“Now, here is a band I can get behind. Chicago-based Tim Larson & the Owner Operators recently dropped A New Deal, a record lands on the spectrum somewhere between Nebraska and The Earth Is Not a Cold Dead Place, depending upon how much you goose the volume pot. Clearly influenced by the stark lyricism of both Cave and Cash, Larson and his boys fill their bag o’tricks with layers of guitar that will send the meeker Americana stock running for the hills.” – Dodge, My Old Kentucky Blog

DARRIN JAMES BAND: THE LOVELY UGLY TRUTH

“Brooklyn singer-songwriter Darrin James touches on Robbie Robertson’s gruff soulfulness, Tom Waits’ vaudevillian menace and Paul Westerberg’s ramshackle charm…” Time Out New York

Much is known about the way music impacts the brain; very little is known about its effect on the heart. That instant, visceral sensation when a song connects is universal; while sincerity and authenticity are intangible qualities, they are always present in the positive listening experience. Darrin James has been a guitarist for 15 years and a songwriter for just under a decade, drawing on his love for blues, soul, country and other roots genres to create songs with a timeless quality. “As a songwriter, I have wanted to combine honest, dark lyrics with old school blues and a fusion of styles, to express the emotions and stories of tragic or flawed characters.” Darrin has succeeded mightily at this aim, his debut album, Thrones of Gold earned a wealth of kudos in the music press – The Deli Magazine had this to say, “The man’s got Joe Henry versatility, a crackerjack studio band and a great sense of craft…from a Lovett/Waits blues into a John Prine diatribe then rocketing off with an Elvis Costello pop gem.” The title track placed in American Songwriter’s Lyric Writing Contest with the lyrics appearing in the Nov/Dec 2006 issue. “Crazy World” was used in the segment of Emmy-nominated reality TV fave The Deadliest Catch in which the crew demonstrate advanced cases of “Bering Sea Dementia.”

The Lovely Ugly Truth is the follow up album, and it’s filled with parables that illustrate moral dilemmas and regret, outlaw stories, murder ballads and even a contemporary protest song that confronts the immigration debate. “I have always loved the saddest songs the best, so that is what I write most often,” explained James, who produced the album and assembled an ensemble of New York’s finest players, including staff from Antibalas, TV on the Radio, Sharon Jones and the Dap Kings, Beirut and Arcade Fire. The tracks were recorded between 2007 and 2009 in numerous studios in New York by Matt Gill, who has worked with bands like Fischerspooner, Aimee Mann, The Raveonettes and Aqualung.