynous but remain entirely feminine, join together with her big plugged-in guitar sound to form songs that are as wicked as a desert rattlesnake, as sharp as a straight razor, as fiery as a sip of backwoods moonshine, as sultry as summer nights in the Deep South, and nearly as sexy as Molly herself.” —James Carlson Philadelphia Examiner

Their sound, though hard to define, has been referred to as “punk-blues”, “gutbucket soul”and “explosive stomp and groove”. This high-octane trio from Boston, MA has been touring the country for the past five years, taking their unique form of roots music (influenced by the sounds of the northern Mississippi hill country) to cafes, restaurants, record stores, rock clubs, theatres, festivals and back yard parties, and playing for anyone who will listen. In 2010, they released their first full-length CD, “I Get Blamed For Everything I Do” (Hillgrass Bluebilly Records). Their new album, “Undertow” (also on Hillgrass), will be officially released in March/April 2013.

Adam Lee’s first solo release, ‘Sincerely, Me’, turned traditionalism on its head. In support of the album he completed a second European tour and played shows with Dave Alvin, Lucero, and Frank Turner. He also dug deeper into his own roots: from Springsteen and Petty to the indie and punk rock records he grew up on.