THE UNIPHONICS

The Music Joint is 21+. If you are under 21, you must be with a parent or legal guardian to enter. Families are welcome. The Music will be in The Rock Club and it is All Ages.

A cash parking lot will be available at the corner of Cermak and Wabash, Free Rides on the Reggie Bus to Soldier Field and back. Multiple runs will be made.

Come on out and enjoy some great food, music and fun, before and after the big game.

Do you have a big group that wants to reserve some seating or party packages? Contact Jody Zagger to plan your event.

The Uniphonics have created waves of excitement across the United States since forming out of the Iowa City music scene in 2007. Their jam band approach to hip hop has led them to performances at countless major festivals and venues across the country. They’ve played on bills with some of their biggest influences, including George Clinton & Parliament Funkadelic, Rusted Root, Karl Denson, The Roots, and Primus.

ROB SCHULZ (Featuring Nick Kitsos from BoDeans and Klem from Michael McDermott Band)

A singer/songwriter and guitarist originally out of the State of Iowa, Rob Schulz has been performing in and around the Chicago area since 1989. He released his self titled debut in 1990 followed by “Something To Believe In” in 1992. In 1994, he teamed up with fellow songwriter Mike McGlaughlin to form the power pop quartet Swinger. Their first release, “Half Day Road” was in 1996, followed by “The Walk” in 1999.

Released in August, 2008, a new 11 song record, “Tragedy & Comedy”. The opening “Guantanamo Bay” is a beach rocker with a decidedly “Kink’s/Beach Boys” feel, creating a satirical advertisement for an imaginary luxury resort on the south east side of Cuba. “Anyone But Me” is a song about longing for the days of old, while the rest of the world passes you by. “I Gave My Soul To You” yields a slowed down girl group rhythm evoking sounds of Elvis Costello’s “Party Girl” or “Man Out OF Time”. On the soaring “Gonna Rock You”, swelling guitars lift this existential angst song up to the heavens. Despite apparent influences, Schulz is no cipher, bringing his own unique personalities and sensibilities to the fore. His work displays a wealth of hook-packed classic power pop that is earnest, tuneful, sincere, dynamic and accessible. His frighteningly memorable melodies and precise guitar motifs are terrifyingly catchy.